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Presenting the Student Lesson

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Day 1:  Introducing the Artifact Road Show

Conduct a personal "mind walk" using personal primary source documents and personal artifacts that reflect something important in your own life. Display the artifact and guide and instruct the students to use the Artifact Analysis Matrix to record their observations of the artifact. Then share "the real story" of your relationship to the artifact.

To connect to the creative concept of "Artifact Road Show," students can place a value on the artifact from a reviewer and owner perspective. This leads to a discussion of what brings value, as well as meaning, to an artifact.

Some suggestions for personal artifacts are:

  • published documents-an official document about you, i.e., driver's license, birth certificate, teaching credential, passport;
  • unpublished documents-a letter written to you, diary, journal;
  • oral traditions/histories-a family story, and
  • visual documents/artifacts-a photograph, drawing, caricature, trophy, locket, or medal.

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Day 2:  Student Activity

Ask students to bring their own personal artifacts and display them for their group of three students. Teams of three review each artifact supplied by team members and interpret them to determine information about the owners' personalities and lifestyles. Each team works together to complete the Artifact Analysis Matrix.

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Day 3:  Sharing the Results

When the groups' Artifact Analysis Matrix charts are complete, the reviewers share their charts with the class. The artifact owner "constructs the context" that reveals "the whole story." In order to connect to the creative concept of "Artifact Road Show," students may place a value on the artifact from a reviewer and owner perspective. This leads to a discussion of what brings value to an artifact.

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Day 4:  Introducing the Library of Congress and American Memory

Introduce students to a selection of primary sources that are "Rare Finds" from American Memory. As a whole class, students complete a large version of the Artifact Analysis Matrix, using 18" x 12" paper with plenty of room to write notes. The students analyze the content of the primary sources to gather as much information as possible about the context of the story they are about to read.

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Reading Activity

Each of the student lessons is taken from a grade level anthology by Harcourt Brace. The stories are offered within each grade-level student anthology:
  • Rare Finds (Grade 4);
  • Coast to Coast (Grade 5); and
  • Hidden Treasures (Grade 6).

Fourth Grade:

Students read aloud and discuss The River Ran Wild by Lynne Cherry, with a silent re-reading assigned as a follow-up. In addition to reading the story together as an entire class, include a discussion of the illustration borders and how they tie into the story.  Students can also be assigned a portion of the illustrations to research/report to the class.

Fifth Grade:

Students read aloud and discuss The American Family Farm by Joan Anderson, illustrated with photographs by George Ancona. This beautifully illustrated photo-essay shows the positive and negative aspects of family farms in Georgia, Iowa, and Massachusetts. Students should be prepared to compare the positives/negatives with the positives/negatives they find in the photographs from American Memory.

Sixth Grade:

Students read The River by Gary Paulsen. This book is the fourth in a series about Brian Robeson and his quest to survive a variety of challenges in his young life. In The River, he is asked to return to the wilderness to teach government scientists about his survival techniques. He soon finds himself faced with still another survival challenge. Brian's skillful use of a map plays a role in his survival. Gary Paulsen's survival stories provide a excellent chance to review the structure of a good story. You might want to have the students track the problems, solutions, and climax of this story as they read. Students can also learn more about the author and investigate the other books that he has written.

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Day 5:  Writing a 5-W Poem--Rough Draft

Use direct quotations of phrases and vocabulary from the book that they have read. Students answer the 5-Ws:
  • who;
  • what;
  • where;
  • when;
  • why, and sometimes
  • how.

Students attempt to match these "answers" to both the literary work and the artifact. You may want to write a beginning verse together, and then have them work in teams of three to add one or two more verses. Be sure to instruct them in the skills of capitalization and punctuation for poetry.

Suggestions for writing the poem:
  • Students may write individual poems.
  • Students may write individual verses selected from assigned pages, and put their verses together with the rest of the class to form one longer poem that encapsulates the entire story.
  • Students may work in groups of two or three to write a group poem.
  • Students may work in groups of two or three to create a verse selected from assigned pages and put their verses together with the rest of the class to form one longer poem that encapsulates the entire story.

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Day 6:  Writing a 5-W Poem--Final Draft

The final creative activity involves arranging the quoted phrases and individual words into a verse or series of verses that link the artifacts to the literary work.

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Day 7:  Publishing

Post the artifacts, literary titles, or book covers/illustrations, and poetry on a bulletin board.

