Nicolas Slonimsky Collection (full view)

Title: Nicolas Slonimsky collection
Span Dates: 1873-1997
Bulk Dates: (bulk 1920-1990)
Call No.: ML31.S6
Creator: Slonimsky, Nicolas, 1894-
Size: 500 linear ft.; 354 boxes; ca. 118,600 items
Language: Collection material in English
Repository: Music Division, Library of Congress, Washington, D.C.
Abstract: Collection contains materials collected by Slonimsky throughout his lifetime that document his life and work as musicologist, composer, conductor, lecturer and author. Included are personal biographical materials; Slonimsky's writings (drafts, typescripts, reprints, etc.) of newspaper, periodical, journal, and magazine articles, record liner notes, radio broadcasts, and talks, published and unpublished; music composed by Slonimsky, manuscript and printed; concert programs; correspondence, among many others, with Henry Cowell, Alexandre Gretchaninoff, Roy Harris, Charles Ives, and Edgar Varèse; biographical materials on composers and performers mosly generated when Slonimsky was editing Baker's and The international cyclopedia; music collected by Slonimsky, manuscript and printed and multi-composer collections; among the manuscripts are many short holographic works and fragments; scrapbooks; and iconographical material, such as family photographs an those of composers and musicians from the former Soviet Union, as well as little known musicians from the United States and elsewhere.

Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by personal names, subjects, related names, and listed alphabetically therein.

Personal Names

Cowell, Henry, 1897-1965--Correspondence.
Grechaninov, Aleksandr Tikhonovich, 1864-1956--Correspondence.
Harris, Roy, 1898- --Correspondence.
Ives, Charles, 1874-1954--Correspondence.
Slonimsky, Nicolas, 1894-
Slonimsky, Nicolas, 1894-
Slonimsky, Nicolas, 1894- --Autographs.
Slonimsky, Nicolas, 1894- --Correspondence.
Varèse, Edgard, 1883-1965--Correspondence.

Subjects

Music--20th century.

Related Names

Nicolas Slonimsky Collection (Library of Congress)

Administrative Information

Provenance

Part of collection Acquisition Nicholas Slonimsky 1969

Part of collection Acquisition Electra Yourke 1999

Accruals

No further accruals are expected.

Processing History

The Nicolas Slonimsky Collection was processed in 1998-99 by Michael Ferrando, William Nelson, Stefan Patejak and Albert Tucker with the assistance of Kevin LaVine. Robert Saladini was Music Specialist and Team Leader. This Finding Aid was prepared with Corel WordPerfect 8 and Procite. In 2002, Michael A. Ferrando coded and edited the finding aid for EAD format. An automated version is available from the staff of the Performing Arts Reading Room.

Copyright Status

The status of copyright on the materials of the Nicolas Slonimsky collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).

Restrictions

Certain restrictions to use or copying of materials may apply.

Preferred Citation

Researchers wishing to cite this collection should include the following information: container number, the Nicolas Slonimsky collection, Music Division, Library of Congress, Washington, D.C.

Biographical Sketch

Date	Event
1894 April 27	Born in St. Petersburg (Nikolai Leonidovich)
1900 November 6	Studies piano with his aunt, Isabelle Vengerova
1919	Composition lessons with Glière
1920	Appointed instructor at Yalta Conservatory, piano accompanist for singers
1921	Arrives in Paris; Hired as secretary and rehearsal pianist for Serge Koussevitzky
1923	Coach, Eastman School of Music, opera department; Studies composition with Selim Palmgren; conducting with Albert Coates
1925	Works for Koussevitzky in Paris and Boston
1925	Composes "Make this a day of Pepsodent," "No More Shiny Nose," "Children Cry for Castoria" (singing commercials)
1927	Fired by Koussevitzky
1927	Organizes the Chamber Orchestra of Boston
1927-29	Conducts the Pierian Sodality at Harvard
1928-30	Directs the Apollo Chorus
1928	"Studies in Black and White" for piano
1931 January 10	Conducts first performance of Charles Ives' "Three Places in New England," NYC, Town Hall
1931	Marries Dorothy Adlow
1931	Becomes naturalized US citizen
1931-32	Conducts concerts of modern American, Cuban and Mexican music in Paris, Berlin, and Budapest under the auspices of the Pan-American Association of Composers
1932	Conducts the Los Angeles Philharmonic
1933 March	Premiers Varèse's "Ionisation"
1933	First appearance at Hollywood Bowl, Los Angeles
1937	Invents the term "Pandiatonicism"
1937	Music Since 1900 published
1942	"My Toy Balloon"
1945	"Gravestones"
1945	Music of Latin America
1945-47	Lectures in Slavic languages and literatures at Harvard
1946	The International cyclopedia of music and musicians, 4th edition
1947	Thesaurus of Scales and Melodic Patterns
1947	The Road to Music
1952	Lexicon of Musical Invective
1962-63	Travels in Russia, Poland, Yugoslavia, Bulgaria, Rumania, Greece, and Israel under the auspices of the Office of Cultural Exchange, U.S. Department of State
1964	Dorothy Adlow, his wife, dies
1965 May 5	"Möbius Strip-Tease" performed at UCLA
1968 February 2	"Sex and the Music Librarian"
1971	Music Since 1900, 4th edition
1971-77	"Minitudes"
1987	Translates Boris de Schloezer's biography of Scriabin into English
1987	Perfect Pitch
1988	Lectionary of Music
1995 December 25	Dies in Los Angeles
1996 January 22	Memorial Service at UCLA

Scope and Content Note

The Nicolas Slonimsky Collection contains materials collected by Slonimsky throughout his lifetime that document his life and work as musicologist, composer, conductor lecturer and author. His career as a composer and performer together with his lexicographical work, especially in compiling detailed information about the lives and works of musicians- those of the twentieth century in particular- has produced a remarkable archive of music, correspondence, memorabilia, books and related documents.

The Collection is divided into three sections 1) materials about Nicholas Slonimsky 2) materials related to his work as a composer, conductor and lexicographer and 3) selected items from Nicholas Slonimsky's personal library of rare printed materials (books, journals, periodicals, pamphlets), many of which are in Russian/Cyrillic. This finding aid is a guide to sections 1 and 2 above. The first category of materials pertains to Slonimsky's life and the lives of members of his family; to his work as a composer, performer, writer, etc.; to his work as a composer and performer; and to his writings. The second part of the collection is an assemblage of his work as a lexicographer, musicologist, and writer and consists primarily of correspondence, musicians' biographical materials, and music.

Items in category 3 are fully cataloged and are accessible through the Library of Congress Online Public Access Catalog (OPAC). Some materials, mostly bound books of a general nature, were deaccessioned by the Library. A collection of the title pages of these items is found in box 354.

The date span of the biographical materials is equal to that of Slonimsky's life (1894-1995). Of special interest are examples of Slonimsky's school work from his youth in Russia as well as some personal and medical papers. Most of the materials in the series are clippings which these date from 1925 to 1994. They provide a comprehensive overview of the man's personality, activities, and accomplishments.

Included among the writings series are drafts, typescripts, reprints, etc., and of newspaper, periodical, journal, and magazine articles, record liner notes, radio broadcasts, and talks; these are both published and unpublished and filed in alphabetical order by title. In addition, there are index cards of errata and corrigenda, typescripts, amendments, corrections of earlier editions, publishers' proofs and other documentary material for several editions of Slonimsky's larger-scale works such as Baker's Biographical Dictionary, Lectionary of Music, Music Since 1900, and Perfect Pitch. Worthy of special mention is an unpublished biography of composer Roy Harris including some Harris holograph materials.

The music composed by Nicolas Slonimsky is divided into two sections: manuscripts and printed music. The manuscripts are mostly for solo piano or piano and voice and many of these date from Slonimsky's younger days. The earliest dated manuscripts are from 1913, including a musical examination exercise from the St. Petersburg Conservatory. Other early manuscripts date from the years 1918 to 1921. Other manuscripts of particular interest include a volume of 15 Russian Peasant Songs composed in 1935, several chamber works, including the Piccolo Divertimento and the Quaquaversal Suite, and some of Slonimsky's signature dittie such as the component works of the 51 Minitudes or the Möbius Strip Tease.

The printed music by Nicolas Slonimsky consists of music published between 1920 and 1990, and written, again, mostly for solo piano or voice and piano. Among these are the Bosphore valse, published in 1920 in Constantinople, and the Five Advertising songs, published in 1988, although composed at a prior date and credited by Slonimsky as being some of the earliest singing commercials. Several large-scale works are also present, including My Toy Baloon, for orchestra, and the Piccolo Divertimento, for woodwinds, percussion, typewriter, and cat's meow. An incomplete copy of the famed Thesaurus of Scales and Melodic Patterns is also found amongst the printed scores. Many works not found in manuscript are found here.

A valuable collection of programs of Nicolas Slonimsky performances dating from 1924-1992 portrays Slonimsky's life as a public figure in his roles as a composer, conductor, musician, lecturer, and writer. Each program refers to Slonimsky in one or more of these roles.

The correspondence series ranges from 1920 through the 1990s. The bulk of these letters date from 1940s through the 1970s and most are responses to Slonimsky's inquiries for biographical and other information relative to his editing of International Cyclopedia of Music and Musicians and Baker's Biographical Dictionary. Written mostly in English but also in other languages, many of the letters include biographical information and provide valuable insights into the lives and personalities of some correspondents. Noteworthy correspondents include the following: Henry Cowell, Alexandre Gretchaninoff, Roy Harris, Charles Ives, and Edgar Varèse. Other correspondents who deserve special mention are: Gerald Abraham, Modest Altschuler, George Antheil, Jacob Avshalomov, Simon Bucharoff, Milton Babbitt, Samuel Barber, John J. Becker, Leonard Bernstein, Ernst Bloch, Friedrich Blume, Benjamin Britten, Howard Mayer Brown, Manfred Bukofzer, Alan Bush, Charles Wakefield Cadman, John Cage, Michel-Dimitri Calvocoressi, Mario Castelnuovo-Tedesco, Carlos Chávez, Chou Wen-Chung, Jani Christou, Sergei Conus, Aaron Copland, César Cui, Aleksandr Grechaninov, Luigi Dallapiccola, Mario Davidovsky, Norman Dello Joio, David Diamond, Christoph von Dohnányi, Olin Downes, Arcady Dubensky, Vladimir Dukelsky (Vernon Duke), Alfred Einstein, David Ewen, Lukas Foss, Harry Lawrence Freeman, Kenneth Gaburo, Alejandro García Caturla, Vladimir Guba, George Gershwin, Walter Gieseking, Henry F. Gilbert, Lawrence Gilman, Alberto Ginastera, Isaac Goldberg, Michael Goldstein, Eugene Goossens, Leonid Grabovsky, Morton Gould, Howard Hanson, Jascha Heifetz, John Joubert, Ulysses Kay, Tikhon Khrennikov, Charles Koechlin, Ernst Krenek, Genrihk Litinsky, Wanda Landowska, Eric Leinsdorf, Jay Leda, Douglas Lilburn, Nikolai Lopatnikoff, Lorin Maazel, Gian Francesco Malipiero, Nicolai Malko, Igor Markevich, Nikolai Miaskovsky, Darius Milhaud, Hans Moldenhauer, Lawrence Morton, Nicolas Nabokov, Aleksandr Olenin, Claude Palisca, George Perle, Walter Piston, Dragan Plamenac, Hubert du Plessis, Sergei Prokofiev, Solomon Rosowsky, Serge Rachmaninoff, Maurice Ravel, Yuri Shaporin, Max Steinberg, Silvestre Revueltas, Wallingford Riegger, Andrei Rimsky-Korsakoff, Charles Ruggles, Lazare Saminsky, Arnold Schoenberg, Wiliam Schuman, Roger Sessions, Fabien Sevitsky, George Bernard Shaw, Alexander Siloti, Sergei Slonimsky, Kaikhosru Sorabji, Leo Sowerby, William Grant Still, Karlheinz Stockhausen, George Szell, Joseph Szigeti, Alexandre Tansman, Alexander Tcherepnin, John Thompson, Oscar Thompson, Randall Thompson, Virgil Thomson, Ernst Toch, Vladmir Ussachevsky, Heitor Villa-Lobos, Jacob Weinberg, Anton Webern, and Eugene Zádor. In addition, scattered letters, mostly of lesser import, are found among the biographical materials on composers and performers series and elsewhere in the collection.

Most of the biographical materials on composers and performers date from the 1920s to the 1980s. Like the correspondence series, most of these materials were generated when Slonimsky was editing Bakers and the International Cyclopedia. Again, in these files one finds extensive information about composers and musicians from around the United States and the world. Many of the musicians included here are not well known. Especially interesting are materials relative to the lives and works of composers and musicians from the former Soviet Union. Included with the materials are a number of obscure facts and details, curricula vitae, works lists, biographies and other notes about these individuals and their families with a surprising number of birth and death certificates in English and other languages (mostly Italian, German, and French). Materials of a biographical nature are found in other series in the collection as well. A number of files are minimally informative and contain only brief birth and/or death dates, or newspaper articles that are generally available elsewhere.

A collection of concert programs amassed by Slonimsky date from 1873 to 1997. Most of these date from the early 1950s until the late 1990s and most deal with contemporary music. A significant number of the programs are from music festivals. They are organized chronologically.

The music collected by Nicolas Slonimsky series is divided into subseries of manuscript, printed music and multi-composer collections. Among the manuscripts are many short holographic works and fragments by composers: Dante Alderighi, John J. Becker, Eleazar de Carvalho, Sergei Conus, Luigi Dallapiccola, Mabel Daniels, Arcady Dubensky, Gregor G. Fitelberg, Gianandrea Gavazzeni, Gino Gorini, Aleksandr Gretchaninov, Roy Harris, Daniel Jones, Ellis B. Kohs, William Kraft, René Leibowitz, Gian Francesco Malipiero, Franco Margola, Edvard Mirzoyan, Riccardo Nielsen, Goffredo Petrassi, Manuel M. Ponce, Gardner Read, Nino Rota, Luis H. Salgado, Giovanni Salviucci, Sergei Slonimsky, Alexandre Tansman, Boris Tishchenko, David Toradze, Georges Tsouyopoulos, Guillermo Uribe-Holguín, Aurelio de la Vega, Heitor Villa-Lobos, John Vincent, Andrei Volkonsky, and Adone Zecchi.

Of particular interest among the printed music and multi-composer collections are a significant number of works by lesser-known Soviet composers as well as composers with Spanish surnames. Especially noteworthy are a number of published works by Sergei Slonimsky, Prokofief and Shostakovich. A copy of 114 songs by Charles E. Ives contains annotations and corrections in Ives' hand.

The scrapbooks include general materials such as announcements, flyers and related programs in addition to clippings of reviews of Slonimsky's early work as a performer and conductor and of his later work as a writer. Included also are articles he wrote for the Boston Evening Transcript and the Christian Science Monitor.

Most interesting among the iconographical materials in the collection are family photographs along with photographs of composers and musicians from the former Soviet Union, as well as little known musicians from the United States and elsewhere.

The Collection was processed in 1998-99 by Michael Ferrando, William Nelson, Stefan Patejak and Albert Tucker with the assistance of Kevin LaVine. Robert Saladini was Music Specialist and Team Leader.

Organization of the Nicolas Slonimsky collection

The Nicolas Slonimsky collection is organized in 13 series:

Biographical materials
Writings
Reviews
Music composed by Nicolas Slonimsky
Programs of Nicolas Slonimsky performances
Correspondence
Biographical materials on composers and performers
Programs
Clippings
Music collected by Nicolas Slonimsky
Scrapbooks
Iconography
Miscellany

Container List

Box	Contents


BOX 1-7	BIOGRAPHICAL MATERIALS, 1894-1995
		Materials relating to Nicolas Slonimsky's personal life, including family history documents, a miscellaneous subject file, travel materials, and assorted clippings.
		Arranged in alphabetical order by subject matter, or chronologically when appropriate.

