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Finding Aid encoded by Library of Congress Music Division, 2005
Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu003012
MUSIC MATERIALS, 1000-1987 | |||||||||||||
NON-MUSIC MATERIALS, 1700-1987 | |||||||||||||
The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by personal names, subjects, and listed alphabetically therein.
Gift; Hans Moldenhauer.
Bequest; Hans Moldenhauer; 1987.
Gift; Mary Moldenhauer; 1988-
No further accruals are expected.
Library staff assisted through their expert knowledge of languages and subjects: Carol Armbruster (French), E. Paul Frank (Hungarian), Grant Harris (European languages), George Kovtun (Czech), Everette E. Larson (Hispanic Literature), Kevin LaVine (Russian), and David Skelly (Russian). Ron Grim, of the Geography and Map Division, found the map of the Swiss Alps used for the endpapers. Sam Brylawski, of the Motion Picture, Broadcasting, and Recorded Sound Division, enabled us to organize and describe the sound recordings. Wilda Heiss was instrumental in getting the inventory into a DOS database, and Jason Yasner's knowledge of the Apple Macintosh system saw us through several software and hardware problems. Portions of this book have been prepared for release by the Library on its web page through the Library's National Digital Library, and several of its staff members advised us on technical matters that contributed to the production of the book, including the digital scanning of items selected for illustration. For this assistance, we are grateful to: Carl Fleischauer, Morgan Cundiff, David Arbury, Jeni Dahmus, Debbie Fulmore, Susan Manus, and Ashley Short. During the organization of materials and their preparation for scanning, the staff of the Conservation Office--in particular, Ann Seibert, Jake Benson, and Yasmeen Khan--assured their safe handling and provided necessary conservation treatment and housing. My wife, Iris Newsom, senior editor of the Library's Publishing Office, helped to plan the book from the beginning, edited the typescript of the book at several stages of its preparation, and, along with Gloria Holmes, also of the Publishing Office, moved this unusually complex project through production. Our designer, Stephen Kraft, provided exceptional advice and support above, beyond, and even before the call of duty, since he joined the project at its outset to help us visualize and budget the volume when it was just a dream. While not on the Library's staff, his nearly ten years of patient dedication to this undertaking earn him honorary status as one of this institution's treasures.
The status of copyright on the materials of the Moldenhauer Archives at the Library of Congress is governed by the Copyright Law of the United States (Title 17, U.S.C.).
Certain restrictions to use or copying of materials may apply.
Researchers wishing to cite this collection should include the following information: container number, the Moldenhauer Archives at the Library of Congress, Music Division, Library of Congress, Washington, D.C.
The ardent music collector and mountain climber Hans Moldenhauer was born in Mainz, Germany, in 1906, and died in 1987. Over the course of forty years he established the Moldenhauer Archives, a matchless resource of musical documents that encompasses music history from the Middle Ages through the 20th century, and about which Moldenhauer said, “the Archives includes not only bricks, but the mortar,” referring to both the great musicians and critical but lesser-known figures that hold it together.
Hans Moldenhauer emigrated to the United States in 1938, settled in mountainous Spokane, Washington, in 1939, and served in the U.S. Mountain Troops during World War II. In 1942, as he embarked upon a musical career in collecting, performance, and writing, he founded the Spokane Conservatory. In 1943 he married his piano pupil, Rosaleen Jackman, to whose memory he would later dedicate his Archives. When Moldenhauer was diagnosed with the incurable retinitis pigmentosa and told he would soon be blind, he focused much more of his energy on acquiring the monuments of “Music History from Primary Sources,” as he called the growing Moldenhauer Archives.
Hans Moldenhauer procured manuscripts from composers such as Berg, Brahms, Beethoven, Liszt and Lutoslawski, and obtained numerous items from the archives of Mahler, Castelnuovo-Tedesco, and Schoenberg. Moldenhauer acquired the Webern Archive in the 1960s and with his wife Rosaleen wrote the seminal biography Anton Webern, A Chronicle of His Life and Work (New York: Knopf, 1978), along with other publications on Webern.
At the time of Hans Moldenhauer’s death in 1987, the Moldenhauer Archives included many thousands of items that are now housed in nine institutions around the world: in the United States, at the Library of Congress, Harvard University, Northwestern University, Washington State University, and Whitworth College; in Basel, Switzerland, at the Paul Sacher Foundation; the Bayerische Staatsbibliothek in Munich; the Zentralbibliothek in Zurich; and in Vienna at the Stadtarchiv und Oesterreichische Nationalbibliothek. The Moldenhauer bequest to the Library of Congress in 1987 consisted of over 3,500 music manuscripts, letters, and other materials and was the greatest composite gift of musical documents yet received. The Library also received the funds to produce a volume, now published, The Rosaleen Moldenhauer Memorial: Music History from Primary Sources: A Guide to the Moldenhauer Archives, edited by Jon Newsom and Alfred Mann, Washington, D.C.: Library of Congress, 2000 [ISBN 0-8444-0987-1].
The Moldenhauer Archives at the Library of Congress consist primarily of music (both manuscript and printed), correspondence, photographs, sound recordings, books, newspaper clippings, printed programs, drawings, and engravings. The Archives span years from the Middle Ages to the present, and include documents of composers, musicians, and literary figures, among others.
The music in the collection includes holograph scores or sketches, both published and unpublished, as well as a number of copyist’s and printed scores, transcriptions, and arrangements by composers and musicians such as Beethoven, Bloch, Brahms, Chopin, Franck, Mendelssohn, Puccini, Rimsky-Korsakov, Schoenberg, Webern, and many others. Also included is correspondence of great historical and musical interest, such as letters of Metastasio and Handel.
Some composers (Arnold Schoenberg and Anton Webern, for example) are represented by numerous manuscripts. A sample of other composers, musicians, and literary figures that are represented by both music and non-music materials includes George Auric, Johann Sebastian Bach, Béla Bartók, Hector Berlioz, Georges Bizet, Pierre Boulez, Anton Bruckner, Charles Burney, Feruccio Busoni, Claude Debussy, Frederick Delius, Hermann Hesse, György Ligeti, Federico García Lorca, Wolfgang Mozart, Maruice Ravel, Rainer Maria Rilke, Frank Wedekind, Kurt Weill, and Gioseffo Zarlino.
The Moldenhauer Archives at the Library of Congress is organized in 2 series:
| Box | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
BOX
1-130 BOX 140 | MUSIC MATERIALS, 1000-1987 | ||||||||||||
| The Music Materials series contains items such as original compositions (manuscript and printed scores), arrangements and transcriptions. This series also contains writings (manuscript, typescript, printed material, published and unpublished), correspondence, programs of music performances, and works of art. | |||||||||||||
| Arrangement is alphabetical by composer, arranger, or title. | |||||||||||||
| Abeille, Ludwig, 1761-1838 | |||||||||||||
| BOX 1 | A. L. S.: to Breitkopf & Härtel. Stuttgart, 24 Nov. 1809. 1p., German | ||||||||||||
| Abert, Hermann, 1871-1927 | |||||||||||||
| BOX 1 | A. Card S.: 1 Dec. 1926. 1p., German | ||||||||||||
| Abert, Johann Joseph, 1832-1915 | |||||||||||||
| BOX 1 | A. Mus. Quot. S.: Ekkehard, Act II, scene 2, Stuttgart, Mar. 1887 | ||||||||||||
| Abt, Franz Wilhelm, 1819-1885 | |||||||||||||
| BOX 1 | A. Mus. ms. S.: Es klinget so lieblich im grünen Hain, op. 131, No. 2. 2p., 28x34cm. Complete score | ||||||||||||
| BOX 1 | A. Mus. ms. S.: Leise rauscht's im Lindenbaume, 29 June 1870. 3p., 35x22cm. Complete score | ||||||||||||
| BOX 1 | A. Mus. ms. S.: Mein Lieb ist fortgezogen, op. 131, No. 1. 2p., 28x34cm. Complete score | ||||||||||||
| BOX 1 | A. Mus. ms. S.: Schifferständchen, op. 176. 3p., 27x34cm. Full score | ||||||||||||
| BOX 1 | Mus. ms. cop.: [Two songs with piano accompaniment]. 4p. | ||||||||||||
| BOX 1 | 3 A. L. S.: Braunschweig, 12 Dec. 1854, 5 Sept. 1862, 11 June 1875. 5p., German | ||||||||||||
| BOX 1 | 7 A. L. S.: [to Bartolf Senff]. Braunschweig, 1857-1878; Suderode, 1882. 10p., German | ||||||||||||
| Accorimboni, Agostino, 1739-1818 | |||||||||||||
| BOX 1 | A. Mus. ms. S.: Litanies de la Ste Vierge. 8p., 22x29cm. Full score | ||||||||||||
| BOX 1 | A. Mus. ms. S.: Veni sponsa Christi. 8p., 22x28cm. Full score | ||||||||||||
| Achron, Joseph, 1886-1943 | |||||||||||||
| BOX 79 | A. Mus. ms. S.: Hebrew Dance for, Orchestra, op. 35, No. 1, St. Petersburg, Russia, Aug. 1912, orchestrated 1913. 44p., 38x26cm. Full score | ||||||||||||
| BOX 79 | Mus. ms. arr.: Children's Suite, op. 57, 1923, transcribed for large orchestra by David Tamkin, 1942. 94p. | ||||||||||||
| BOX 79 | Mus. ms. cop.: Sextet, op. 73, 1938. 8p. Bassoon part | ||||||||||||
| BOX 79 | Mus. ms. Repro.: Elegy for String Quartet (or String Orchestra), op. 62. 8p. | ||||||||||||
| BOX 79 | Mus. ms. Repro.: Sextet, op. 73, 1938, in New Music, July 1942. 32p. | ||||||||||||
| BOX 79 | Pri. Sco.: Statuettes, 1930, in New Music, Oct. 1931. 16p. | ||||||||||||
| BOX 110 | Port. Phot.: by Maurice Toldberg (Box 110) | ||||||||||||
| Adam, Adolphe, 1803-1856 | |||||||||||||
| BOX 1 | A. Mus. ms. S.: Marche de la jolie..., 12 July 1842. 1p., 32x27cm. Piano score | ||||||||||||
| BOX 110 | A. L. S.: to Pacini. ?, 1 Oct.[?] 1842. 1p., French. Mounted with portrait lithograph, by Aubert (Box 110) | ||||||||||||
| BOX 1 | A. L. S.: to David. Paris, 24 Mar. 1851. 3p., French | ||||||||||||
| BOX 110 | Port. Lith.: see letter above (Box 110) | ||||||||||||
| Alary, Jules Eugène Abraham, 1814-1891 | |||||||||||||
| BOX 1 | A. L. S.: Haymarket, 2 July 1871. 1p., French | ||||||||||||
| Albéniz, Isaac, 1860-1909 | |||||||||||||
| BOX 1 | A. L. S.: to Kufferath. Nice, 28 Mar. 1904. 4p., French. Regarding Pepita | ||||||||||||
| BOX 1 | Pri. Sco. S.: Mazurka, Madrid: Antonio Romero, to Madame Berthe --[?], London, 18 May 1889. 8p. | ||||||||||||
| Albergati, Pirro, 1663-1735 | |||||||||||||
| BOX 1 | A. L. S.: to Count Silvio Albergati (uncle). Bologna, 6 Jan. 1693. 2p., Italian | ||||||||||||
| Alboni, Marietta, 1826-1894 | |||||||||||||
| BOX 1 | A. L. S.: London, 14 Dec. 1870. 1p., Italian | ||||||||||||
| BOX 1 | A. L. S.: to Countess Tuaffe. n.p., n.d. 1p., Italian | ||||||||||||
| BOX 1 | A. Mus. Quot. S.: Cenerentola by Rossini. Paris, 29 Nov. 1871 | ||||||||||||
| Related Collection Materials See: Grisi, Giulia | |||||||||||||
| Alessandrescu, Alfred, 1893-1959 | |||||||||||||
| BOX 110 | Port. Phot. S.: to Boaz Piller, Bucharest, Apr. 1938 | ||||||||||||
| Altmann, Wilhelm, 1862-1951 | |||||||||||||
| BOX 1 | A. L. S.: Berlin, 30 July 1924. 1p., German. Mentions Busoni | ||||||||||||
| Amadé, August, 1867-1930 | |||||||||||||
| BOX 1 | A. Mus. ms. S.: Klavier-Etude, op. 52, No. 5, to Ella Panera. 5p., 34x27cm. | ||||||||||||
| Ambros, August Wilhelm, 1816-1876 | |||||||||||||
| BOX 1 | A. Mus. ms. S.: Benedictus, for men's voices, 8 Jan. 1875. 1p., 24x19cm. | ||||||||||||
| Ambrosi, Gustinus, 1893-1975 | |||||||||||||
| BOX 1 | P. card S.: to Karl Weigl. Vienna, 22 Jan. 1924. German. With photograph of his sculpture | ||||||||||||
| Related Collection Materials See: Weigl, Karl | |||||||||||||
| Ander, Aloys, 1817-1864 | |||||||||||||
| BOX 1 | A. L. S.: Vienna, 20 Mar. 1839. 1p., German | ||||||||||||
| BOX 1 | A. L. S.: Salzbrunn, 4 July 1839. 1p., German | ||||||||||||
| André, Johann Anton, 1775-1842 | |||||||||||||
| BOX 1 | A. Mus. ms. S.: Missa, No. 2. 52p., 21x34cm., German. Full score. Bound. With autograph title page, and 1p. "Vorbericht" on inside cover | ||||||||||||
| Andriessen, Hendrik, 1892-1981 | |||||||||||||
| BOX 1 | A. Mus. ms. S.: Symphonie II, Fantasia, 1937. 1p. (opening page), 36x24cm. | ||||||||||||
| BOX 1 | A. L. S.: to Hans Moldenhauer. The Hague, 31 May 1959. 1p., English | ||||||||||||
| BOX 1 | L. S.: to Hans Moldenhauer, from Caecilia Andriessen. The Hague, 27 June 1956. 1p., English | ||||||||||||
| BOX 1 | Call. c. S. | ||||||||||||
| Andriessen, Jurriaan, 1925-1996 | |||||||||||||
| BOX 1 | A. Mus. ms. S.: Concerto per due pianoforte, 1944. 27p., 34x27cm. | ||||||||||||
| BOX 1 | 2 T. L. S.: to Hans Moldenhauer. The Hague, 30, 31 Oct. 1959. 2p., English | ||||||||||||
| Angyal, László, b. 1900 | |||||||||||||
| BOX 1 | A. Doc. S.: Testimonial. Gustav Mahler's period of activity in Hungary. 1p., German | ||||||||||||
| BOX 1 | T. Doc.: Biography. 3p., German | ||||||||||||
| Anonymous | |||||||||||||
| BOX 2 | A. Mus. ms.: [Songs], "dedié à Made. de B--," 1775. 6p., 22x30cm., French. For voice, solo and duet, with figured bass acccompaniment | ||||||||||||
| BOX 2 | Doc.: Dictionary. [post-1780]. 15 leaves, Italian, ink. Covering composers G-Q | ||||||||||||
| CALL NO.: (Shelf) | Mus. ms.: [Neumes]. Vellum leaf, richly illuminated in black, red, blue, with gold, 22x17cm., Latin. The first four lines (of eighteen) with musical notation for the text passage beginning with "O culpa" (Shelf) | ||||||||||||
| Digital image available | |||||||||||||
| CALL NO.: (Shelf) | Mus. ms.: [Organ Tablature]. 32x20cm., German, ink. 8p. Excerpt. The cover is a floral patterned marbled paper (Shelf) | ||||||||||||
| Digital image available | |||||||||||||
| BOX 2 | Doc.: Historical essay. Liutomonografia, on violin making and violin builders in Italy. [1872]. 52p. + 3 leaves inserted + 5p. clippings (German), 23x18cm., Italian. Bound. On inside cover, "Bart. Poda, Pietro Bagatella, Pavia" | ||||||||||||
| Ansorge, Conrad, 1862-1930 | |||||||||||||
| BOX 2 | A. L. S.: to Schrader. Irvington-on-the-Hudson, 8 Sept. 1888. 4p., German | ||||||||||||
| BOX 2 | Draw. Repro.: Ansorge at the piano | ||||||||||||
| Anthes, Georg, b. 1863 | |||||||||||||
| BOX 2 | A. Alb. l. S.: Dresden, May 1889 | ||||||||||||
| Apostel, Hans Erich, 1901-1972 | |||||||||||||
| BOX 103 | A. Mus. ms. S.: Cello Sonate, op. 35. 2p., 30x21cm. Sketches | ||||||||||||
| BOX 103 | A. Mus. ms. S.: Haydn Variationen, op. 17. 1p., 44x34cm. Full score. With autograph note on verso | ||||||||||||
| BOX 103 | A. Mus. ms. S.: Rondo rítmico für grosses Orchester, op. 27. 9p., 34x27cm. Sketches | ||||||||||||
| BOX 103 | A. Mus. ms. S.: Zwei Gesänge, op. 40, No. 1. 3p., 34x27cm. | ||||||||||||
| BOX 103 | P. card S.: to Julius Schloss. Vienna, 13 Nov. 1935. German. Also signed by Steuermann, Felix Galimir, Novakovic, Polnauer, Leopold Spinner, Jakob Gimpel, Zenk and others. Card announces program for the Verein für Neue Musik | ||||||||||||
| BOX 103 | P. card S.: to Paul Sanders. Recco, 24 May 1939. German. Quotes a phrase from Wozzeck | ||||||||||||
| BOX 103 | T. L. S.: to Hans Moldenhauer. Vienna, 5 July 1965. 1p., German | ||||||||||||
| BOX 103 | A. Mus. Quot. S.: Der Sechziger dankt für die Wünsche, to Polnauer, 2 Feb. 1961. 1p. | ||||||||||||
| BOX 103 | Mus. ms. Repro. S.: Ode, op. 36, to Hans Moldenhauer, Vienna, July 1970. 52p. + 2p. typed text signed. Blueprint score | ||||||||||||
| BOX 103 | Pri. Sco. S.: Kammersymphonie, op. 41, Vienna: Universal, c1969, to Hans Moldenhauer, 1970. 68p. | ||||||||||||
| BOX 103 | Prog.: Kammersymphonie, op. 41, to Hans Moldenhauer, 4 June 1968. With accompanying printed invitation to the premiere, to Hans Moldenhauer, and musical quotation | ||||||||||||
| BOX 110 | Port. Phot. S.: Vienna, 1971. By Bellingrath (Box 110) | ||||||||||||
| Related Collection Materials See: Füssl, Karl Heinz | |||||||||||||
| Arditi, Luigi, 1822-1903 | |||||||||||||
| BOX 2 | A. Mus. ms. S.: Il desio, duetto fantastico per soprano e contralto, to Carlotta and Barbara Marchisio, London, 5 Sept. 1862. 12p., 25x31cm. With cadenzas. Complete score | ||||||||||||
| BOX 2 | A. Mus. Quot. S.: Margherita, Cincinnati, 6 Feb. 1883. 1p. | ||||||||||||