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Evaluation

Use the 5-W Poetry Rubric for Fourth/Fifth Grade or Sixth Grade to evaluate student work. Add brief descriptions for each of the sections, if desired. Students should have the rubric before them as they begin to work so they know how they will be evaluated. Students may also help in developing the descriptions as part of the clarification process after hearing the assignment described.

5-W Poetry Rubric Explanation:  Fourth/Fifth Grade

Content:  always earns the most points.

Correctness:  relates to content; enough points to make a difference in grade.

Conventions:  enough points to make a difference in grade.

Completion:  on time/enough points to make a difference in grade.

Cooperation: relates to staying on task, sharing the work, working quietly, etc. (possibly a rating from other group members.)

5-W Poetry Rubric Categories:  Fourth/Fifth Grade Points
Content:  2 sets of 5-W verses 20
Correctness:  answers 5-W; arranged correctly 10
Conventions:  spelling, title, capitalization, word processing or penmanship 10
Completion: on time, complete 5
Cooperation:  helped others, stayed on task 5
Bonus: Creativity in presentation and phrase/word selection10
5-W Poetry Rubric Explanation:  Sixth Grade
Map Analysis:  relates to content of the maps; earns as many points as content section

Content:  always earns the most points.

Correctness:  relates to content; enough points to make a difference in grade.

Conventions:  enough points to make a difference in grade.

Completion:  on time/enough points to make a difference in grade.

Cooperation:  relates to staying on task, sharing the work, working quietly, etc. (possibly a rating from other group members.)

5-W Poetry Rubric Categories:  Sixth Grade Points
Map Analysis20
Content:  2 sets of 5-W verses 20
Correctness:  answers 5-W; arranged correctly 10
Conventions:  spelling, title, capitalization, word processing or penmanship 10
Completion: on time, complete 5
Cooperation:  helped others, stayed on task 5
Bonus: Creativity in presentation and phrase/word selection10

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Extension

The lesson may be extended using the following activities:
  • Use software to create slide shows or Web pages illustrating the literary work, artifacts, and 5-W poetry. Add soundtracks of students reading their poetry or music to the slide shows or Web pages.
  • Other literary works may be used, such as the suggested titles that follow. These title may be enriched by the American Memory primary sources listed with each title.
Fourth Grade
Extension activities may be provided by using the links from the lesson with the literature listed below. After working through the lesson as a whole class, students may choose to repeat the activity with one of these additional titles. Students may compare the events in the following books to the listed links from American Memory so as to bring the story to life.
Little House on the Prairie by Laura Ingalls Wilder

By the Great Horn Spoon by Sid Fleischman

From One Man's Gold; the Letters and Journal of a Forty-Niner, Enos Christman in California As I Saw It, 1849-1900:

Blue Willow by Doris Gates

Extraordinary Black Americans by Susan Altman
Fifth Grade

Extension activities may be provided by using the links from the lesson with the literature listed below. After working through the lesson as a whole class, students may choose to repeat the activity with one of these additional titles.

Students may compare the events in the following books to links from The Northern Great Plains, 1880-1920, to bring the story to life.

Prairie Songs by Pam Conrad

A young doctor builds a sod house and brings his Philadelphia bride, Emmeline, to live there. Emmeline does not adapt well to the hardships of prairie life.

Grasshopper Summer by Ann Turner

Sam White likes his life in Kentucky, but is forced to move with his family to the Dakota Territory following the Civil War. His family builds a sod home and experiences the perils of living on a prairie farm.

Dakota Dugout by Ann Turner

A book about life in the Dakota Territory.

Prairie Visions by Pam Conrad

This book also provides photographs of sod houses and life on the early prairie.

Dandelions by Eve Bunting and Greg Shed

A family migrates to the prairie and lives in a sod house. Each family member reacts to the hardships in a different way. The role played by the dandelions brings some joy and relief to everyone.

Heartland by Diane Sieber and Wendell Minor

Primarily a picture book, it provides a great contrast and a more modern look at the American family farm. A more romanticized view than the other works, the book also has a worthwhile update on today's prairies and plains.
Sixth Grade
The following literary works represent stories where maps play a crucial role. Using the hyperlinks supplied in the lesson for The River by Gary Paulson, additional map interpretation activities may be completed. After working with maps as a whole class during study of The River, students can then work in small groups, with each group reading one of the works listed below and presenting the results of their map study and a summary of the highlights of the story to the class.
Where the Red Fern Grows by Wilson Rawls

 

Number the Stars by Lois Lowry

 

Freedom Ride by Liz Fordred with Susie Blackmun

 

Julie of the Wolves by Jean Craighead George

 

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Last updated 09/26/2002