BOX 1-2		Nicolas Slonimsky biographical materials

BOX 1			90th birthday tributes

BOX 1			Address books

BOX 1			Biographical articles, clippings, documents

BOX 2			Childhood school certificates

BOX 2			Childhood schoolwork

BOX 2			Diplomas and certificates See also: MISCELLANY, BOX 353

BOX 2			Income tax return 1992

BOX 2			Medical report age 92

BOX 2			Passports

			X-Rays see: MISCELLANY, BOX 353

BOX 2			Tributes, miscellaneous

BOX 2		Family history

BOX 2			Dr. von Ehrenwall'sche Kuranstalt [sanitarium]

BOX 2			Mother's documents (assorted)

BOX 2			Antoni Slonimsky writings (in Polish)

BOX 2			Leonid Slonimsky book Karla Marksaca. 1898

BOX 2			Slonimsky family history

BOX 2			Chaim Selig Slonimsky

BOX 2			Dorothy Adlow [Slonimsky] documents (assorted)

BOX 2			Electra Slonimsky, birth and childhood documents

BOX 2-3		Subject File, miscellaneous

BOX 2			Contracts: House rental agreements

BOX 3			Contracts: Publishers

BOX 3			First performances [various composers]

BOX 3			How to become an intellectual [notes]

BOX 3			Promotional materials: assorted publications

BOX 3			Question to "Information Please" radio program, 1943

BOX 3			Quotations

BOX 3			TV Quiz show 1956

BOX 4-5		Travel materials

BOX 4			Brazil, 1941

BOX 4			Bulgaria news clipping, 1921

BOX 4			Class notes UCLA

BOX 4			European addresses and visiting cards

BOX 4			European tour 1963

BOX 4			International Society for Contemporary Music

BOX 4			Musical recordings, scores taken to USSR 1962

BOX 4			Russian language final test

BOX 4			Russian music studies

BOX 4			Soviet Union visits (notes)

BOX 4			Symphonic music class description

BOX 4			Tentative itinerary, University of Minnesota 1990 Program

BOX 4			Ticket stubs

BOX 4			Travel documents

BOX 4			Travel schedule 1959

BOX 5			U.S. Department of State International Cultural Exchange 1960-64

BOX 6-7		Clippings

BOX 6			Articles about N.S. 1925-78

BOX 7			Articles about N.S. 1979-94

			Scrapbook, South American clippings, 1938 see: BOX 343

BOX 8-117	WRITINGS, 1920-1995
		Writings of Nicolas Slonimsky consisting of manuscript and typescript drafts and notes (including index cards) for articles, radio scripts, books, along with speeches, lectures, program and liner notes, reviews, and related materials, published and unpublished.
		Arranged in alphabetical order by subject matter.

BOX 8-21		Articles

BOX 8			27 April 1991. [poem, 1 p.]

BOX 8			Absolute pitch. American Mercury(Oct. 1930).

BOX 8			Addition terms for pocket Baker's. [typescript, 33 p.]

BOX 8			Additions to [Failed Wunderkind.] Rueful Autopsy. [dust cover essay]

BOX 8			Additions to the Cyclopedia of music and musicians. [typescript, 62 p.; July 1 and Dec. 13, 1958.]

BOX 8			Alert Secretary-typist. Harvard Crimson, 1 June 1957.

BOX 8			Alexander Scriabin. [typescript, 19 p.]

BOX 8			Alexander Tcherepnin septuagenarian. Tempo(winter 1968-69).

BOX 8			Amateurs with stature. Medical Opinion and Review(July 1970).

BOX 8			American modern music. [typescript, 12 p.]

BOX 8			American music. [typescript, 21 p.]

BOX 8			American opera company, 1886-88. [typescript, 3 p.]

BOX 8			American peoples encyclopedia yearbook, Dec. 5, 1960. [typescript, 14 p.]

BOX 8			American poet of nature. Christian Science Monitor, 17 Oct. 1959.

BOX 8			Americanism in American symphonic music. [Lectures broadcast in the Voice of America series The American Symphony Orchestra, Nov. 1967.]

BOX 8			America's composers no. 1. Christian Science Monitor, 27 Feb.1943.

BOX 8			America's pianistic ladies. Christian Science Monitor, 21 June 1961.

BOX 8			An encyclopedia of human knowledge and activities. Christian Science Monitor, n.d.

BOX 8			And then, "English music suddenly dwindled." Christian Science Monitor, 19 Apr. 1962.

BOX 8			Anecdotes. [typescript with annotations, 13 p.]

BOX 8			Animal music. Christian Science Monitor, 14 Sept. 1946.

BOX 8			Announcing. The new 1965 edition of Baker's. G. Schirmer Newsletter2, no. 1 (winter 1964/65).

BOX 8			Another set of notes on the tonal art. Boston Evening Transcript, n.d.

BOX 8			Answers by pupils. [typescript with annotations, 3 p.]

BOX 8			Anton Rubinstein in America 1872. [typescript with annotations, 5 p.]

BOX 8			Anxieties of composing. Medical Opinion and Review1, no. 9 (June 1966).

BOX 8			Aram Khatchaturian, a new Soviet composer. American Review on the Soviet Union(Feb. 1941). [includes typescript, 4 p.]

BOX 8			Arensky Variations on a theme by Tchaikovsky. [typescript, 1 p.]

BOX 8			Are you learning Russian? Christian Science Monitor, 29 May 1943.

BOX 8			The Ariel of music. Christian Science Monitor, 6 Aug. 1954.

BOX 8			The art of listening. Medical Opinion and Review2, no. 3 (Dec. 1966).

BOX 8			The art of music criticism. [typescript, 9 p.; inscribed: Medical Opinion and Review, 1967]

BOX 8			The avant-garde. Medical Opinion and Review1, no. 8 (May 1966).

BOX 8			The Avierinos' concert. Boston Evening Transcript, 22 Mar. 1928.

			[The Bach family]

BOX 8				[Liner notes for] Songs of the Bach family. Columbia Masterworks, Set M-457. [includes typescript, 3 p.]

			[Bach, J. S.]

BOX 8				Bach's choral preludes. [typescript, 4 p.]

BOX 8				Cantata, "Jauchzet Gott." [typescript, 2 p.]

BOX 8				[Liner notes for] Church cantata no. 158 ("Der Friede sei mit dir"). Columbia Masterworks, Set X-191.

BOX 8				Concerto for two pianos, C minor. [typescript, 3 p.]

BOX 8				[Liner notes for] Concerto in D minor. Columbia Masterworks, Set M-418-AM-418-MM- 418.

BOX 8				[Liner notes for] Suite no. 3 in D major. Columbia Masterworks, Set M-428-AM-428-MM- 428.

BOX 8				[Liner notes for] Toccata and Fugue in C (arr. by Weiner). Columbia Masterworks, Set X- 195.

BOX 8				[Liner notes for] The well-tempered clavier (arr. for jazz combo by Armand Migiani). Orion Super Stereo Sound, ORS 7033.

			[Bach, Johann Christian]

BOX 8				Sinfonia for double orchestra, op. 18, no. 1. [typescript, 2 p.]

BOX 8			Ballad for Americans. [typescript, 2 p.]

			[Bartók, Béla]

BOX 8				[Liner notes for] Contrasts for violin, clarinet and piano. Columbia Masterworks, Set X- 178.

BOX 8				[Liner notes for] Excerpts from Mikrokosmos (v. 1). Columbia Masterworks, Set M- 455.

			[Beethoven, Ludwig van]

BOX 8				[Liner notes for] Concerto no. 4 in G major, op. 58. Columbia Masterworks, Set M-411-AM- 411-MM-411.

BOX 8				Hammerklavier sonata, op. 106. [typescript, 3 p.]

BOX 8				Jena symphony. [typescript, 3 p.]

BOX 8				[Liner notes for] Leonore overture no. 3. Columbia Masterworks, Set X-173.

BOX 8				Moonlight sonata. [typescript, 3 p.]

BOX 8				Quartet in B flat, op. 130. [typescript, 4 p.]

BOX 8				[Liner notes for] Quartet no.1 in F major, op. 18. Columbia Masterworks Set M-444-MM- 444.

BOX 8				[Liner notes for] Quartet no. 14 in C sharp minor, op. 131. Columbia Masterworks, Set M- 429-AM-429-MM-429.

BOX 8				Quartet, op. 59, no. 2. [typescript, 4 p.]

BOX 8				Romance in G for violin and orchestra, op. 40. [typescript, 2 p.]

BOX 8				[Liner notes for] Sonata no. 28 in A major, op. 101. Columbia Masterworks, Set X- 172.

BOX 8				String quartet, op.135. [typescript, 3 p.]

BOX 8				[Liner notes for] Symphony no. 5 in C minor ; Fugue in G minor ("The little G minor"). Columbia Masterworks, Set M-451.

BOX 8				Third symphony. [typescript, 4 p.]

BOX 8				[Liner notes for] Twelve contra dances. Columbia Masterworks, Set X-184.

BOX 8			Beethoven in his letters. Review of The Letters of Beethoven, by Emily Anderson.Christian Science Monitor, 7 Dec. 1961.

BOX 8			Benjamin Lees' "In Excelsis." Tempo113 (June 1975).

BOX 8			Besides C# minor. Review of Rachmaninov. The Man and His Music, by John Culshaw.The Saturday Review, 13 May 1950).

BOX 8			Biblical lore treated in great detail in Jewish encyclopedia. Review ofUniversal Jewish Encyclopedia, edited by Isaac Land.Christian Science Monitor, 31 July [n.d.].

			[Billings, William]

BOX 8				[Liner notes for] American Psalms and Fuguing Tunes. Columbia Masterworks, Set M-434- AM-434-MM-434.

BOX 8			The birth of opera. Medical Opinion and Review3, no. 11 (Nov. 1967).

			[Bloch, Ernest]

BOX 8				[Liner notes for] Baal Shem (Three pictures of chassidic life) ; Sumaré;(Milhaud, arr. by Levy) ;Danse du meunier(Falla, arr. by Szigeti). Columbia Masterworks, Set X-188.

BOX 8				Concerto grosso. [typescript, 2 p.]

BOX 8				Four episodes. [typescript, 2 p.]

			[Boccherini, Luigi]

BOX 8				[Liner notes for] Quartet in G minor, op. 33, no. 5. Columbia Masterworks, Set X- 170.

BOX 8			The book of knowledge. [typescript, 2 p.]

BOX 8			Book of musical knowledge. Review of Harvard Dictionary of Music, by Willi Apel.Christian Science Monitor, 30 Dec. [ca.1944].

BOX 8			Bouncing into fortune's lap and out again. The years and the courses of Vladimir Dukelsky, composer at hand.Boston Evening Transcript, 14 Mar. 1929.

BOX 8			Boyce. Symphony, no. 7. [typescript, 3 p.]

			[Brahms, Johannes]

BOX 8				Academic festival overture, op. 80. [typescript, 3 p.]

BOX 8				Brahms' Intermezzi. [typescript, 3 p.]

BOX 8				First sonata for viola, op. 120. [typescript, 4 p.]

BOX 8				Serenade in A major, op. 16. [typescript, 2 p.]

BOX 8				[Liner notes for] Symphony no. 2 in D major, op. 73. Columbia Masterworks, Set M-412-AM- 412-MM-412.

BOX 8				[Liner notes for] Symphony no. 3 in F major, op. 90. Columbia Masterworks, Set M-443-MM 443.

BOX 8				[Liner notes for] Symphony no. 4 in E minor. Columbia Masterworks, Set M-452.

BOX 8				[Liner notes for] Three Rhapsodies for Piano. Columbia Masterworks, Set X-183.

BOX 8				[Liner notes for] Variations on a theme of Haydn. Columbia Masterworks, Set X- 181.

BOX 8			Brahms. Third B of music.Christian Science Monitor, 15 Jan. 1955.

			[Britten, Benjamin]

BOX 8				Les illuminations. [typescript, 1 p.]

BOX 8				Scottish ballad, op. 26. [typescript, 4 p.]

			[Bruckner, Anton]

BOX 8				Quintet for strings. [typescript, 2 p.]

			[Busoni, Ferruccio]

BOX 8				Concertino for clarinet and small orchestra. [typescript, 3 p.]

BOX 8			By way of introduction. Parisian anecdotes and other amiable personalia about Arthur Honegger, composer of "King David," at Symphony Hall next Sunday. From "Bad Boy" of "the Six" to present place as highly reputed musician.Boston Evening Transcript, 30 Mar. 1928.

BOX 9			Cacophony in history. Medical Opinion and Review5, no. 4 (Apr. 1969).

BOX 9			Careers and opportunities. Medical Opinion and Review1, no. 7 (Apr. 1966).

BOX 9			Centenario de Stravinsky. Musicalia(La Habana) 15-16 (1931).

BOX 9			Chabrier. Melody in French. Christian Science Monitor, 8 Aug. 1953.

BOX 9			Chamber music in America. [newspaper article, n.d.]

BOX 9			Chamber music richly performed at arts concert.Gazette Telegraph(Colorado Springs), 3 Aug. 1947.

BOX 9			The changing style of Soviet music. Journal of the American Musicology Society3 (1950).

BOX 9			Charles Ives. [typescript, 16 p.; inscribed: Dictionary of American Biography, 23 June 1975]

BOX 9			Charles Ives. The man and his music. The Choral Journal(Jan. 1975). [photocopy (includes superimposed letter of Ives to N.S., 26 Feb. 1930)]

BOX 9			Chess in music. Allegro(Mar. 1973).

BOX 9			Children's page. Christian Science Monitor, 6 Feb. 1939 to 5 Feb. 1940.

BOX 9			Chopin. [typescript, 4 p.; inscribed: noted for a Decca album]

			[Chopin, Frédéric]

BOX 9				Andante spianato and grande polonaise. [typescript, 2 p.]

BOX 9				Chopin etudes, op. 25. [typescript, 4 p.]

BOX 9				Chopin fantasia. The Phonograph Monthly Review(n.d.).

BOX 9			Chordist of the flatted thirteenth. Review ofRachmaninoff, by Victor I. Seroff.The Saturday Review, 25 Mar. 1950.

BOX 9			Chou Wen-Chung. American Composers Alliance Bulletin9, no. 4 (1961).

BOX 9			Chromatic tree harp. [typescript, 5 p.]

BOX 9			Classical. Medical Opinion and Review1, no. 11 (Aug. 1966).

BOX 9			Classical music project. The User's Guide to Classical Music. CD-I music disc. [typescript for audiovisual CD ROM featuring N.S. scripts on various composers and musical periods read by others, created by Keith Holzman and Yolanda Liepa, 14 Apr. 1986; 113 p.]

BOX 9			[Cobbett's cyclopedia of chamber music-drafts, correspondence, galleys, etc.]

BOX 10			Colors and keys. Medical Opinion and Review2, no. 1 (Oct. 1966).

BOX 10			Complicated problem-drastic solution. Christian Science Monitor, 10 Nov. 1952.

BOX 10			Composer in a palace. Surrounded by treasures and household pets, Malipiero personifies an ageless tradition.Christian Science Monitor, 30 Sept. 1950.

BOX 10			Composer in uniform. Christian Science Monitor, 21 Aug. 1943.

BOX 10			Composer's fan mail. Friends on the air waves put a sparkle in Slonimsky activities.Christian Science Monitor, 28 Aug. 1948.

BOX 10			Composer's notes on the quaquaversal suite. [typescript, 1 p.]

BOX 10			Comprehensive encyclopedia of musical knowledge. [typescript, 3 p.]

BOX 10			Concert of contemporary American music
				[Program notes for] Los Angeles Philharmonic Orchestra. May 25, 1967. (Essay for strings, by John T. Williams ; Structures sonores, by Henri Lazarof ; Concerto for bassoon and orchestra, by Ernest Kanitz ; Symphony no. 2, op. 9, by Easley Blackwood.)

BOX 10			Consonances and dissonances. Christian Science Monitor, 6 Dec. 1937.

			[Copland, Aaron]

BOX 10				[Program notes for] Outdoor Overture[1947].

			[Corelli, Arcangelo]

BOX 10				La folia. [typescript, 3 p.]

BOX 10			Creativity by edict. Medical Opinion and Review3, no. 7 (July 1967).

BOX 10			Critics ain't what they used to be. The sad decline of musical invective. [journal article n.d.]