| BOX 110 | Port. Phot. S. Repro. (Box 110) | ||||||||||||
| Arensky, Anton Stepanovitch, 1861-1906 | |||||||||||||
| BOX 110 | Port. Phot. S.: With accompanying musical quotation, [Piano trio in D Minor] | ||||||||||||
| Argentina, 1888-1936 | |||||||||||||
| BOX 110 | Port. Phot. S.: to Boaz Piller. Boston, Nov. 1929 | ||||||||||||
| CALL NO.: (Shelf) | Bk.: La Argentina, by Carlos Manso (Shelf) | ||||||||||||
| Arkan, Muzaffer, b. 1923 | |||||||||||||
| BOX 2 | 3 T. L. S.: to Hans Moldenhauer. Ankara, 6 Dec. 1959, 1 May, 1 Sept. 1960. 3p., German | ||||||||||||
| BOX 2 | L. Repro.: Ankara, 22 Oct. 1961. 1p., German | ||||||||||||
| BOX 2 | T. Doc.: Biographical sketch. 1 May 1960. 1p., German | ||||||||||||
| BOX 2 | Mus. ms. Repro. S.: Suite, op. 14, No. 2. 13p. | ||||||||||||
| Arnold, Samuel, 1740-1802 | |||||||||||||
| BOX 110 | A. L. S.: Duke St., 20 Apr. 1802. 1p., English. With accompanying portrait engraving, by Vernor & Hood | ||||||||||||
| Arregui Garay, Vicente, 1871-1925 | |||||||||||||
| BOX 2 | A. Mus. ms. S.: Sonata en fa menor para piano, Paris, 1902. 17p., 27x34cm. | ||||||||||||
| Artôt, Désirée, 1835-1907 | |||||||||||||
| BOX 2 | A. L. S.: to Abt. Karlsruhe, 21 Aug. 1867. 4p., French | ||||||||||||
| BOX 2 | A. L. S.: Cologne, 8 Oct. 1869. 3p., French | ||||||||||||
| Asencio, Vicent, 1903-1979 | |||||||||||||
| BOX 2 | A. Mus. ms. S.: Foc de festa, to Ricardo Viñes, San Sebastian, 8 Sept. 1938. 11p., 31x22cm. Ballet arranged for piano solo | ||||||||||||
| BOX 2 | Mus. ms. Repro. S.: Albada y danza, to the Moldenhauer Archives, Valencia, 31 May 1970. 6p. | ||||||||||||
| BOX 2 | Mus. ms. Repro. S.: Danza, Valencia, 31 May 1970. 4p. Blueprint score | ||||||||||||
| BOX 2 | Mus. ms. Repro. S.: Danza V, Valencia, 31 May 1970. 3p. Blueprint score | ||||||||||||
| BOX 2 | Mus. ms. Repro. S.: Desespero, Valencia, 31 May 1970. 3p. Blueprint score | ||||||||||||
| BOX 2 | Mus. ms. Repro. S.: Roda la mola. 3p. Blueprint score | ||||||||||||
| BOX 2 | Pri. Sco. S.: Pièces originales pour guitare, Sonatina, Brussels: Schott, c1964, to the Moldenhauer Archives, Valencia, 31 May 1970. 3p. | ||||||||||||
| BOX 2 | Pri. Sco. S.: Pièces originales pour guitare, Tango de la Casada Infiel, Brussels: Schott, c1964, to the Moldenhauer Archives, Valencia, 31 May 1970. 3p. | ||||||||||||
| Askenase, Stefan, 1896-1985 | |||||||||||||
| BOX 2 | A. L. S.: to [Edward] Clark. Brussels, 7 Mar. 1933. 2p., German | ||||||||||||
| Auber, Daniel-François-Esprit, 1782-1871 | |||||||||||||
| BOX 2 | A. L. S.: to Eugène Scribe. n.p., Friday, 22 June. 1p., French. Mentions Meyerbeer | ||||||||||||
| BOX 2 | A. L. S.: n.p., n.d. 1p., French | ||||||||||||
| BOX 2 | A. L. S.: n.p., n.d. 1p., French. Outlining concert program | ||||||||||||
| BOX 110 | Port. Engr.: by Walter (Box 110) | ||||||||||||
| BOX 110 | Port. Lith.: with biographical sketch. French (Box 110) | ||||||||||||
| Auer, Leopold, 1845-1930 | |||||||||||||
| BOX 2 | A. Mus. ms. arr. S.: Two Caprices by Dont. 6p., 33x26cm. Concert arrangement by Auer for violin with piano accompaniment | ||||||||||||
| BOX 2 | A. Mus. ms. S.: [Violin exercises]. 101p., 35x27cm. + various sizes. With accompanying 5p. autograph document | ||||||||||||
| BOX 2 | A. L. S.: St. Petersburg, 14 Dec. 1902. 2p., French, with typed translation | ||||||||||||
| BOX 2 | A. L. S.: [to Bruno Eisner]. St. Petersburg, 13 June 1905. 2p., German | ||||||||||||
| Auric, Georges, 1899-1983 | |||||||||||||
| BOX 2 | A. Mus. ms. Rev.: Les Enchantements d'Alcine, for piano solo, Paris, 21 May 1929. 20p., 35x27cm., ink, pencil. Tableaux I, II (incomplete), and III ("Danse des jeunes hommes et des jeunes femmes") | ||||||||||||
| BOX 2 | A. L. S.: Clavary Auribeau, n.d. 1p., French | ||||||||||||
| Bach, Carl Philipp Emanuel, 1714-1788 | |||||||||||||
| BOX 3 | A. L. S.: [to Breitkopf]. Hamburg, 27 Dec. 1783. 1p., German. New Year's letter; refers to songs, changes in his chorales | ||||||||||||
| Digital image available | |||||||||||||
| Bach, Johann Christian, 1735-1782 | |||||||||||||
| Related Collection Materials See: Bach, Johann Sebastian | |||||||||||||
| Bach, Johann Sebastian, 1685-1750 | |||||||||||||
| BOX 3 | A. Rcpt. S.: Leipzig, 26 Oct. 1746, 25 Oct. 1747, 27 Oct. 1748, n.d. 1 leaf (2p.), 16x10cm., German, ink. Fourth receipt in the hand of Johann Christian Bach (Box 3) | ||||||||||||
| Digital image available | |||||||||||||
| Bachrich, Sigmund, 1841-1913 | |||||||||||||
| BOX 3 | A. L. S.: 1p., German | ||||||||||||
| Backhaus, Wilhelm, 1884-1969 | |||||||||||||
| BOX 3 | T. L. S.: to Bruno Eisner. Lugano, 29 June 1954. 1p., German | ||||||||||||
| BOX 3 | P. card S.: Lugano, June 1954. German. With portrait photograph of Backhaus in Tokyo | ||||||||||||
| Bader, Karl Adam, 1789-1870 | |||||||||||||
| BOX 3 | A. L. S.: to J. E. Elszler. Munich, 18 Aug. 1838. 3p., German. Reports on a journey from Salzburg to Munich, and details of a performance of Meyerbeer's Les Huguenots | ||||||||||||
| BOX 3 | Doc.: Concert invitation. Berlin, 31 Apr. 1823. 1p., German | ||||||||||||
| Badings, Henk, 1907-1987 | |||||||||||||
| BOX 3 | A. Mus. ms. S.: Concerto for Two Violins and Orchestra, 1954. 2p., 31x24cm. Sketches from the first and second movements | ||||||||||||
| BOX 3 | A. Mus. ms. S.: Piano Sonata III, Lento. 1945. 2p., 34x26cm. Sketches | ||||||||||||
| BOX 3 | T. L. S.: to Hans Moldenhauer. Bilthoven, 29 July 1956. 1p., English | ||||||||||||
| BOX 3 | T. L. S.: to Aurelio de la Vega. Utrecht, 15 May 1963. 1p., English | ||||||||||||
| Bagge, Selmar, 1823-1896 | |||||||||||||
| Related Collection Materials See: Chrysander, Friedrich | |||||||||||||
| Balfe, Michael William, 1808-1870 | |||||||||||||
| BOX 3 | A. Mus. ms. S.: Lo! The Early Beam of Morning. 9p., 23x31cm., English, ink. Vocal quartet with piano accompaniment | ||||||||||||
| BOX 3 | L.: to Lady Morgan. n.p., 13 Feb. 1839[?]. 1p., English | ||||||||||||
| BOX 3 | 2 A. L. S.: to Simpson. n.p., 19 July 1860, 12 July 1862. 3p., English | ||||||||||||
| BOX 3 | A. L. S.: Seven Oaks, Kent, 18 Aug. 1864. 1p., English | ||||||||||||
| BOX 110 | Port. Phot. (Box 110) | ||||||||||||
| Barbi, Alice, 1862-1948 | |||||||||||||
| BOX 3 | A. L. S.: to a conductor, [Louis Lüstner?]. Karlsruhe, 29 Oct. 1892. 1p., German. With program for a Wiesbaden concert | ||||||||||||
| Barchet, Siegfried, b. 1918 | |||||||||||||
| BOX 3 | A. Mus. ms. S.: Duo für Violine und Cello in A Moll, op. 7. May 1942. 20p., 32x24cm. | ||||||||||||
| BOX 3 | A. Mus. ms. S.: Images de Menton. 8p., various sizes. Sketches | ||||||||||||
| BOX 3 | A. Mus. ms. S.: Streichersinfonie. 7p., various sizes. Sketches | ||||||||||||
| BOX 3 | 6 A. L. S.: to Hans Moldenhauer. Stuttgart, 1956-1960, 1976. 16p., German | ||||||||||||
| BOX 3 | Call. c. Annot.: to Hans Moldenhauer. German | ||||||||||||
| BOX 3 | Call. c. | ||||||||||||
| BOX 3 | Sig. | ||||||||||||
| BOX 3 | Pri. Sco.: Duo in A Moll für Violine und Violoncello, Stuttgart: Schultheiss, n.d. 16p. + 7p. (parts) | ||||||||||||
| BOX 3 | Pri. Sco. S.: Sieben Gedichte, Stuttgart: Schultheiss, n.d., to Hans Moldenhauer, 16 Sept. 1956. 24p. | ||||||||||||
| Bargiel, Woldemar, 1828-1897 | |||||||||||||
| BOX 3 | A. L. S.: to Selmar Bagge. Rotterdam, 28 Nov. 1867. 4p., German | ||||||||||||
| BOX 3 | 2 A. L. S.: to Breitkopf & Härtel. Berlin, 12 May 1878, 2 Aug. 1879. 7p., German | ||||||||||||
| Barnay, Ludwig, 1842-1924 | |||||||||||||
| BOX 3 | A. L. S.: Berlin, 11 Apr. 1891. 1p., German | ||||||||||||
| Barnby, Sir Joseph, 1838-1896 | |||||||||||||
| BOX 3 | A. Mus. ms. S.: Sweet 'n Low. 2p., 30x24cm., English | ||||||||||||
| BOX 3 | 2 A. L. S.: to Miss Stephenson. London, 24 June 1875, 3 Dec. 1895. 4p., English | ||||||||||||
| BOX 3 | 2 Obit. | ||||||||||||
| Barraqué, Jean, 1928-1973 | |||||||||||||
| BOX 103 | A. Mus. ms.: ... au delà du hasard, pour quatre formations instrumentales et une formation vocale, Section XIII, D'une pensée sans nuit. 3p. (pp.120-122), 44x31cm., French. Full score. Also printed score, c1967 | ||||||||||||
| BOX 103 | 2 T. L. S.: to Hans Moldenhauer. Paris, 7 June 1961; Trélévern, 17 Sept. 1961. 2p., English | ||||||||||||
| BOX 103 | Doc. A. Annot.: Brochure. 1969. 6p., English. With reviews for Chant après chant; Temps restitué | ||||||||||||
| Barth, Richard, 1850-1923 | |||||||||||||
| BOX 4 | A. L. S.: to a pianist. Hamburg, 12 Feb. 1906. 2p., German | ||||||||||||
| Bartók, Béla, 1881-1945 | |||||||||||||
| BOX 4 | Pri. Sco. A. Rev.: Second Violin Concerto, 1937-1938. 132p., 36x25cm. First proofs (London: Hawkes & Son, c1945) with autograph corrections and annotations | ||||||||||||
| Digital image available | |||||||||||||
| BOX 4 | A. L. S.: Pozsony, 26 Dec. 1904. 3p., Hungarian. Regarding desire to give lessons; mentions Mahler, Strauss | ||||||||||||
| BOX 4 | A. L.: to Jelly d'Arányi. Budapest, 7 Dec. 1921. 2p., Hungarian, with English translation. Close of letter is missing | ||||||||||||
| BOX 4 | A. L. S.: to Rudolph Ganz. Budapest, 17 Apr. 1923. 4p., German. Mentions Busoni, Dohnányi, Leichtentritt, Ravel | ||||||||||||
| BOX 4 | A. L. S.: to the Budapest Radio, Foreign Department. Budapest, 4 May 1936. 1p., Hungarian, with German translation. Regarding a musical folklore lecture | ||||||||||||
| BOX 4 | A. L. S.: to Paul F. Sanders. London, 10 Feb. 1937. 1p., German | ||||||||||||
| BOX 4 | P. card S.: to Hanna Schwarz. Budapest, 13 Feb. 1938. German | ||||||||||||
| BOX 4 | Mus. ms. Repro.: [Two Cadenzas]. 8p. Written by Bartók for Mozart's Concerto in E-flat Major for Two Pianos | ||||||||||||
| BOX 4 | L. Repro.: to Bartók, from Hans Rosbaud. Curaglia (Ticino), 18 July 1935. 2p., German | ||||||||||||
| BOX 110 | Port. Phot. S.: to Boaz Piller, New York, 10 Jan. 1945 (Box 110) | ||||||||||||
| Battiferri, Luigi 1600/10-after 1682 | |||||||||||||
| BOX 4 | Rcpt.: 12 June 1662. 1p., Italian | ||||||||||||
| Digital image available | |||||||||||||
| Baur, Jürg, b. 1918 | |||||||||||||
| BOX 3 | T. L. S.: to Aurelio de la Vega. Vienna, 3 Apr. 1951. 1p., English | ||||||||||||
| Baussnern, Waldemar von, 1866-1931 | |||||||||||||
| BOX 103 | A. Mus. ms. S.: Gebet, Chorus for Four Women's Voices, 10 Jan. 1901. 2p., 47x35cm. | ||||||||||||
| BOX 103 | A. L. S.: to Eugen Lindner. Weimar, 28 Feb. 1901[?]. 1p., German | ||||||||||||
| BOX 103 | A. L. S.: to ?. Charlottenburg, 4 May 1923. 3p., German | ||||||||||||
| BOX 103 | A. L. S.: to ?. 20 Oct. 1925. 4p., German | ||||||||||||
| BOX 103 | Doc. Annot.: Brochure. Waldemar von Bausznern 1866-1931: Verzeichnis des gesamten musikalischen Nachlasses. 8p. | ||||||||||||
| Bayer, Joseph, 1852-1913 | |||||||||||||
| BOX 4 | A. Mus. Quot. S.: Die Puppenfee, Vienna, Oct. 1909 | ||||||||||||
| Beauplan, Amédée Rousseau de, 1790-1853 | |||||||||||||
| BOX 4 | A. Mus. ms. S.: Le pardon, Romance. 3p., 20x30cm., French. Song with piano accompaniment. With poem, Le voyage, and drawings (by Louis Delâtre) | ||||||||||||
| BOX 4 | Doc.: Biographical sketch. French | ||||||||||||
| Beck, Joseph Nepomuk, 1827-1904 | |||||||||||||
| BOX 4 | A. L. S.: Vienna, 26 June 1856. 3p., German | ||||||||||||
| Beck-Weixebaum, Frieda, 1814-1890 | |||||||||||||
| BOX 4 | 5 A. L. S.: 1859-1874. 21p., German | ||||||||||||
| Becker, Hugo, 1863-1941 | |||||||||||||
| BOX 4 | A. Doc. S.: Letter fragment with signature | ||||||||||||
| BOX 4 | A. Mus. Quot. S.: Andante, Nov. 1903. On postcard with silhouette of cellist | ||||||||||||
| BOX 110 | Port. Phot. S. Repro. (Box 110) | ||||||||||||
| Becker, Jean, 1833-1884 | |||||||||||||
| BOX 4 | A. L. S.: Brünn, 2 Jan. 1870. 1p., German | ||||||||||||
| Becker, Reinhold, 1842-1924 | |||||||||||||
| BOX 4 | A. Mus. ms. S.: Ich sah deine Lippen blühen, op. 91. 3p., 24x27cm. | ||||||||||||
| BOX 4 | A. Doc. S.: Aphorisms on music. 1p., German | ||||||||||||
| BOX 110 | Port. Phot. S. (Box 110) | ||||||||||||
| Becker, Valentin Eduard, 1814-1890 | |||||||||||||
| BOX 4 | A. Mus. ms. S.: Liebeshelfer, op. 120, No. 4, 12 Mar. 1886. 2p., 27x21cm., German | ||||||||||||
| Beer, Wilhelm, 1797-1850 | |||||||||||||
| BOX 4 | A. L. S.: to the editor of a newspaper. Berlin, 5 Nov. 1846. 1p., German. Beer is the brother of Giacomo Meyerbeer | ||||||||||||
| Beeth, Lola, 1862-1940 | |||||||||||||
| BOX 4 | Call. c. Annot.: to Kugel. n.p., n.d. 2p., German. Regarding a concert in Pest | ||||||||||||
| Beethoven, Caspar Anton Carl, 1774-1815 | |||||||||||||
| BOX 5 | Pri. Rcpt. S.: Tax receipt. Vienna, 7 Mar. 1807. 1p. | ||||||||||||
| Beethoven, Ludwig van, 1770-1827 | |||||||||||||
| BOX 5 | A. Mus. ms.: [Don Giovanni by Mozart]. 23p., 23x32cm., German, ink. Beethoven's autograph copy, containing nos. 16 (Terzett) and 20 (Sextett), of the second act. Complete score of the vocal parts, with sketches of orchestral parts | ||||||||||||
| Digital image available | |||||||||||||
| BOX 5 | A. Mus. ms.: [Piano Sonata in A Major, op. 101, Allegro, 1816?]. 2p., 23x29cm., ink. Sketch. On recto, unidentified sketches in D Minor and sketches for the canon "Das Schweigen," WoO 168 | ||||||||||||
| Digital image available | |||||||||||||
| BOX 5 | A. Mus. ms.: [Piano Sonata in D Major, op. 28, Andante, 1801?]. 2p., 22x30cm., ink. Continuity draft. With note of authentication inscribed by Ignaz Sauer | ||||||||||||
| Digital image available | |||||||||||||
| BOX 5 | L. S.: to Johannes Andreas Streicher. Vienna, 16 Sept. 1824. 1p., German. Letter in secretarial hand, possibly of his nephew Karl, but place, date, and signature in Beethoven's autograph. Regarding the Missa solemnis | ||||||||||||
| BOX 5 | Mus. ms. Repro.: Sonate "Appassionata," op. 57, Paris: Piazza. 42p. Facsimile. With accompanying facsimile note by Baillot | ||||||||||||
| Related Collection Materials See: Lecocq, Charles | |||||||||||||
| Begnis, Giuseppe de, 1793-1849 | |||||||||||||
| BOX 5 | A. L. S.: to Ayrton. n.p., n.d. 3p., French | ||||||||||||
| Bellermann, Heinrich, 1832-1903 | |||||||||||||
| BOX 5 | A. L. S.: to Chrysander. Berlin, 21 June 1874. 2p., German. Regarding Spitta | ||||||||||||
| Belletti, Giovanni Battista, 1813-1890 | |||||||||||||
| BOX 5 | 2 A. L. S.: to J. Oliver Mason. London, 30 June, 1 Sept. 1852. 3p., French (Box 5) | ||||||||||||
| Bellini, Vincenzo, 1801-1835 | |||||||||||||
| BOX 5 | A. Mus. ms. S.: Tantum ergo, for Soprano, Tenor, Alto, Bass, and Orchestra, in E Major. 4p. (33m.), 24x29cm., ink. Incomplete. Bound | ||||||||||||
| BOX 5 | L. S.: to Tomarro of Florence. n.p., 12 Mar. 1813. 3p., Italian | ||||||||||||
| CALL NO.: (Shelf) | Mus. ms. Repro.: Norma, Rome: Reale Accademia d'Italia, 1935. (2 vols.), 148p. + 104p. Facsimile (Shelf) | ||||||||||||
| BOX 5 | Mus. ms. Repro.: Composizioni giovanili inedite, Rome: Reale Accademia d'Italia, 1941 Shelf) | ||||||||||||
| Belyayav, Viktor Mikhaylovich, 1888-1968 | |||||||||||||
| BOX 110 | Port. Phot. S.: to Mrs. Pisk | ||||||||||||
| Benavente, Manuel José, b. 1903 | |||||||||||||
| BOX 5 | A. Mus. ms. S. Rev.: "Quenas" (Evocaciones Indígenas), para piano, to Ricardo Viñes, Buenos Aires, 24 July 1924. 5p., 33x26cm. | ||||||||||||
| Benda, Franz, 1709-1786 | |||||||||||||
| BOX 5 | A. L. S.: to Carl [son]. Potsdam, 14 Aug. 1781. 1p., German | ||||||||||||
| Bendel, Franz, 1833-1874 | |||||||||||||
| BOX 5 | A. L. S.: to Erler. n.p., n.d. 3p., German | ||||||||||||
| BOX 110 | Port. Phot. Repro. (Box 110) | ||||||||||||
| Bender, Paul, 1875-1947 | |||||||||||||
| BOX 5 | A. L. S.: to Tischer. Vienna, 13 Mar. 1929. 2p., German | ||||||||||||
| Bendix, Victor, 1851-1926 | |||||||||||||
| BOX 5 | A. L. S.: Leipzig, 28 Mar. 1883. 1p., German | ||||||||||||
| Benelli, Antonio, 1771-1830 | |||||||||||||
| BOX 5 | A. L. S.: to J. B. Benelli. Dresden, 10 Dec. 1818. 3p., Italian | ||||||||||||
| Benelli, Luigi | |||||||||||||
| BOX 5 | A. L. S.: to Jean Baptiste Benelli. Forl, 14 June 1817. 2p., Italian | ||||||||||||
| Benelli, Vittorio | |||||||||||||
| BOX 5 | A. L. S.: to his "carissimo fratello." Rome, 17 [Dec.?] 1817. 1p., Italian | ||||||||||||
| Benguerel, Xavier, b. 1931 | |||||||||||||
| BOX 104 | Mus. ms. Repro. A. Annot.: Joc, to Hans Moldenhauer, Barcelona, June 1970. 13p. | ||||||||||||
| Benigni, Tommaso, 1547-1616 | |||||||||||||
| BOX 5 | A. Rcpt. S.: 16 Apr. 1596. 2p., Italian | ||||||||||||
| Benoit, Peter, 1843-1901 | |||||||||||||
