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The Capital and the Bay: Narratives of Washington and the Chesapeake Bay Region ca. 1600-1925 |
Go directly to the collection, The Capital and the Bay: Narratives of Washington and the Chesapeake Bay Region ca. 1600-1925, in American Memory, or view a Summary of Resources related to the collection. Critical thinking topics include: Constructing Timelines | Using Poems as Historical Documents | Reading Imaginatively | Views on the Richmond Theater Fire | Using Photographs to Develop Research Questions | Interrogating Memoirs and Recollections | Analyzing Value-Laden Decisions Historical Comprehension: Reading ImaginativelyThe "Memoir of Lieut. Col Tench Tilghman: Secretary and Aid to Washington: Together with an Appendix, Containing Revolutionary Journals and Letters, Hitherto Unpublished" includes letters between Tilghman and George Washington, as well as letters Tilghman wrote to his father following noted Revolutionary War battles. The letters to his father are interesting not only for the information they provide about the war but because his father was a Loyalist. Read the letters, tracing the movements of Washington's troops that can be inferred from the letters and looking for evidence of the political disagreement between father and son. In the last letter to his father presented (pages 170 and 171, June 12, 1778), Tilghman urges his father to declare his loyalty to the new country. Imagine that you are Tilghman, opening the return letter from your father. What do you think he will say? How will you respond?
Historical Analysis and Interpretation: Views on the Richmond Theater FireA local event that is covered in a number of documents in the collection is a theater fire in Richmond in 1811. Documents include accounts of the fire as well as responses to it. The following excerpt is from a document titled "A Voice from Richmond." Read this excerpt and consider the questions that follow: I have a message from God unto you. Shun the theatre: avoid the haunts of Satan, the destroyer of your souls. Seek for real pleasure. Do not pursue the phantom of imaginary happiness, which will at last deceive you. It may seem to be delightful, it appeared the same to me, but I now find that I have been fatally mistaken. My sun went down while it was yet day. How awful the change! From the meridian splendour of a noonday sun, to be suddenly enveloped in midnight darkness! Yes, with the blackness of darkness forever! Five weeks ago, I was in life, blooming, healthy and gay. I thought, like many others, that there was no harm in attending on the amusements of the theatre, and from persuasion and example I was confirmed in my opinion. That very afternoon, I laughed at a young lady for saying that 'the theatre was a very improper place; that many had been ruined, body and soul, by attending at such places of amusement.' Ah, my young friends, I wish I had felt the force of her observation. I went. I expected pleasure, and for a short time I joined the laugh of those around me, and mingled my smiles with their shouts of applause. The whole scene was before us; all around was mirth and pleasure; but in two minutes after, I was surrounded with cries of anguish and despair. Suffocated with smoke, I fainted and fell, blazing, into the pit, and was crushed and covered with the burning ruins. I was unprepared for death, and hurried unexpectedly into eternity. My state is now unalterably fixed forever.
Conduct a search to find as many documents as possible about the fire. Using the documents, attempt to compile as many verifiable facts about the fire as you can, as well as a list of responses to the fire. What do the responses indicate about the social climate of the time? Constructing Timelines | Using Poems as Historical Documents | Reading Imaginatively | Views on the Richmond Theater Fire | Using Photographs to Develop Research Questions | Interrogating Memoirs and Recollections | Analyzing Value-Laden Decisions |
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| Last updated 11/12/2003 |