BOX 10			Cross-note puzzles. Christian Science Monitor, 1 Mar. 1937.

BOX 10			Cultural explosion in the U.S.S.R. [typescript, 62 p.]

BOX 10			Curious facts and amusing anecdotes. [typescript, 7 p.]

BOX 10			Dance map of Europe. Christian Science Monitor, 20 Oct. 1945, weekly magazine section.

BOX 10			Dancing on an asteroid.Christian Science Monitor, 1 July 1955.

			[Debussy, Claude]

BOX 10				Prelude a l'après-midi d'un faune. [typescript, 3 p.; inscribed: Long Beach Jan. 31, 1969]

BOX 10				String quartet, op. 10. [typescript, 3 p.]

BOX 10				Two dances for harp and string orchestra. [typescript, 3 p.]

			[Delius, Frederick]

BOX 10				Two pieces for small orchestra. [typescript, 2 p.]

			[Dello Joio, Norman]

BOX 10				Concerto for harp and orchestra. [typescript, 1 p.]

BOX 10			Demotic music. [typescript, 8 p.; inscribed: Medical Opinion and Review, Mar. 1998]

BOX 10			The demotic style. Medical Opinion and Review4, no. 5 (May 1968).

BOX 10			Development of Soviet music. Bulletin on the Soviet Union2 (30 Apr. 1937).

			[Diamond, David]

BOX 10				Suite for Romeo and Juliet. [typescript, 2 p.]

BOX 10			Dictionnaire de musique, 1972. [typescript, 28 p.]

BOX 10			Distortions scored of Soviet translator. Christian Science Monitor, 22 Sept. 1959.

BOX 10			Dizzy Dorato. [typescript, 20 p.]

BOX 10			Dmitri Dmitrievitch Shostakovitch, July 31, 1942. [typescript, 27 p.; inscribed: copy fromThe Musical Quarterly]

BOX 10			Dmitri Shostakovich. [typescript, 7 p.]

BOX 10			Dmitri Shostakovitch. The Musical Mercury2, no. 2 (June/July 1935).

BOX 10			Domashniaia kanitel (Household proceedings). [comedy by N.S. (1907), 15 leaves ; sketches, 7 leaves.]

BOX 10			Dreams. [descriptions of dreams by N.S., 8 p.]

			[Dukas, Paul]

BOX 11				The apprentice sorcerer. [typescript, 3 p.]

BOX 11			Dvořák's quartet, op. 96. [typescript, 1 p.]

BOX 11			Elements of music. [typescript (Nov. 1963), 17 p.; inscribed: forThe Book of Knowledge(Grolier)]

BOX 11			Elgar. [typescript, 2 p.]

BOX 11			[Program notes for] Elie Siegmeister 75th Birthday Tribute Concert. Merkin Concert Hall, Abraham Goodman House, 15 Jan. 1984.

BOX 11			[Encyclopedia Britannica-drafts, correspondence, etc. for music articles]

BOX 11			[Encyclopedia Britannica Book of the Year articles, 1958-69](seeGeneral Collections)

BOX 11			[Encyclopedia Judaica-drafts, correspondence, etc. for music articles]

			[Enesco, Georges]

BOX 11				Octet for strings. [typescript, 3 p.]

BOX 11				Rumanian rhapsody no. 1. [typescript, 3 p.]

BOX 11			Ernst Toch, 1887-1967. Neue Zeitschrift für Musik(Dec. 1967).

BOX 11			Escena musical de los estados unidos. Nuestra Musica6, no. 24 (1951).

BOX 11			Etude musical miscellany. Etude (Jan. 1949).

BOX 11			Eureka, the process of intellectual discovery. [typescript of seminar description, at Norman Okla., 9-13 Oct. 1988; 1 p.]

BOX 11			Europa volveré a cantar! Musicalia10 (June 1944).

BOX 11			Europe will sing again! Christian Science Monitor, 22 Jan. 1944.

BOX 11			Ever youthful Mozart. Christian Science Monitor, 6 Oct. 1953.

BOX 11			Ewen's musical masterpieces, corrections and suggestions. [corrections for David Ewen'sEncyclopedia of the Opera, June-Sept. 1952 and July-Sept. 1958; typescript, 200 p.]

BOX 11			Exploring on a keyboard. Girls Today, 7 Sept. 1947.

BOX 11			Exposition of music. [typescript, 26 p.]

BOX 11			The extraordinary monsieur Liszt. Christian Science Monitor, 4 Apr. 1952.

BOX 12			The fabulous Garcia family. Christian Science Monitor, 10 June 1953.

BOX 12			The fame and legend of Villa Lobos. The Saturday Review, 30 Aug. 1947.

BOX 12			Father of Russian music. Christian Science Monitor, 7 Mar. 1958.

BOX 12			Ferde Grofé. [typescript, 1 p.]

BOX 12			The fervent genius. Christian Science Monitor, 7 May 1955.

BOX 12			Firebirdsmanship. [typescript, 3 p.]

BOX 12			The first romantic composer. Christian Science Monitor, 30 Nov. 1957.

BOX 12			Florent Schmitt. Side-glances at the guest of the hour. Boston Evening Transcript, 26 Nov. 1932.

BOX 12			Florentine in Paris. Christian Science Monitor, 9 Jan. 1959.

BOX 12			The flowering of classical opera.Medical Opinion and Review4, no. 1 (Jan. 1968).

BOX 12			Folklore, harmony, rhythm. [typescript, 10 p.; inscribed: Puerto Rico, Nov. 27, 1959]

BOX 12			The folklore of Latin America's music. Christian Science Monitor, 18 July 1942, weekly magazine section.

BOX 12			The follies of critics, from the Lexicon of Musical Invectiveby N.S.Upbeat!3, no. 3 (Dec. 1986).

BOX 12			Footsteps to Parnassus. Christian Science Monitor, 26 July 1957.

BOX 12			Forest festival gets wide praise. [newspaper article, n.d.]

BOX 12			Foreword to Instrumentation and Orchestration, by Gardner Read. New York: Schirmer Books, 1979. [typescript, 7 p.]

BOX 12			Fortunate years for unfortunate composer the greater glory of Mussorgsky after half a century of name and fame.Boston Evening Transcript, 11 Apr. 1931.

BOX 12			[Program notes for] Los Angeles Philharmonic Orchestra in a Concert of Contemporary American Music. Royce Hall, UCLA, 25 May 1967. (compositions by Kanitz, Blackwood, Lazarof, Williams)

BOX 12			Four modernist composers. Panorama(Nov. 1934).

			[Franck, César]

BOX 12				[Liner notes for] Prelude, Chorale and Fugue. Columbia Masterworks, Set X- 176.

BOX 12				[Liner notes for] Symphony in D. Columbia Masterworks, Set M-436-AM-436-MM- 436.

BOX 12			Frederick Delius. [typescript, 4 p.]

BOX 12			French Secular Music of the Late Fourteenth Century, by Willi Apel.Christian Science Monitor, 17 June 1950.

BOX 12			Fresh light on Tchaikovsky's private life. Hitherto unpublished letters fill out picture of composer's personality.New York Times, 4 May 1941.

BOX 12			A fresh sound in Soviet music. [typescript, 9 p.]

BOX 12			From peasant beginnings. Medical Opinion and Review3, no. 6 (June 1967).

BOX 12			From the ether a "new" music in a new manner.Boston Evening Transcript, 8 Oct. 1928.

BOX 12			Funny coincidence department. [typescript, 5 p.]

BOX 12			Gardner Read and his second symphony. [typescript, 4 p.]

BOX 12			The gay Rossini. Christian Science Monitor, 10 Mar. 1961.

BOX 12			A genius among artisans. Christian Science Monitor, 25 May 1956.

BOX 12			Genius of grand opera. Christian Science Monitor, 23 Apr. 1960.

			[Gershwin, George]

BOX 12				[Liner notes for] Rhapsody in Blue. Columbia Records, X-196.

BOX 12			Good as Gould. Review of Glenn Gould. A Life and Variations, by Otto Friedrich.Los Angeles Times Book Review, 7 May 1989.

			[Glinka, Mikhail]

BOX 12				Trio pathetique for piano, clarinet and bassoon. [typescript, 3 p.]

BOX 12			Gontcharov, Ivan Alexandrovitch. [typescript, 3 p.]

BOX 12			Gossip, 3/10/69. [typescript, 16 p.]

BOX 12			The great Sarasate.Christian Science Monitor, 13 May 1959.

			[Grieg, Edvard]

BOX 12				[Liner notes for] Peer Gynt Suite, no. 1. Columbia Masterworks, Set X-180.

			[Grofé, Ferde]

BOX 12				Grand Canyon. [typescript, 3 p.]

BOX 12			Growth of musical gifts. [typescript, 9 p.; inscribed: Medical Opinion and Review, 1966]

BOX 12			The hand that evokes music from the ether. To introduce Prof. Theremin, Russian savant of sound, prophet of new tones. Boston Evening Transcript, 8 Oct. 1928.

			[Handel, George Frideric]

BOX 12				Concerto grosso in G major no. 12. [typescript, 2 p.]

BOX 12				Suite from the opera The Faithful Shepherd. [typescript, 4 p.]

BOX 12			Handel's world. Its magnificence, its practicality, and its survival in our time. [typescript with annotations, 23 p.]

BOX 12			Handel the magnificent. Christian Science Monitor, 11 Sept. 1954.

BOX 12			The harpsichord is patrician. Christian Science Monitor, 25 Oct. 1952.

			[Harris, Roy]

BOX 13				Roy Harris. [typescript of drafts and correspondence for unpublished N. S. book, 450-500 p.]

BOX 13				[Liner notes for] Quartet no. 3. Columbia Masterworks, Set M-450.

			[Haydn, Joseph]

BOX 13				Seven last words of Christ. [typescript, 2 p.]

BOX 13				Symphonie concertante. [typescript, 2 p.]

BOX 13				[Liner notes for] Symphony no. 104 in D major ("London"). Columbia Masterworks, Set M- 409-AM-409-MM-409.

BOX 13			Hearty applause for Mr. Delius. Review of Frederick Delius, by Sir Thomas Beecham.Christian Science Monitor, 4 Aug. 1960.

BOX 13			Heitor Villa-Lobos. The musical soul of Brazil. Show(Nov. 1962).

			[Herbert, Victor]

BOX 13				[Liner notes for] The Music of Victor Herbert. Columbia Masterworks, Set M- 415.

BOX 13			The heroic days of modern music. [typescript with annotations, 26 p.]

BOX 13			His "melody of life." Christian Science Monitor, 3 Jan. 1964.

BOX 13			His signature. SRG PRKFV. Christian Science Monitor, 1 Aug. 1958.

BOX 13			[Liner notes for] History Making Premiers: Varese, Ives Ruggles, etc. conducted by N.S.[galley sheet]

BOX 13			[Hollywood Bowl program notes, 1967]

			[Holst, Gustav]

BOX 13				St. Paul's suite for strings. [typescript, 1 p.]

BOX 13			How I orchestrate. [typescript, 3 p.; inscribed: N.S. ca. 1935]

BOX 13			How to terrorize a conductor into playing your music. [typescript, 4 p.]

			[Humperdinck, Engelbert]

BOX 13				[Liner notes for] Hansel and Gretel suite. Columbia Masterworks, Set M-424-AM-424-MM- 424.

BOX 14			Igor Stravinsky. [typescript, 3 p.]

BOX 14			Igor Stravinsky. As the analyst looks at the logical development of next week's visitor. [newspaper article, n.d.]

BOX 14			Impressionism. [typescript, 5 p.]

BOX 14			Incredible mayor. Christian Science Monitor, 10 July 1952.

BOX 14			In epitome the career of Roussel. From the sea and the school into the clear-minded and individual composer.Christian Science Monitor, 23 Oct. 1930.

BOX 14			Instruments are for playing. Medical Opinion and Review3, no. 10 (Oct. 1967).

BOX 14			Interview with myself. Christian Science Monitor, 27 Oct. 1955.

BOX 14			Introduction to Twentieth century music, by Richard Burbank. New York: Facts on File, 1984. [includes typescript, 48 p.; inscribed: Musical millennium]

BOX 14			Introduction to Some Twentieth Century American Composers. A Selective Bibliography, by John Edmunds and Gordon Boelzner. New York: The New York Public Library, 1960.

BOX 14			An introductory speech in Rumanian before a lecture in French. Bucharest, 31 Mar. 1963. [typescript, 1 p.]

BOX 14			If anyone is sleepy let him go to sleep. Review of Silence. Lectures and Writings, by John Cage. Christian Science Monitor, 14 Dec. 1961.

BOX 14			I remember the heart and the mind of Wallingford Riegger. [typescript, 3 p.]

BOX 14			Is jazz serious music? [typescript, 6 p.]

BOX 14			Ives. [typescript, 9 p.; inscribed: Civic Orchestra, New Haven program book, May 20, 1973]

BOX 14			Ives, Charles Edward. [typescript, 15 p.]

			[Ibert, Jacques]

BOX 14				Capriccioso, Divertissement, Suite elisabethaine. [typescript, 3 p.]

BOX 14			Jazz, swing and boogie woogie. Christian Science Monitor, 20 May 1944.

BOX 14			Kaleidoscope of composers in exhibition. Boston Evening Transcript, 3 Nov. 1934.

			[Kalinnikov, Vasili]

BOX 14				[Program notes for] Symphony in G minor, no. 1, n.d.

BOX 14			Keeper of the Russian tradition. Christian Science Monitor, 4 Jan. 1957.

BOX 14			Kiddies on the keys. Christian Science Monitor, 23 Feb. 1946.

BOX 14			The "King of the fortepianists." Christian Science Monitor, 7 Mar. 1960.

BOX 14			A king with a flute. Christian Science Monitor, 17 Jan. 1953.

BOX 14			Knight of poetic opera. Christian Science Monitor, 15 May 1954.

BOX 14			The Koussevitzky mission. The Saturday Review, 30 June 1951.

BOX 14			The last word. Musical Journal(May 1977).

BOX 14			[Latin American music]
				[typescripts, 11 p., 5 p.; inscribed on one draft: Not used in E.B. material used for Book of Knowledge; inscribed on second draft: Vanguard record co.]

			[Leclair, Jean Marie (1697-1764)]

BOX 14				Suite for flute and strings. [typescript, 3 p.]

BOX 14			Les noces. [typescript, 10 p.; inscribed: Preface to translated text]

			[Letters to the Editor]

BOX 14				1928 Mar. 8 [Latin of Stravinsky's Oedipus-Rex].Boston Herald.

BOX 14				1929 Sept. 30 A dramatic test. Boston Evening Transcript.

BOX 14				1930 July 8 It was Benjamin Franklin. Boston Evening Transcript.

BOX 14				1933 Mar. 24 Of course; we were speaking figuratively. Boston Evening Transcript.

BOX 14				1933 Oct. 27 Example, but no precept. Boston Evening Transcript.

BOX 14				1934 Apr. 2 Unbearable affliction. Boston Evening Transcript.

BOX 14				1935 Sept. 2 Joyce v. Kelly. New York Times.

BOX 14				1937 Sept. 2 Headline slanguage. Christian Science Monitor.

BOX 14				1938 May 25 [Delius' birth date]. Musical America.

BOX 14				1939 May 10 [Birth date of Jean Philippe Rameau]. Musical America.

BOX 14				1939 Dec. 25 [Musical boners by supposedly respectable writers]. Musical America.

BOX 14				1942 Apr. 10 [Rosa Calvet or Emma de Roquer].Musical America.

BOX 14				1945 Aug. [Ice cream history]. New York Times.

BOX 14				1945 Aug. 22 Churchill story not new. New York Times.

BOX 14				[1945 Dec.] Transition of Nemoy. New York Times.

BOX 14				1948 May 6 Origin of the phrase used by [F. D.] Roosevelt. New York Times.

BOX 14				1951 Aug. 19 From the mail pouch: Schönberg. New York Times. [N.S. and Roy Harris letter]

BOX 14				1951 Dec. 2 Mail pouch: late musicologist [Hugo Leichtentritt]. New York Times.

BOX 14				1952 Nov. 2 Tribute to E. B. Hill. New York Times.