| BOX 5 | A. Mus. Quot. S.: [Agnes motive, 8m.], Antwerp, 29 Oct. 1897 | ||||||||||||
| BOX 5 | A. Mus. Quot. S.: Concerto, op. 36, to Braun, Brussels, 4 Apr. 1866 | ||||||||||||
| BOX 5 | A. Mus. Quot. S.: Te Deum Laudamus, to ?, Brussels, 4 Apr. 1866. Latin, French | ||||||||||||
| BOX 110 | Port. Phot. S. Repro. (Box 110) | ||||||||||||
| Benvenuti, Tomaso, 1838-1906 | |||||||||||||
| BOX 5 | A. Mus. Quot. S.: Canzonetta scherzo, 24 Aug. 1887 | ||||||||||||
| Berg, Alban, 1885-1935 | |||||||||||||
| Related Collection Materials See: Schoenberg, Arnold | |||||||||||||
| Related Collection Materials See: Webern, Anton | |||||||||||||
| Berg, Helene, 1885-1976 | |||||||||||||
| Related Collection Materials See: Schoenberg, Arnold | |||||||||||||
| Related Collection Materials See: Webern, Anton | |||||||||||||
| Berger, Jean, b. 1909 | |||||||||||||
| BOX 5 | A. Mus. ms. S.: Ne joue pas avec mon coeur. 2p., 23x10cm. | ||||||||||||
| Berio, Luciano, b. 1925 | |||||||||||||
| BOX 104 | A. Mus. ms. S.: Quaderni per orchestra (I). 22p., 47x32cm., pencil. Draft in full score | ||||||||||||
| BOX 104 | 2 T. L. S.: to Hans Moldenhauer. Oakland, 25 Mar. 1962, 23 Nov. 1963. 2p., English | ||||||||||||
| BOX 104 | L.: to Hans Moldenhauer, from Cathy Berio. Milan, 10 Dec. 1961. 1p., English | ||||||||||||
| Bériot, Charles-Auguste de, 1802-1870 | |||||||||||||
| BOX 5 | 2 A. L. S.: to Vivenot. Vienna, 4 June 1826, 27 Jan. 1840. 3p., French | ||||||||||||
| BOX 5 | A. L. S.: to the Mayor. Brussels, 11 Jan. 1843. 1p., French. Mentions Sigismond Thalberg | ||||||||||||
| BOX 5 | A. L. S.: to Jules Benedict. Paris, 8 Apr. 2p., French | ||||||||||||
| BOX 110 | Port. Engr. S. Repro. (Box 110) | ||||||||||||
| Bériot, Charles-Wilfride, 1833-1914 | |||||||||||||
| BOX 5 | A. Mus. ms. S.[?]: Sérénité, for piano solo. 4p., 35x27cm. | ||||||||||||
| Berlioz, Hector, 1803-1869 | |||||||||||||
| BOX 5 | A. Mus. ms. S.: Scènes d'Alceste, [Alceste, by Christoph Willibald Gluck]. 75p., 35x27cm., French, ink. Written out by Berlioz for Pauline Viardot-García. | ||||||||||||
| Digital image available | |||||||||||||
| CALL NO.: (Shelf) | Six scenes in full score, the role of Alceste, prepared for the Opéra performance in 1861. Contains authentication and provenance by Alfred Cortot (Shelf) | ||||||||||||
| BOX 5 | A. L. S.: to Morel. London, 5 Jan. 1848. 3p., French | ||||||||||||
| Bernaola, Carmelo, b. 1929 | |||||||||||||
| BOX 109 | A. Mus. ms. S.: Superficie, No. 3, Madrid, 12 Mar. 1963. 7p., 20x27cm. Complete draft | ||||||||||||
| BOX 109 | Mus. ms. Repro. A. Rev. S.: Superficie. 4p. + 2p. (autograph instructions). Blueprint score | ||||||||||||
| BOX 109 | 2 Doc. Repro.: Biographical notes. 2p., Spanish | ||||||||||||
| Bernhard, Christoph, 1628-1692 | |||||||||||||
| BOX 5 | A. Rcpt. S.: Receipt for services. Dresden, 28 Dec. 1687. 1p., German. With accompanying authentication and biographical information, by Aloys Fuchs (1846) | ||||||||||||
| Digital image available | |||||||||||||
| Bertram, Theodor, 1869-1907 | |||||||||||||
| BOX 5 | A. L. S.: [Stuttgart?], n.d. 1p., German | ||||||||||||
| Berwald, Franz, 1796-1868 | |||||||||||||
| BOX 5 | 2 A. L. S.: to Julius Rietz. Stockholm, 10 May 1862, 28 Apr. 1863. 2p., German, Swedish | ||||||||||||
| BOX 5 | Obit.: 1p., Swedish | ||||||||||||
| Berwald, Johan Fredrik, 1787-1861 | |||||||||||||
| BOX 5 | A. L. S.: to ?. Stockholm, 19 Aug. 1834. 2p., German | ||||||||||||
| Bessel & Co. [founded by Vasily Vasil'yevich Bessel, 1843-1907] | |||||||||||||
| BOX 5 | A. L. S.: Bad Wildungen, 9 Aug. 2p., German | ||||||||||||
| Betti, Adolfo, 1873-1950 | |||||||||||||
| BOX 5 | 2 A. L. S.: to Solomon Pimsleur. New York City, 31 Dec.; Bologna, 22 June. 6p., English | ||||||||||||
| Betz, Franz, 1835-1900 | |||||||||||||
| BOX 5 | A. L. S.: to Bassin. B[erlin], 17 Nov. 1876. 1p., German | ||||||||||||
| BOX 5 | A. Alb. l. Sig. | ||||||||||||
| Beyer, Frank Michael, b. 1928 | |||||||||||||
| BOX 5 | 2 A. Mus. Quot. S.: to Gloria [Coates] | ||||||||||||
| Bianchi, Bianca, 1855-1947 | |||||||||||||
| BOX 6 | A. L. S.: to Kugel. Salzburg, 9 Feb. 1888. 3p., German | ||||||||||||
| BOX 6 | Call. c. Annot.: 2p., German | ||||||||||||
| Billroth, Theodor, 1829-1894 | |||||||||||||
| BOX 117 | P. card S.: to Wetzlar. Wien, Nov. 1888. German | ||||||||||||
| Bisetzka, M. de | |||||||||||||
| BOX 6 | A. Mus. ms. S.: Les Fileuses. 8p., 35x27cm. | ||||||||||||
| Bistevins, Olgerts | |||||||||||||
| BOX 6 | A. L. S.: to Aurelio de la Vega. Argentina, 22 Mar. 1951[?]. 2p., English | ||||||||||||
| Bittermann, Karl Friedrich | |||||||||||||
| BOX 6 | A. Mus. ms. S.: Walzer mit VIII Variationen für das Clavier oder Piano-Forte. 8p., 24x30cm. | ||||||||||||
| Bittner, Julius, 1874-1939 | |||||||||||||
| BOX 6 | P. card S.: to Otto Jokl. Vienna, 29 Apr. 1917. German | ||||||||||||
| Bizet, Georges, 1838-1875 | |||||||||||||
| BOX 6 | A. Mus. ms. arr.: Scènes de bal, Entrée des masques, op. 17 by Jules Massenet. Piano solo arrangement, written by Bizet in 1865[?]. 1p., 35x26cm., ink | ||||||||||||
| Digital image available | |||||||||||||
| BOX 6 | A. L. S.: n.p., n.d. 2p., French. On verso, note by the addressee | ||||||||||||
| Blacher, Boris, 1903-1975 | |||||||||||||
| BOX 6 | A. Mus. ms.: Music for Cleveland, for orchestra. 20p., 34x27cm., pencil. Complete sketches. With two typed letters to Hans Moldenhauer, from Bote & Bock (Berlin, 1958), about manuscript | ||||||||||||
| BOX 6 | L. Repro.: to Hans Moldenhauer. Berlin, 25 Nov. 1957. 1p., German | ||||||||||||
| Related Collection Materials See: Hartmann, Karl Amadeus | |||||||||||||
| Blech, Leo, 1871-1958 | |||||||||||||
| BOX 6 | A. Mus. ms. S.: Schön Rothraut, for four women's voices with piano. 2p., 35x27cm. | ||||||||||||
| BOX 6 | A. L. S.: to Bruno Eisner. Berlin, 1935. 1p., German. With musical notation | ||||||||||||
| BOX 6 | A. L. S.: to Fritz Steinbach. Berlin, 30 Aug. 2p., German | ||||||||||||
| BOX 110 | Port. Phot. Repro. S. (Box 110) | ||||||||||||
| Bleyle, Karl, 1880-1969 | |||||||||||||
| BOX 6 | A. Mus. ms. S.: Christ's Descent into Hell, op. 17. 1p., 18x23cm. Excerpt | ||||||||||||
| BOX 6 | A. L. S.: Munich, 6 July 1911. 4p., German | ||||||||||||
| BOX 110 | Port. Phot. S.: by Hartmann (Box 110) | ||||||||||||
| Bloch, Ernest, 1880-1959 | |||||||||||||
| BOX 79 | A. Mus. ms. Annot. S.: Schelomo, Geneva, Jan.-Feb. 1916, to Alexandre and Catherine Barjansky. 63p., 40x31cm., blue ink, pencil, black, brown, blue and orange crayon. Full score. Acquired in tribute to Rabbi Salomon Weil, his son Abraham Weil, and his eldest daughter Thekla Weil. A Christian, she married Richard Moldenhauer and became the mother of Hans Moldenhauer | ||||||||||||
| Digital image available | |||||||||||||
| BOX 79 | A. L. S.: to Aurelio de la Vega. Agate Beach, 1 Feb. 1958. 2p., English | ||||||||||||
| Blomdahl, Karl-Birger, 1916-1968 | |||||||||||||
| BOX 6 | A. Mus. ms. S.: Five Songs for Mezzo and Piano, 1954. 7p., 29x22cm., Italian, pencil. Stage music. Sketches | ||||||||||||
| BOX 6 | A. Mus. ms. S.: De Trogna, 1954. 5 leaves (9p.), 31x24cm., pencil. Sketches. Stage music for a Masefield drama | ||||||||||||
| BOX 6 | A. L. S.: to Hans Moldenhauer. Sweden, 9 Mar. 1960. 1p., English | ||||||||||||
| Blumenthal, Jakob, 1829-1908 | |||||||||||||
| BOX 6 | A. Mus. ms. S.: A Twilight Song, to Tennant, 4 May 1863. 5p., 22x30cm. Exhibited at the Victorian Era Exhibition, London, 1897 | ||||||||||||
| BOX 6 | 2 A. L. S.: to Silas. Montreaux, 15 Dec. 1850; Kensington Gore, 18 Mar. 1872. 5p., French, English | ||||||||||||
| BOX 6 | A. L. S.: to Lady Mary. London, 1 May 1856. 2p., German | ||||||||||||
| BOX 6 | A. L. S.: to a student. London, 1863. 3p. | ||||||||||||
| BOX 6 | 3 A. L. S.: to Miss Stephenson. Kensington Gore, 1873-1876. 7p., English | ||||||||||||
| BOX 6 | A. Card S.: to Mrs. Eliot. Kensington Gore, 15 Feb. 1892. 2p., English | ||||||||||||
| BOX 6 | A. L. S.: to Mrs. Eliot. Kensington Gore, 16 Jan. 1894. 4p., English | ||||||||||||
| BOX 6 | A. Doc. S.: Autograph title. She Is No More. 1p. | ||||||||||||
| Bochkoltz-Falconi, Anna, 1820-1870 | |||||||||||||
| BOX 17 | 4 A. L. S.: Gotha, Coburg, 1854. 7p., German | ||||||||||||
| Boehe, Ernst, 1880-1938 | |||||||||||||
| BOX 6 | Call. c. Annot.: German | ||||||||||||
| BOX 6 | A. Mus. Quot. S.: Odysseus, to Schey, Munich, 14 Nov. 1905 | ||||||||||||
| Boelke, Walter R., 1905-1987 | |||||||||||||
| BOX 79 | Obit. | ||||||||||||
| Böhme, Franz Magnus, 1827-1898 | |||||||||||||
| BOX 6 | A. L. S.: [to A. W. Gottschalg]. Dresden, 22 Aug. 1862. 1p., German | ||||||||||||
| Böhme, Walther, 1884-1952 | |||||||||||||
| BOX 6 | A. Mus. ms. S.: Jugend, op. 3, No. 3. 3p., 34x27cm. Full score | ||||||||||||
| Böhner, Ludwig, 1787-1860 | |||||||||||||
| BOX 6 | A. Mus. ms. Annot.: Pianoforte Conzert, Allegro con brio, 1844. 19p., 21x34cm. Draft in condensed and full score. Bound | ||||||||||||
| Boieldieu, Adrien, 1775-1834 | |||||||||||||
| BOX 6 | A. L. S.: to Castil-Blaze. n.p., n.d. 2p., French. With draft of "Air de Victor au 1er acte" from La Dame blanche | ||||||||||||
| Bónis, Ferenc, b. 1932 | |||||||||||||
| BOX 6 | 5 T. L. S.: to Hans Moldenhauer. Budapest, 1986-1987. 5p., English, German | ||||||||||||
| BOX 6 | 2 L.: to Bónis. n.p., 1986-1987. 2p., English | ||||||||||||
| Bonn, Ferdinand, 1861-1933 | |||||||||||||
| BOX 110 | Port. Repro. S. | ||||||||||||
| Bonnet, Joseph, 1884-1944 | |||||||||||||
| BOX 110 | Port. Phot. S.: to Boaz Piller, Boston, 22 Dec. 1918 | ||||||||||||
| Borch, Gaston Louis Christopher, 1871-1926 | |||||||||||||
| BOX 6 | A. Mus. ms. S.: Romance sans paroles, op. 69, No. 2, for piano. 4p., 34x26cm. | ||||||||||||
| BOX 6 | L. S.: to Hans Moldenhauer, from Gerald Borch. Bellevue, Washington, 19 Sept. 1964. 1p., English | ||||||||||||
| Borghi-Mamo, Adelaide, 1826-1901 | |||||||||||||
| BOX 6 | A. L. S.: ?, 1 Oct. 1860. 1p., Italian | ||||||||||||
| Bote & Bock est. 1838, Berlin | |||||||||||||
| BOX 6 | A. L. S.: to ?. Berlin, 25 Apr. 1872. 2p., German | ||||||||||||
| Boulanger, Nadia, 1887-1979 | |||||||||||||
| BOX 6 | 2 A. L. S.: to Boaz Piller. Boston, 23 Oct., 25 Dec. 1945. 2p., French | ||||||||||||
| BOX 6 | A. L. S.: Paris, n.d. 1p., English | ||||||||||||
| Boulez, Pierre, b. 1925 | |||||||||||||
| BOX 6 | A. Mus. ms.: [Le Marteau sans maître, Cantata for Contralto, Flute, Viola, Guitar, Vibraphone, and Percussion, 1953-1955]. 5p., 20-28x34cm., pencil, colored pencil. Sketches | ||||||||||||
| Digital image available | |||||||||||||
| BOX 6 | A. Mus. ms.: [Third Sonata for Piano], Formant I. 1p., 35x27cm., ink. First draft | ||||||||||||
| BOX 6 | A. L. S.: to Hans Moldenhauer. Baden, 9 Feb. 1960. 1p., French | ||||||||||||
| BOX 6 | T. L. S.: to Hans Moldenhauer. Baden, 14 Sept. 1962. 1p., French | ||||||||||||
| BOX 6 | Pri. Sco. S.: Le Soleil des eaux, 31 Oct. 1948, Paris: Heugel, c1959, to Karl Amadeus Hartmann. 44p. | ||||||||||||
| Bourgault-Ducoudray, Louis, 1840-1910 | |||||||||||||
| BOX 6 | A. Mus. Quot. S.: Thamara, Largo Amoroso, Act II | ||||||||||||
| BOX 110 | Port. Phot.: by Henri Manuel (Box 110) | ||||||||||||
| Bozza, Eugène, 1905-1991 | |||||||||||||
| BOX 110 | Port. Phot. S.: to Hans Moldenhauer, 1954 | ||||||||||||
| Brahms, Johannes, 1833-1897 | |||||||||||||
| CALL NO.: (Shelf) | A. Mus. ms. Rev.: Rinaldo v. Göthe [Rinaldo, op. 50, Cantata for Tenor solo, Men's Chorus, and Orchestra, 1868]. 162p., 23x35cm. + 26x33cm., ink, black and colored pencils. Full orchestral-vocal score. In original cardboard folder (Shelf) | ||||||||||||
| Digital image available | |||||||||||||
| BOX 6 | A. Mus. ms.: [Vier Lieder für Singstimme und Klavier, op. 46, No. 1, Die Kränze], Baden-Baden, 26 June 1865. 4p., 25x33cm., ink. With documentation of provenance | ||||||||||||
| Digital image available | |||||||||||||
| CALL NO.: (Shelf) | Pri. Sco. A. Annot.: Neue Liebeslieder Walzer, op. 65a, [1877]. 38p. + 6 leaves (separated after conservation), ink, pencil, blue pencil. Full score of the version for piano four hands, with autograph additions and annotations. Basing his arrangement on the proofs of the original setting for vocal quartet with piano duet accompaniment, Brahms makes all appropriate changes, many glued into the proofs. The closing section, Zum Schluss (text by Goethe), is fully written out as a separate autograph (1 leaf, 25x34cm.) (Shelf) | ||||||||||||
| Digital image available | |||||||||||||
| BOX 6 | A. L. S.: to Philipp Spitta. Vienna, Jan. 1874. 3p., German. Musical topics; Nottebohm, Bach biography | ||||||||||||
| Digital image available | |||||||||||||
| BOX 6 | A. L. S.: [to Dr. Max Abraham at C. F. Peters]. [Vienna, 3 Oct. 1881]. 3p., German. Expressing thanks for honorarium; mentions von Bülow, Julius Stockhausen, Franz Wüllner, Adolph Schulze | ||||||||||||
| Digital image available | |||||||||||||
| BOX 6 | A. L. S.: [20 Nov. 1881]. Regarding laurel twigs; Nänie | ||||||||||||
| Digital image available | |||||||||||||
| BOX 6 | A. L. S.: Ischl, 18 June 1882. 2p., German. Refers to marital differences between Joseph and Amalie Joachim; Riedel, Hanslick. Engraved portrait of Hans von Bülow on stationery | ||||||||||||
| Digital image available | |||||||||||||
| BOX 6 | A. L. S.: [Ischl], [11 Aug. 1896?]. 3p., German. Sarcastic letter to a friend about literary matters; illness | ||||||||||||
| Digital image available | |||||||||||||
| BOX 6 | A. L. S.: to Rudolf von der Leyden. Vienna, 1887. 1p., German. Comments about a difficult situation | ||||||||||||
| Digital image available | |||||||||||||
| BOX 6 | A. L. S.: to Ferdinand Vetter. n.p., [Sept. 1896]. 3p., German | ||||||||||||
| Digital image available | |||||||||||||
| BOX 6 | A. L. S.: to a copyist. n.p., n.d. 1p., German | ||||||||||||
| Digital image available | |||||||||||||
| BOX 110 | Port. Phot. Gr.: May 1896, after the funeral of Clara Schumann (Box 110) | ||||||||||||
| Brandt, Marianne, 1842-1921 | |||||||||||||
| BOX 7 | 4 A. L. S.: to ?. Aug. 1869-Sept. 1871. 10p., German | ||||||||||||
| Brandts Buys, Jan Willem Frans, 1868-1939 | |||||||||||||
| BOX 7 | A. Mus. ms. S.[?]: A.E.I.O.U., op. 48. 22p., 26x35cm. Full score | ||||||||||||
| Braunfels, Walter, 1882-1954 | |||||||||||||
| BOX 7 | A. L. S.: to Tischer. Munich, 27 Jan. 1925. 2p., German | ||||||||||||
| Bresgen, Cesar, 1913-1988 | |||||||||||||
| BOX 7 | A. Mus. ms. S.: Advent, 22 Nov. 1966. 2p., 32x24cm., German. Text by Hans Moldenhauer | ||||||||||||
| BOX 7 | A. Mus. ms. S.: Drei Gesänge nach Hans Moldenhauer für Bariton und Streichquartett, 31 July 1972. 14p., 34x27cm. | ||||||||||||
| BOX 7 | A. Mus. ms. S. Rev.: Drei Gesänge..., July 1972. 10p., 34x27cm. Sketches | ||||||||||||
| BOX 7 | A. Mus. ms. S.: Ester, ("Der Engel von Prag"), [1977]. 16p., 17x23cm. Notebook of first sketches to Act III, scene 2 | ||||||||||||
| BOX 7 | A. Mus. ms. S.: [same], July 1977. 14p., 34x27cm. Piano-vocal score | ||||||||||||
| BOX 7 | A. Mus. ms. S.: Requiem für Webern, [1945], revised 1972. 42p., 32x25cm. Complete draft and sketches | ||||||||||||
| BOX 7 | A. Mus. ms.: Trio, Aug. 1972. 15p., 34x27cm. + various sizes | ||||||||||||
| BOX 7 | Mus. ms. Repro.: Advent, 22 Nov. 1966. 2p., 32x23cm., German. Text by Hans Moldenhauer | ||||||||||||
| BOX 7 | Mus. ms. Repro. S.: Requiem für Webern, Sept. 1945, revised July 1972. 68p., 34x25cm., Latin. Autograph title page | ||||||||||||
| BOX 7 | Pri. Sco. S.: Balkanstudien, vols. 1 and 2, Frankfurt: Litolff's, c1964, to Rosaleen Moldenhauer, Grossgmain, 1965. 18p. (vol. 1) + 16p. (vol. 2) | ||||||||||||
| BOX 7 | Pri. Sco. S.: Bilder des Todes, Vienna: Doblinger, c1973, to Hans Moldenhauer. 44p. 2 Pri. Sco. S.: Klaviertrio, Vienna: Doblinger, c1974, to Hans Moldenhauer, 1975. 20p. + 7p. + 4p. | ||||||||||||
| BOX 7 | Pri. Sco.: Requiem für Anton Webern, Cologne: Gerig, c1976. 51p., Latin | ||||||||||||
| BOX 7 | 2 Clip.: 27 Oct. 1975. German | ||||||||||||
| BOX 110 | 2 Port. Phot. S.: by Alfred Pittertschatscher (Box 110) | ||||||||||||
| BOX 110 | Port. Phot. S.: by Carl Pospesch (Box 110) | ||||||||||||
| CALL NO.: (Shelf) | Bk. S.: Europäische Liebeslieder aus acht Jahrhunderten. München: Heimeran, c1978, to Hans Moldenhauer, 19 Aug. 1978. 360p. (Shelf) | ||||||||||||
| CALL NO.: (Shelf) | Bk. S.: Trariro, Zurich: Gemeinschaft, n.d., to Hans Moldenhauer, Grossgmain, 1 Aug. 1965. 44p., German (Shelf) | ||||||||||||
