Oh, when I die,
you just bury me
Away out west,
where the wind blows free.
Let cattle rab my tombstone down,
Let coyotes mourn their kin.
Let horses come and paw the mound,
But please, don't fence me in.
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The image of cowboys as ramblers and rugged individualists leading Teddy Roosevelt's "strenuous life," who shun the fences of civilization, indeed seems to hold up. They don't pack pistols, they don't croon mournful songs at cattle, they aren't uneducated. But to a man we found them purposeful individualists who cherish their work even while they complain about its inequities and problems. They would rather spend time making wages on horseback or in a line camp removed from town and regular society. These men volunteered for the job. As in any occupation, the laborers' complaints are thoroughly part of the life and the work itself.
"The cowboy" as a subject has been complicated by the national mythmaking process. The misinformation and stereotypes that trickled out of the West in travelers' reports and diatribes in the mid-nineteenth century turned into a flood in illustrated weeklies, dime novels, and wild west shows at century's end. Countless books, articles, radio programs, sound recordings, and Hollywood movies have kept up the flow of simplistic visions of the West. Occasionally movies or books appear presenting a more accurate view of buckaroos, but they make little popular headway. Not only is the image of the past distorted, but most people assume that there are no more buckaroos pushing cows through the bunchgrass.
Bar Interior, Paradise Valley Bar and Store; Buckaroos relaxing after 1979 Trail Drive |
Buckaroos live most of the year in some sort of house on the home ranch, but those who work for the big corporations spend weeks at a time out on the rangelands tending the cattle. They go to and from the camps in trucks, hauling horses, equipment, and supplies as they go. The buckaroo camps are without plumbing, electricity, or other luxuries of civilization. Working "on the mountain" and "on the wagon," many men like it that way. There is solitude, there is work, there is the land.
Many a long afternoon on the mountain (working cattle through the BLM or Forest Service grazing allotment) is spent in camp, when the day's work is done, and the hours are whittled away by an assortment of pastimes. Dave Hiller, a Nevada Vaca corporation cowboy in 1979, spent hours making horse gear from miscellaneous materials salvaged from the home ranch. The steel spurs he makes are not for the cases in the stores in town, but for his job. Bunkhouse furniture is homemade out of lumber highgraded from the ranch, and some buckaroos make their own riatas, macardies, and hackamores as well as lead ropes and other equipment. There is a great pride of workmanship in everything handmade, whether a piece of equipment is created from scratch or decorated to make it one's own.
There used to be a good deal of storytelling around evening cook fires, and sometimes a bit of singing or "music making," too. The stories generally were succinct accounts of scenes from life and history in the region, long personal anecdotes of memorable times, legends, or jokes. Storytelling sessions often commenced, then as now, with one man's offhand complaint or comment about one or another problem of the day. This gripe or thought leads to others on the same or different themes, which sometimes leads to testimonies and tales of how much better (or worse) things were in "the good old days." Cowboys as a group are very conscious of the real and imaginary history of their trade. Many a man has gone to the West and the buckaroo life in order to live legends. Although buckaroos and ranchers do not volunteer poems, "legends," or "folksongs," there are many such traditional forms of expression in circulation. Once in a while, usually in town, under the right combination of a late evening, good whiskey, juke box, and dancing partners, a fine poem or polished story will be recited about the castration of the mythical Strawberry Roan, or Butch Cassidy's legendary robbery of the First National Bank in Winnemucca. But these occasions are rare.
Buckaroos own no land or house but do own personal property--a car or pickup truck, horsegear, household goods, a "war bag" of personal effects, bedroll, and other things that transport easily. Some own their own horses, which are kept and fed as though they were part of the rancher's cavvy.
Dave Hiller holds bridle of his own design, Little Owyhee Line Camp |
The relationship between rancher and buckaroo is based on a traditional code of mutual trust, respect, and the essential honor in doing a good day's work for a good day's wages. Buckaroos are more likely to feel loyalty to the family ranch than to a large corporation owned by outsiders. Similarly, family ranchers are likely to be loyal to good hands. Honest, self-reliant buckaroos hold the entire industry together.
Many buckaroos lead the life because it is an alternative to what they know and want to leave behind. In this way, it is still the Real West, a mix of romantic belief and cold fact. This supposed escape from civilization that smacks of strength and freedom is an essential part of the appeal of the cowboy image and life-to them as well as to us. They are self-conscious players in the drama of the dusty, tough cattle business. The cowboy life stands for vigorous human liberty. At the same time, as one aging cowhand with back trouble said over and over again, the cowboy life is the dumps. A sense of exile links many working cowboys, as does a sense of quest and adventure. In various individual ways they have rejected or found uncomfortable other trades and professions. But though they are often noncomformists, most conform very strictly to their own community's expectations and customary legal system.
Meal at the Reed (Read) Ranch - buckaroo Rusty McCorkell and family |
Buckaroos tend not to be acquisitive or materialistic. Beyond a fine saddle (made by Ken Tipton in Winnemucca or at Capriola's in Elko) and good horse gear, some special possessions packed in a bed roll or war bag, and some household goods, no personal wealth will result from this work. Some of the men are mightily against the amassing of material things, which would be a hindrance to their self-reliant itinerant habits.
Is this a life of freedom? No--and yes. Buckaroos are trapped by wages, the environment, the nature of the labor, and the will of the current foreman. They are freed by the ability to choose where they work and what they do for a living. That kind of freedom attracts men to the work and serves as the core of the myth still sustaining the occupation. The years after the Civil War when the range cattle industry flourished saw the evolution of this cowboy trade and the simultaneous evolution of the glorified cowboy image. The symbols at the center of the myth do, after all, represent truth: buckaroos do have a kind of freedom, they do tend to be responsible though quixotic workers, they are surely rugged individualists, and their job provides them with a proximity to nature.