BOX 14				1955 May 15 Mail pouch: Viotti bicentennial. New York Times.

BOX 14				1961 June 12 Henry Hudson an Englishman. New York Times.

BOX 14				1962 Feb. 24 Clear now. New York Times.

BOX 14				1969 Oct. 30 Family matters. The Listener.

BOX 14				1979 Feb. 4 Framed by skill. Calendar.

BOX 14				1981 July 20 To "The man whom society forbids to die." New York Times.

			[Leoncavallo, Ruggero]

BOX 14				Pagliacci. [typescript, 5 p.]

BOX 14			Lexicographis secundus post herculem labor.Notes(n.d.).

			[Liszt, Franz]

BOX 14				[Liner notes for] Les preludes. Columbia Masterworks, Set X-198.

BOX 14			Liszt tidbits. [typescript, 2 p.]

BOX 14			Listening to Music. [inscribed: Medical Opinion and Review1969]

BOX 14			[Program notes for] Little Orchestra Society concerts of 1948-1949.

BOX 14			Locked-up sound set free. Review of Ancient European Musical Instruments, by Nicholas Bessaraboff.Christian Science Monitor, 29 May 1942.

BOX 14			[Los Angeles Philharmonic program notes, 1968-69]

BOX 15			Lullistes, a vos pièces! Guide du Concert(1 Feb. 1952).

BOX 15			Lyric poet of French opera. Christian Science Monitor, 11 Apr. 1959.

BOX 15			Lyrical poet of music. Christian Science Monitor, 26 Nov. 1955.

BOX 15			Magician of the violin. Christian Science Monitor, 14 Aug. 1959.

			[Mahler, Gustav]

BOX 15				Kindertotenlieder. [typescript, 3 p.]

BOX 15				Das Lied von der Erde. [typescript, 4 p.]

BOX 15			Mahler's tenth symphony. [typescript, 1 p.]

BOX 15			The man of eighteen symphonies. The American Quarterly on the Soviet Union1, no. 1 (Apr. 1938).

BOX 15			The man of twenty-three symphonies. [typescript, 4 p.]

BOX 15			Many melodies out of one. Boston News, n.d.

BOX 15			Marginal notes on the Russian film. Background, directors and the place of "Chapayev" in the Soviet cinema.Boston Evening Transcript, 23 Feb. 1935.

BOX 15			The marvelous season 1912-1913. The Juilliard Review Annual 1962-1963.

BOX 15			Masks and bergamasks. Excerpts from the forthcoming Lectionary of Musical Information, Instruction, and Entertainment.High Fidelity Magazine, Jan. 1976.

BOX 15			Medieval musical notation. Review of The Notation of Polyphonic Music, 909-1600, by Willi Apel.Christian Science Monitor, n.d.

BOX 15			Meeting Zappa. Harper's Magazine, Apr. 1988. [excerpt from Perfect Pitch. A Life Story, by N.S.]

BOX 15			Memory. Medical Opinion and Review 2, no. 2 (Nov. 1966).

			[Mendelssohn, Felix]

BOX 15				[Liner notes for] Capriccio Brilliant, op. 22. Columbia Masterworks, Set X-197.

BOX 15			Minstrels from the emerald isle. Christian Science Monitor, 31 July 1956.

BOX 15			Modern composers of Brazil. Christian Science Monitor, 28 Sept. and 19 Oct. 1940.

BOX 15			Modern composition in Rumania. The Musical Quarterly51, no. 1 (Jan. 1965).

BOX 15			Modern immortals. The Saturday Review, 30 Sept. 1950.

BOX 15			Modern Italian music. Christian Science Monitor, 1 Feb. 1938.

BOX 15			Modern music. [typescript, 10 p.]

BOX 15			Modern music-an airplane view. The Critic3, no. 1 (4 Mar. 1926).

BOX 15			Modernist sprung from the ancients. Casella as the concert of his chamber pieces will reveal him. Boston Evening Transcript, 28 May 1929.

			[Moore, Douglas]

BOX 15				Farm journal. [typescript, 2 p.]

BOX 15			Moscow. Musical interlude. Christian Science Monitor, 21 Aug. 1963.

BOX 15			The most amazing romance in musical history, part 1. The Etude(Oct. 1935).

BOX 15			Mountain melody revived. Review of Armenian Folksongs, by Sivart Poladian.Christian Science Monitor, 3 Oct. 1932.

			[Mozart, Wolfgang Amadeus]

BOX 15				Concerto for clarinet and orchestra, A major, K. 622. [typescript, 1 p.]

BOX 15				Concerto for flute and harp, K. 299. [typescript, 1 p.]

BOX 15				Concerto for three pianos, F major, K. 242. [typescript, 1 p.]

BOX 15				[Liner notes for] Eine kleine Nachtmusik (Serenade in G major) (K. 525). Columbia Masterworks, Set X-187.

BOX 15				[Liner notes for] Quartet in B flat major ("Hunting") (K. 548). Columbia Masterworks, Set M- 438-AM-438-MM-438.

BOX 15				Quartet in D minor, K. 421. [typescript, 4 p.]

BOX 15				[Liner notes for] Quartet no. 19 in C major ("Dissonant") (K. 465). Columbia Masterworks, Set M-456.

BOX 15				[Program notes for] Symphony no. 38 in D ("Prague"), K. 504. Los Angeles Philharmonic Orchestra, 12/13 Mar. 1970.

BOX 15				[Liner notes for] Symphony no. 38 in D major ("Prague") (K. 504). Chicago Symphony Orchestra. Columbia Masterworks, Set M-410-AM-410-MM-410.

BOX 15				[Liner notes for] Symphony no. 39 in E flat (K. 543). London Philharmonic Orchestra. Columbia Masterworks, Set M-456.

BOX 15			Mozart and the Leners. The Phonograph Monthly Review5, no. 1 (Oct. 1930).

BOX 15			Muscovy's musical Merlin. HiFi and Music Review(June 1958).

BOX 15			Music and Robert Schumann. Christian Science Monitor, 14 Aug. 1961.

BOX 15			Music and surrealism. [typescript, 14 p.; inscription on one draft: Forum, Los Angeles, Sept. 1966]

BOX 15			Music around us, 1948. [typescript, 18 p.]

BOX 15			Music as an avocation. [typescript, 8 p. ; inscribed: Medical Opinion and Review, 1967]

BOX 15			Music as language. [typescript, 6 p. ; inscribed: Medical Opinion and Review, 1967]

BOX 15			Music comes home: musical knowledge and appreciation rise under freedom of the American Way.Christian Science Monitor, 21 Dec. 1946.

BOX 15			Music critics can be wrong. Bad criticism and the uneducated guess about his work has plagued the musician through the ages.Show(Aug. 1963).

BOX 15			[Liner notes for] Music for a 20th century violinist. An anthology of three decades of American music, 1940-1950-1960. CMS Records Inc., 1974 (DC 6435/37).

BOX 15			Music for the eye. Christian Science Monitor, 2 Dec. 1944.

BOX 15			Music for the eye and its listenable patterns [typescript for a talk by N.S., A.L.A. Convention, Philadelphia, 3 July 1955; 16 p.]

BOX 15			Music history as gossip. [typescript, 15 p. ; inscribed: Medical Opinion and Review, Apr. 1969]

BOX 15			Music in America 1860-1910. [Paper presented at the Conference on the Arts in America, Henry Francis du Pont Winterthur Museum,Winterthur, Delaware, 6-7 Apr. 1962.

BOX 15			Music in Bolivia. Christian Science Monitor, n.d.

BOX 15			Music in Cuba. The Musical Record 1, no. 3 (Aug. 1933).

BOX 15			Music in Guatemala. Christian Science Monitor, 9 Sept. 1944.

BOX 15			Music in Rumania. [typescript, 10 p.]

BOX 15			Music in South America. [galley sheet; inscribed: Who's Who in Music, 1940-41]

BOX 15			Music in the U.S. since 1918. [typescript, 9 p.; inscribed: New Oxford History of Music]

BOX 15			Music in the war against Hitler: Writer in Christian Science Monitor tells how Soviet musicians prepared their creative forces to aid in defense of the Fatherland. Daily Worker, 18 July 1941.

BOX 15			Music in Uruguay.Christian Science Monitor, n.d.

BOX 15			Music makers of Tbilisi.Christian Science Monitor, 31 Oct. 1963.

BOX 15			Music, mind and health. [typescript, 32 p.; inscribed: Written for Columbia Records Books and paid for in 1966, but never published]

BOX 15			Music of Latin America. London: George G. Harrap, 1946. [book by N.S., title page only.]

BOX 16			Music of [Old] Russia. [typescript, 8 p.; inscribed: Medical Opinion and Review, 1967]

BOX 16			Music of the Dominican Republic. Christian Science Monitor, 8 July 1944.

BOX 16			Music out of thin air. Christian Science Monitor, 23 June 1945.

BOX 16			Music since Stalin. [newspaper article, 6/11/56.]

BOX 16			Music schools in Latin America. Christian Science Monitor, 17 Apr. 1943.

BOX 16			Music that plays itself. Christian Science Monitor, 18 June 1960.

BOX 16			Music under the Southern Cross. Christian Science Monitor, 18 Mar. 1939, weekly magazine.

BOX 16			Music under the Soviets. [typescript, 12 p.; inscribed: Medical Opinion and Review, 1966]

BOX 16			Music, where the Americas meet. Christian Science Monitor, 8 June1940, weekly magazine.

BOX 16			Music with a story. Christian Science Monitor, 11 Oct. 1947.

BOX 16			The Musical avant-garde. [typescript, 9 p.; inscribed: Medical Opinion and Review, sent on March 16, 1966]

BOX 16			Musical children. Prodigies or monsters. The Etude (Oct. 1948).

BOX 16			Musical education in Latin America. [typescript, 4 p.; inscribed: 1942]

BOX 16			Musical fantasies perpetuated as fact. Los Angeles Times, 1 May 1966.

BOX 16			A Musical Journey. Rumania Today 108, no. 12 (1963).

BOX 16			Musical neologisms. The Composer and Conductor, no. 15 (Aug. 1972).

BOX 16			Musical oddentities. HiFi Review(1959-60). [drafts and published articles.]

BOX 16			Musical oddities. The Etude(July/Sept. 1951).

BOX 16			Musical oddities. Keyboard Classics 1, no. 5 (Sept./Oct. 1981).

BOX 16			Musical poet from Bohemia. Christian Science Monitor, 1 Dec. 1962.

BOX 16			Musical poet of Norway. Christian Science Monitor, 14 Feb. 1955.

BOX 16			Musical Prometheus. Christian Science Monitor, 20 Sept. 1961.

BOX 16			Musical quizzes. House & Garden, Sept. 1952.

BOX 16			Musical rebel. Américas 5, no. 9 (Sept. 1953).

BOX 16			Musical shorthand. Christian Science Monitor, 7 Dec. 1936.

BOX 16			Musical tumbleweeds. [typescript, 10 p.; inscribed: Sent to Guy Freedman, editor Music Journal, Jan. 26, 1977]

BOX 16			A musical visionary. Christian Science Monitor, 25 Oct. 1951.

BOX 16			Musician of Andalusia. Christian Science Monitor, 11 July 1962.

BOX 16			Musicians as technologists. Medical Opinion and Review 4, no. 9 (Sept. 1968).

BOX 16			Musicians of Chile. Christian Science Monitor, 27 Sept. 1938.

BOX 16			A musicologist's scrapbook. Selmer Bandwagon(1961-1965). [drafts, published articles, etc.]

BOX 16			Die Musik in Geschichte und Gegenwart. Kassel/Basel: Bärenreiter, n.d.

BOX 16			Musings of a musical mind. Los Angeles Times Magazine, Mar. 1988.

BOX 16			Musique. Christian Science Monitor, 5 Oct. 1956.

			[Mussorgsky, Modest]

BOX 16				Pictures at an exhibition. [typescript, 3 p.]

BOX 16			Mussorgsky. A personal portrait. [typescript, 4 p.]

BOX 16			My adventures in American music. Keyboard Classics6, no. 4 (July/Aug. 1986).

BOX 16			My grandfather invented the telegraph. Commentary(Jan. 1977).

BOX 16			My toy balloon. [typescript, 4 p.]

BOX 16			Nationalism in Soviet music. [journal article n.d.]

BOX 16			Natural harmony. [typescript, 1 p.]

BOX 16			Nature of musical inspiration. [typescript, 6 p.; inscribed: Medical Opinion and Review, Jan. 1971]

BOX 17			New goals for Soviet writers.Panorama (Oct. 1934).

BOX 17			New music in Greece. The Musical Quarterly 51, no. 1 (Jan. 1965).

BOX 17			New stirrings in ether-wave music. Boston Evening Transcript, 19 Oct. 1928.

BOX 17			A new tune in Soviet music. The Saturday Review, 30 Jan. 1954.

BOX 17			The new world of the dodecaphonic music. [excerpted article from Etude Sept. 1950]

BOX 17			Nicolas Slonimsky, Orion 73100. [typescript, 4 p.]

BOX 17			Nicolas Slonimsky autobiographical sketch. [typescript, 5 p.] See also: BOX 1

BOX 17			Nina Makarova, composer. Christian Science Monitor, 28 Dec. 1938.

BOX 17			Nobility in grandeur. Christian Science Monitor, 6 Dec. 1963.

BOX 17			Nobirdy aviar soar anywing to eagle it. City Celebration(July 1979). [includes typescript, 2 p.]

BOX 17			A note is a note is a note. [typescript, 13 p.]

BOX 17			Notes and comments on tonal theory and practice.Boston Evening Transcript, 6 Apr. 1935.

BOX 17			Of orchestral conductors. Christian Science Monitor, 23 Jan. 1960.

BOX 17			Old and new Russia. Review of The Political and Diplomatic History of Russia, by George Vernadsky.Christian Science Monitor, 12 June 1936.

BOX 17			Old Russian song. Keyboard Classics7, no. 4 (June/July 1987). [piano music by N.S.]

BOX 17			Omnibus of music. [typescript, 22 p.]

BOX 17			On listening to words about music.Medical Opinion and Review1, no. 10 (July 1966).

BOX 17			On music criticism. L.A. Philharmonic(Mar. 1967).

BOX 17			On the contrary. [typescript, 4 p.]

BOX 17			Onward to 2000. [typescript, 8 p.]

BOX 17			Opera at Covent Garden. Christian Science Monitor, 30 Sept. 1952.

BOX 17			Operas by return mail. Review of A Working Friendship. The Correspondence between Richard Strauss and Hugo von Hofmannsthal, translated by Hanns Hammelmann and Ewald Osers.Christian Science Monitor, 30 Aug. 1962.

BOX 17			The orchestra situation in Latin America, 1942. [typescript, 12 p.]

BOX 17			Oxford companion to music, a one-man dictionary. Review of The Oxford Companion to Music, compiled by Percy A. Scholes. Christian Science Monitor, 18 Mar. 1939.

BOX 17			[Oxford companion to music (Concise Oxford Dictionary)-drafts, correspondence, etc.]

BOX 17			Pandiatonicism. [typescript, 2 p.]

BOX 17			Papa Haydn is cheerful. Christian Science Monitor, 18 Apr. 1953.

BOX 17			The paradoxical Richard Wagner. Christian Science Monitor, 14 Feb. 1953.

BOX 17			Patroness of a genius. Review of Beloved Friend, by Catherine Drinker Bowers and Barbara von Meek.Christian Science Monitor, n.d.

BOX 17			Perfect pitch. Grand Street 6, no. 1 (autumn 1986).

BOX 17			The perfect pitch. Medical Opinion and Review1, no. 6 (Mar. 1966).

BOX 17			Peter Ibbetson by Deems Taylor. [typescript, 4 p.]

BOX 17			Petrushka. [typescript, 9 p.]

BOX 18			Pianist lauds musical intellect of audience. Christian Science Monitor, 10 Nov. 1959.

BOX 18			Pianists-teachers and virtuosi. Program Notes3, no. 6 (Nov. 1967).

BOX 18			Piano playing at home. Christian Science Monitor, 2 Sept. 1955.