| Breunung, Ferdinand, 1830-1883 | |||||||||||||
| BOX 7 | A. L. S.: Aachen, 13 Feb. 1877. 1p., German | ||||||||||||
| Brisman, Heskel, b. 1923 | |||||||||||||
| BOX 8-10 | A. Mus. ms. S.: Cantata: "Don't Listen to the Wind" for Chorus, 4 Soloists, Wind Ensemble, Percussion, 1978. 195p., 34x27cm. Piano reduction | ||||||||||||
| BOX 8-10 | A. Mus. ms. S.: Chaconne and Allegro for Double Bass Solo. 6p., 34x27cm. With reproduction of same, signed | ||||||||||||
| BOX 8-10 | A. Mus. ms. S.: Concerted Music for Piano and Percussion Ensemble, to Paul Price and Elizabeth Marshall. 50p., 34x27cm. Draft | ||||||||||||
| BOX 8-10 | A. Mus. ms. S.: Concerto for French Horn and Orchestra, 1982. 43p., 32x24cm. | ||||||||||||
| BOX 8-10 | A. Mus. ms. S.: Menagerie Suite for Piano (Eight Character Sketches of Diverse Animals), 1968. 17p., 32x24cm. | ||||||||||||
| BOX 8-10 | A. Mus. ms. S.: Serenata for Flute, Viola, and Harp, 1985. 23p., 32x24cm. | ||||||||||||
| BOX 8-10 | A. Mus. ms. S.: Sonata II. 25p., 32x23cm. With reproduction of same | ||||||||||||
| BOX 8-10 | A. Mus. ms. S.: Trio for Flute, Cello, and Piano, 1980. 42p., 32x24cm. | ||||||||||||
| BOX 8-10 | A. Mus. ms. S.: Trio Sonata for Violin, Viola, and Cello, 1955, revised May 1979. 24p., 34x26cm. | ||||||||||||
| BOX 8-10 | T. L. S.: to Mary Moldenhauer. Teaneck, 14 June 1989. 1p., English | ||||||||||||
| BOX 8-10 | A. L. S.: to Mary Moldenhauer. n.p., 16 Aug. 1989. 1p., English | ||||||||||||
| BOX 8-10 | L. S.: to Brisman, from Lukas Foss. 10 Oct. 1980. 1p., English | ||||||||||||
| BOX 8-10 | L. Repro.: to Brisman, from Paul Doktor. New York, 9 Dec. 1984. 2p. | ||||||||||||
| BOX 8-10 | Mus. ms. Repro. S.: Andante Sostenuto, transcription of the 2nd movement from String Quartet I, 1983. 15p., 32x21cm. With autograph inscription by Lukas Foss | ||||||||||||
| BOX 8-10 | Mus. ms. Repro. S.: Cantata: "Don't Listen to the Wind." 188p., 28x21cm. Accompanying program and flyer for the premiere | ||||||||||||
| BOX 8-10 | Mus. ms. Repro.: Canto I, 1959. 6p. | ||||||||||||
| BOX 8-10 | Mus. ms. Repro.: Canto III. 4p. | ||||||||||||
| BOX 8-10 | Mus. ms. Repro. A. Annot. S.: Cinemuse, 1987. 85p. Blueprint score | ||||||||||||
| BOX 8-10 | Mus. ms. Repro. A. Rev. S.: Concerted Music for Piano and Percussion Ensemble, 1975. 50p. Blueprint score. With program of the premiere New York City performance | ||||||||||||
| BOX 8-10 | Mus. ms. Repro. A. Rev. S.: Concerto for French Horn and Orchestra, 126p. (see letter above, from Lukas Foss) | ||||||||||||
| BOX 8-10 | Mus. ms. Repro.: Dithyrambic Ode. 2p. | ||||||||||||
| BOX 8-10 | Mus. ms. Repro.: Interplay, 1974. 16p. | ||||||||||||
| BOX 8-10 | Mus. ms. Repro. S.: Profiles, 1987. 37p. | ||||||||||||
| BOX 8-10 | Mus. ms. Repro.: Serenata, 1985. 25p. | ||||||||||||
| BOX 8-10 | Mus. ms. Repro. A. Rev.: String Quartet I, 1951, revised 1982. 40p. | ||||||||||||
| BOX 8-10 | Mus. ms. Repro.: Woodwind Trio I, 1986. 19p. | ||||||||||||
| BOX 8-10 | Mus. ms. Repro.: Woodwind Trio II, 1986. 15p. | ||||||||||||
| BOX 8-10 | S. rec.: Dithyrambic Ode. Solo flute | ||||||||||||
| Brod, Max, 1884-1968 | |||||||||||||
| BOX 11 | A. L. S.: to Alma Mahler. Tel-Aviv, 2 Apr. 1959. 2p., German | ||||||||||||
| BOX 11 | Pri. Sco. S.: Vier Lieder, Vienna: Universal, to Alma Mahler Werfel, 25 Dec. 1950. 22p. | ||||||||||||
| BOX 110 | Port. Phot.: of Brod and Hans Pfitzner, Apr. 1928 (Box 110) | ||||||||||||
| Bronsart von Schellendorf, Hans, 1830-1913 | |||||||||||||
| BOX 11 | 15 A. L. S.: to Eugen Lindner. 1896-1913. 50p., German. Critical commentaries on cultural life and composers | ||||||||||||
| BOX 11 | Call. c. Annot.: to Eugen Lindner. New Year's greetings. German. Satiric poem in which Bronsart refers to Reger, Pfitzner, and Strauss. Illustrated with musical quotations | ||||||||||||
| Brosig, Moritz, 1815-1887 | |||||||||||||
| BOX 11 | A. L. S.: Breslau, 21 Oct. 1874. 2p., German | ||||||||||||
| Bruch, Max, 1838-1920 | |||||||||||||
| BOX 11 | 3 A. L. S.: to Karl Krebs. Friedenau [Berlin], 23 Mar. 1907, 5, 7 Apr. 1910. 15p., German. Expresses outrage over a newspaper article | ||||||||||||
| BOX 11 | A. L. S.: to Bruch, with response to Radecke. Friedenau, 24, 26 Apr. 1906. 2p., German | ||||||||||||
| Bruckner, Anton, 1824-1896 | |||||||||||||
| BOX 11 | A. L. S.: to a friend. Vienna, 13 Nov. 1883. 2p., German | ||||||||||||
| Digital image available | |||||||||||||
| BOX 11 | A. L. S.: to Baron von Perfall. Vienna, 27 Feb. 1885. 4p., German. Regarding the Richard Wagner Society; Munich and Seventh Symphony, asking Levi for special rehearsals | ||||||||||||
| Digital image available | |||||||||||||
| BOX 11 | Draw. Repro.: "Gedenkblatt zum Zyklus der 9 Symphonien in der Aula der Universität zu München 1946/1947." 1p., 32x22cm., pencil. Rosbaud conducted the cycle | ||||||||||||
| Brüll, Ignaz, 1846-1907 | |||||||||||||
| BOX 11 | A. Mus. ms. S.: Nachtwandler. 4p., 34x26cm., German. Complete score | ||||||||||||
| BOX 11 | A. L. S.: Voslau, 28 Sept. 1875. 2p., German | ||||||||||||
| BOX 11 | A. L. S.: [to Carl Reinecke?]. Vienna, 16 Dec. 1896. 2p., German | ||||||||||||
| BOX 11 | A. L. S.: Vienna, 12 Nov. 1897. 2p., German | ||||||||||||
| BOX 11 | A. L. S.: Unterach, 30 May 1903. 1p., German | ||||||||||||
| Bruneau, Alfred, 1857-1934 | |||||||||||||
| BOX 11 | A. Mus. ms. S.: Ballade de l'Amie bien belle. 4p., 35x27cm., French. Complete score | ||||||||||||
| BOX 11 | A. L. S.: to Manheim. Paris, 2 May 1882. 1p., French | ||||||||||||
| BOX 11 | A. Card S.: n.p., 4 Jan. 1897. 2p. | ||||||||||||
| Bull, Ole, 1810-1880 | |||||||||||||
| BOX 110 | Port. Phot.: 1870. By Warren. With accompanying album leaf signed, Boston, 29 Apr. 1877 | ||||||||||||
| Bülow, Cosima Liszt von, 1837-1930 | |||||||||||||
| Related Collection Materials See: Wagner, Cosima | |||||||||||||
| Bülow, Hans von, 1830-1894 | |||||||||||||
| BOX 11 | A. Mus. ms. arr. S.: Sechs Menuetten von L. v. Beethoven, für das Pianoforte. 7p., 27x34cm. Complete score | ||||||||||||
| BOX 11 | A. L. S.: to Steyl. Meiningen, 8 Dec. 1884. 1p., German | ||||||||||||
| BOX 11 | A. L. S.: to Leopold Marxsen. Hamburg, 21 Nov. 1887. 2p., German, with translation | ||||||||||||
| BOX 11 | Obit.: With portrait photograph. England, Mar. 1894. English | ||||||||||||
| BOX 110 | Port. Phot.: 1884 (Box 110) | ||||||||||||
| Related Collection Materials See: Brahms, Johannes | |||||||||||||
| Bülow, Marie Schanzer von | |||||||||||||
| BOX 11 | A. L. S.: to Miss Eisenach. Florence, 15 Feb. 1897. 3p., German | ||||||||||||
| BOX 11 | P. card S.: to Bruno and Olga Eisner. Charlottenburg, 13 Mar. 1932. 2p., German | ||||||||||||
| BOX 11 | A. Doc. S.: Attestation. For Olga Eisner. Berlin, 14 July 1938. 1p., German | ||||||||||||
| Bulss, Paul, 1847-1902 | |||||||||||||
| BOX 11 | 2 A. L. S.: to Senff. Dresden, 8 Jan., 10 Nov. 1877. 2p., German | ||||||||||||
| Bungert, August, 1845-1915 | |||||||||||||
| BOX 11 | A. Mus. ms.: [Corrections for a vocal composition]. 1p., 25x20cm. | ||||||||||||
| Buonamente, Giovanni Battista, d. 1642 | |||||||||||||
| BOX 11 | 6 A. L. S.: to Prince Cesare Gonzaga in Mantua. Vienna, Prague, 1627. 6p., Italian | ||||||||||||
| Digital image available | |||||||||||||
| BOX 11 | L. Repro.: 3 Dec. 1627. 1p., Italian | ||||||||||||
| Buonamici, Giuseppe, 1846-1914 | |||||||||||||
| BOX 11 | 2 A. L. S.: to Murdoch. ?, 10 Oct. 1884; 1901[?]. 2p., English, Italian | ||||||||||||
| Burmester, Carl Adolph Wilhelm, 1869-1933 | |||||||||||||
| BOX 11 | A. L. S.: to Eugen Lindner. Bayhill on Sea, 5 Mar. 1927. 1p., German | ||||||||||||
| Burney, Charles, 1726-1814 | |||||||||||||
| BOX 11 | A. L. S.: to Samuel Wesley. n.p., [ca. 15 July 1810]. 1p., English. With authentication of letter and short history written on letter by Vincent Novello | ||||||||||||
| Digital image available | |||||||||||||
| BOX 11 | L.: to Rev. Dr. Burney [Charles Parr Burney, grandson]. Kent, 13 Feb. 1829. 4p., English. With newspaper clipping in which Percy Scholes asks for available letters about Burney. Also response letter (from the previous owner of this letter) to Scholes | ||||||||||||
| Bury, Agnes, 1831-1902 | |||||||||||||
| BOX 11 | A. L. S.: to a theater director in Bremen. Leipzig, 8 Oct. 1855. 4p., German | ||||||||||||
| BOX 11 | A. L. S.: to a Kapellmeister. Berlin, 27 Sept. 1858. 1p., German | ||||||||||||
| BOX 11 | A. L. S.: to a patron. Zehlendorf, n.d. 2p., German | ||||||||||||
| Busch, Adolf, 1891-1952 | |||||||||||||
| BOX 11 | A. L. S.: to Karl Weigl. Basel, 3 July 1928. 4p., German | ||||||||||||
| Busoni, Ferruccio, 1866-1924 | |||||||||||||
| BOX 11 | 3 A. L. S.: to Rüppel. Leipzig, 5 Feb., 15 Feb., 12 Apr. 1887. 3p., German | ||||||||||||
| BOX 11 | 9 A. L. S.: to Rudolph Ganz. 1899-1908. 20p., French, German | ||||||||||||
| BOX 11 | A. L. S.: to Rudolph Ganz. Weimar, 16 July 1900. 2p., German. With self-caricature | ||||||||||||
| Digital image available | |||||||||||||
| CALL NO.: (Shelf) | Pri. Sco. S.: Concerto, op. 39, Breitkopf & Härtel, c1906, to Rudolph Ganz, 1906. 328p. First edition (Shelf) | ||||||||||||
| BOX 11 | Doc.: Essay. "An Unknown Essay by Busoni: Critique of Beethoven's Last String Quartets," by Hans Moldenhauer, in Neue Zeitschrift für Musik, Dec. 1960. 2p., German | ||||||||||||
| BOX 11 | Doc. Repro.: Critical discussion of Beethoven. Neuchatel, 15 Nov. 1917. 8p. | ||||||||||||
| Related Collection Materials See: Palmgren, Selim | |||||||||||||
| Bussotti, Sylvano, b. 1931 | |||||||||||||
| BOX 11 | A. Mus. ms. S.: Breve; Due voci, 1958. 1p., 30x30cm. Sketches | ||||||||||||
| BOX 11 | A. Mus. ms. S.: Sonate pour clavier, aprés Pièces de chair II, Florence, 27 Apr. 1960. 1p., 20x27cm. | ||||||||||||
| BOX 11 | A. Mus. ms. S.: [Torso], Milan, 22 Nov. 1960. 2p., 66x16cm. First version | ||||||||||||
| BOX 11 | 2 A. L. S.: to Hans Moldenhauer. Venice, 20 Apr. 1963; Florence, 21 Sept. 1963. 3p., Italian | ||||||||||||
| BOX 11 | Mus. ms. Repro. A. Rev.: Torso III, 1963. 1p. | ||||||||||||
| Cage, John, 1912-1992 | |||||||||||||
| BOX 79 | A. Mus. ms. S.: The Wonderful Widow of Eighteen Springs, for voice and piano, New York, Nov. 1942. 6p. (2p. of music), 33x26cm., ink. On transparent sheets (used for publication by Peters) | ||||||||||||
| Digital image available | |||||||||||||
| BOX 79 | A. L. S.: to Adolph Weiss. Urbana, Illinois, 28 Oct. 1966. 2p., English | ||||||||||||
| BOX 79 | Doc.: Brochure. KPFA radio station, Berkeley, California, 1965. 4p., English | ||||||||||||
| Campana, Fabio, 1819-1882 | |||||||||||||
| BOX 11 | A. L. S.: London, 2 Feb. 1882. 2p., French | ||||||||||||
| BOX 11 | A. L. S.: to Mrs. Graham. London, n.d. 3p., French | ||||||||||||
| Canneti, Francesco, 1807-1884 | |||||||||||||
| BOX 11 | A. L. S.: to Marchese Gherado Bevilacqua in Ferrara. Bologna. May ?. 3p., Italian | ||||||||||||
| Capoul, Victor, 1839-1924 | |||||||||||||
| BOX 11 | A. Mus. ms. S.: Demain. 3p., 34x26cm., French. Complete score | ||||||||||||
| BOX 11 | A. Mus. ms. S.: [same]. 4p., 30x24cm., French. Fair copy | ||||||||||||
| Carafa, Michele, 1787-1872 | |||||||||||||
| BOX 11 | A. Mus. ms. S.: Abufar. 6p., 26x32cm., French. Duet in piano-vocal score | ||||||||||||
| BOX 11 | A. L. S.: to Schieker. Paris, 19 Feb. 1847. 1p., French | ||||||||||||
| BOX 11 | A. L. S.: to a colonel. Paris, 21 June 1850. 2p., French | ||||||||||||
| BOX 11 | A. Mus. Quot. S.: O caro..., to Adele di Lopigerane, Milan, Autumn, 1817. Italian | ||||||||||||
| BOX 11 | Obit.: from Le Figaro, Paris, 29 July 1872. French | ||||||||||||
| BOX 110 | Port. Lith. S. Repro. (Box 110) | ||||||||||||
| Carelli, Vicente | |||||||||||||
| BOX 11 | A. Mus. ms. S.: Danza vida porteña, to Ricardo Viñes. 8p., 36x26cm. | ||||||||||||
| Carré, Michel, 1822-1872 | |||||||||||||
| BOX 11 | A. L. S.: n.p., n.d. 1p., French | ||||||||||||
| Carter, Thomas, ca. 1740-1804 | |||||||||||||
| BOX 12 | A. L. S.: to a theater director. London, 29 Dec. 1802. 2p., English | ||||||||||||
| Caruso, Enrico, 1873-1921 | |||||||||||||
| BOX 110 | Port. Caric. S.: 1916 | ||||||||||||
| Casadesus, Robert, 1899-1972 | |||||||||||||
| BOX 110 | Port. Phot. S.: to Boaz Piller, 1938. By Hrand | ||||||||||||
| Casals, Pablo, 1876-1973 | |||||||||||||
| BOX 12 | A. L. S.: to Boaz Piller. Prades, 6 May 1940. 2p., French. Discusses the conditions in Europe as a result of the Hitler regime. With clipping regarding letter | ||||||||||||
| Digital image available | |||||||||||||
| BOX 12 | 12 A. L. S.: to Boaz Piller. 1918-1951. 19p., French, English | ||||||||||||
| BOX 12 | A. L. S.: to Karl Weigl. Vienna, 30 Mar. 1927. 2p., French | ||||||||||||
| BOX 12 | A. L. S.: to Guido Adler. Vienna, 12 Mar. 1928. 2p., French | ||||||||||||
| BOX 12 | P. card S.: to Karl Weigl. Barcelona, 3 June 1935. French | ||||||||||||
| BOX 12 | 23 P. cards S.: to Boaz Piller. 1936-1957. French, English | ||||||||||||
| BOX 12 | P. card S.: to Vally Weigl. Prades, 8 May 1951. French | ||||||||||||
| BOX 12 | T. L. S.: to Boaz Piller. Puerto Rico, 20 Feb. 1958. 1p., English | ||||||||||||
| BOX 110 | Port. Gr.: at the organ with Schweitzer (Box 110) | ||||||||||||
| BOX 12 | Bk. S.: Gespräche mit Casals, by J. MA. Corredor, Bern: Alfred Scherz, c1954. 328p. | ||||||||||||
| BOX 12 | Bk. S.: Pablo Casals, by Bernard Gavoty, Geneva: René Kister, c1955, to Hans Moldenhauer. 31p. | ||||||||||||
| Related Collection Materials See: Weigl, Karl | |||||||||||||
| Casella, Alfredo, 1883-1947 | |||||||||||||
| BOX 12 | 53 L. S.: to Boaz Piller. 1927-1946. 65p., French. Five letters are from his wife, Yvonne, who writes on his behalf | ||||||||||||
| BOX 12 | 3 T. L. S.: to Paul Sanders. n.p., 18 May 1931; Rome, 4 Oct. 1931; Siena, 15 Sept. 1933. 5p., French. Regarding the ISCM; Pijper | ||||||||||||
| BOX 12 | 2 A. L. S.: to Hanna Schwarz. Jassy, 16 Apr. 1937; Egypt, 12 Jan. 1938. 2p., French | ||||||||||||
| BOX 12 | 2 A. L. S.: to Ruzena Herlinger. Siena, 15 Feb. 1938; Rome, 23 Mar. 1938 | ||||||||||||
| BOX 12 | T. L. S.: to Ruzena Herlinger. Dahlem, n.d. | ||||||||||||
| BOX 12 | T. Doc. A. Rev.: Essay. On the development of the modern orchestra. 3p., French | ||||||||||||
| BOX 12 | A. Mus. Quot. S.: Concerto, 1924, 14 Feb. 1927 | ||||||||||||
| BOX 12 | Pri. Sco. S.: Tre canzoni trecentesche, Ricordi, to Ruzena Herlinger, Vienna, 20 Dec. [1911?]. 16p. | ||||||||||||
| BOX 110 | Port. Phot. S.: to Boaz Piller, Boston, 12 Jan. 1927. By de Gueldre (Box 110) | ||||||||||||
| Cassadó, Gaspar, 1897-1966 | |||||||||||||
| BOX 12 | A. L. S.: to Bruno Eisner. Venice, 22 July 1934. 2p., French | ||||||||||||
| Castelnuovo-Tedesco, Mario, 1895-1968 | |||||||||||||
| BOX-FOLDER 80/1 | A. Mus. ms. S.: Alborada del gracioso for Cello and Piano by Ravel, Beverly Hills, 20 Oct. 1944. 17p., 33x24cm. (80/1) | ||||||||||||
| BOX-FOLDER 80/1 | A. Mus. ms. S.: [Amours de Ronsard, op. 197], Beverly Hills, 30 July 1961. 1p., 33x27cm. (80/1) | ||||||||||||
| BOX-FOLDER 80/2 | A. Mus. ms. S.: The Book of Esther, op. 200, to Hans Moldenhauer, Beverly Hills, July 1962. 1p., 24x31cm. Sketches (80/2) | ||||||||||||
| BOX-FOLDER 80/2 | A. Mus. ms. S.: [same], Beverly Hills, 10-23 Sept. 1962. 3p. (pp.42, 244-245), various sizes. Discarded master sheets (80/2) | ||||||||||||
| BOX-FOLDER 80/3 | A. Mus. ms. S.: Capriccio, op. 133, Beverly Hills, 21 May 1947. 9p., 32x25cm. (80/3) | ||||||||||||
| BOX-FOLDER 80/3 | A. Mus. ms. S.: "Cherubino," from The Marriage of Figaro by Mozart, Beverly Hills, 1944. 21p., 31x24cm. (80/3) | ||||||||||||
| BOX-FOLDER 80/3 | A. Mus. ms. S.: Le Columbe, 6 May 1946. 4p., 36x27cm. (80/3) | ||||||||||||
| BOX-FOLDER 80/4 | A. Mus. ms. S.: Concerto for Guitar and Orchestra, to Andrés Segovia, Florence, 1938-1939. 67p., 32x23cm. (80/4) | ||||||||||||
| BOX-FOLDER 80/5 | A. Mus. ms. Rev. S.: [Concerto for Two Guitars and Orchestra], Beverly Hills, 10 July 1962. 10p., 24x33cm. + 35x28cm. Sketches and discarded pages (80/5) | ||||||||||||
| BOX-FOLDER 80/6 | A. Mus. ms. S.: Dodici studi dodecafonici. 5p., 33x25cm. (80/6) | ||||||||||||
| BOX-FOLDER 80/6 | A. Mus. ms. S.: 2. Quintetto per due violini, viola, violoncello, e pianoforte, 28 Feb. 1934. 3p., 33x24cm. Draft (80/6) | ||||||||||||
| BOX-FOLDER 80/6 | A. Mus. ms.: Exotica, [1934]. 8p., 33x24cm. Violin part (80/6) | ||||||||||||
| BOX-FOLDER 80/6 | A. Mus. ms. S.: Fantasia Napolitana, for Two Pianos, 19-21 Mar. 1945. 15p., 31x25cm. (80/6) | ||||||||||||
