| From | Les "Cirondins", mourir pour la patrie, revolutionary song '48 | to | Admiration polka
|
| From | An admired military air | to | Air from Joseph and his brethren, varied, op. 552
|
| From | Air from Lucia di Lammermoor, Oh sun, haste to rise | to | Alpine quick step
|
| From | Alpine rose | to | Anastasia gallopade
|
| From | Anch'io provai = The dream is o'er, romanza | to | Anthem, He shall come down like rain upon the mown grass
|
| From | Anthem, sanctus and fugue | to | Astonishing polka
|
| From | Astoria waltz | to | Bachelor's polka
|
| From | The bachelor's song | to | Battle of the Thames
|
| From | Bavarian march | to | La belle Jeunesse
|
| From | La belle Kate waltz | to | Bessy Green, ballad
|
| From | The betrothed | to | Blue Juniata
|
| From | Blue Moselle waltz | to | Boston serenading polka
|
| From | La Bostonienne | to | Broken hearted weep no more
|
| From | The broken hearted, a romance | to | California as it is, a comic song
|
| From | California as it is, comic song | to | La capricciosa
|
| From | Caprice Russe | to | Castanet polka
|
| From | The Castellan polka | to | Chant du soldat
|
| From | Chant of the Danube waltz | to | Chit-chat polka
|
| From | Chitarra polka | to | Claytonia waltz
|
| From | Clementine | to | Come brothers, sons of Jove, a favorite glee
|
| From | Come chase that starting tear away from Moore's national airs | to | Comin' thro' the rye, no. 24
|
| From | Comin' thro' the rye, with variations | to | Cornelia polka
|
| From | Corner-stone march | to | Crystal palace polka redowa, op. 8
|
| From | Crystal palace schottisch, op. 3 | to | The dashing polka
|
| From | Davenport waltz | to | Deh! Con te, Take them I implore thee [from Norma
|
| From | Deh! Con te, il prendi = For the sake of these I pray [from Norma | to | Distaffina polka, op. 14
|
| From | The distant drum, or, Rap, tap a tap | to | The dream
|
| From | Dream heart no more, ballad | to | Eagle waltz
|
| From | Early dawn polka | to | Eliza rondino
|
| From | Eliza waltz | to | Enchantress quadrilles
|
| From | The enchantress quick step | to | Even tide polka
|
| From | The evening bell = La cloche du soir, nocturne | to | Fairmount polka
|
| From | The Fairmount quadrilles | to | Fantasie de salon sur l'opera Der Freyschutz
|
| From | Fantasie de salon sur l'opera Don Giovani | to | Fashion galop, op. 51, no. 9
|
| From | Fashion quick step | to | Fi yi yi quick step
|
| From | Fi, I. I. Polka | to | Fleur de Marie, polka-mazurka
|
| From | La fleur de lis = The lily, op. 7 | to | The flowing river, a waltz
|
| From | The flute waltz | to | Fra Diavolo, quickstep
|
| From | Fra poco a me = Soon in a cold tomb | to | Le gage d'amour, valse
|
| From | La gaiete polka facile | to | General Scott's grand march
|
| From | General Scott's quick step | to | Giorno d'Orrore from Semiramide
|
| From | Giovanna di Napoli | to | God is there
|
| From | God of Israel | to | Gov. Seabrook's quick step
|
| From | Governor Aiken's march | to | Grande march triumphale, op. 14
|
| From | Grande marche Arabique | to | Gypsy boy at the north = Der zigeunerbube im norden
|
| From | The gypsy girl's carol | to | Harriet's dream waltz
|
| From | Harrisburg cadet's quick step | to | Helen polka, op. 68
|
| From | Helena polka | to | Hold your horses
|
| From | Holiday schottisch | to | Hopeless love
|
| From | The hopeless lover | to | The Hussar quadrilles
|
| From | The Hyacinth galop | to | I have lov'd thee long and truly, ballad
|
| From | I have loved - but the dream is now over | to | I offer thee no treasur'd gold
|
| From | I often sigh in sadness | to | I'll give thee a place in my heart
|
| From | I'll hang my harp on a willow tree | to | If sorrow's tears
|
| From | If the deep voice of sorrow [from Lucrezia Borgia | to | Ingraham, a national song
|
| From | Ink drops, a collection of instructive pieces | to | Ivy schottisch
|
| From | Ivy waltz | to | Jerusalem, grande fantaisie triomphale [and Une pensee amere, grand duo du 2nd acte
|
| From | Jervinius polka | to | Juliet, romanza
|
| From | Juliette waltz | to | "Katy did song" schottisch
|
| From | Katy did song, schottisch | to | L'Americaine valse
|
| From | L'Americaine, op. 52, no. 1 ; L'Italienne, op. 32, no. 2 | to | Lady's book polka
|
| From | Ladybird | to | The laurel and the cypress
|
| From | Laurel polka | to | Liberty waltz
|
| From | Libiamo ne lieti calici = Gaily thro' this life | to | Linda's gone to Baltimore, a beautiful plantation melody
|
| From | Lindale waltz | to | Logansport waltz
|
| From | Lola polka | to | The love dream polka
|
| From | Love dream polka, op. 29 | to | De lubly nigger boy
|
| From | The Lucas quick step | to | The maiden polka
|
| From | The maiden to her lost lover, ballad, or, We meet no more | to | La Maria waltz
|
| From | Maria waltz | to | Mary waltz
|
| From | Mary we pray to thee | to | Mayflower waltzes
|
| From | The Maypole | to | The merry heart
|
| From | The merry hearted soldier | to | The minstrel's grave, a ballad
|
| From | Minuet from Symphony in D major | to | The moonbeams are glancing, ballad
|
| From | The moonbeams are kissing the wave, ballad | to | Mountain belle schottisch
|
| From | The mountain bugle | to | My Algonquin
|
| From | My Annie O | to | My harp has been unstrung
|
| From | My hear and lute, rondino | to | My poor lost Geraldine
|
| From | My prairie flower, ballad | to | Nature's nobleman
|
| From | Navy yard grand march | to | A new method of learning and fingering the major & minor scales
|
| From | New method of learning the fingering of the major and minor scales | to | Norfolk serenade gallopade
|
| From | Norma | to | O welcome merry spring
|
| From | O wert thou but mine own love! | to | Oh Let me gaze upon those eyes!