BOX 18			Piano teachers. [typescript, 7 p.; inscribed: Medical Opinion and Review, 1969]

			[Piston, Walter]

BOX 18				[Program notes for] Suite for orchestra. Boston Civic Orchestra, 18 Apr. 1945.

BOX 18				Violin sonata. [typescript, 3 p.]

BOX 18			The pit they have hollowed for Toscanini. Boston Evening Transcript, 2 Nov. 1929.

BOX 18			Pitfalls of musical chronology. The Music Journal(Nov./Dec. 1946).

BOX 18			Playing music together. Social philosophers have been fascinated by the wonder of collective harmony.Christian Science Monitor, 15 Dec. 1945.

BOX 18			The plush era of music in the U.S. American concert life since 1861. [typescript, 27 p.]

BOX 18			[Pocket manual of musical terms-drafts, correspondence, etc.]

BOX 18			Poet of cheerful melancholy. Christian Science Monitor, 2 July 1959.

BOX 18			Poet of musical fantasy. Christian Science Monitor, 29 June 1954.

BOX 18			A poet of musical impressions Christian Science Monitor, 4 June 1952.

BOX 18			The poet of Russia. Christian Science Monitor, 5 Feb. 1954.

BOX 18			Port town in premiere. Christian Science Monitor, 6 Aug. 1960.

BOX 18			Preface to Note Perfect, by Giveon Cornfield. Honolulu: Chaminade University Press, 1993. [typescript, 1 p.; inscribed: N.S. Sept. 1992]

BOX 18			Presenting the great Rimsky. Christian Science Monitor, 6 July 1951.

BOX 18			Problemas de la música moderna. Boletin Latino Americano de Música4, no. 4 (Oct. 1938). [also:Música Viva(Mar. 1941).]

BOX 18			Problems of notation and harmony; biography and assorted footnotes.Boston Evening Transcript, 5 Jan. 1935.

BOX 18			[Program notes for] The Music Center Monthly 3, no. 4 (Apr. 1969). [Prelude and Good Friday spell from "Parsifal", by Wagner ;Concerto no. 25 in C major, by Mozart ; Symphony no. 1, by Dorati ;Khovanshchina, by Mussorgsky ;Symphonie concertante in E minor for cello and orchestra, op. 125, by Prokofiev ;Symphony no. 9 in E minor, op. 95 ("From the New World"), by Dvořák ;The Damnation of Faust, op. 24, by Berlioz]

BOX 18			[Program notes: performances and notes by N.S. et al., 1931-52]

BOX 18			Progressive and reactionary forces in American music. [typescript, 31 p.]

			[Prokofiev, Sergei]

BOX 18				[Liner notes for] Classical Symphony in D major, op. 25. Minneapolis Symphony Orchestra. Columbia Masterworks, Set X-166.

BOX 18				Peter and the Wolf. [typescript, 3 p.]

BOX 18				[Liner notes for] Quartet, op. 50. Columbia Masterworks, Set M-448.

BOX 18			Prokofiev. A full length portrait. Review of Sergei Prokofiev. His Musical Life, by Israel Nestyev. New York Times Book Review, 7 July 1946.

BOX 18			A proposal. [typescript, 3 p.; at bottom: N.S. music lecturer at UCLA, March 22, 1965]

BOX 18			Proposal for a comprehensive encyclopedia of music. [typescript, 5 p.]

BOX 18			Psychedelic music. [typescript, 9 p.; inscribed: Medical Opinion and Review, 1968]

BOX 18			A quarter of a century: 1951-1976. [typescript, 26 p.; inscribed: High Fidelity, sent off Jan. 1976]

BOX 18			Rachmaninoff gives concert. The Boston Herald, 26 Mar. 1928.

			[Ravel, Maurice]

BOX 18				[Liner notes for] Bolero. All-American Youth Orchestra. Columbia Masterworks, Set X- 174.

BOX 18				[Liner notes for] Introduction and Allegro ; Maid with the Flaxen hair, by Debussy. Columbia Masterworks, Set X-167.

BOX 18				[Liner notes for] Quartet in F. Columbia Masterworks, Set M-425-AM-425-MM- 425.

BOX 18				[Liner notes for] Sonatine. Columbia Masterworks, Set X-179.

BOX 18				[Liner notes for] Valses nobles et sentimentales. Columbia Masterworks, Set X- 194.

BOX 18			Ravel's piano concerto. [Record review for Concerto for Piano and Orchestra. Maurice Ravel conducting pianist Marguerite Long and the Symphony Orchestra, C-LFX257 to C-LFX259.]

BOX 18			Rebarbarization of the musical armamentarium. City Celebration[San Francisco] (June 1979).

BOX 18			The Red Army sings. Christian Science Monitor, 6 Nov. 1943, weekly magazine section.

BOX 18			Red music. [typescript, 2 p.]

BOX 18			Reference dictionary of music. [typescript, 370 p.]

BOX 19			Reinhold Gliére. The American Quarterly on the Soviet Union 1, no. 2 (July 1938).

BOX 19			Relevant paragraphs, Jan. 7, 14, 28 and Apr. 15, 1945. [typescript, 8 p.]

BOX 19			Reminiscences of a vanished world and a great teacher. The Piano Teacher( Sept./Oct. 1963).

BOX 19			Rengaw at the Microchron. Christian Science Monitor, 22 Jan. 1962.

BOX 19			Report and impressions-N.S., American specialist in music, traveling on a State Department grant, Bucharest, Mar. 22, 1963. [typescript, 7 p.]

BOX 19			Report on the sojourn in Bulgaria of N.S., American musicologist traveling on a grant of the State Department, Sofia, Mar. 7, 1963. [typescript, 5 p.]

			[Respighi, Ottorino]

BOX 19				Concerto a cinque. [typescript, 2 p.]

BOX 19			Resplendent musician.Christian Science Monitor, 10 Feb. 1956.

BOX 19			The responsibility of genius. [typescript for seminar description. Norman, Oklahoma, 9-13 Oct. 1988; 1 p.]

			[Reznicek, Emil]

BOX 19				Overture to the opera Donna Diana. [typescript, 2 p.]

BOX 19			Rimsky-Korsakov. A personal portrait. [typescript, 4 p.]

			[Rimsky-Korsakov, Nicolai]

BOX 19				[Liner notes for] Capriccio Español, op. 34. Columbia Masterworks, Set X-185.

BOX 19				Quintet for piano, flute, clarinet, French horn, and bassoon ; Capriccio Español, op. 34. [typescript, 3 p.]

BOX 19			The Road to Music. New York: Dodd, Mead, 1966.

BOX 19			Romantic. Medical Opinion and Review 1, no. 12 (Sept. 1966).

BOX 19			Roy Harris. The Musical Quarterly 33, no. 1 (Jan. 1947).

BOX 19			A royal game. Christian Science Monitor, 22 Mar. 1954.

BOX 19			Russian folk music. [typescript, 6 p.]

BOX 19			Russian music. Encyclopedia Americana (1973). [drafts, correspondence, etc.]

BOX 19			Russian music is important. [newspaper article, 6/8/39.]

BOX 19			Russian music warms to war. Christian Science Monitor, 12 July 1941.

BOX 19			Russian novelist in a "Human Portrait." Review of Dostoyevsky. A Human Portrait, by Robert Payne.Christian Science Monitor, 20 Apr. 1961.

BOX 19			A Russian symphony and concerto. Disques (Dec. 1932).

BOX 19			Saint Petersburg Cultural Foundation, 1992. [promotional material in Russian of a lecture given by N.S.; 7 leaves (2 copies)]

			[Saint-Saëns, Camille]

BOX 19				[Liner notes for] Concerto no. 1 in A minor for Violincello and Orchestra, op. 33. Columbia Masterworks, Set X-182.

BOX 19				Violin sonata, op. 75. [typescript, 4 p.]

BOX 19			A Salute to Carleton Sprague Smith. [journal article n.d.]

BOX 19			Samples of entries for dictionary of American music. [typescript, 7 p.]

BOX 19			The Schillinger system. [typescript, 9 p.]

			[Schönberg, Arnold]

BOX 19				Kammersymphonie. [typescript, 3 p.]

BOX 19				[Liner notes for] Pierrot Lunaire. Columbia Masterworks, Set M-461.

BOX 19				[Program notes for] A Survivor from Warsaw, op. 46. [1968-1969]

BOX 19			Schönberg a musical prophet. Christian Science Monitor, 19 Nov. 1960.

BOX 19			The Schönberg idea. [poem, 2 p.]

BOX 19			Schönberg in the Soviet Mirror. Journal of the Arnold Schoenberg Institute2, no. 2 (Feb. 1978).

			[Schubert, Franz]

BOX 19				[Liner notes for] Fantasie (transcribed for piano and orchestra by Liszt). Columbia Masterworks, Set M-426-AM-426-MM-426.

BOX 19				[Liner notes for] Symphony no. 2 in B flat major. Columbia Masterworks, Set M-420-AM-420- MM-420.

BOX 19				Symphony no. 6. [typescript, 2 p.]

BOX 19				The Unfinished symphony. [typescript, 3 p.]

BOX 19				Winterreise. [typescript, 3 p.]

			[Schumann, Robert]

BOX 19				Andante and variations for two pianos, op. 46. [typescript, 3 p.]

BOX 19				Carnival in Vienna. [typescript, 4 p.]

BOX 19				Dichterliebe. [typescript, 3 p.]

BOX 19				Overture, scherzo and finale, op. 52. [typescript, 2 p.]

BOX 19				[Liner notes for] Quartet no. 1 in A minor. Columbia Masterworks, Set M-454.

BOX 19				[Liner notes for] Sonata no. 2 in G minor, op. 22. Columbia Masterworks, Set X- 186.

BOX 19				Symphony no. 4. [typescript, 3 p.]

BOX 19			Scientific mind turned on music-Saminsky's provocative book about composers of this day.Boston Evening Transcript, 20 May 1933.

			[Scrapbook, articles 1949-59] see: BOX 345

			[Scriabin, Alexander]

BOX 19				Piano sonata no. 4, op. 30. [typescript, 3 p.]

BOX 19				[Program notes for] Symphony no. 2 in C, op. 29. Boston Symphony Orchestra, 10 Dec. n.d.

BOX 19			Scriabin. A musical seer. Christian Science Monitor, 16 Dec. 1959.

BOX 19			[Scribners Encyclopedia-drafts, correspondence, galleys, etc.]

BOX 19			Selection of an instrument to play. [typescript, 9 p.; inscribed: Medical Opinion and Review, 1967]

BOX 19			Serenade on a guitar. Christian Science Monitor, 30 Dec. 1960.

BOX 19			Serge Prokofieff's marginal notes on his compositions. [typescript, 5 p.]

BOX 19			Serge Prokofiev, his status in Soviet music. The Quarterly on the Soviet Union(Apr. 1939).

BOX 19			Sergei Prokofiev. [typescript, 5 p.]

BOX 20			The seven arts in Russia. Review of The Seven Soviet Arts, by Kurt London. Christian Science Monitor, 21 June 1938.

BOX 20			Sex and the music librarian. I.S.A.M. Newsletter 16, no. 1 (Nov. 1986). [speech draft included]

			[Shostakovich, Dmitri]

BOX 20				First symphony. [typescript, 5 p.]

BOX 20				Quintet for piano and strings. [typescript, 5 p.]

BOX 20				Song of the forests, op. 81. [Review of recording by U.S.S.R. Vanguard Recording Society of the Combined Choirs and State Orchestra conducted by Eugene Mravinsky; typescript, 5 p.]

BOX 20				Two pieces for string octet. [typescript, 3 p.]

BOX 20			Shostakovich after the seventh. [typescript, 4 p.; inscribed: Musical America, Dec. 1943]

BOX 20			Shostakovich, the Soviets' wonder boy. [newspaper article, n.d.]

BOX 20			Shostakovich's seventh is the culminating point of Soviet music. [typescript, 5 p.; inscribed: Sent to New Masses Aug. 24, 1942]

BOX 20			Shostakovich's War symphony. Christian Science Monitor, 26 Dec. 1942.

BOX 20			Sibelius, Jean. [typescript, 3 p.]

			[Sibelius, Jean]

BOX 20				[Liner notes for] Symphony no. 2 in D major. Columbia Masterworks, Set M-423-AM-423- MM-423.

BOX 20			Sing together. Sol renditions have their drawbacks but a chorus builds harmony. Christian Science Monitor, 6 Dec. 1947.

BOX 20			"The six" of American music. Christian Science Monitor, 17 Mar. 1937, weekly magazine.

BOX 20			Slonimsky on Cowell. The Music Magazine, May 1962.

BOX 20			Slonimsky's music almanac, Aug. and Sept. [typescript, 6 p., 7 p.]

BOX 20			Some musical puzzles. Christian Science Monitor, 16 Dec. 1955.

BOX 20			[Liner notes for] South American chamber music(selected and arranged by N.S.). Columbia Masterworks, Set M-437.

BOX 20			Sounds and psyche. Medical Opinion and Review(Dec. 1968).

BOX 20			South American composers, (1940). [promotional material fromMusical America, 10 Feb. 1940.]

BOX 20			Soviet composers in war and revolution. [typescript, 19 p.]

BOX 20			Soviet literature unchained. Panorama(May 1934).

BOX 20			Soviet music. The Musical Record1, no. 12 (May 1934).

BOX 20			Soviet music, 1917-1949. [typescript, 32 p.]

BOX 20			Soviet music at [the] quarter century mark. Combining art with patriotism, Russian composers carry on in the midst of titanic struggle. Musical America, 10 Feb. 1943.

BOX 20			Soviet music and musicians. The Slavonic and East European Review22, no. 61 (Dec. 1944).

BOX 20			Soviet music unchained. Panorama(June1934).

BOX 20			The Soviet opera. Bulletin on the Soviet Union3, no. 11 (June 15, 1938).

BOX 20			Stati uniti, opera in the United States. [typescript, 28 p.]

BOX 20			The status of the Latin American composer, 1942. [typescript, 46 p.]

BOX 20			Stephen Foster, minstrel. Christian Science Monitor, 16 Jan. 1963.

BOX 20			Stimulating talks reveal extraordinary paradoxes.Christian Science Monitor, 21 Nov. 1959.

			[Strauss, Richard]

BOX 20				[Liner notes for] Also Sprach Zarathustra. Columbia Masterworks, Set M-421-AM-421-MM- 421.

BOX 20				Don Juan. [typescript, 3 p.]

BOX 20				[Liner notes for] Ein Heldenleben, op. 40. Columbia Masterworks, Set M-441-AM-441-MM- 441.

BOX 20				Till Eulenspiegel. [typescript, 3 p.]

BOX 20			Stravinskiana. A note here, a note there about the composer ofOedipus.Boston Evening Transcript, 25 Feb. 1928.

			[Stravinsky, Igor]

BOX 20				Danses concertantes. [typescript, 2 p.]

BOX 20				[Liner notes for] Firebird Suite ; Prelude in E flat minor, by Shostakovich. Columbia Masterworks, Set M-446.

BOX 20				[Liner notes for] Le Sacre du printemps. Columbia Masterworks, Set M-417-AM-417-MM- 417.

BOX 20				[Program notes for] Le sacre du printemps. San Francisco Symphony, Mar. 1968.

BOX 20				[Liner notes for] Suite from Petrouchka. Columbia Masterworks, Set X-177.

BOX 20			Studies in black and white. [typescript, 2 p.]

			[Sullivan, Arthur]

BOX 20				[Liner notes for] Iolanthe. Columbia Masterworks, Set M-422-AM-422-MM-422.

BOX 20				[Liner notes for] Patter songs from Gilbert and Sullivan. Columbia Masterworks, Set M- 440.

BOX 20			[Program notes for] Sunday at 4:30 conducted by Arthur Fiedler, 22 Oct. 1944-24 June 1945.

BOX 20			Sundry items published in Etude, 1948-1950. [typescript, 22 p.]

BOX 20			Surrealist music. [typescript, 7 p.]

BOX 21			The Swan of Pesaro. Christian Science Monitor, 24 July 1952.

BOX 21			The Swedish Nightingale. Christian Science Monitor, 11 Aug. 1955.