| BOX-FOLDER 80/7 | A. Mus. ms. S.: La figlia del reggimento, op. 110, to Jascha Heifetz, Hollywood, May 1941. 56p., 32x24cm. Full score (80/7) | ||||||||||||
| BOX-FOLDER 80/8 | A. Mus. ms. S.: [Greeting Card], "Preparations" for Nos. 18, 19, to Hans and Rosaleen Moldenhauer, Beverly Hills, Mar. 1959. 1p., 24x33cm. Sketches (80/8) | ||||||||||||
| BOX-FOLDER 80/8 | A. Mus. ms. S.: [Greeting Card], Choral-Prelude, op. 170, No. 18, on the name Albert Schweitzer, Beverly Hills, 1 Mar. 1959. 4p., 33x24cm. Draft (80/8) | ||||||||||||
| BOX-FOLDER 80/8 | A. Mus. ms. S.: [Greeting Card], Duo-Pianism, Impromptu for Two Pianos, op. 170, No. 19, on the names Hans and Rosaleen Moldenhauer, Beverly Hills, Mar. 10, 1959. 10p., 33x27cm. Master sheets (80/8) | ||||||||||||
| BOX-FOLDER 81/1 | A. Mus. ms. S.: [Greeting Card], Suite 508, op. 170, No. 21, to Hans Moldenhauer, Beverly Hills, 24 Mar. 1960. 1p., 24x33cm. (81/1) | ||||||||||||
| BOX-FOLDER 81/1 | A. Mus. ms. S.: [Greeting Card], [Ein Quartett-Satz], op. 170, No. 28, Beverly Hills, 18-19 Sept. 1960. 1p., 33x27cm. Closing page (81/1) | ||||||||||||
| BOX-FOLDER 81/1 | A. Mus. ms. S.: [Greeting Card], Arabesque, op. 170, No. 29, on the name Roger Taylor, 1961. 1p., 33x24cm. Master sheet. With accompanying note to Hans Moldenhauer (81/1) | ||||||||||||
| BOX-FOLDER 81/1 | A. Mus. ms. S.: [Greeting Card], Ballatella, op. 170, No. 34, on the name Chris Parkening, Beverly Hills, 10 Nov. 1963. 1p., 36x28cm. Master sheet (81/1) | ||||||||||||
| BOX-FOLDER 81/1 | A. Mus. ms.: [Greeting Card], [Fanfare], on the name E. Power Biggs. 2p., 22-36x30cm. Sketches (81/1) | ||||||||||||
| BOX-FOLDER 81/1 | A. Mus. ms. S.: Les Guitares bien tempérées, op. 199, Nos. 2, 21-24, Beverly Hills, 6 Apr. 1962. 3p., various sizes. Sketches (81/1) | ||||||||||||
| BOX-FOLDER 81/2 | A. Mus. ms. S.: Hommage à Paderewsky, Hollywood, 21-23 Mar. 1941. 9p., 31x24cm. (81/2) | ||||||||||||
| BOX-FOLDER 81/2 | A. Mus. ms. S.: The Importance of Being Earnest. 7p. (pp.1-6), 34x27cm. Master sheets (81/2) | ||||||||||||
| BOX-FOLDER 81/2 | A. Mus. ms. S.: The Importance of Being Earnest, to Hans Moldenhauer, Beverly Hills, 26 Dec. 1961. 3p., 33x27cm. (81/2) | ||||||||||||
| BOX-FOLDER 81/3 | A. Mus. ms. S.: Jeux d'Eau by Ravel, Beverly Hills, 14 Oct. 1944. 18p., 31x24cm. Transcribed for violin and piano (81/3) | ||||||||||||
| BOX-FOLDER 81/4 | A. Mus. ms.: Die Kraniche des Ibykus, op. 193, No. 1. 1p., 34x27cm. (81/4) | ||||||||||||
| BOX-FOLDER 81/4 | A. Mus. ms.: Lament of David, op. 169. 2p., 35x31cm. Sketch of opening (81/4) | ||||||||||||
| BOX-FOLDER 81/4 | A. Mus. ms. S.: Minstrels by Debussy, 30 June 1951. 3p., 32x24cm. Transcribed for guitar (81/4) | ||||||||||||
| BOX-FOLDER 81/4 | A. Mus. ms.: [Naaritz'cho]. 2p., 36x31cm. Draft of ending (81/4) | ||||||||||||
| BOX-FOLDER 81/4 | A. Mus. ms. S.: The Octoroon Ball, op. 136. 14p., 30x24cm. Beginning of the piano score (81/4) | ||||||||||||
| BOX-FOLDER 81/4 | A. Mus. ms. S.: Ozymandias, op. 124, for voice and piano, Beverly Hills, 8 June 1944. 5p., 36x27cm. Unpublished. Based on the poem by Shelley. Inspired by the reading of the poem when Raymond Gram Swing announced the downfall of Mussolini over the radio. See letter below to Hans Moldenhauer, 6 Feb. 1959 (81/4) | ||||||||||||
| Digital image available | |||||||||||||
| BOX-FOLDER 81/5 | A. Mus. ms. S.: Pavane pour une infante défunte by Ravel, Beverly Hills, 28 July 1946. 9p., 32x24cm. Arranged for two pianos, four hands (81/5) | ||||||||||||
| BOX-FOLDER 81/5 | A. Mus. ms. S.: Platero y yo, op. 190, Beverly Hills, 18 July 1960. 2p., 33x24cm. With accompanying work sheet, containing four themes and the composer's comments, to Hans Moldenhauer, 26 Dec. 1960 (81/5) | ||||||||||||
| BOX-FOLDER 81/5 | A. Mus. ms.: I Profeti. 7p., 32x23cm. Piano-violin version. Draft of introduction (81/5) | ||||||||||||
| BOX-FOLDER 81/5 | A. Mus. ms.: The Queen of Sheba, op. 161. 1p., 36x30cm. Draft of opening (81/5) | ||||||||||||
| BOX-FOLDER 81/6 | A. Mus. ms.: Rondo, op. 129. 5p., 36x27cm. Sketches (81/6) | ||||||||||||
| BOX-FOLDER 81/6 | A. Mus. ms. S.: "Rosina," from The Barber of Seville by Rossini, Beverly Hills, 30 Sept. 1944. 11p. (full score) + 4p. (parts), 31x24cm. (81/6) | ||||||||||||
| BOX-FOLDER 81/7 | A. Mus. ms. S.: Saul, op. 191, 1 Aug.-12 Sept. 1960. 1p., 43x29cm. (81/7) | ||||||||||||
| BOX-FOLDER 81/7 | A. Mus. ms. S.: The Seventh Day, 1963. 2p., 33x27cm. Formerly called "The Peace of the Sabbath." Master sheets (81/7) | ||||||||||||
| BOX-FOLDER 81/7 | A. Mus. ms. S.: The Shadow, Beverly Hills, 14 June 1944. 4p., 36x27cm. (81/7) | ||||||||||||
| BOX-FOLDER 81/7 | A. Mus. ms. S.: "Shakespeare Overtures," ca. 1932. 3p., 33x24cm. Thematic sketches to As You Like It, Othello, Romeo and Juliet, Antony and Cleopatra, All's Well That Ends Well (81/7) | ||||||||||||
| BOX-FOLDER 81/8 | A. Mus. ms. S.: Shakespeare Sonnets, Sonnet No. LVII, "What is your substance whereof you are made," 22 Sept. 1945. 5p., 31x24cm. Full score (81/8) | ||||||||||||
| BOX-FOLDER 81/8 | A. Mus. ms. S.: Shakespeare Sonnets, Sonnet No. XXX, op. 125, to Aldo, Beverly Hills, 3 July 1944. 4p., 32x24cm. (81/8) | ||||||||||||
| BOX-FOLDER 81/8 | A. Mus. ms. S.: Shakespeare Sonnets, Sonnet No. XCIV, op. 125, 11 Oct. 1945. 10p., 31x26cm. (81/8) | ||||||||||||
| BOX-FOLDER 81/8 | A. Mus. ms. S.: Shakespeare Sonnets, Sonnet No. CLIV, op. 125, Beverly Hills, 21 Sept. 1945. 6p., 31x24cm. (81/8) | ||||||||||||
| BOX-FOLDER 81/8 | A. Mus. ms. S.: [Six Keats Settings, op. 157], 30 Dec. 1952. 2p., 36x30cm. Drafts of opening and closing pages (81/8) | ||||||||||||
| BOX-FOLDER 81/9 | A. Mus. ms. S.: 16 Préludes by Chopin, Beverly Hills, 23 Nov. 1944. 36p. (piano score) + 16p. (violin part). 32x25cm. Markings by Heifetz (81/9) | ||||||||||||
| BOX-FOLDER 81/10 | A. Mus. ms.: [Sketches]. 4p., various sizes. Includes Divertimento, op. 119; Suite nello Stile Italiano, op. 138; Sonatina, op. 130; Serenade; Second Concerto (81/10) | ||||||||||||
| BOX-FOLDER 81/10 | A. Mus. ms.: Sonata, op. 208, 1967, to Hans Moldenhauer, 1967. 48p., 38x28cm. (81/10) | ||||||||||||
| BOX-FOLDER 81/10 | A. Mus. ms.: Sonata for Oboe and Piano, op. 146. 2p., 38x28cm. (81/10) | ||||||||||||
| BOX-FOLDER 81/10 | A. Mus. ms. S.: Sonatina for Flute and Guitar, op. 205,2 Aug. 1965. 3p. (pp.9, 15, 16), 36x28cm. Master sheets (81/10) | ||||||||||||
| BOX-FOLDER 81/10 | A. Mus. ms.: Songs of the Shulamite, op. 163. 1p., 31x24cm. Opening page (81/10) | ||||||||||||
| BOX-FOLDER 81/10 | A. Mus. ms. S.: "Susanna," from The Marriage of Figaro by Mozart. 2p., 31x24cm. Violin part (81/10) | ||||||||||||
| BOX-FOLDER 82/1 | A. Mus. ms. S.: Three Sephardic Songs, to Bracha Zefire, Beverly Hills, 14-15 Sept. 1949. 9p. + 1p. (of themes), various sizes. Transcribed and harmonized with piano or harp accompaniment (82/1) | ||||||||||||
| BOX-FOLDER 82/1 | A. Mus. ms.: Tobias and the Angel. 8p., various sizes. Includes an omitted aria, p.31 (piano-vocal score), p.73 (orchestral score), pp.77-81 (full score), and 1p. (master sheets) (82/1) | ||||||||||||
| BOX-FOLDER 82/1 | A. Mus. ms. S.: La Vallée des Cloches by Ravel, Beverly Hills, 16 Oct. 1944. 6p., 31x24cm. Arranged for cello and piano (82/1) | ||||||||||||
| BOX-FOLDER 82/2 | A. Mus. ms. S.: Variazioni sinfoniche, part I, 1928. 18p., 33x24cm. Draft of full score (82/2) | ||||||||||||
| BOX-FOLDER 82/2 | A. Mus. ms.: 24 caprichos de Goya, op. 195, Nos. X, XIX, XXII, Mar. 1961. 7p., 33x24cm. Master sheets (82/2) | ||||||||||||
| BOX-FOLDER 82/2 | A. Mus. ms. S.: "Violetta," from La Traviata by Verdi, Beverly Hills, 30 Sept. 1944. 4p., 32x24cm. (82/2) | ||||||||||||
| BOX 118 | A. L. S.: to Andrés Segovia. Pisa, 22 Sept. 1948. 2p., French. Containing musical illustrations (Box 118) | ||||||||||||
| BOX 118 | 4 A. L. S.: to Andrés Segovia. Beverly Hills, 10 Mar., 3 June 1951, 18 July 1955, 20 June 1956. 8p., French. Discussing compositions and Segovia's performances (Box 118) | ||||||||||||
| BOX 118 | 134 A. L. S.: to Hans Moldenhauer. 1958-1967. 261p. Much detail about his works, some cards and post cards; includes notes from his wife Clara (Box 118) | ||||||||||||
| Digital image available | |||||||||||||
| BOX 118 | A. L. S.: to Andrés Segovia. n.p., n.d. 1p., French. Fragment, containing musical illustrations (Box 118) | ||||||||||||
| BOX 118 | Card S.: to Hans and Rosaleen Moldenhauer, from Lisbeth, wife of Castelnuovo-Tedesco's son Pietro. Los Angeles, 1960. English (Box 118) | ||||||||||||
| BOX 118 | Card: Birth announcement for Diana Clara Castelnuovo-Tedesco. 22 June 1960 (Box 118) | ||||||||||||
| BOX 118 | 2 L. S.: to Hans Moldenhauer, from Clara Castelnuovo-Tedesco. Beverly Hills, 8 Mar. 1980. 2p., with two clippings and application forms for the Castelnuovo-Tedesco Society (Box 118) | ||||||||||||
| BOX 118 | A. Lib. S.: The Importance of Being Earnest. 41p. (Box 118) | ||||||||||||
| BOX 118 | T. Doc.: Biographical data with accompanying catalog of works. 8p., English (Box 118) | ||||||||||||
| BOX-FOLDER 82/2 | A. T. p.: The Merchant of Venice, also titled " Sem " (82/2) | ||||||||||||
| BOX-FOLDER 82/3 | Mus. ms. Repro. S.: Amours de Ronsard, op. 197, 1961. 29p. (I) + 33p. (II). Blueprint score (82/3) | ||||||||||||
| BOX-FOLDER 82/4 | Mus. ms. Repro. S.: Appunti, Ritmi, 1967-1968, to Hans and Rosaleen Moldenhauer, 2 Feb. 1968. 34p. (I) + 29p. (II). Blueprint score (82/4) | ||||||||||||
| BOX-FOLDER 82/4 | Mus. ms. Repro. S.: Appunti, Intervalli, 1967, to Hans and Rosaleen Moldenhauer, 28 Nov. 1967. 34p. Blueprint score (82/4) | ||||||||||||
| BOX-FOLDER 82/5 | Mus. ms. Repro. Annot. S.: Il bestiario, op. 188, 1960. 45p. Blueprint score (82/5) | ||||||||||||
| BOX-FOLDER 82/5 | Mus. ms. Repro. S.: Bitter Lemons, 1960. 3p. Blueprint score (82/5) | ||||||||||||
| BOX-FOLDER 82/6 | Mus. ms. Repro. S.: The Book of Esther: A Biblical Oratorio, op. 200, 1962, to Hans and Rosaleen Moldenhauer, 4 Dec. 1962. 144p. Blueprint score (82/6) | ||||||||||||
| BOX-FOLDER 83/1 | Mus. ms. Repro.: [Tobias and the Angel], The Book of Tobit, op. 204, 1964-1965, to Hans Moldenhauer, 1964/1965. 83p. (I) + 125p. (II) + 33p. (III). Blueprint score (83/1) | ||||||||||||
| BOX-FOLDER 83/2 | Mus. ms. Repro. S.: Candide, op. 123, 1944. 50p. Blueprint score (83/2) | ||||||||||||
| BOX-FOLDER 83/2 | Mus. ms. Repro. S.: Cherry Ripe, 1955. 6p. Blueprint score (83/2) | ||||||||||||
| BOX-FOLDER 83/2 | Mus. ms. Repro. S.: 5 Poesie Romanesche, op. 131, 1946. 13p. Blueprint score (83/2) | ||||||||||||
| BOX-FOLDER 83/3 | Mus. ms. Repro. S.: Concerto for Two Guitars and Orchestra, op. 201, 1962. 132p. (orchestral score) + 57p. (two guitars and piano). Blueprint score (83/3) | ||||||||||||
| BOX-FOLDER 84/1 | Mus. ms. Repro. S.: The Divan of Moses-Ibn-Ezra, op. 207, 1966, to Hans and Rosaleen Moldenhauer, 22 July 1966. 59p. Blueprint score (84/1) | ||||||||||||
| BOX-FOLDER 84/2 | Mus. ms. Repro. S.: 2 Canti Greci, 1916. 16p. Blueprint score (84/2) | ||||||||||||
| BOX-FOLDER 84/2 | Mus. ms. Repro. S.: Eclogues, op. 206, 1966, to Hans and Rosaleen Moldenhauer, 15 June 1966. 25p. Blueprint score (84/2) | ||||||||||||
| BOX-FOLDER 84/2 | Mus. ms. Repro. S. Rev.: 11 Preludes by Chopin, May 1946. 25p. Arranged for violin and piano. Blueprint score (84/2) | ||||||||||||
| BOX-FOLDER 84/3 | Mus. ms. Repro. S.: Exotica (A Rhapsody of the South Seas), 1943, to Hans Moldenhauer, 1964. 23p. (parts). Blueprint score (84/3) | ||||||||||||
| BOX-FOLDER 84/3 | Mus. ms. Repro. S.: Fantaisie impromptu by Chopin, 1947. 11p. Arranged for violin and piano. Blueprint score (84/3) | ||||||||||||
| BOX-FOLDER 84/4 | Mus. ms. Repro. S.: The Fiery Furnace, op. 183, 1958, to Joseph Leonard. 30p. Blueprint score (84/4) | ||||||||||||
| BOX-FOLDER 84/5 | Mus. ms. Repro. Rev. S.: La figlia del reggimento, op. 110, 1941, to Hans Moldenhauer, 9 Apr. 1964. 54p. Arranged for violin and piano. Blueprint score (84/5) | ||||||||||||
| BOX-FOLDER 84/5 | Mus. ms. Repro. S.: [same]. 44p., missing pp.23-32. Arranged for violin and piano. Blueprint score (84/5) | ||||||||||||
| BOX-FOLDER 84/6 | Mus. ms. Repro. S.: Fuga elegiaca, 1967, to Hans and Rosaleen Moldenhauer, 3 Nov. 1967. 8p. Blueprint score (84/6) | ||||||||||||
| BOX-FOLDER 85/1 | Mus. ms. Repro. Annot.: [Greeting Card], Tango, op. 170, No. 1, on the name André Previn, 1953. 5p. Blueprint score (85/1) | ||||||||||||
| BOX-FOLDER 85/1 | Mus. ms. Repro. Annot. S.: [Greeting Card], Serenatella, op. 170, No. 2, on the name Jascha Heifetz, 1954. 12p. Blueprint score (85/1) | ||||||||||||
| BOX-FOLDER 85/1 | Mus. ms. Repro. S.: [Greeting Card], Valse, op. 170, No. 3, on the name Gregor Piatigorsky, 1954. 14p. Blueprint score (85/1) | ||||||||||||
| BOX-FOLDER 85/1 | Mus. ms. Repro. Annot. S.: [Greeting Card], Mirages, op. 170, No. 4, on the name Gieseking. 7p. Blueprint score (85/1) | ||||||||||||
| BOX-FOLDER 85/1 | Mus. ms. Repro. Annot. S.: [Greeting Card], Tonadilla, op. 170, No. 5, on the name Andrés Segovia, 1954. 6p. With autograph fingerings by Segovia. Blueprint score (85/1) | ||||||||||||
| BOX-FOLDER 85/1 | Mus. ms. Repro.: [same]. Blueprint score (85/1) | ||||||||||||
| BOX-FOLDER 85/1 | Mus. ms. Repro.: [Greeting Card], Rondel, op. 170, No. 6, on the name Siegfried Behrend, 1954. 8p. Blueprint score (85/1) | ||||||||||||
| BOX-FOLDER 85/1 | Mus. ms. Repro.: [Greeting Card], Preludio, op. 170, No. 7, on the name Bruno Tonazzi, 1954. 5p. Blueprint score (85/1) | ||||||||||||
| BOX-FOLDER 85/1 | Mus. ms. Repro. S.: [Greeting Card], Humoresque, op. 170, No. 8, on the name Tossy Spivakovsky, 1954. 12p. Blueprint score (85/1) | ||||||||||||
| BOX-FOLDER 85/1 | Mus. ms. Repro. S.: [Greeting Card], Fandango, op. 170, No. 9, on the name Amparo Iturbi, 1954. 8p. Blueprint score (85/1) | ||||||||||||
| BOX-FOLDER 85/2 | Mus. ms. Repro.: [Greeting Card], Tanka, op. 170, No. 10, on the name Isao Takahashi, 1955. 5p. Blueprint score (85/2) | ||||||||||||
| BOX-FOLDER 85/2 | Mus. ms. Repro.: [Greeting Card], Étude, op. 170, No. 11, on the name Jakob Gimpel, 1955. 8p. Blueprint score (85/2) | ||||||||||||
| BOX-FOLDER 85/2 | Mus. ms. Repro. S.: [Greeting Card], Für Erna, op. 170, No. 12, 1956. 3p. (85/2) | ||||||||||||
| BOX-FOLDER 85/2 | Mus. ms. Repro.: [Greeting Card], A Canon for Robin, op. 170, No. 13, on the name Robin Escovado, 1956. 4p. Blueprint score (85/2) | ||||||||||||
| BOX-FOLDER 85/2 | Mus. ms. Repro.: [Greeting Card], A Lullaby for Eugene, op. 170, No. 14, to Eugene Robin Escovado, 1957. 4p. Blueprint score (85/2) | ||||||||||||
| BOX-FOLDER 85/2 | Mus. ms. Repro.: [Greeting Card], A Fandango for Escovado, op. 170, No. 16, to Robin Escovado, on the name Robin Escovado, 1958. 5p. Blueprint score (85/2) | ||||||||||||
| BOX-FOLDER 85/2 | Mus. ms. Repro.: [Greeting Card], Ricercare, op. 170, No. 17, on the name Luigi Dallapiccola, 1958. 8p. Blueprint score (85/2) | ||||||||||||
| BOX-FOLDER 85/2 | Mus. ms. Repro.: [Greeting Card], Choral-Prelude, op. 170, No. 18, on the name Albert Schweitzer, 1959. 7p. Blueprint score (85/2) | ||||||||||||
| BOX-FOLDER 85/2 | Mus. ms. Repro. S.: [Greeting Card], Duo-Pianism, op. 170, No. 19, to Hans and Rosaleen Moldenhauer, 10 Mar. 1959. 10p. each. Two copies. Blueprint scores (85/2) | ||||||||||||
| BOX-FOLDER 85/3 | Mus. ms. Repro. S.: [Greeting Card], Little March, op. 170, No. 20, on the name Scott Harrison, 1960. 2p. each. Two copies. Blueprint scores (85/3) | ||||||||||||
| BOX-FOLDER 85/3 | Mus. ms. Repro. S.: [Greeting Card], Suite 508, op. 170, No. 21, on the name Walter Hodgson, 1960. 31p. (score) + 15p. (parts). Blueprint score (85/3) | ||||||||||||
| BOX-FOLDER 85/3 | Mus. ms. Repro. S.: [Greeting Card], Slow--with Variations, op. 170, No. 22, 1960. 9p. Blueprint score (85/3) | ||||||||||||
| BOX-FOLDER 85/3 | Mus. ms. Repro. S.: [Greeting Card], Intermezzo, op. 170, No. 23, on the name Harvey Siegel, 1960. 8p. + 3p. (insert). Blueprint score (85/3) | ||||||||||||
| BOX-FOLDER 85/3 | Mus. ms. Repro. S.: [Greeting Card], Valse-Bluette, op. 170, No. 24, on the name Eric Friedman, 1960. 6p. + 2p. (insert). Blueprint score (85/3) | ||||||||||||
| BOX-FOLDER 85/4 | Mus. ms. Repro.: [Greeting Card], Hungarian Serenade, op. 170, No. 25, on the name Miklós Rózsa, 1960. 8p. Two copies. Blueprint scores (85/4) | ||||||||||||