|
| From | Oh Linda's gone to Baltimore | to | Oh! Dearest Joe you look so hansum
|
| From | Oh! Deem not that I love her less, favorite ballad | to | Oh! watch you well by daylight
|
| From | Oh, I love the early morn, polka | to | The old harper = Der alte harfner
|
| From | Old haunts | to | Once only let me speak, a ballad
|
| From | Once upon a time! | to | Other love with scorn disdaining = Tutto sprezzo che d'Ernani
|
| From | Other love with scorn disdaining = Tutto sprezzo che e'Ernani | to | Panorama polka
|
| From | The papageno polka | to | Pearlette valse
|
| From | The pearly drops [from Ode to Washington | to | The Philadelphia quadrilles
|
| From | Philadelphia redowa | to | The Pocahontas waltz
|
| From | Pochahontas quick step | to | The popular quadrilles
|
| From | Portebello waltz | to | Prima donna waltz, with variations
|
| From | The prima donna, valse | to | The queens of creation
|
| From | The queens polka | to | Redowa waltz
|
| From | Reflection waltz | to | Ricordanza, premiere valse de concert, op. 9
|
| From | Riding on a rail | to | Romanza in the opera "Les Huguenots"
|
| From | Romanza, dearest this heart beats only for thee | to | Rosee du matin, etude poetique
|
| From | La rosee valse brillante | to | Salem independent cadet quick step
|
| From | Sallie polka | to | Schottisch di bravura
|
| From | Schottisch di bravura, op. 14 | to | Serenade Andalouse
|
| From | Serenade from the opera Don Pasqual | to | Shockoe hill waltz [and Shockoe hill polka
|
| From | A short waltz | to | Skippy schottisch
|
| From | Sky blue polka | to | Les soirees de dance, a set of quadrilles
|
| From | Soirees de danse | to | Song to the nightingale
|
| From | Song without words | to | Souvenir de Philadelphie, polka
|
| From | Souvenir de Pologne mazurka, op. 20 | to | Spring
|
| From | The spring and summer both are past, canzonet | to | The stars and stripes forever
|
| From | The stars of heav'n are gleaming | to | The summer sun was in the sky, or, Mary of the mill
|
| From | The summer vacation waltz | to | Sweet breathing, tranquil peace
|
| From | Sweet echo, song from Milton's Comus | to | The syren schottisch
|
| From | System of vocal music | to | Il tempo passato = Departed days
|
| From | The temptation polka | to | There's music in a mother's voice
|
| From | There's music in the air | to | Thou art gone from my gaze, paraphrase, op. 11
|
| From | Thou art gone from my gaze, with variations | to | 'Tis echo's voice
|
| From | Tis home where the heart is | to | Topsy's song, "O white folks I was never born", quickstep
|
| From | Topsy-turvy polka | to | True devotion
|
| From | The true friend, a ballad | to | Uncle Gabriel
|
| From | Uncle John is sweetly sleeping | to | Valse impromptu -- Pastorale -- Idylle -- Scherzino -- Etude pour le trill -- A la mazourka
|
| From | Valse melancolique, op. 162, no. 185 | to | The village bell he hears, or, The sailor's return
|
| From | The village bells | to | Wait for the wagon -- Jordan -- Basket -- Three bells -- I've something sweet to tell you -- Few days
|
| From | Wait for the wagon, Ethiopian song | to | The watcher waltz
|
| From | The watcher waltz and quickstep | to | Weep no more
|
| From | Weep not for me my mother dear, ballad | to | When I learn'd to sing & play
|
| From | When I learned to sing and play | to | Where are now the hopes I cherished
|
| From | Where are now the hopes I cherished, air from the opera Norma | to | The wild ash deer
|
| From | The wild ash deer with variations | to | Withered away, a canzonett
|
| From | Withered flowers | to | Yankee Doodle variations
|
| From | Yankee Doodle, with brilliant variations, op. 956 | to | Zaringa waltzes
|
| From | Zeekel and Huldy, or, A natural courtship | to | Zwolf kleine Stucke
|