BOX 21			The sweet and marvelous Purcell. Christian Science Monitor, 6 Jan. 1956.

BOX 21			The symphonies of Shostakovich. [typescript, 5 p.]

			[Szymanowski, Karol]

BOX 21				[Liner notes for] Twelve etudes, op. 33 ; Mazurkas 1 and 2, op. 50. Columbia Masterworks, Set X-189.

BOX 21			Taking a fugue apart. Christian Science Monitor, 3 May 1937.

BOX 21			Tansman's traits. Prodigious youth, prolific composer. [newspaper article, n.d.]

BOX 21			Tchaikovsky. [typescript, 5 p.]

			[Tchaikovsky, Piotr Ilyich]

BOX 21				1812 overture. [typescript, 4 p.]

BOX 21				[Liner notes for] Francesca da Rimini, op. 32. Columbia Masterworks, Set M- 447.

BOX 21				Symphony no. 4. [typescript, 7 p.]

BOX 21				[Liner notes for] Symphony no. 6 in B minor ("Pathetique"). Columbia Masterworks, Set M- 432-AM-432-MM-432.

BOX 21				[Liner notes for] Violin concerto in D major, opus 35. Columbia Masterworks, Set M-413- AM-413-MM-413.

BOX 21			Tchaikovsky's house in Klin. Christian Science Monitor, 19 Apr. 1943.

			[Tcherepnin, Alexander]

BOX 21				Chamber concerto for flute, violin and chamber orchestra. [typescript, 2 p.]

BOX 21			Temper and temperament. Medical Opinion and Review3, no. 1 (Jan. 1967).

BOX 21			Thesaurus of scales and melodic patterns. [typescript, 8 p.]

BOX 21			The thing of it. [typescript, 3 p.; inscribed: Not used]

BOX 21			A thing or two about music. Program notes for 91.5 KUSC-FM, Dec. 1983. [promotional material.]

BOX 21			A thing or two about music. Upbeat! (Sept. 1986).

BOX 21			A third set of notes and comments. [newspaper article, n.d.]

BOX 21			The three B's in music, 1939. [newspaper article, n.d.]

BOX 21			Three places in New England. Symphony Magazine, Apr/May 1988.

BOX 21			Three places in New England. [holograph, 2 leaves]

			[Toch, Ernst]

BOX 21				Quintet for the piano and strings. [typescript, 3 p.]

BOX 21			Tonality, Atonality, Pantonality. A Study of Some Trends in Twentieth Century Music, by Rudolph Reti. (1958). [journal article in French by N.S., n.d.]

BOX 21			To the birthplace of "June moon." Isaac Goldberg goes on pilgrimage to Tin-Pan Alley, recalls its past, observes its present, assembles its manners and customs. Boston Evening Transcript, 10 Jan. 1931.

BOX 21			Trials of a music collector in Latin America. Musical America, 25 Mar. 1942.

BOX 21			Twenty years of Soviet music.Christian Science Monitor, 15 Mar. 1938.

BOX 21			The "ugly duckling" of Russian music.Christian Science Monitor, 27 Jan. 1945, weekly magazine.

BOX 21			Ulysses Kay. [book/journal article n.d.]

BOX 21			Unalloyed, undecorated, undiminished. Mussorgsky's Boris Godunov in original version for American hearing.Boston Evening Transcript, 30 Nov. 1929.

BOX 21			The unassuming Verdi. Christian Science Monitor, 28 Nov. 1952.

BOX 21			Understanding the music of Soviets. Boston Evening Transcript, 16 Oct. 1935.

BOX 21			The vagaries of inspiration. Medical Opinion and Review 7, no. 1 (Jan. 1971).

BOX 21			Varese. [journal article, n.d.]

BOX 21			The varieties of American music. [typescript, 10 p.; inscribed: Lecture at the Brooklyn Institute, April 15, 1947]

			[Verdi, Giuseppe]

BOX 21				Ernani. [typescript, 4 p.]

BOX 21			Viewing a terra incognita of music.Musical America, June 1941.

BOX 21			Vignettes on Bach for KFAC, Feb. 1985. [typescript, 5 p.]

BOX 21			Vincenzo Bellini his life and work. [typescript, 2 p.; inscribed: for MacMillan, Sept. 10, 1975]

BOX 21			The violin of Norway. Christian Science Monitor, 11 Feb. 1952.

BOX 21			A virtuoso in America. Christian Science Monitor, 13 Sept. 1951.

BOX 21			A visit with Villa-Lobos. Musical America, 10 Oct. 1941.

BOX 21			Visual music. Selmer Bandwagon 9, no. 2 (Apr. 1961).

BOX 21			Vladimir Dukelsky, alias Vernon Duke. [newspaper article, n.d.]

			[Wagner, Joseph]

BOX 21				Sinfonietta no. 2 for string orchestra. [typescript, 2 p.]

			[Wagner, Richard]

BOX 21				[Liner notes for] Rienzi-Overture. Columbia Masterworks, Set X-169.

BOX 21				[Liner notes for] Tannhäuser: Bacchanale (Venusberg Music) ; Marche Troyenne, by Hector Berlioz. Columbia Masterworks, Set X-193.

BOX 21			Wanda Landowska. Disques(Aug. 1932).

BOX 21			Was I really the first? Keyboard Classics (May/June 1983). [article and music (No more Shiny Nose) by N.S.]

BOX 21			Ways of a sonata. Christian Science Monitor, 14 Oct. 1937.

BOX 21			The weather at Mozart's funeral. The Musical Quarterly 46, no. 1 (Jan. 1960).

			[Weber, Carl Maria von]

BOX 21				Konzertstück in F minor. [typescript, 3 p.]

BOX 21			A welcoming hail-Alfredo Casella comes a second time to lead the pops.Boston Evening Transcript, 28 Apr. 1928.

BOX 21			What do you know about music? [newspaper article, 6/7/37]

BOX 21			When the mail brings music with it. Christian Science Monitor, 9 Aug. 1960.

BOX 21			Whence the dance in Latin America? Christian Science Monitor, 8 May 1943, weekly magazine section.

BOX 21			With Bach to Brazil. Christian Science Monitor, 18 Apr. 1956.

BOX 21			With N.S. for cicerone on assorted matters of interest. [newspaper article, n.d.]

BOX 21			With N.S. to offer a second set of notes and comments. Boston Evening Transcript, 17 Nov. 1934.

BOX 21			With the new concerto for mirror, reflections of Stravinsky, present and past, from the impending piece. Boston Evening Transcript, 26 Dec. 1931.

			[Wolf, Hugo (1860-1903)]

BOX 21				Italian serenade. [typescript, 3 p.]

			[Wolf-Ferrari, Ermanno (1876-1948)]

BOX 21				Kammersymphonie, op. 8. [typescript, 3 p.]

			[Wood, Henry]

BOX 21				[Liner notes for] Fantasia on British sea songs (arr. and orch. by Wood). Columbia Masterworks, Set X-175.

BOX 21			Young music must have new tools. The Etude (Jan. 1948).

BOX 21			[Miscellaneous and incomplete excerpts]

BOX 22		Radio Scripts

BOX 22			Radio scripts 1943-46

BOX 23-117		Books, Index cards

			Bakers Biographical Dictionary

BOX 23-37				6th edition [typescripts, amendments, corrections of earlier editions, publishers proofs]

BOX 38-46				7th edition

BOX 47-50				8th edition [typescripts]

BOX 51-54				Corrections and Additions

BOX 55-71				Index card files
					Contents: A-C (BOX: 55) A-C (BOX: 56) E-F; A-H (BOX: 57) C-Z (BOX: 58) A-L (BOX: 59) A-Z, Baker's 7th (BOX: 60) C-E; V-Z (BOX: 61) L-Z; A-Z (BOX: 62) C, G, H, S (BOX: 63) I-Z (BOX: 64) P-U (BOX: 65) M, Q-T, V (BOX: 66) Additions, corrections and Obits (1960-71), Baker's 5th (BOX: 67) Miscellaneous (BOX: 68) Obits A-Z (BOX: 69) Obits A-F (BOX: 70) Obits G-N (BOX: 71)

			Lectionary of Music

BOX 72-79				Working drafts, McGraw-Hill [typescripts]

BOX 80-87				Index card files
					Contents: A-Ce (BOX: 80) Ch-E, misc (BOX: 81) F-J (BOX: 82) K-N (BOX: 83) O-R, A-Z (BOX: 84) S (BOX: 85) T-Z (BOX: 86) Fouls A-S (BOX: 87)

			Music Since 1900

BOX 88-93				Pre-1975 drafts, corrected page proofs, drafts (typed)

BOX 94				Early notebooks, source material and documents, misc., galleys (Pre-1975)

BOX 95-97				1986 edition (typescripts, proofs)

BOX 98-100				Corrections and additions (prefaces, supplements, notes, articles)

BOX 101-108				Index card files
					Contents: 1900-37 (BOX: 101) 1938-48 (BOX: 102) 1949-1970 (BOX: 103) A-K (BOX: 104) L-Z (BOX: 105) Corrections inserted into Galley (BOX: 106) Foul copy(s) (BOX: 107) Galley proofs (BOX: 108)

			Perfect Pitch

BOX 109-114				Working drafts

BOX 115-117				Corrections and Additions

BOX 118 BOX Oversize	REVIEWS, 1929-1994
		Reviews by others of books, articles, music written or composed by Slonimsky
		Arranged in alphabetical order by subject matter.

BOX Oversize		Reviews: scrapbook, 1929-33

BOX 118		Reviews: Lectionary of Music

BOX 118		Reviews: Music Since 1900

BOX 118		Reviews: Perfect Pitch

BOX 118		Reviews: Baker's Biographical Dictionary

BOX 118		Reviews: Lexicon of Musical Invective

BOX 118		Reviews: N.S. works, miscellaneous

BOX 118		Reviews: [Doctoral thesis]

BOX 118		Reviews: Comments on passages in Perfect Pitch

		Reviews, various see: SCRAPBOOKS

BOX 119-124 BOX 340	MUSIC COMPOSED BY NICOLAS SLONIMSKY, 1913-1990
		Music composed by Nicolas Slonimsky. These materials are divided into two subseries: Manuscript and Printed Music.
		Arranged in alphabetical order by title.

BOX 119-121 BOX 340		Manuscript, 1913-1990

BOX 119			15 Russian peasant songs, set and integrated from authentic phrases
				Holograph in ink with pencil annotations and paste-in lyrics.
				Composed June-July 1935.
				Contents: Drëma (Dreamer). Soloveĭ, solov'iushka (Nightingale, my nightingale). Uzh vy shashki, kanashki moi (You, wily darlings). Skuchno vremiachko (Tedious time). S brazhki p'ianoiu ne byti (You can't get drunk on brew). Krasny devitsy, da starye muzh'ia (Young maidens, old grooms). Zain'ka (Little white bunny). Uzh ty, iagodka krasna (My red berry). Po nemetskoĭ po ulitse (Along German Street). Devki, Ivan i kuznetsy (Girls, Ivan and the smiths). Starushka, diadia Moseĭ, baba i shchi (A hag, Uncle Mo, a hussy and her broth). Kartoshka moia (Fried potato). Kurochka s bychkom, porosënok s iaichkom (Bull-bearing hen and an egg-laying pig). Moĭ muzh ne khorosh (My husband, my sweetheart and I). A kto u nas umen (Who is wise and knowing).
				Note: voice and piano

BOX 119			[15 Russian peasant songs]
				Mss. in ink, nos. 4-15 lacking lyrics, no. 14 has lyric sheet laid in. Two copies of no. 6.
				Note: voice and piano

BOX 119			Ach, du lieber Augustin!
				Holograph in ink; 1 p.
				No. 13 of "51 minitudes."
				Note: piano

BOX 119			Advice
				Holograph in ink with pencil annotations; 3 p.
				Words by Pushkin, translated into English by Slonimsky.
				Cover title: "A song."
				Composed 1918/1920.
				Note: voice and piano

BOX 119			Anti-dodecaphonic declaration
				Holograph in ink; 1 p.
				Note: textualized melody

BOX 119			April
				Photocopy of holograph; 3 p.
				Dated March 26, 1928.
				Note: voice and piano

BOX 119			Aromas de leyenda (Aroma of a legend)
				Holograph in ink with pencil annotations; 4 p.
				On cover: "Final revised version (1938)."
				Note: violin and piano

BOX 119			Aromas de leyenda (Aroma of a legend)
				Holograph in pencil; 6 p.
				On cover: "Final revised version (1938)."
				Note: violin and piano

BOX 119			Autumn (O-sen')
				Holograph in ink with English words in pencil; 2 p.
				Words by Alexander Block (Aleksandr Blok).
				At end: "Sofia, 18/X 1921."
				Later published in slightly modified form as "Autumns of yesteryear."
				Note: voice and piano

BOX 119			Bach's fugue no. 2 (multiplied by 2); Bach's fugue no. 2 in fluid tonality.
				Score (holograph and partial photocopy) and sketches, in ink and pencil; 6 leaves.
				Similar to no. 48 and no. 47 of "51 minitudes."

BOX 119			The ballad of the Oldtown fire, for baritone
				Holograph in ink with pencil annotations; 4 p.
				Completed in June of 1930.
				Note: voice and piano

BOX 119			Blitzpartie
				Holograph in ink; 1 p.
				No. 15 of "51 minitudes."
				Note: piano

BOX 119			Butterfly. Impromptu
				Holograph in ink with pencil annotations; 4 p.
				Dedicated to Helene Miramova.
				At end: "4 January, 1924, Seattle, U.S.A."
				Note: piano

BOX 119			Déjà entendu
				Holograph in ink; 1 p.
				No. 36 of "51 minitudes."
				Note: piano

BOX 119			Etude
				Holograph in ink; 3 p.
				Dedicated to Isabelle Vengerova.
				Completed Nov. 1918.
				Note: piano

BOX 119			Etude no. 1
				Holograph in ink; 6 p.
				Completed Oct. 1918.
				Note: piano

BOX 119			[fanfares by various composers]
				Slonimsky holographs for the parts (and some scores) of fanfares by Manuel de Falla; Milhaud (Fanfare pour une fête); Prokofiev (Fanfare pour une spectacle) [includes a printed version]; Amadeo Roldán (Fanfare/Llamada) [includes 7 parts in unknown hand]; and Stravinsky (Fanfare for a liturgy) [includes 2 parts in an unknown hand]. [30 p.] Includes miniature printed versions of "Fanfare for a political address" by Arthur Bliss, and "Esquisse d'une fanfare" by Francis Poulenc. For Slonimsky's own fanfare,(see: "Fanfarria habanera para despertar a los trasnochadores.")

BOX 119			Fanfarria habanera para despertar a los trasnochadores
				Holograph score (4 p.) and parts (5), in ink with pencil annotations.
				Score signed "Habana, 22.-IV-1933"
				Note: piccolo, clarinet, horn, bell, maracas, and bongos

BOX 119			Fragment of chorus from "Orestes" of Euripedes, from a conjectural version (400 B.C.)
				Score (paste-in photocopies) and holograph/photocopy of holograph string parts (3).
				Note: trumpet, suspended cymbal, tambourine, tam-tam, and strings

BOX 119			La fuite de la lune (Impressions)
				Holograph in ink and pencil; 6 p.
				Words by Oscar Wilde.
				On cover: "To Dorothy Adlow."
				Completed Nov. 4, 1926.
				Note: voice and piano

BOX 119			Impromptu-miniature
				Holograph in ink with pencil annotations; 4 p.
				On p. 1: "Eastman School, Rochester, N.Y."
				Note: piano

BOX 119			İok, effendi. Fox-trott
				Holograph in ink; 2 p.
				On cover: "Constantinople, 1921."
				Note: piano

BOX 119			Isle of Zanti
				Ms. in ink; 4 p.
				Completed in September of 1927 in Portsmouth, N.H.
				Note: voice and piano

BOX 119			Isle of Zanti
				Holograph piano-vocal scores (2), in ink; 3 p., 3 p.
				Completed in September of 1927 in Portsmouth, N.H.
				Note: voice and piano

BOX 119			Khoral, pisannyĭ na ėkzamenie, 5 maia 1913.
				Holograph in ink with pencil annotations; 1 p.
				At top: "Examination piece, St. Petersburg Conservatory 1913."