| BOX-FOLDER 85/4 | Mus. ms. Repro.: [Greeting Card], La torre del diavolo, op. 170, No. 26, on the name Gisela Selden-Goth, 1960. 12p. Blueprint score (85/4) | ||||||||||||
| BOX-FOLDER 85/4 | Mus. ms. Repro.: [Greeting Card], Angelus, op. 170, No. 27, on the name Nino Rota Rinaldi, 1960. 5p. Blueprint score (85/4) | ||||||||||||
| BOX-FOLDER 85/4 | Mus. ms. Repro.: [Greeting Card], Ein Quartett-Satz, op. 170, No. 28, on the name Walter Arlen, 1960. 14p. (full score) + 19p. (parts). Blueprint score (85/4) | ||||||||||||
| BOX-FOLDER 85/4 | Mus. ms. Repro.: [Greeting Card], Arabesque, op. 170, No. 29, on the name Roger Taylor, 1961. 7p. Blueprint score (85/4) | ||||||||||||
| BOX-FOLDER 85/5 | Mus. ms. Repro. S.: [Greeting Card], Melodia (o Tema?...), op. 170, No. 30, on the name Claudio Sartori, 1961. 6p. Blueprint score (85/5) | ||||||||||||
| BOX-FOLDER 85/5 | Mus. ms. Repro. S.: [Greeting Card], Prelude and Fugue, op. 170, No. 31, on the name Gerhard Albersheim, 1962. 7p. Blueprint score (85/5) | ||||||||||||
| BOX-FOLDER 85/5 | Mus. ms. Repro. S.: [Greeting Card], Toccata, op. 170, No. 32, to Hugh Mullins. 10p. Blueprint score (85/5) | ||||||||||||
| BOX-FOLDER 85/5 | Mus. ms. Repro.: [Greeting Card], Canzone Siciliana, op. 170, No. 33, on the name Mario Gangi, 1962. 4p. Blueprint score (85/5) | ||||||||||||
| BOX-FOLDER 85/5 | Mus. ms. Repro. S.: [Greeting Card], Ballatella, op. 170, No. 34, on the name Christopher Parkening, 1963, to Hans Moldenhauer, 18 Nov. 1963. 4p. Blueprint score (85/5) | ||||||||||||
| BOX-FOLDER 85/5 | Mus. ms. Repro.: [Greeting Card], Sarabande, op. 170, No. 36, on the name Rey de la Torre, 1964. 3p. Blueprint score (85/5) | ||||||||||||
| BOX-FOLDER 85/5 | Mus. ms. Repro.: [Greeting Card], Romanza, op. 170, No. 37, on the name Oscar Ghiglia, Beverly Hills, 1964. 4p. Blueprint score (85/5) | ||||||||||||
| BOX-FOLDER 85/5 | Mus. ms. Repro. S.: [Greeting Card], Homage to Purcell, op. 170, No. 38, on the names Ronald, and Henry Purcell, 1966, to Hans Moldenhauer, 22 July 1966. 7p. Blueprint score (85/5) | ||||||||||||
| BOX-FOLDER 85/6 | Mus. ms. Repro.: [Greeting Card], Canción Venezuela, op. 170, No. 40, on the name Alirio Díaz, 1966. 4p. Blueprint score (85/6) | ||||||||||||
| BOX-FOLDER 85/6 | Mus. ms. Repro. S.: [Greeting Card], Canción Venezolana, op. 170, No. 40, on the name Alirio Díaz, to Hans Moldenhauer, 1966. 4p. Blueprint score (85/6) | ||||||||||||
| BOX-FOLDER 85/6 | Mus. ms. Repro. S.: [Greeting Card], Canción Argentina, op. 170, No. 41, on the name Ernesto Bitetti, 1966, to Hans Moldenhauer, 22 July 1966. 4p. Blueprint score (85/6) | ||||||||||||
| BOX-FOLDER 85/6 | Mus. ms. Repro. S.: [Greeting Card], Estudio, op. 170, No. 42, on the name Manuel López Ramos, 1966, to Hans Moldenhauer, 22 July 1966. 4p. Blueprint score (85/6) | ||||||||||||
| BOX-FOLDER 85/6 | Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 43, on the name Ruggero Chiesa, 1967, to Hans and Rosaleen Moldenhauer, 1967. 3p. Blueprint score (85/6) | ||||||||||||
| BOX-FOLDER 85/6 | Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 44, on the name Laurindo Almeida, 1967, to Hans and Rosaleen Moldenhauer, 1967. 4p. Blueprint score (85/6) | ||||||||||||
| BOX-FOLDER 85/6 | Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 45, on the name Pearl Chertok, 1967, to Hans and Rosaleen Moldenhauer, 1967. 4p. Blueprint score (85/6) | ||||||||||||
| BOX-FOLDER 85/6 | Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 46, on the name Jiro Matsudo, 1967, to Hans and Rosaleen Moldenhauer, 1967. 5p. Blueprint score (85/6) | ||||||||||||
| BOX-FOLDER 85/6 | Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 47, on the name Angelo Gilardino, 1967, to Hans and Rosaleen Moldenhauer, 1967. 6p. Blueprint score (85/6) | ||||||||||||
| BOX-FOLDER 85/6 | Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 48, on the name Ernest Calabria, 1967, to Hans and Rosaleen Moldenhauer, 1967. 4p. Blueprint score (85/6) | ||||||||||||
| BOX-FOLDER 85/6 | Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 49, on the name Frederick Tulan, 1967, to Hans and Rosaleen Moldenhauer, 1967. 4p. Blueprint score (85/6) | ||||||||||||
| BOX-FOLDER 85/6 | Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 50, on the name Eugene DiNovi, 1967, to Hans and Rosaleen Moldenhauer, 1967. 6p. Blueprint score (85/6) | ||||||||||||
| BOX-FOLDER 86/1 | Mus. ms. Repro.: La guarda cuidadosa, 1955. 5p. Blueprint score (86/1) | ||||||||||||
| BOX-FOLDER 86/2 | Mus. ms. Repro. S.: Les Guitares bien tempérées, op. 199, to Hans and Rosaleen Moldenhauer, 1962. 4 vols.: 53p. (I) + 51p. (II) + 48p. (III) + 50p. (IV). Blueprint score (86/2) | ||||||||||||
| BOX-FOLDER 86/3 | Mus. ms. Repro. S.: Der Handschuh, op. 193, No. 2, 1961. 13p. each. Two copies (86/3) | ||||||||||||
| BOX-FOLDER 87/1-3 | Mus. ms. Repro. S.: The Importance of Being Earnest, 1961-1962, to Hans and Rosaleen Moldenhauer, 1962. 123p. (I) + 146p. (II) + 94p. (III). Full score. Blueprint score (87/1-3) | ||||||||||||
| BOX-FOLDER 88/1 | Mus. ms. Repro. A. Rev. S.: Keats's Songs, On the Grasshopper and the Cricket, op. 113, No. 4, to Walter Kramer, 1951. 6p. With accompanying letter from Kramer. Blueprint score (88/1) | ||||||||||||
| BOX-FOLDER 88/1 | Mus. ms. Repro. S.: Die Kraniche des Ibykus, op. 193, No. 1. 37p. (score) + 7p. (parts). Two copies. Blueprint score (88/1) | ||||||||||||
| BOX-FOLDER 88/2 | Mus. ms. Repro.: Lauda--In honore Sanctæ Birgittæ, op. 189A, 1960. 5p. each. Two copies. Blueprint score (88/2) | ||||||||||||
| BOX-FOLDER 88/2 | Mus. ms. Repro. S.: Liberty, Mother of Exiles, to A. Walter Kramer, 1944. 19p. Blueprint score (88/2) | ||||||||||||
| BOX-FOLDER 88/2 | Mus. ms. Repro. S.: Memorial Service for the Departed, op. 192, 1960. 10p. Blueprint score (88/2) | ||||||||||||
| BOX-FOLDER 88/3-5 | Mus. ms. Repro.: The Merchant of Venice, 99p. (I) + 120p. (II) + 131p. (III). Blueprint score (88/3-5) | ||||||||||||
| BOX-FOLDER 89/1 | Mus. ms. Repro. S.: The Mermaid Tavern, opera 113A and 113B, 1942. 6p. (A) +10p. (B). Blueprint score (89/1) | ||||||||||||
| BOX-FOLDER 89/1 | Mus. ms. Repro. S.: Nocturne in Hollywood, 1941. 9p. Blueprint score (89/1) | ||||||||||||
| BOX-FOLDER 89/2 | Mus. ms. Repro. S.: I Nottambuli, 1960. 93p. Blueprint score (89/2) | ||||||||||||
| BOX-FOLDER 89/3 | Mus. ms. Repro.: Notturno, 1960. 19p. each. Two copies. Blueprint scores (89/3) | ||||||||||||
| BOX-FOLDER 89/3 | Mus. ms. Repro.: Ozymandias, 1944. 4p. Blueprint score (89/3) | ||||||||||||
| BOX-FOLDER 89/4 | Mus. ms. Repro. S.: Partita in B Minor by J. S. Bach, to Hans Moldenhauer, April 1964. 35p. Arranged for string orchestra. Blueprint score (89/4) | ||||||||||||
| BOX-FOLDER 89/5 | Mus. ms. Repro. Annot. S.: Pastorale and Rondo, op. 185, 1958. 35p. Blueprint score (89/5) | ||||||||||||
| BOX-FOLDER 89/6 | Mus. ms. Repro. S.: Platero y yo, op. 190, 1960. 35p. (I) + 30p. (II) + 36p. (III) + 39p. (IV). Blueprint score (89/6) | ||||||||||||
| BOX-FOLDER 90/1 | Mus. ms. Repro.: Poesia Svedese, op. 189, 1960. 67p. Blueprint score (90/1) | ||||||||||||
| BOX-FOLDER 90/2 | Mus. ms. Repro. S.: Prayers My Grandfather Wrote, 1962, to Hans and Rosaleen Moldenhauer, 4 Dec. 1962. 18p. Blueprint score (90/2) | ||||||||||||
| BOX-FOLDER 90/2 | Mus. ms. Repro.: Primavera Fiorentina, 1911, 1967. 28p. Blueprint score (90/2) | ||||||||||||
| BOX-FOLDER 90/3 | Mus. ms. Repro.: The Proverbs of Solomon, op. 168, Go to the Ant; Hear, Ye Children; There Be Six Things; The Foolish Woman Is Clamorous; Who Hath Woe?, to Hermann Stein; A Virtuous Woman Who Can Find, 1953. 45p. Blueprint score (90/3) | ||||||||||||
| BOX-FOLDER 90/3 | Mus. ms. Repro. S.: Psyche, op. 113, No. 5, 1951. 10p. Blueprint score (90/3) | ||||||||||||
| BOX-FOLDER 90/3 | Mus. ms. Repro. S.: The Queen of Sheba, op. 161, 1953. 32p. Blueprint score (90/3) | ||||||||||||
| BOX-FOLDER 90/4 | Mus. ms. Repro. S.: Sacred Service, op. 122, 1943. 54p. Blueprint score (90/4) | ||||||||||||
| BOX-FOLDER 90/5 | Mus. ms. Repro. A. Rev. S.: Serenade, op. 118, 1942-1943. 48p. + 13p. (guitar part, revised). Blueprint score (90/5) | ||||||||||||
| BOX-FOLDER 90/6 | Mus. ms. Repro. S.: The Seventh Day, op. 202, 1963, to Hans Moldenhauer, 18 Nov. 1963. 16p. Blueprint score (90/6) | ||||||||||||
| BOX-FOLDER 90/6 | Mus. ms. Repro. S.: Shakespeare Sonnets, Nos. XXXV, XL (to Hans Moldenhauer), XLVII, LXXI, 1963. 17p. Blueprint score (90/6) | ||||||||||||
| BOX-FOLDER 90/6 | Mus. ms. Repro. S.: La Sirenetta e il pesce Turchino. 28p. each. Two copies. Blueprint scores (90/6) | ||||||||||||
| BOX-FOLDER 90/7 | Mus. ms. Repro.: Sonatina canonica, op. 196. 23p. Blueprint score (90/7) | ||||||||||||
| BOX-FOLDER 90/7 | Mus. ms. Repro. S.: Sonatina for Bassoon and Piano, to Adolph Weiss, 1946. 39p. Blueprint score (90/7) | ||||||||||||
| BOX-FOLDER 91/1 | Mus. ms. Repro. S.: Sonatina for Flute and Guitar, op. 205, 1965, to Hans and Rosaleen Moldenhauer, 14 Feb. 1966. 30p. Blueprint score (91/1) | ||||||||||||
| BOX-FOLDER 91/1 | Mus. ms. Repro. S.: Sonatina zoologica, op. 187, 1960. 18p. Blueprint score (91/1) | ||||||||||||
| BOX-FOLDER 91/2 | Mus. ms. Repro. S.: The Song of Songs, op. 172, 1954, to Hans Moldenhauer. 200p. With autograph Italian text. Blueprint score (91/2) | ||||||||||||
| BOX-FOLDER 91/3 | Mus. ms. Repro.: Songs of the Oceanides, 1954. 25p. each. Two copies. Blueprint scores (91/3) | ||||||||||||
| BOX-FOLDER 91/4 | Mus. ms. Repro. A. Rev. S.: Songs of the Shulamite, op. 163, 1953. 66p. Blueprint score (91/4) | ||||||||||||
| BOX-FOLDER 91/4 | Mus. ms. Repro. S.: Stars, op. 104, 1940. 86p. Blueprint score (91/4) | ||||||||||||
| BOX-FOLDER 91/5 | Mus. ms. Repro. S.: 3rd String Quartet, op. 203, to Bernard Berenson, Beverly Hills, 1964, also inscribed to Hans Moldenhauer, 13 May 1965. 57p. + 58p. (parts). Blueprint score (91/5) | ||||||||||||
| BOX-FOLDER 92/1 | Mus. ms. Repro. S.: Three Sephardic Songs, 1960. 43p. Blueprint score (92/1) | ||||||||||||
| BOX-FOLDER 92/2 | Mus. ms. Repro. S.: Three Shelley Songs, op. 173, to A. Walter Kramer, 1955. 21p. Blueprint score (92/2) | ||||||||||||
| BOX-FOLDER 92/2 | Mus. ms. Repro. S.: Tre preludi al Circeo, 1961. 11p. Blueprint score (92/2) | ||||||||||||
| BOX-FOLDER 92/2 | Mus. ms. Repro. S.: Tre preludi Mediterranei, op. 176, 1955. 13p. Blueprint score (92/2) | ||||||||||||
| BOX-FOLDER 92/2 | Mus. ms. Repro. S.: Two Motets, op. 174, 1955. 18p. Blueprint score (92/2) | ||||||||||||
| BOX-FOLDER 92/3 | Mus. ms. Repro. S.: Two Sonatas, op. 179, 1955. 95p. Blueprint score (92/3) | ||||||||||||
| BOX-FOLDER 92/4 | Mus. ms. Repro. S.: 24 caprichos de Goya, op. 195, 1961. 30p. (I) + 29p. (II) + 29p. (III) + 29p. (IV). Blueprint score (92/4) | ||||||||||||
| BOX-FOLDER 92/5 | Mus. ms. Repro. S.: Vogelweide, op. 186, 1958, to Hans and Rosaleen Moldenhauer, 26 Feb. 1959. 54p. Blueprint score (92/5) | ||||||||||||
| BOX-FOLDER 93/1 | Mus. ms. Repro. S.: Le Voyage, 1959, to Hans and Rosaleen Moldenhauer. 4p. Blueprint score (93/1) | ||||||||||||
| BOX-FOLDER 93/1 | Mus. ms. Repro.: Le Voyage, 1959. 4p. Blueprint score (93/1) | ||||||||||||
| BOX 118 | Doc. Repro. S.: "Complete Bibliography (up to 1962)." Compiled by Robert Taylor, for the University of California, Los Angeles, to Hans Moldenhauer, 1 Oct. 1963. 30p. (Box 118) | ||||||||||||
| BOX 118 | Doc. Repro.: List of lectures. 1p., English (Box 118) | ||||||||||||
| BOX 118 | Doc. Repro.: News release. Michigan State University, Oct. 25 (Box 118) | ||||||||||||
| BOX 118 | Doc. Repro.: Text. Aucassin et Nicolette. 18p., English (Box 118) | ||||||||||||
| BOX-FOLDER 93/1 | Pri. Sco.: Appunti, I and III, Milan: Zerboni, c1968. 31p. (93/1) | ||||||||||||
| BOX-FOLDER 93/2 | Pri. Sco. S.: Aria of Ruth, New York: Mills Music, c1950, to Irene Hanna, 7 Jan. 1952. 4p. (93/2) | ||||||||||||
| BOX-FOLDER 93/2 | Pri. Sco.: La barba bianca, in Il giornalino della Domenica, Milan, 26 Dec. 1920. 4p. (93/2) | ||||||||||||
| BOX-FOLDER 93/2 | Pri. Sco. S.: Endymion, New York: Marks Music, c1960, to Hans and Rosaleen Moldenhauer, 9 Mar. 1960. 20p. (93/2) | ||||||||||||
| BOX-FOLDER 93/2 | Pri. Sco. S.: English Suite, New York: Mills Music, c1962, to Hans and Rosaleen Moldenhauer, 31 Jan. 1962. 11p. (93/2) | ||||||||||||
| BOX-FOLDER 93/3 | Pri. Sco. Rev. S.: Evangelion, op. 141, 1949, Florence: Forlivesi, c1958. 77p. (93/3) | ||||||||||||
| BOX-FOLDER 93/4 | Pri. Sco. S.: The Fiery Furnace, New York: Ricordi, c1959, to Hans and Rosaleen Moldenhauer, Dec. 1959. 36p. (93/4) | ||||||||||||
| BOX-FOLDER 93/4 | Pri. Sco.: Girotondo dei Golosi, in Il giornalino della Domenica, Florence, 31 Jan. 1924. 4p. (93/4) | ||||||||||||
| BOX-FOLDER 93/4 | Pri. Sco. S.: Homer, Los Angeles: Delkas, c1944, to Irene Hanna, 13 Aug. 1944. 4p. (93/4) | ||||||||||||
| BOX-FOLDER 93/4 | Pri. Sco. S.: The Nightingale, New York: Galaxy, c1944, to Irene Hanna, 7 June 1944. 4p. (93/4) | ||||||||||||
| BOX-FOLDER 93/5 | Pri. Sco.: Passacaglia, op. 180, Milan: Edizioni Musicali, c1970. 11p. (93/5) | ||||||||||||
| BOX-FOLDER 93/5 | Pri. Sco.: Platero y yo, op. 190, Milan: Edizioni Musicali, c1972. 38p. (93/5) | ||||||||||||
| BOX-FOLDER 93/5 | Pri. Sco.: The Shadow, New York: Carl Fischer, c1945. 5p. (93/5) | ||||||||||||
| BOX-FOLDER 93/5 | Pri. Sco.: Sonatina canonica, Paris: Max Eschig, c1971. 17p. (93/5) | ||||||||||||
| BOX-FOLDER 93/6 | Pri. Sco. S.: Songs of the Oceanides, New York: Franco Colombo, c1963, to Hans and Rosaleen Moldenhauer, 15 Mar. 1963. 40p. (93/6) | ||||||||||||
| BOX-FOLDER 93/6 | Pri. Lib. A. Rev.: The Merchant of Venice. 17p. (93/6) | ||||||||||||
| BOX-FOLDER 93/6 | Pri. Lib. S.: The Merchant of Venice, Milan: Ricordi, to Hans Moldenhauer, 25 May 1961. 70p. (93/6) | ||||||||||||
| BOX-FOLDER 93/6 | Pri. Sco.: 24 caprichos de Goya, op. 195, Nos. 13-18, Milan: Edizioni Musicali, c1971. 34p. (93/6) | ||||||||||||
| BOX 118 | 2 Prog.: Undicesimo Concerto, Florence, 1959 (Box 118) | ||||||||||||
| BOX 118 | Prog.: 6 Oct. 1959 (Box 118) | ||||||||||||
| BOX 118 | Prog.: Michigan State University, 13 Nov. 1959 (Box 118) | ||||||||||||
| BOX 118 | Prog.: San Francisco Symphony, 3-6 Feb. 1960 (Box 118) | ||||||||||||
| BOX 118 | Prog.: University of Southern California, 30 Apr. 1961 (Box 118) | ||||||||||||
| BOX 118 | Prog.: The Merchant of Venice, 1961. 23p. Synopsis in Italian, French, English, German (Box 118) | ||||||||||||
| BOX 118 | Prog. S.: The Song of Songs, to Hans and Rosaleen Moldenhauer, 7-8 Aug. 1963. With clipping regarding world premiere (Box 118) | ||||||||||||
| BOX 118 | 2 Clip.: Los Angeles, Apr. 1966. English (Box 118) | ||||||||||||
| BOX 110 | Port. Phot. Draw.: Sept. 1964, by Pablo Ghiglia, inscribed 7 Apr. 1965 (Box 110) | ||||||||||||
| BOX 110 | Phot. Draw.: sketch of the set of The Merchant of Venice, by Attilio Colonnello (Box 110) | ||||||||||||
| BOX 110 | 3 Port. Phot. S.: 1958, 1961 (Box 110) | ||||||||||||
| BOX 110 | Port. Gr. (Box 110) | ||||||||||||
| CALL NO.: (Shelf) | S. rec.: The Merchant of Venice (1961); Song of Songs (1963); Sonnets (1964) (RXA 6747, 6748-6752, 6754) (Shelf) | ||||||||||||
| Related Collection Materials See: Segovia, Andrés | |||||||||||||
| Castiglioni, Niccolò, 1932-1996 | |||||||||||||
| BOX 12 | A. Mus. ms. S.: Quodlibet at the Year's Corner, Wie schön leuchtet der Morgenstern, 1968-1969. 20p., 31x24cm. | ||||||||||||
| Castillo, Manuel, b. 1930 | |||||||||||||
| BOX 12 | A. Mus. ms. S.: Cuatro invenciones para cuarteto de cuerda, Sevilla, May 1967. 14p., 36x27cm. Full score | ||||||||||||
| BOX 12 | A. Mus. ms. S. Rev.: Sonata para violín y piano, Sevilla, 1961-1962. 26p., 36x26cm. Full score | ||||||||||||
| Caudella, Eduard, 1841-1924 | |||||||||||||
| BOX 12 | A. L. S.: Jassy, 4 May 1909. 2p., French | ||||||||||||
| BOX 12 | P. card S.: to Georges Bainton. Jassy, 12 May 1909. French | ||||||||||||
| BOX 12 | Call. c. | ||||||||||||
| BOX 12 | A. Mus. Quot. S.: Chant de la race latine, Jassy, 12 May 1909. 1p., French | ||||||||||||
| Cerha, Friedrich, b. 1926 | |||||||||||||
| BOX 109 | A. Mus. ms.: [Enjambements, for six players, 1959]. 3p., 44x59cm. + 44x56cm. Sketches | ||||||||||||
| BOX 109 | A. Mus. ms.: [Lanbegger Nachtmusik, II, for orchestra, 1969-1970]. 12p., various sizes. Sketches on master sheets | ||||||||||||
| BOX 109 | 3 T. L. S.: Vienna, 12 Mar. 1970, 19 Dec. 1971. 3p., German; Maria Langegg, 19 July 1973. 1p., German | ||||||||||||
| BOX 109 | Pri. Sco. S.: Enjambements, Universal Edition, 1959, to Hans Moldenhauer, 1975 | ||||||||||||
| Chabrier, Emmanuel, 1841-1894 | |||||||||||||
| BOX 12 | A. Mus. ms. S.: [Piano composition in E Major], to Boaz Piller. 1p., 25x32cm., ink. Incomplete, in 9/8 time. Mounted with portrait photograph | ||||||||||||
| BOX 12 | A. L. S.: to "Maman" [Mme. Chabrier]. Paris, 1887. 1p., French | ||||||||||||
| BOX 12 | Port. Phot.: mounted with music manuscript above | ||||||||||||
| BOX 110 | Port. Phot.: by Benoue (Box 110) | ||||||||||||
| Chaminade, Cécile, 1857-1944 | |||||||||||||
| BOX 12 | A. L. S.: to ?. Marseille, 5 Mar. 2p., French. On musical matters | ||||||||||||
| BOX 12 | A. Mus. Quot. S.: Au Pays bleu, Côte d'Azur, Feb. 1914. French. On picture postcard | ||||||||||||
| Champein, Stanislas, 1753-1830 | |||||||||||||
| BOX 12 | A. L. S.: Theater Feydeau, [8 Mar. 1813]. 1p., French | ||||||||||||
| Chapí, Ruperto, 1851-1909 | |||||||||||||
| BOX 12 | A. Mus. ms. S.: Las hijas del Zebedeo, Carceleras. 7p., 35x27cm. Complete score | ||||||||||||
| Chaulieu, Charles, 1788-1849 | |||||||||||||
| BOX 12 | A. L. S.: to Noqford. London, n.d. 2p., French | ||||||||||||
| BOX 12 | A. L. S.: London. 1p., French, English | ||||||||||||
| Chelard, Hippolyte-André-Baptiste, 1789-1861 | |||||||||||||
| BOX 12 | A. Mus. Quot. S.: Die Seekadetten, Andantino, to Schlösser, Darmstadt, 28 Aug. 1848. German | ||||||||||||
| Cherubini, Luigi, 1760-1842 | |||||||||||||
| BOX 12 | A. Mus. ms.: Sujet de fugue, traiter avec deux contre-sujets seulement..., "(concours de 1838)." 1p. (12m.), ink. With authentication by Dancla | ||||||||||||
| Digital image available | |||||||||||||
| BOX 12 | A. L. S.: to Breitkopf & Härtel. Paris, 10 Dec. 1833. 2p., French. Regarding Ali Baba | ||||||||||||
| Digital image available | |||||||||||||
| BOX 12 | A. L. S.: to Levasseur. n.p., Monday, the 19th. 1p., French | ||||||||||||
| Digital image available | |||||||||||||
| BOX 12 | 2 A. Doc. S.: Certificates of admission. For conservatory classes, to Charles Dancla. 22 Apr. 1828, 7 Sept. 1829. 2p., French | ||||||||||||
| BOX 110 | Port. Lith. S. Repro.: Mounted on page of Allgemeine Musikalische Zeitung, 1833 (Box 110) | ||||||||||||
| Chevillard, Camille, 1859-1923 | |||||||||||||
| BOX 12 | A. L. S.: Paris, 18 June 1910. 2p., French. Mentions conducting Elgar's Gerontius. On verso, 8m. autograph musical quotation from Gounod's Mireille | ||||||||||||
| BOX 110 | Port. Phot. S.: 1910 (Box 110) | ||||||||||||
| BOX 110 | Port. Phot. Repro. (Box 110) | ||||||||||||
| Chopin, Fryderyk Franciszek, 1810-1849 | |||||||||||||
| BOX 13 | A. Mus. ms. S.: [Prelude in A-flat Major, op. posth.], for piano solo, to P[ierre] Wolff, 10[?] July 1834. 2p., 16x24cm., ink. Complete score. With letter of authentication reproduced, from Arthur Hedley | ||||||||||||
| Digital image available | |||||||||||||
| BOX 109 | Mus. ms. Repro.: Nocturne, op. 62, No. 1. 4p. Sketch. Mounted on board (Box 109) | ||||||||||||
| BOX 13 | Mus. ms. Repro.: Tarantelle, op. 43, Paris: Catlin, 1930. 8p. Facsimile | ||||||||||||
| Chrysander, Friedrich, 1826-1901 | |||||||||||||
| BOX 13 | A. L. S.: to Selmar Bagge. Berne, 28 Feb. 1876. 4p., German. Includes a second letter to Selmar Bagge, from Karl Opitz (24 Feb. 1876) | ||||||||||||
| BOX 13 | A. L. S.: to Elise. London, n.d. 3p., German | ||||||||||||
| Chung, Woo-Hyen | |||||||||||||
| BOX 94 | A. Mus. ms. S.: Quartett, to Adolph Weiss, 23 May 1955. 12p., 39x27cm. | ||||||||||||
| Cilea, Francesco, 1866-1950 | |||||||||||||
| BOX 13 | T. L. S.: to Baron Angelo d'Eisner. Naples, 16 May 1930. 2p., Italian | ||||||||||||
| BOX 13 | A. Mus. Quot. S.: Adriana, Naples, 17 Jan. 1930. 1p. | ||||||||||||
| Cimarosa, Domenico, 1749-1801 | |||||||||||||
| BOX 13 | A. Mus. ms.: [Il marito disperato], "Come gli animali," premiered Naples, 1785. 8p., 22x29cm. 17 measures of the prelude to the aria, and the first 26 measures of the aria itself, "Voi siete un amoroso galante francesino" | ||||||||||||
| Digital image available | |||||||||||||
| Ciortea, Tudor, 1903-1982 | |||||||||||||
| BOX 13 | A. Mus. ms. Annot. S.: Variatiuni. 52p., 35x25cm. Full score | ||||||||||||
| Clauss-Szarvady, Wilhelmine, 1834-1907 | |||||||||||||
| BOX 13 | A. L. S.: to Fischer. n.p., n.d. 3p., French | ||||||||||||
| BOX 13 | A. L. S.: [London], 30 Jan. 1871. 2p., French | ||||||||||||
| BOX 13 | Obit.: for Frederick Szarvady (husband). 1p., English. Transcribed from World, 8 Mar. 1882 | ||||||||||||
| Clementi, Muzio, 1752-1832 | |||||||||||||
| BOX 13 | A. L. S.: to Viotti. 20 Jan. 1813. 3p., French, English. Letter written by Viotti in French, with reply written in English by Clementi | ||||||||||||
| Digital image available | |||||||||||||
| BOX 13 | A. L. S.: London, 17 Apr. 1823. 1p., English | ||||||||||||
| BOX 13 | Pri. Sco. S.: Sonata for the Pianoforte or Harpsichord, op. 26, London: Preston. 10p. Also signed by Margaret Abernethie | ||||||||||||
| Coates, Gloria, b. 1938 | |||||||||||||
| Related Collection Materials See: Otte, Hans | |||||||||||||
| Cocteau, Jean, 1889-1963 | |||||||||||||
| Related Collection Materials See: Stravinsky, Igor | |||||||||||||
| Coelho, Olga Praguer, b. 1909 | |||||||||||||
| CALL NO.: (Shelf) | Mus. ms.: [Music manuscripts, mostly for voice and piano or guitar] (Shelf) | ||||||||||||
| CALL NO.: (Shelf) | Doc.: Files containing correspondence, photographs, printed scores (Shelf) | ||||||||||||
| Related Collection Materials See: Segovia, Andrés | |||||||||||||
| Colonne, Edouard, 1838-1910 | |||||||||||||
| BOX 13 | A. L. S.: to Fischer. Paris, 19 Aug. 1877. 1p., French. Regarding a concerto by Lalo | ||||||||||||
| Comes, Liviu, b. 1918 | |||||||||||||
| BOX 13 | Pri. Sco.: Melopee, Cluj: Conservatorul de Muzica, c1970. 5p. | ||||||||||||
| BOX 13 | Pri. Sco.: Sonata pentru pian, Cluj: Conservatorul de Muzica, c1970. 32p. | ||||||||||||
| Commer, Franz, 1813-1887 | |||||||||||||
| BOX 13 | A. L. S.: B[erlin], 27 Jan. 1848. 1p., German | ||||||||||||
| Constantinescu, Dan, b. 1931 | |||||||||||||
| BOX 13 | A. Mus. ms. S.: Strukturi I, II, pentru pian. 8p., 33x25cm. | ||||||||||||
| Cooper, Emil, 1877-1960 | |||||||||||||
| BOX 94 | Doc. S. Repro.: Schedule. Baton Rouge Civic Symphony Association. 23 Sept. 1960. 2p., English | ||||||||||||
| BOX 94 | Obit. | ||||||||||||
| Cortolezis, Fritz, 1878-1934 | |||||||||||||
| BOX 13 | A. L. S.: to Alexander Zemlinsky. Karlsruhe, 2 Mar. 1924. 1p., German | ||||||||||||
| Cortot, Alfred, 1877-1962 | |||||||||||||
| BOX 13 | A. L. S.: [to Boaz Piller]. 14 Feb. 1929. 2p., French | ||||||||||||
| BOX 13 | A. L. S.: [to Boaz Piller]. 12 May 1938. 1p., French | ||||||||||||
| BOX 110 | Port. Phot. S.: to Boaz Piller, 1921 (Box 110) | ||||||||||||
| BOX 110 | Port. Phot. Repro. S.: to Boaz Piller, Boston, 1918 (Box 110) | ||||||||||||
| Cossmann, Bernhard, 1822-1910 | |||||||||||||
| BOX 13 | A. L. S.: Weimar, 22 Feb. 1860. 1p., German | ||||||||||||
| Related Collection Materials See: Tchaikovsky, Pyotr Ilyich | |||||||||||||
| Cottrau, Giulio, 1831-1916 | |||||||||||||
| BOX 13 | A. Mus. Quot. S.: Addio di Griselda. Italian | ||||||||||||
| Courtois, P. | |||||||||||||
| BOX 13 | A. Mus. ms. S.: Le Tambour major amoreaux. 3p., 35x27cm., French | ||||||||||||
| Coussemaker, Charles-Edmond-Henri de, 1805-1876 | |||||||||||||
| BOX 13 | A. L. S.: Dunkirk, 3 Feb. 1857. 6p., French | ||||||||||||
| BOX 13 | A. L. S.: [to Schneider?]. Lille, 6 Dec. 1875. 3p., French | ||||||||||||
| Cramer, Johann Baptist, 1771-1858 | |||||||||||||
| BOX 13 | A. L. S.: to Charles Ashley. London, 12 Jan. 1814. 1p., English | ||||||||||||
| BOX 13 | A. L. S.: to Costa. n.p., 24 Feb. 1856. 1p., French | ||||||||||||
| BOX 13 | A. Mus. Quot. S.: Piccolo canone, to J. Dessauer, Paris, 17 Aug. 1833 | ||||||||||||
| Crescentini, Girolamo, 1762-1846 | |||||||||||||
| BOX 13 | A. L. S.: n.p., 15 Apr. 1807[?]. 1p., Italian | ||||||||||||
| BOX 13 | A. L.: to Irene Ricciardi. n.p., Wednesday, 9 Sept. 1p., Italian | ||||||||||||
| Cruvelli, Friederike Marie, 1824-1868 | |||||||||||||
| BOX 13 | A. L. S.: to Escudier. n.p., n.d. 4p., French | ||||||||||||
| Cruvelli, Jeanne Sophie Charlotte, 1826-1907 | |||||||||||||
| BOX 13 | 3 A. L. S.: to Fiorentino. n.p., n.d. 9p., French | ||||||||||||
| Cui, César, 1835-1918 | |||||||||||||
| BOX 13 | A. L. S.: to Heugel. n.p., 28 Apr. 1887. 1p., French | ||||||||||||
| BOX 13 | A. L. S.: [to von Schuch]. Petersburg, 24 Oct. 1898. 3p., French. Mentioning Dresden concerts | ||||||||||||
| BOX 110 | A. Mus. Quot. Repro.: see portrait reproduced below (Box 110) | ||||||||||||
| BOX 110 | Port. S. Repro.: with musical quotation reproduced, 1888. By A. de Wit (Box 110) | ||||||||||||
| Curschmann, Karl Friedrich, 1805-1841 | |||||||||||||
| BOX 13 | A. Mus. ms. S.: "Im Walde geh' ich wohlgemuth," Berlin, to ?, 26 Sept. 1834. 3p. 22x27cm. | ||||||||||||
| Czerny, Carl, 1791-1857 | |||||||||||||
| BOX 13 | A. L. S.: to Breitkopf & Härtel. Vienna, 16 Mar. 1836. 1p., German | ||||||||||||
| Digital image available | |||||||||||||
| BOX 13 | A. L. S.: to R. de Vivenot. n.p., 29 Mar. 1846. 1p., German | ||||||||||||
| Digital image available | |||||||||||||
| BOX 13 | A. L. S.: to Robert Cocks. Vienna, 5 Nov. 1853. 3p., English. Regarding his works, ensemble settings | ||||||||||||
| Digital image available | |||||||||||||
| BOX 110 | Port. Engr. (Box 110) | ||||||||||||
| BOX 125 | Port. Engr. (Box 125) | ||||||||||||
| d'Albert, Eugen, 1864-1932 | |||||||||||||
| BOX 1 | A. Mus. ms. S.: Caprice et Fuge in C Minor for the Pianoforte, 6 June 1876. 8p., 30x24cm., ink. Complete score. Bound with manuscript below | ||||||||||||
| BOX 1 | A. Mus. ms. S.: [Fugue in A-flat Major for Organ], 16 Jan. 1879. 12p., 29x23cm. Complete score. Bound with manuscript above | ||||||||||||
| BOX 1 | A. Mus. ms. S.: Rosmarien (aus Des Knaben Wunderhorn). 2p., 35x26cm., ink. Song with piano accompaniment | ||||||||||||
| BOX 1 | A. L. S.: to a conductor. Lausanne, 29 Feb. 1884. 1p., German | ||||||||||||
| BOX 1 | A. L. S.: Berlin, 3 Nov. 1904. 2p., German | ||||||||||||
| BOX 1 | A. L. S.: Lago Maggiore, 12 June 1905. 1p., German | ||||||||||||
| BOX 1 | 6 A. L. S.: 1912-1918. 16p., German | ||||||||||||
| BOX 1 | A. L. S.: to Universal Edition. Ventimiglia, 19 Apr. 1928. 4p., German. Detailed correction list for Die schwarze Orchidee | ||||||||||||
| BOX 1 | P. card: with address for Hilde d'Albert | ||||||||||||
| BOX 1 | Doc. S.: Certificate. Membership at Wiener Tonkünstler-Verein for Marta Frank, signed by d'Albert as President. Vienna, 5 Oct. 1913. 1p., German | ||||||||||||
| d'Arányi, Jelly, 1895-1966 | |||||||||||||
| BOX 2 | A. L. S.: n.p., n.d. 2p., English. Fragment | ||||||||||||
| d'Ivry, Paul Xavier Désiré, Marquis, 1829-1903 | |||||||||||||
| BOX 26 | A. L. S.: Coraboeuf, 27 Dec. 1869. 8p., French. Mentions Verdi, others | ||||||||||||
| d'Ollone, Max, 1875-1959 | |||||||||||||
| BOX 39 | A. L. S.: n.p., 18 Sept. 1910. 3p., French | ||||||||||||
| BOX 39 | 2 A. Mus. Quot. S.: Both on 1p., excerpts from In Memoriam, "Sombre Maison," and "Le Son du vent qui passe..." | ||||||||||||
| Da Ponte, Lorenzo, 1749-1838 | |||||||||||||
| BOX 117 | A. L. S.: to Fortunato Stella. New York, 29 Mar. 1832. 1p., Italian, with typed transcription, and with English translation by Albi Rosenthal. Reflects activities as writer, poet, and bookseller | ||||||||||||
| Digital image available | |||||||||||||
| Dahl, Ingolf, 1912-1970 | |||||||||||||
| BOX 94 | Mus. ms. Repro.: A Christmas Canon for Five Voices, Dec. 1949. 1p., English | ||||||||||||
| Dahl, Viking, 1895-1945 | |||||||||||||
| BOX 14 | A. Mus. ms. S.: Pluie, op. 2, No. 1, to Ricardo Viñes. 4p., 35x27cm. | ||||||||||||
| Dalberg, Johann Friedrich Hugo von, 1760-1812 | |||||||||||||
| BOX 14 | A. L. S.: to Bellermann. ?, 8 Jan. 1802. 1p., German | ||||||||||||
| BOX 14 | A. L. S.: to ?. ?, 5 Jan. 1807. 1p., German | ||||||||||||
| Dallapiccola, Luigi, 1904-1975 | |||||||||||||
| BOX 14 | A. Mus. ms. S.: [Ulisse], " Calypso," to Richard Hartmann, München, 27 Jan. 1961-Firenze, 3 Feb. 1961. 4p., 22x31cm., red and black ink, pencil. For voice with accompaniment. Sketch, with vocal line beginning "Son soli..." | ||||||||||||
| Digital image available | |||||||||||||
| BOX 14 | A. L. S.: to Hanna Schwarz. Florence, 14 Dec. 1934. 1p., German | ||||||||||||
| BOX 14 | T. L. S.: to Hans Moldenhauer. Flushing, 12 June 1957. 1p., French | ||||||||||||
| BOX 14 | T. L. S.: to Paul A. Pisk. Florence, 19 July 1962. 1p., French | ||||||||||||
| BOX 14 | T. L. S.: to Aurelio de la Vega. Florence, 28 June 1964. 1p., French | ||||||||||||
| BOX 14 | A. L. S.: to Mario Castelnuovo-Tedesco. Florence, 30 Mar. 1965. 1p., French | ||||||||||||
| BOX 14 | L. S.: to Hans Moldenhauer, from Laura Dallapiccola. Flushing, 22 Apr. 1957. 2p., French | ||||||||||||
| Dancla, Charles, 1817-1907 | |||||||||||||
| Related Collection Materials See: Cherubini, Luigi | |||||||||||||
| David, Ferdinand, 1810-1873 | |||||||||||||
| BOX 14 | A. L. S.: [to Julius Rietz?]. Leipzig, 25 Nov. 1850. 1p., German | ||||||||||||
| BOX 14 | A. L. S.: to Julius [Rietz]. Leipzig, 27 Feb. 1866. 3p., German | ||||||||||||
| BOX 110 | Port. Engr.: by Weger & Singer (Box 110) | ||||||||||||
| David, Johann Nepomuk, 1895-1977 | |||||||||||||
| BOX 14 | A. Mus. ms.: Requiem chorale, 31 Jan.-7 Feb. 1956. 58p., 34x27cm., ink, pencil | ||||||||||||
| BOX 14 | 2 L.: to Hans Moldenhauer. 5 Oct. 1956, 22 July 1967. 2p., German | ||||||||||||
| BOX 14 | Port. Phot. S.: 1956 | ||||||||||||
| Debussy, Claude, 1862-1918 | |||||||||||||
| BOX 14 | A. L. S.: to Vincent d'Indy. 10, rue Gustave Doré, [ca. July 1893]. 1p., French. Offering friendship, refers to La Damoiselle élue. Attached to portrait below | ||||||||||||
| Digital image available | |||||||||||||
| BOX 14 | A. L. S.: to Ernest Bloch. Paris, 3 May 1910. 1p., French | ||||||||||||
| BOX 14 | A. L. S.: to André Caplet. 5 May 1913. 1p., French. Mentions Nocturnes | ||||||||||||
| BOX 14 | A. Mus. Quot. S.: "Je vous la souhaite...," based on the song Mandoline, [Jan. 1883]. 2p., French. 12 measures complete score for voice and piano. New Year's musical greeting, for Mme. Vasnier. With dedication | ||||||||||||
| BOX 14 | Port. Phot.: with attached letter above, to d'Indy. By Otto | ||||||||||||
| Defauw, Désiré, 1885-1960 | |||||||||||||
| BOX 14 | T. L. S.: to Rudolph Ganz. Chicago, 20 Mar. 1944. 1p., English | ||||||||||||
| BOX 14 | A. Mus. Quot. S.: Symphony in D Minor by Franck, Brussels, 12 Dec. 1932 | ||||||||||||
| BOX 110 | Port. Phot. S.: to Boaz Piller, Boston, 2 Dec. 1940 (Box 110) | ||||||||||||
| Deiters, Hermann, 1833-1907 | |||||||||||||
| BOX 14 | 3 A. L. S.: to Selmar Bagge. Bonn, 8 Sept. 1867, Mar. 1868; Düren, 14 Dec. 1873. 10p., German | ||||||||||||
| Delibes, Léo, 1836-1891 | |||||||||||||
| BOX 14 | A. Mus. ms. S.: Fanfares composées pour la distribution des récompenses à l'Exposition Universelle de 1889, to Paul Blondot, Sept. 1889. 4p., 27x35cm., ink. Reduced piano score from original for brass band and orchestra | ||||||||||||
| BOX 14 | A. L. S.: to the Director of the National Theater at Pest. n.p., 20 May 1881. 4p., French. Regarding Jean de Nivelle | ||||||||||||
| BOX 14 | A. L. S.: to Bandon. 54 Chateau d'Eau, n.d. 3p., French. With musical illustration | ||||||||||||
| BOX 14 | A. L. S.: to Pougin. n.p., Monday, 31 May. 3p., French | ||||||||||||
| BOX 14 | A. Card S.: n.p., 19 June. 1p., French | ||||||||||||
| BOX 110 | Port. Lith.: with biographical sketch. French (Box 110) | ||||||||||||
| Delius, Frederick, 1862-1934 | |||||||||||||
| BOX 14 | A. Mus. ms. Rev. S.[?]: [Five Piano Pieces], Valse, No. III, for piano solo. 2p., 35x27cm., ink, pencil. First draft, sketches on verso | ||||||||||||
| BOX 14 | A. Mus. ms. S.: Zwei braune Augen, song with piano accompaniment, text by H. C. Andersen, 1885. 2p., 34x27cm., German, ink, pencil | ||||||||||||
| Digital image available | |||||||||||||
| BOX 110 | Port. Phot. (Box 110) | ||||||||||||
| Demantius, Christoph, 1567-1643 | |||||||||||||
| BOX 14 | A. Doc.: Psalmus 98, Freiburg, 19 Nov. 1615. 1p., Latin. Dedicatory page of Demantius's setting for sixteen voices (distributed over four choruses) on the occasion of the fifth birthday of the Saxon heir to the electorate, Hared, and dedicated to his parents Johann George and Magdalena Sybil | ||||||||||||