BOX 119			Krug viekoviechnyĭ (Eternal circle)
				Holograph in ink with annotations and English words (Slonimsly, trans.) in pencil; 5 p.
				Completed in Sofia in August, 1921.
				Note: voice and piano

BOX 119			Liubi menia iasno. Romans dlia vysokogo golosa
				Holograph in ink with pencil annotations; 4 p.
				At end: "Sofia, 1/XII 1921."
				Note: voice and piano

BOX 120			Marche grotesque
				Holograph parts (11).
				Crossed-out title: "Little march for a big bowl"
				Note: Piccolo, horns, trumpets, trombone, percussion, piano, strings

BOX 120			[miscellaneous melody(ies) with accompanying "words"]
				Holograph in ink; 1 p.

BOX 120			[miscellaneous Slonimsky holographs of music of others]
				Includes fragments copied from the music of Bizet, Mozart, Rimsky-Korsakov, and Satie, as well as melodies by composers unknown, among which can be found several Russian songs and texts as recalled by Slonimsky, and believed to date from 1900 to 1904. (8 leaves)

BOX 120			[miscellaneous Slonimsky holographs of the music of Roy Harris]
				Includes fragments for the following (17 leaves): 1st symphony. 2nd symphony. [2 leaves] American portraits, third movement. Fantasy (identical with the slow movement of the First Symphony). First string quartet, slow movement ; Third symphony. Piano sonata, second movement, middle section ; Ending of the piano sonata. Quintet [clarinet, strings, piano]. [photocopy of annotated printed fragment] Rock of ages, for mixed chorus and orchestra. [2 index cards] Second movement [violin] ; Third movement [cello, piano]. Soliloquy and dance [viola solo ; piano]. The theme of collective force. Third symphony. Trio. Violin concerto ; 3rd symphony. Western cowboy [voice and piano].

BOX 120			Möbius strip tease
				Holographs (2) in ink and ink and pencil; 1 p., 1 p.
				Printed version (1).
				Note: lyricized melody

BOX 120			Music illustrations to changing styles of Soviet music.

BOX 120			Music examples from music of Shostakovich, Prokofiev, Deshevov, Khachaturian, Dzerzhinsky, Kabalevsky, Tchishko, and Knipper.
				Holograph, in pencil; 4 p.

BOX 120			O, esli b znali vy...
				Holograph in ink with pencil annotations; 4 p.
				On cover: "N. Sonimsky 1913."
				Note: voice and piano

BOX 120			Objets trouvés in a dodecaphonic environment
				Holograph (dated 1987) in ink; 3 p.
				Photocopies (3) of holograph; 1 p. (incomplete), 5 p., and 7 p.
				Note: piano

BOX 120			Otchego nas vsegda op'ianiaet luna
				Holograph in ink; 4 p.
				At end: "Sofia, 19/X 1921."
				Note: voice and piano

BOX 120			A penny for your thoughts. Vocalise
				Holograph in colored pencil; 2 p.
				Dated March 1930.
				Note: voice and piano

BOX 120			Le petite cochon qui se dégonfle
				Holograph in ink; 2 p.
				At end: "Paris, 1922."
				Note: piano

BOX 120			Petite suite galéenne
				Photocopy of holograph; 6 p.
				Dated "Vernal Equinox, 1962."
				Note: piano

BOX 120			Piccolo divertimento [no. 1]
				Photocopy scores (4 reduced-size, one of which is heavily annotated; 1 full-size).
				Note: crossed-out title of "Little suite."
				Note: woodwinds, percussion, typewriter, and cat's meow

BOX 120			Piccolo divertimento [no. 2]
				Sketches: holograph (7 p.) and photocopies (10 p.), some showing annotations for final version.
				Note: early version: flute/piccolo, oboe, clarinet, horn, trumpet, trombone, percussion, piano and violin

BOX 120			Piccolo divertimento [no. 2]
				Photocopy parts (14) for no. 1-14, incomplete, piano lacking, some annotated.
				Note: early version: flute/piccolo, oboe, clarinet, horn, trumpet, trombone, violin, piano and percussion

BOX 121			Piccolo divertimento no. 2
				Photocopy and ms. scores (3), some annotated, for no. 9 (Bach dislocated)-12 [final version]; [21 p. total]
				Photocopy scores or short scores for no. 9 (Square root of B5)-14 (early version); 10 p.
				Photocopy scores for discarded or renumbered sections, some annotated; 13 p.
				Title lists (4).
				Note: final version: flute/piccolo, oboe, clarinet, percussion and piano

BOX 121			Piccolo divertimento [no. 2]
				Parts (photocopy and ms.), modified to final form, clarinet and percussion incomplete; [39 p.]
				Note: final version: flute/piccolo, oboe, clarinet, percussion and piano

BOX 121			Piccolo divertimento [no. 2]
				Photocopy parts (9) for no. 1-12, some annotated.
				Note: final version: flute/piccolo, oboe, clarinet, percussion and piano

BOX 121			Posliedniaia panikhida, dlia soprano
				Holograph in ink; 4 p.
				Completed in Sofia, July 1921.
				Note: voice and piano

BOX 121			Quaquaversal suite [4 sections]
				Holograph sketches (no. 1, 2 and 4); 20 p.
				Ms. violin part, complete parts (2 photocopies), and notes.
				Note: piccolo, clarinet, violin, cello, 2 pianos

BOX 340			Quaquaversal suite [6 sections]
				Scores (2 photocopies), and ms. of p. 9.
				Composed 1990.
				Note: flute/piccolo, percussion, and piano

BOX 340			Quaquaversal suite [7 sections]
				Ms. score and 2 photocopy scores (all lacking a cut p. 6).
				Photocopy of truncated p. 2.
				Note: flute/piccolo, percussion, and piano

BOX 121			Quodlibet
				Note: holograph melody over printed piano music paste-ins; 1 p.

BOX 121			Quodlibet (La putaine)
				Holograph in ink; 1 p.
				Basis for no. 41 of "51 minitudes."
				Note: piano

BOX 121			Studies in black and white
				Holograph in ink with pencil annotations; 13 p.
				Dated July 1928.
				Note: piano

BOX 121			Surrealistically dodecaphonic birthday greetings.
				Holograph in ink; 1 p.
				Similar to "Happy birthday"; also used in "Piccolo divertimento."

BOX 121			Twenty-ninth anniversary cantata, July 30, 1960
				Holograph in ink and pencil; 3 p.
				Commemoration of Slonimsky's wedding.
				Note: voice and piano

BOX 121			A very great musician, or, A story of an unrequited passion
				Holograph in ink; 3 p.
				Poem by Theophil Marzials. Dedication to Paul Cherkassky.
				At end: "June 11, 1928"
				Note: voice and piano

BOX 122-124		Printed Music, 1920-1990

BOX 122			51 minitudes for piano, 1972-76. New York: G. Schirmer, 1979.
				Note: also published in London

BOX 122			[51 minitudes, for piano]. [S.l.]: [s.n.], n.d.
				9 selections on one proof sheet [?]. "Cryptokrebschoenwagnerbergblatt" shown for later "Schoenwagnerberg boustrophedon."

BOX 122			April Boston: White-Smith Music Publishing Co., 1928.
				Note: voice and piano

BOX 122			Big Ben, for the piano. Boston: Oliver Ditson Co., 1932.
				Note: 2 copies

BOX 122			Bosphore valse, pour piano. Constantinople: [s.n.], [1920].
				Composer identified on title page as Niccolo Slavini.

BOX 122			Columbines (Garden songs, [no. 2]) Boston: White-Smith Music Publishing Co., 1928.
				(3 copies and extra cover, inscribed by Slonimsky).
				Note: voice and piano

BOX 122			Czerny, shmerny [S.l.]: [s.n.], n.d.
				Note: for piano
				Note: photocopy
				No. 30 of "51 minitudes."

BOX 122			Danse du Baïram. Danse orientale, pour piano. Moscow: A. Gutheil, 1923.
				3 copies, 1 of which is a photocopy.

BOX 122			Déjà entendu [S.l.]: [s.n.], n.d.
				Note: for piano
				No. 36 of "51 minitudes."

BOX 122			Dummkopfmarsch in His/Deses Dur [S.l.]: [s.n.], n.d.
				Note: for piano
				Note: 2 photocopies

BOX 122			Fantasy in black and white
				Note: for piano
				Published in New Music 3, no. 1 (Oct. 1929)
				Note: filed with "Studies in black and white."

BOX 122			Five advertising songs Lomita, Calif.: Cambria Publishing, 1988.
				Note: voice and piano

BOX 122			Five advertising songs [S.l.]: [s.n.], n.d.
				Note: for voice and piano
				Composed 1925.

BOX 122			The flight of the moon (Impressions, no. 2) Boston: White-Smith Music Publishing Co., 1927.
				Note: voice and piano

BOX 122			Four picturesque pieces for ambitious young pianists. Boston: Riker, Brown & Wellington, 1931.
				Contents: 1-- The opening of the piano (inscribed by Slonimsky) 2-- Dreams and drums (2 copies) 3-- Kiddies on the keys (2 copies) 4-- Country dance
				Note: 6 items

BOX 122			Four picturesque pieces for ambitious young pianists. Providence, RI: Axelrod Publications, 1942.
				Contents: 1-- The opening of the piano 2-- Dreams and drums 3-- Kiddies on the keys 4-- Country dance
				Note: 8 items (2 copies of each)

BOX 122			Four Russian melodies New York: Mecca Music Service, 1936.
				Note: clarinet and piano

BOX 122			Four simple pieces, for small orchestra. New York: Coleman-Ross Co., 1955.

BOX 122			French blue (Garden songs, [no. 3]) Boston: White-Smith Music Publishing Co., 1928.
				Note: voice and piano

BOX 122			Gravestones at Hancock, N.H. Lomita, Calif.: Cambria Publications, 1988.
				Note: voice and piano

BOX 122			Gravestones at Hancock, N.H. Providence, RI: Axelrod Publications, 1946.
				Note: voice and piano

BOX 122			Happy birthday [S.l.]: [s.n.], n.d.
				Note: for piano
				Note: photocopy
				No. 49 of "51 minitudes."

BOX 122			The haunting horn. Waltz Boston: Oliver Ditson Co., 1931.
				Note: piano

BOX 122			I owe a debt to a monkey! A humorous encore song, for voice and piano. Providence, RI: Axelrod Publications, 1945.
				Note: 2 copies

BOX 122			Little suite, for woodwinds, percussion and typewriter. New York: Coleman-Ross Co., 1955.
				(same as Piccolo divertimento no. 1)

BOX 122			Modinha Russo-Brasileira, for piano solo. Providence, RI: Axelrod Publications, 1942.
				Note: (2 copies)

BOX 122			Moods Evanston, Ill.: Summy-Birchard Co., 1964.
				Note: piano

BOX 122			Moto perpetuo, for violin and piano. Lomita, Calif.: Cambria Publishing, 1990.
				Score and part, 2 copies.

BOX 122			Moto perpetuo, for violin and piano. Providence, RI: Axelrod Publications, 1939.
				Score and part.

BOX 122			My little pool Slikkerveer-Rotterdam: Klavarskribo, n.d.
				Note: for piano vet zang
				Musical notation in klavarskribo. Incomplete.

BOX 122			My little pool Boston: White-Smith Music Publishing Co., 1929.
				Piano-vocal score and photocopy.
				Note: voice and piano

BOX 123			My toy balloon (Variations on a Brazilian tune), for orchestra. Delaware Water Gap, Pa.: Shawnee Press, 1942.
				Annotations in Russian.

BOX 123			My toy balloon. Variations on a Brazilian tune Delaware Water Gap, Pa.: Shawnee Press, 1978.
				Note: orchestra

BOX 123			My toy balloon. Variations on a Brazilian tune Delaware Water Gap, Pa.: Shawnee Press, 1978.
				Condensed score (4 copies, 2 in miniature).
				Note: orchestra

BOX 123			My toy balloon. Variations on a Brazilian tune Delaware Water Gap, Pa.: Shawnee Press, 1950.
				Scores (3 copies, one an annotated photocopy).
				Note: two pianos

BOX 123			My toy balloon. Variations on a Brazilian tune Providence, RI: Axelrod Publications, 1950.
				Note: two pianos

BOX 123			No more shiny nose
				Note: for voice and piano
				Appearing in Keyboard Classics (May/June 1983)
				Note: photocopy

BOX 123			Piccolo divertimento no. 1. Suite for flute, oboe, clarinet, military drum, triangle, suspended cymbal, portable typewriter, cat's meow. Lomita, Calif.: Cambria Publishing, 1989.
				Note: 2 copies

BOX 123			[Piccolo divertimento no. 1, for woodwinds, percussion, typewriter, and cat's meow]. [Lomita, Calif.]: Cambria Records and Publishing, 1989.
				Parts

BOX 123			Prelude in black and white
				Note: for piano
				Published in New Music 3, no. 1 (Oct. 1929)
				Note: filed with "Studies in black and white."

BOX 123			Russian nocturne, for piano solo. Providence, RI: Axelrod Publications, 1943.
				Note: 2 copies

BOX 123			Russian prelude, for piano solo. Providence, RI: Axelrod Publications, 1945.
				Note: 2 copies

BOX 123			Silhouettes ibériennes, for piano solo. Providence, RI: Axelrod Publications, 1949.
				Note: photocopy

BOX 123			Silhouettes (Impressions, no. 1). Boston: White-Smith Music Publishing Co., 1927.
				Piano-vocal scores (2), one inscribed by Slonimsky.

BOX 123			Studies in black and white, for piano.
				Published in New Music 3, no. 1 (Oct. 1929)
				Also includes "Prelude in black and white" and "Fantasy in black and white."
				Inscribed to Dorothy (uxor) by Slonimsky.

BOX 123			Studies in black and white Los Angeles: New Music Edition, 1929.
				Also includes "Prelude in black and white" and "Fantasy in black and white."
				Note: piano

BOX 123			Studies in black and white New York: New Music Edition Corp. Publisher, 1929.
				Also includes "Prelude in black and white" and "Fantasy in black and white."
				Note: piano

BOX 123			Studies in black and white San Francisco: New Music Edition, 1929.
				Also includes "Prelude in black and white" and "Fantasy in black and white."
				Annotated.
				Note: piano

BOX 123			Suite for violoncello and piano. Hollywood, Calif.: Highland Music Co., 1970.
				Score and part, 2 copies.

BOX 124			Thesaurus of scales and melodic patterns. New York: Coleman-Ross Company, 1947.
				Incomplete, p. 53-68, 133-38, 143-48 lacking.
				Enclosed: a supplementary page of scales, titled "Bitonal retrogressive canon," "Bitonal retrogressive canon," and "Scriabin's Prometheus chord."

BOX 124			Three songs Boston: White-Smith Music Publishing Co., 1928.
				Contents: 1-- Autumns of yesteryear 2-- 'Neath stars 3-- Your tranquil eyes
				Note: voice and piano

BOX 124			Tintinnabulations, for the piano. Boston: Oliver Ditson Co., 1935.
				Note: 2 copies

BOX 124			Two etudes for advanced students, for piano solo (op. 2). Providence, RI: Axelrod Publications, 1946.
				Note: 2 copies

BOX 124			Typographical errors [S.l.]: [s.n.], n.d.
				Note: for piano
				Note: photocopy
				Incomplete (1 p. only). Included in "Studies in black in white" and "Piccolo divertimento."

BOX 124			Utica sheets.
				First line: "So soft, so smooth, so snowy-white... Utica sheets and pillow cases." (Slonimsky)
				Note: photocopy of "'Neath stars" with new title and lyric written in

BOX 124			Valse trop sentimentale [S.l.]: [s.n.], n.d.
				Note: for piano
				Note: photocopy
				No. 43 of "51 minitudes."

BOX 124			Variations on a kindergarten tune, for piano solo. Delaware Water Gap, Pa.: Shawnee Press, 1942.
				Same as "My toy balloon."
				Note: 3 copies

BOX 124			Variations on a kindergarten tune, for piano solo. Providence, RI: Axelrod Publications, 1942.
				Same as "My toy balloon."
				Note: 3 copies

BOX 124			A very great musician Lomita, Calif.: Cambria Publishing, 1989.
				Note: voice and piano

BOX 124			A very great musician. Providence, RI: Axelrod Publications, 1947.
				Note: voice and piano

BOX 124			What makes a garden? (Garden songs, [no. 1]) Boston: White-Smith Music Publishing Co., 1928.
				Quartered music, inscribed by Slonimsky to the Adlow sisters.
				Note: voice and piano

BOX 124			Yellowstone Park suite, for piano solo. Providence, RI: Axelrod Publications, 1951.
				(2 copies, one with a semi-erased annotation to Elektra)

BOX 125-128	PROGRAMS OF NICOLAS SLONIMSKY PERFORMANCES, 1924-1990
		Programs of music composed by and/or lectures given by Slonimsky.
		Arranged in alphabetical order by subject matter.

BOX 125		1924-1939

BOX 126		1940-1965

BOX 127		1966-1969

BOX 128		1969-1990

BOX 129-170	CORRESPONDENCE, 1920-1994
		Correspondence to Nicolas Slonimsky, including general and family correspondence.
		Arranged in alphabetical order by correspondent.

BOX 129		[100th birthday congratulations]

BOX 129		Aarons, Martha

BOX 129		Abbaye Saint Pierre de Solesmes

BOX 129		Abbott Academy

BOX 129		Abraham, Gerald

BOX 129		Absil, Jean

BOX 129		Adler, Kurt

BOX 129		Adler, Samuel

		Adlow, Dorothy see: Slonimsky, Dorothy

BOX 129		Admon, Jedidiah

BOX 129		Adolphus, Milton

BOX 129		Adomián, Lan

BOX 129		Aeroflot

BOX 129		Aitken, Hugh

BOX 129		Akses, Necil Kâzim

BOX 129		Alaska Purchase Centennial Commission

BOX 129		Albania, People's Republic of

BOX 129		Albersheim, Gerhard

BOX 129		Albert, Stephen

BOX 129		Albrecht, Theodore

BOX 129		Alderighi, Dante

BOX 129		Alexander Broude, Inc.

BOX 129		Alexander, Izrail

BOX 129		Alfred A. Knopf, Inc.

BOX 129		Algemene Muziek Encyclopedie

BOX 129		Allen, Bobby

BOX 129		Allen, Robert F., Jr.

BOX 129		Allende, P. Humberto

BOX 129		Almagor, Dan

BOX 129		Almeida Theatre

BOX 129		Altman, Ludwig

BOX 129		Altschuler, Modest

BOX 129		AM-RUS Literary and Music Agency

BOX 129		America-Israel Cultural Foundation

BOX 129		American Academy in Rome

BOX 129		American Academy of Arts and Letters

BOX 129		American Airlines

BOX 129		American Automobile Association (AAA)

BOX 129		American Composers Alliance

BOX 129		American Harp Journal

BOX 129		American Music

BOX 129		American Music Center

BOX 129		American Music Concerts Association

BOX 129		American Musicological Society

BOX 129		American Recording Project Committee

BOX 129		American Standards Association

BOX 129		American Symphony Orchestra League

BOX 129		Amirkhanian, Charles

BOX 129		Anderson, Beth

BOX 129		Anderson, E. Ruth

BOX 129		Anderson, Emily

BOX 129		Anderson, Harry

BOX 129		Anderson, Leroy

BOX 129		Anderson, Robert P.

BOX 129		Anderson, Roy

BOX 129		Anderson, T. J.

BOX 129		Andreis, Josip

BOX 129		Antheil, George

BOX 129		Antheil, Mrs. George

BOX 129		Antoniou, Theodore

BOX 129		Apostel, Hans Erich

BOX 129		Appleton-Century-Crofts, Inc.

BOX 129		Arapov, Boris Aleksandrovich

BOX 129		Archives of American Art

BOX 129		Arensburger, Konstantin

BOX 129		Arirang Music Engravers

BOX 129		Arnold, Ben

BOX 129		Aronov, Arkady

BOX 129		Arriaga Publications

BOX 129		Arts Council of Philadelphia

BOX 129		ASCAP (American Society of Composers, Authors & Publishers)

BOX 130		Aslamazov, Aleksandr

BOX 130		Associated Music Publishers

BOX 130		Association of Serbian Composers

BOX 130		Assumption University of Windsor

BOX 130		Astrand, Hans

BOX 130		Astrov, Anatoliĭ Vasil'evich

BOX 130		Ateneo, El

BOX 130		Atlas Musical

BOX 130		Auda, Antoine

BOX 130		Austin, Larry

BOX 130		Australian Institute

BOX 130		Austria, Consulate General of

BOX 130		Austrian Airlines

BOX 130		Austrian State Tourist Department

BOX 130		Avidom, Menahem

BOX 130		Avshalomov, Aaron

BOX 130		Avshalomov, Jacob

BOX 130		Axelrod Music

BOX 130		B (misc.)

BOX 130		B. Schott's Söhne

BOX 130		Babbitt, Milton

BOX 130		Bachmann, Alberto

BOX 130		Bacon, Ernst

BOX 130		Badings, Henk

BOX 130		Badinski, Nikolai

BOX 130		Baggiani, Guido

BOX 130		Bailey, Parker

BOX 130		Balada, Leonardo

BOX 130		Ballantine, Edward

BOX 130		Ballard, Louis W.

BOX 130		Balogh, Ernö

BOX 130		Bandwagon

BOX 130		Barab, Seymour

BOX 130		Baranoff, Nathalie

BOX 130		Barati, George

BOX 130		Baratta, Maria de

BOX 130		Barbalonga, Franco

BOX 130		Barber, Samuel

BOX 130		Barjansky, Michael

BOX 130		Barnéond, Carlos Eugenio

BOX 130		Barolsky, Michael

BOX 130		Baroody, Samira

BOX 130		Barrios Fernandez, Angel

BOX 130		Barry, Jerome

BOX 130		Batten, Jennifer

BOX 130		Bazelon, Irwin

BOX 130		Beams, David

BOX 130		Beaumont, Geoffrey

BOX 130		Beaver Country Day School

BOX 130		Beck, John N.

BOX 130		Becker, John Joseph and Mrs. John Joseph Becker

BOX 130		Beckwith, John

BOX 130		Beeson, Jack

BOX 130		Beglarian, Grant

BOX 130		Bekku, Sadao

BOX 130		Bell Telephone Laboratories

BOX 130		Ben-Haim, Paul

BOX 130		Benjamin, William E.

BOX 130		Benko, Gregory

BOX 130		Bennett, Robert Russell

BOX 130		Benson, Andrew

BOX 130		Benton, Rita

BOX 131		Berdes, Jane L.

BOX 131		Berdichevski, Gidon

BOX 131		Berger, Arthur

BOX 131		Berger, Jean

BOX 131		Bergsma, William

BOX 131		Berkowitz, Ralph

BOX 131		Berlin, Jeffrey B.

BOX 131		Berlinski, Herman

BOX 131		Berlinski, Jacques

BOX 131		Berlinski, Micheline M. (Mrs. Jacques)

BOX 131		Berners, Lord (Gerald Hugh Tyrwhitt)

BOX 131		Bernheimer, [Martin]

BOX 131		Bernstein, Leonard

BOX 131		Bettleheim, Wilhelm

BOX 131		Beversdorf, Thomas

BOX 131		Beyer, Johanna Magdalena

BOX 131		Bezekirsky, Vasily

BOX 131		Bialosky, Marshall

BOX 131		Biblioteca Nacional, Secão de Música

BOX 131		Bibliothèque du Conservatoire Royal de Musique

BOX 131		Binkerd, Gordon

BOX 131		Bishop, Morris

BOX 131		Blatkov, I.

BOX 131		Blazhkov, Igor

BOX 131		Bleiler, Richard

BOX 131		Blitzstein, Marc

BOX 131		Bloch, Ernest

BOX 131		Bloch, Suzanne See also: Rolland, Romain

BOX 131		Blom, Eric
			Contents: Blom, Eric Blom, Eric (carbons of letters to) Blom, Eric (corrigenda for Grove--2 folders)

BOX 131		Blomdahl, Karl-Birger

BOX 131		Blume, Friedrich

BOX 131		Blume, Ruth

BOX 132		Bodalev, Oreste

BOX 132		Bodky, Erwin

BOX 132		Boehm, Mary Louise

BOX 132		Boggess, Ralph

BOX 132		Bogotá, City of

BOX 132		Bolcom, William

BOX 132		Bonaventura, Mario di

BOX 132		Book of Knowledge

BOX 132		Book of the Month Club

BOX 132		Bookspan, Martin

BOX 132		Boone, Charles

BOX 132		Boosey and Hawkes, Inc.

BOX 132		Borok, Emanuel

BOX 132		Borovsky, Alexander

BOX 132		Borowski, Felix

BOX 132		Boskovitch, Alexander U.

BOX 132		Boston Public Library

BOX 132		Boston Symphony Orchestra

BOX 132		Boucher, Maurice le

BOX 132		Bourne Co.

BOX 132		Bowen, Catherine Drinker

BOX 132		Bowling, Lance

BOX 132		Boyden, David D.

BOX 132		Brand, Max

BOX 132		Brant, Henry

BOX 132		Bravničar, Martija

BOX 132		Brennan, W. H.

BOX 132		Briggs, John

BOX 132		Britain, Radie

BOX 132		British Broadcasting Corporation

BOX 132		Britten, Benjamin

BOX 132		Broder, Nathan

BOX 132		Brogue, Roslyn

BOX 132		Brown, Eddy

BOX 132		Brown, Howard Mayer

BOX 132		Brown, Malcom

BOX 132		Brown, Merton

BOX 132		Brown, Rayner

BOX 132		Brubeck, Howard

BOX 132		Bucci, Mark

BOX 132		Bucharoff, Simon

BOX 132		Budd, Harold

BOX 132		Bukofzer, Manfred

BOX 132		Bunger, Richard Joseph

BOX 132		Burbank, Richard

BOX 132		Burgess, Anthony

BOX 132		Burk, John N.

BOX 132		Burns, Elena Giorni

BOX 132		Burton, Stephen Douglas

BOX 132		Bush, Alan

BOX 132		Busoni, Ferruccio

BOX 133		C (misc.)

BOX 133		C. F. Peters Corporation

BOX 133		Cabrillo Music Festival

BOX 133		Cadek, Ottokar

BOX 133		Cadman, Charles Wakefield

BOX 133		Cage, John

BOX 133		California State College, Bakersfield

BOX 133		California State Library

BOX 133		California State Polytechnic University

BOX 133		California State University
			Contents: California State University, Fullerton California State University, Northbridge California State University, Sacramento

BOX 133		Calligaris, Sergio

BOX 133		Calouste Gulbenkian Foundation

BOX 133		Calvocoressi, M.

BOX 133		Campbell, John W.

BOX 133		Campbell, Robert G.

BOX 133		Camphouse, Mark D.

BOX 133		Camps, Pompeyo

BOX 133		Canadian Broadcasting Corporation

BOX 133		Cannon, Philip

BOX 133		Capablanca, Josè R.

BOX 133		Caples, John

BOX 133		Carl Fischer, Inc.

BOX 133		Carnegie Hall Corporation Archives

BOX 133		Carrillo, Julián

BOX 133		Carson-Tonight Inc.

BOX 133		Casabona, Francisco

BOX 133		Casella, Alfredo

BOX 133		Caspary, Clodomiro

BOX 133		Castelnuovo-Tedesco, Mario

BOX 133		Catskill Conservatory

BOX 133		Caturla, Alejandro García

BOX 133		CBS Records

BOX 133		Center for Cultural and Technical Interchange between East and West

BOX 133		Central Independent Television

BOX 133		Central Museum of Musical Culture (Moscow)

BOX 133		Centre Belge de Documentation Musicale

BOX 133		Centro Lirico Italiano

BOX 133		Cerha, Friedrich

BOX 133		Cesana, Otto

BOX 133		Československá Akademie Věd

BOX 133		Chailley, Jacques

BOX 133		Chapman College

BOX 133		Chappell & Co.

BOX 133		Charles Scribner's Sons

BOX 133		Chase, Gilbert

BOX 133		Chasins, Abram

BOX 133		Chatterji, N.

BOX 133		Chávez, Carlos

BOX 133		Chenoweth, Wilbur

BOX 133		Cherniaskiĭ, Aleksandr

BOX 133		Chevreuille, Raymond

BOX 133		Chiari, Giuseppe

BOX 133		Chihara, Paul

BOX 133		Childs, Barney

BOX 133		China Publications Centre

BOX 133		Chisholm, Erik

BOX 134		Chitwood, William

BOX 134		Chorbajian, John

BOX 134		Chou Wen-Chung

BOX 134		Christian Science Monitor
			Contents: Christian Science Monitor Christian Science Monitor(reaction to Slonimsky's articles)

BOX 134		Christou, Jani

BOX 134		City Missionary Society

BOX 134		Claflin, Avery

BOX 134		Clarke, Henry Leland

BOX 134		Clavíer

BOX 134		Clough-Leighter, Henry

BOX 134		Coates, Gloria

BOX 134		Cockshott, Gerald

BOX 134		Cogswell, Michael

BOX 134		Cohn, Arthur

BOX 134		Cohn, James

BOX 134		Cole, Rossetter G.

BOX 134		Colombia, Republic of

BOX 134		Columbia Recording Corp.

BOX 134		Columbia University

BOX 134		Connolly, Justin

BOX 134		Conservatoire Royal de Musique de Bruxelles

BOX 134		Conservatorio de Música de Declamación

BOX 134		Contis, Alekos

BOX 134		Conus, Sergei

BOX 134		Converse, Frederick Shepherd

BOX 134		Cook, Colin B.

BOX 134		Cook, Eugene

BOX 134		Cooke, Deryck

BOX 134		Cooke, James Francis

BOX 134		Coolidge, J. R.

BOX 134		Copland, Aaron

BOX 134		Corigliano, John

BOX 134		Cornell University

BOX 134		Corner, Philip

BOX 134		Cornfield, Giveon

BOX 134		Cortés, Ramiro

BOX 134		Cortese, Luigi

BOX 134		Cosma, Viorel

BOX 134		Cowan, Robert

BOX 135		Cowell, Henry, 1928-1942
			Contents: Cowell, Henry (photocopies) 1928-1931 Cowell, Henry (photocopies) 1932-1942 Cowell, Henry (originals)

BOX 135		Cowell, Olive

BOX 135		Cowell, Sidney Robertson

BOX 135		Creston, Paul

BOX 135		Croatian Board of Trade

BOX 135		Cross, Lowell

BOX 135		Cross, Ronald

BOX 135		Crown Publishers

BOX 135		Crumb, George H.

BOX 135		Cruz, Ivo

BOX 135		Cuban Interests Section

BOX 135		Cui, César

BOX 135		Cultural Foundation of the USSR

BOX 135		Cumberworth, Starling A.

BOX 135		Cummings, David

BOX 135		Cummings, Kathi

BOX 135		Cunningham, Merce

BOX 135		Current Biography

BOX 135		Cushing, Charles C.

BOX 135		Cvetic, Matthew

BOX 135		Cvetko, Dragotin

BOX 135		Czechoslovak Music Information Centre

BOX 136		D (misc.)

BOX 136		Da Capo Press, Inc.

BOX 136		Dahl, Ingolf

BOX 136		Dalgat, Dzhemal

BOX 136		Dallapiccola, Luigi

BOX 136		Dance Museum (Stockholm)

BOX 136

Nicolas Slonimsky Collection

Processed by the Music Division of the Library of Congress

Music Division, Library of Congress

Washington, D.C.

2005

Date

Event

BIOGRAPHICAL MATERIALS, 1894-1995

WRITINGS, 1920-1995

REVIEWS, 1929-1994

MUSIC COMPOSED BY NICOLAS SLONIMSKY, 1913-1990

PROGRAMS OF NICOLAS SLONIMSKY PERFORMANCES, 1924-1990

CORRESPONDENCE, 1920-1994