| Digital image available | |||||||||||||
| Denza, Luigi, 1846-1922 | |||||||||||||
| BOX 14 | A. L. S.: to Mrs. Custace. n.p., 27 Apr. 1887. 1p., Italian | ||||||||||||
| BOX 14 | A. Mus. Quot. S.: "Hush a-bye, dearie, hush-a-bye low," London, Oct. 1891 | ||||||||||||
| BOX 14 | Clip.: 1p., English. See portrait photograph below | ||||||||||||
| BOX 14 | Port. Phot. Repro.: attached to clipping above. Portrait photograph of B. Tours on verso | ||||||||||||
| Dessau, Bernhard, 1861-1923 | |||||||||||||
| BOX 14 | A. L. S.: to Bruno Eisner. Charlottenburg, 16 Apr. 1909. 2p., German | ||||||||||||
| Dessau, Paul, 1894-1979 | |||||||||||||
| BOX 14 | A. Mus. ms. S.: Beruhigung, from 2 Gesänge von O. J. Bierbaum, to Mrs. Lattermann, Schleswig, 23 Oct. 1917. 3p., 35x27cm. Arranged for voice and piano | ||||||||||||
| BOX 14 | A. Mus. ms. S.: Verkündigung von Richard Dehmel, to Dälberg, Hamburg, 1914. 2p., 35x27cm. | ||||||||||||
| BOX 14 | T. L. S.: to Bruno Eisner. Zeuthen, 14 Dec. 1973. 1p., German | ||||||||||||
| BOX 14 | A. L. S.: to K. A. Hartmann. n.p., 29 July 1961. 1p., German | ||||||||||||
| BOX 14 | Mus. ms. Repro.: Two Canons. 8p. | ||||||||||||
| BOX 14 | Pri. Sco. S.: Kinderkantate, to Bruno Eisner, 6 Dec. 1932. 34p. | ||||||||||||
| Related Collection Materials See: Hartmann, Karl Amadeus | |||||||||||||
| Dessauer, Josef, 1798-1876 | |||||||||||||
| BOX 14 | A. Mus. ms. S.: "Du willst nicht mit zum Tanze gehn? ". 4p., 29x22cm., German | ||||||||||||
| BOX 14 | A. L. S.: to ?. Ischl, Oct. 1855. 3p., German | ||||||||||||
| Destin, Tomaso Loewe | |||||||||||||
| BOX 14 | A. L. S.: Bergamo, 19 Sept. 1875. 1p., Italian | ||||||||||||
| Deutsch, Otto Erich, 1883-1967 | |||||||||||||
| BOX 14 | P. card: to Hans Moldenhauer. Vienna, 29 Sept. 1956. English | ||||||||||||
| BOX 14 | Doc. S.: Essay. "Mozart und die Wiener Logen," Vienna: Wiener Freimaurer-Zeitung, 1932, to Hans Moldenhauer, Vienna, Aug. 1956. 35p., German | ||||||||||||
| BOX 14 | Call. c. Annot. | ||||||||||||
| Devčić, Natko, b. 1914 | |||||||||||||
| BOX 14 | 2 A. Cards S.: to Aurelio de la Vega. Season's Greetings 1970, 1983. English | ||||||||||||
| Devrient, Eduard, 1801-1877 | |||||||||||||
| BOX 14 | A. L. S.: to Richard Pohl. Karlsruhe, 27 Jan. 1864. 2p., German | ||||||||||||
| BOX 14 | A. L. S.: to an editor. Karlsruhe, 3 Oct. 1864. 1p., German | ||||||||||||
| Diémer, Louis, 1843-1919 | |||||||||||||
| BOX 14 | A. L. S.: to Adolphe. n.p., 14 Feb. 1878. 4p., French | ||||||||||||
| BOX 14 | A. Card S.: to Leguy. 21 Nov. 1894. 2p., French | ||||||||||||
| BOX 14 | A. Card S.: 22 Mar. 1906. 2p., French | ||||||||||||
| Diez, Sophie, 1820-1887 | |||||||||||||
| BOX 14 | 4 A. L. S.: 1855-1870. 9p., German | ||||||||||||
| Dittersdorf, Carl Ditters von, 1739-1799 | |||||||||||||
| BOX 14 | A. Mus. ms. S.: Menuet, pour le clavecin, Breslau, 16 Nov. 1779. 2p., 10x31cm., ink. Complete score | ||||||||||||
| Döhler, Theodor, 1814-1856 | |||||||||||||
| BOX 15 | A. L. S.: Hôtel de Paris, n.d. 1p., French | ||||||||||||
| Related Collection Materials See: Thalberg, Sigismond | |||||||||||||
| Dohnányi, Ernö, 1877-1960 | |||||||||||||
| BOX 15 | T. L. S.: to Hans Moldenhauer. Tallahassee, 18 June 1955. 1p., English | ||||||||||||
| BOX 15 | A. Mus. Quot. S.: [Der Schleier der Pierrette], "Pierrot," 27 Jan. 1910 | ||||||||||||
| BOX 15 | A. Mus. Quot. S.: [Variations on a Nursery Song]. 6m. Full score | ||||||||||||
| BOX 15 | Pri. Sco. S.: A Dedication, op. 13, No. 1, New York: Marks Music, c1938. 3p. | ||||||||||||
| BOX 15 | Pri. Sco. S.: Rhapsody, op. 11, No. 4, New York: Marks Music, c1930. 10p. | ||||||||||||
| BOX 15 | Pri. Sco. S.: Rhapsody (C Major), op. 11, No. 3, New York: Marks Music, c1935. 13p. | ||||||||||||
| BOX 110 | Port. Phot. S. (Box 110) | ||||||||||||
| Doktor, Paul, 1919-1989 | |||||||||||||
| Related Collection Materials See: Brisman, Heskel | |||||||||||||
| Dommer, Arrey von, 1828-1905 | |||||||||||||
| BOX 15 | 3 A. L. S.: [to Selmar Bagge?]. Reudnitz, 14 Dec. 1860; Lauenburg, 21 July 1864; Altona, 25 Sept. 1864. 9p., German | ||||||||||||
| Donzelli, Domenico, 1790-1873 | |||||||||||||
| BOX 15 | A. L. S.: n.p., 6 June 1833. 1p., French | ||||||||||||
| Door, Carl | |||||||||||||
| BOX 15 | A. L. S.: to Alexander Zemlinsky. Vienna, 13 Aug. 1924. 1p., German | ||||||||||||
| Doreste, Víctor | |||||||||||||
| BOX 15 | A. Mus. ms. S.: Suite canaria. Folía. 5p., 33x26cm. | ||||||||||||
| Dorn, Heinrich Ludwig Egmont, 1804-1892 | |||||||||||||
| BOX 15 | A. L. S.: [to Robert Seitz]. Berlin, 17 Feb. 1881. 1p., German | ||||||||||||
| Dorn, Otto, 1848-1931 | |||||||||||||
| BOX 15 | A. Mus. ms. S.: Frühlingslied, op. 34, No. 1. 1p. (opening page), 31x27cm., English, German. Fragment | ||||||||||||
| BOX 15 | A. Doc. S.: Aphorisms. 1p., German | ||||||||||||
| BOX 15 | Call. c. Annot.: Wiesbaden, 11 Feb. 1911 | ||||||||||||
| BOX 110 | Port. Caric. Repro.: with autograph note mentioning Ferdinand Hiller (Box 110) | ||||||||||||
| Dotzauer, Friedrich, 1783-1860 | |||||||||||||
| BOX 15 | A. L. S.: [to the director of the Dresden Orchestra?]. Leipzig, 21 Jan. 1811. 2p., German | ||||||||||||
| Draeseke, Felix, 1835-1913 | |||||||||||||
| BOX 15 | A. Mus. ms. S.: [Symphony in F Major], Presto. 2p., 28x18cm. Sketch. With attached autograph letter signed, Coburg, 22 June 1876. 4p., German | ||||||||||||
| BOX 15 | A. L. S.: n.p., n.d. 1p., German | ||||||||||||
| BOX 15 | A. L. S.: see manuscript above | ||||||||||||
| BOX 15 | A. Doc. S.: Biographical information. Outline of his studies and professional career with a list of his published works. 1p., German | ||||||||||||
| BOX 15 | Clip.: Biographical information with portrait. English | ||||||||||||
| Dresden, Sem, 1881-1957 | |||||||||||||
| BOX 15 | A. Mus. ms.: Hor ai dolor, for piano, 1950. 2p., 36x27cm. | ||||||||||||
| BOX 15 | A. Mus. ms.: Psalm 84, for Chorus, Soprano, Tenor, and Orchestra, 1953-1954. 1p., 21x29cm. Sketch of work plan | ||||||||||||
| BOX 15 | T. L. S.: to Hans Moldenhauer. Bussum, 10 July 1956. 1p., English | ||||||||||||
| BOX 15 | T. L.: to Hans Moldenhauer, from A. Annegard, Librarian. The Hague, 3 Mar. 1958. 1p., English | ||||||||||||
| BOX 15 | 3 T. L.: to Hans Moldenhauer, from Anton Dresden (son). Bussum, 1957-1958. 4p., English | ||||||||||||
| BOX 15 | Obit.: Dutch | ||||||||||||
| Dreyer, Johann Melchior, 1747-1824 | |||||||||||||
| BOX 15 | 2 A. Mus. mss. S.: Die Geduld; Ich danke Gott. 2p. (1 leaf), 24x31cm. | ||||||||||||
| Dreyschock, Alexander, 1818-1869 | |||||||||||||
| BOX 15 | 2 A. Mus. mss. S.: [Fugue in E-flat Major], to Schlösser, Darmstadt, 29 Nov. 1843. On verso, fragment of an [Allegro for string quartet], Darmstadt, 29 Mar. 1858. 3p., 28x22cm. | ||||||||||||
| BOX 15 | A. L. S.: Berlin, 26 Feb. 1860. 1p., German | ||||||||||||
| BOX 15 | Doc.: Work list, to op. 27. 1p. | ||||||||||||
| Dron, Marthe Nancy, 1878-1960 | |||||||||||||
| BOX 15 | T. Doc.: Documentation. 1p., English. Association material to César Franck's Prélude, choral, et fugue | ||||||||||||
| BOX 15 | T. Doc.: Biographical information. 5p., French | ||||||||||||
| BOX 110 | Port. Phot. Gr.: Marthe Dron and Andrée Parent (Box 110) | ||||||||||||
| Related Collection Materials See: Franck, César | |||||||||||||
| Drouet, Louis, 1792-1873 | |||||||||||||
| BOX 15 | A. L. S.: Frankfurt, 8 Jan. 1860. 1p., French. Regarding his pianist son | ||||||||||||
| Dubois, Théodore, 1837-1924 | |||||||||||||
| BOX 15 | Pri. Sco. S.: 2. Concerto pour piano et orchestra, Paris: Heugel, 1897, to E. Colonne. 58p. Transcription for two pianos. With copy of same | ||||||||||||
| Dubuque, Alexander Ivanovich, 1812-1898 | |||||||||||||
| Related Collection Materials See: Tchaikovsky, Pyotr Ilyich | |||||||||||||
| Dukas, Paul, 1865-1935 | |||||||||||||
| BOX 15 | 2 A. L. S.: to Servières. Paris, 8 Jan. 1901, 17 June 1923. 3p., French | ||||||||||||
| BOX 110 | Port. Phot. Gr.: with pupils, including Marguerite Long. By Joaillier (Box 110) | ||||||||||||
| BOX 110 | Port. Phot. Repro.: with biographical sketch (Box 110) | ||||||||||||
| Duparc, Henri, 1848-1933 | |||||||||||||
| BOX 15 | A. L. S.: Tarbes, 29 Apr. 1917. 2p., French. Concerning Franck's Paris | ||||||||||||
| Dupont, Pierre, [1821-1870] | |||||||||||||
| BOX 15 | A. Mus. Quot. S.: Andante, 1866 | ||||||||||||
| Dupré, Marcel, 1886-1971 | |||||||||||||
| BOX 15 | Pri. Sco. S.: Cortège et litanie, for organ, Paris: Leduc, 1924, inscribed 15 Dec. 1925. 23p. | ||||||||||||
| Duprez, Gilbert, 1806-1896 | |||||||||||||
| BOX 15 | A. Alb. l. S.: to Chorley. n.p., n.d. 1p., English | ||||||||||||
| Durand, Marie Auguste, 1830-1909 | |||||||||||||
| BOX 15 | A. L. S.: to Schott. London, Paris, 30 June 1879. 1p., French | ||||||||||||
| Dvorák, Antonín, 1841-1904 | |||||||||||||
| BOX 15 | A. L. S.: Vysoká, Sunday at 5 o'clock in the morning, July 1885. 4p., English. Mentions Ludmilla | ||||||||||||
| BOX 15 | A. L. S.: Prague, 14 Dec. 1886. 4p., English. Mentions Ludmilla | ||||||||||||
| BOX 15 | Pri. Sco. S.: Stabat Mater, op. 58, for Soloists, Chorus, and Orchestra, London: Novello, Ewer, 1876/1877, 1880. 104p. Signed at Cambridge, 15 June 1891, when Dvorák received the Doctor of Music degree. From the Edward Lloyd Library | ||||||||||||
| Ebdon, Thomas, 1738-1811 | |||||||||||||
| BOX 16 | A. Mus. ms. S.: Glee 3 Voices the Acrostick, "to a celebrated composer," Durham, 1795. 3p., 24x30cm., English, ink. Full score | ||||||||||||
| Ebert, Carl, 1887-1980 | |||||||||||||
| BOX 16 | A. Card S.: to Alma Mahler. Berlin, Apr. 1959. 1p., German | ||||||||||||
| Related Collection Materials See: Rosbaud, Hans | |||||||||||||
| Ebner, Wolfgang, 1612-1665 | |||||||||||||
| BOX 16 | A. Mus. ms. S.[?]: [Unidentified composition in condensed score, ca. 1655]. 2p., 13x23cm., ink. With facsimile signatures of Ebner, A. Poglietti, and G. Paganelli. Authentication by Aloys Fuchs | ||||||||||||
| Digital image available | |||||||||||||
| Eckert, Karl, 1820-1879 | |||||||||||||
| BOX 16 | A. L. S.: Stuttgart, 8 Mar. 1865. 2p., German | ||||||||||||
| BOX 16 | 6 Clip.: 1879-1880. German. With biographical information | ||||||||||||
| Edlund, Lars, b. 1922 | |||||||||||||
| BOX 16 | Mus. ms. Repro. A. Annot. S.: Elegi, 23 Aug. 1971, to Alan Stout. 30p. Blueprint score | ||||||||||||
| Eeden, Jan van den, 1842-1917 | |||||||||||||
| BOX 16 | A. Mus. ms. S.: Rhéna, 1912. 1p., 29x22cm. Fragment from introduction to Act III, with poem | ||||||||||||
| BOX 110 | Port. Phot. Repro. (Box 110) | ||||||||||||
| Ehlert, Louis, 1825-1884 | |||||||||||||
| BOX 16 | A. Card S.: [Vienna], 27 Nov. 1p., German | ||||||||||||
| Ehrlich, Heinrich, 1822-1899 | |||||||||||||
| BOX 16 | A. L. S.: n.p., n.d. 3p., German | ||||||||||||
| Einem, Gottfried von, 1918-1996 | |||||||||||||
| BOX 16 | A. Mus. ms. S.: [Prinzessin] Turandot, op. 1, Finale, 1944. 2p., 34x27cm., ink, pencil. Sketch. Only portion to have survived the burning of Berlin | ||||||||||||
| BOX 16 | A. L. S.: Vienna, 19 Dec. 1958. 3p., German. Christmas greetings | ||||||||||||
| BOX 16 | A. L. S.: Vienna, 8 Oct. 1969. 2p., German | ||||||||||||
| BOX 16 | A. L. S.: to Alma Mahler. n.p., n.d. 2p., English, German. Christmas greetings | ||||||||||||
| BOX 16 | A. Doc. S.: Synopsis. For the Los Angeles premiere of Hexameron. 1p., German | ||||||||||||
| Einstein, Alfred, 1880-1952 | |||||||||||||
| Related Collection Materials See: Mozart, Wolfgang Amadeus | |||||||||||||
| Eisikovits, Max, b. 1908 | |||||||||||||
| BOX 16 | Pri. Sco.: Cîntece Stinse Maramuresene, Cluj: Conservatorul de Muzica, c1969. 6p. | ||||||||||||
| BOX 16 | Pri. Sco.: Patru Schite, Cluj: Conservatorul de Muzica(breve), c1970. 13p. | ||||||||||||
| Eisler, Hanns, 1898-1962 | |||||||||||||
| BOX 16 | Mus. ms. Annot. Repro.: Divertimento für Bläserquintett, op. 4. 15p. Blueprint score | ||||||||||||
| Eisner, Bruno, 1884-1978 | |||||||||||||
| Related Collection Materials See: Orlik, Emil | |||||||||||||
| Eitner, Robert, 1832-1905 | |||||||||||||
| BOX 16 | P. card S.: to Friedrich Chrysander. Templin, 19 Apr. 1896. German | ||||||||||||
| BOX 16 | 2 P. cards S.: to Gerhard Tischer. Templin, 22 Nov. 1903, 27 Jan. 1904. German | ||||||||||||
| Elmendorff, Karl, 1891-1962 | |||||||||||||
| Related Collection Materials See: Rosbaud, Hans | |||||||||||||
| Elston, Arnold, 1907-1971 | |||||||||||||
| Related Collection Materials See: Webern, Anton | |||||||||||||
| Emborg, Jens Laurson, 1876-1957 | |||||||||||||
| BOX 16 | A. L. S.: to Rheinische Musik-und Theater-Zeitung. Vordingborg bei Kopenhagen, 14 June 1929. 1p., German | ||||||||||||
| Enescu, George, 1881-1955 | |||||||||||||
| BOX 16 | A. L. S.: to Fritz Mahler. New York, 20 Apr. 1948. 1p., German | ||||||||||||
| BOX 16 | Pri. Sco. Annot. S.: Trois rhapsodies routtaines, op. 11, Paris: Enoch, n.d., to Fritz Mahler, 1948. 89p. | ||||||||||||
| BOX 110 | Port. Phot. S.: to Boaz Piller, Boston, 1938. By Toppo (Box 110) | ||||||||||||
| Engelmann, Theodore | |||||||||||||
| BOX 16 | A. L. S.: to A. W. Gottschalg. Leipzig, 7 May 1862. 1p., German. Penned on stationery of Wilhelm Engelmann | ||||||||||||
| Epstein, Julius, 1832-1926 | |||||||||||||
| BOX 16 | A. L. S.: to Karl Weigl. Vienna, 28 Jan. 1911. 2p., German | ||||||||||||
| BOX 16 | Call. c. Annot.: Baden, 2 Sept. 1919. 2p., German | ||||||||||||
| Erbse, Heimo, b. 1924 | |||||||||||||
| BOX 104 | A. Mus. ms.: Klavierkonzert, op. 21, 1964. 142p., various sizes. Sketches in reduced score. Includes sketches for Drei Lieder von Texten nach Celan | ||||||||||||
| BOX 104 | A. Mus. ms.: Mörike-Lieder, op. 17, Nos. 1, 2. 22p., 34x27cm. Sketches | ||||||||||||
| BOX 104 | A. Mus. ms.: Ruth, op. 16. 67p., 33x24cm. Sketches of piano score | ||||||||||||
| BOX 104 | P. card S.: to Hans Moldenhauer. Wilder Kaiser, Tyrol, 20 Sept. 1960. German | ||||||||||||
| BOX 104 | 4 T. L. S.: Taxenbach, Jan.-Oct. 1960. 4p., German | ||||||||||||
| BOX 104 | Mus. ms. Repro.: Julietta, Act IV. 1p. Facsimile photograph from the full score | ||||||||||||
| BOX 104 | Doc.: Two Articles. "Über das Schaffen von Heimo Erbse," by Karl Heinz Füssl; "Julietta...," by Rudolf Lück, in Musik Nachrichten 1, Frankfurt: Peters, n.d. 16p., German | ||||||||||||
| Erdmann, Eduard, 1896-1958 | |||||||||||||
| BOX 16 | A. L. S.: to Bruno Eisner. Langballigau, 19 June 1932. 2p., German | ||||||||||||
| Ernst, Heinrich Wilhelm, 1814-1865 | |||||||||||||
| BOX 16 | A. L. S.: to Chorley. n.p., n.d. 1p., French | ||||||||||||
| BOX 16 | A. L. S.: n.p., 11 Apr. 2p., French | ||||||||||||
| BOX 16 | A. Mus. Quot. S.: Hamburg, 18 June 1843, inscribed. German | ||||||||||||
| BOX 16 | A. Mus. Quot. S.: London, 24 July 1843 | ||||||||||||
| Eröd, Iván, b. 1936 | |||||||||||||
| BOX 16 | A. Mus. ms.: Die Seidenraupen. 4p., 34x27cm. Sketches in condensed score | ||||||||||||
| Escudier, Marie-Pierre-Yves, 1819-1880 | |||||||||||||
| BOX 16 | A. L. S.: Paris, 3 Feb. 1861. 2p., French | ||||||||||||
| Espagne, Franz, 1828-1878 | |||||||||||||
| BOX 16 | A. L. S.: [to Selmar Bagge?]. Berlin, 12 Nov. 1863. 3p., German | ||||||||||||
| Esplá, Oscar, 1886-1976 | |||||||||||||
| BOX 16 | A. Mus. ms. S.: Evocaciones. Cantos de Vendimia, [op. 16], No. III, Madrid. 18p., 36x26. With fingerings by Ricardo Viñes | ||||||||||||
| Essipoff, Anna, 1851-1914 | |||||||||||||
| BOX 110 | A. Alb. l. S.: to Papbram. Vienna, 2 Jan. 1874. Mounted with portrait photograph | ||||||||||||
| Fahrbach, Joseph, 1804-1883 | |||||||||||||
| Related Collection Materials See: Parish Alvars, Elias | |||||||||||||
| Falke, Gustav, 1853-1916 | |||||||||||||
| BOX 117 | A. L. S.: Hamburg, 1 Feb. 1902. 2p., German | ||||||||||||
| Falla, Manuel de, 1876-1946 | |||||||||||||
| BOX 17 | A. Mus. ms.: [Concerto for Harpsichord or Piano, Flute, Oboe, Clarinet, Violin, and Cello, 1923-1926]. 1 leaf, 35x27cm., pencil. Preliminary draft of p.3, containing alternate versions, and 11 measures incorporated in the printed edition of the full score. Formal presentation from the Archdiocese of Granada to Hans Moldenhauer, in Latin. With accompanying document concerning the manuscript. On verso, authentication tracing the manuscript to composer's secretary and friend, Valentín Ruiz Aznar | ||||||||||||
| Digital image available | |||||||||||||
| BOX 17 | A. L. S.: to Ricardo Viñes. Paris, 13 Oct. 1907. 2p., Spanish | ||||||||||||
| BOX 17 | A. L. S.: to Calvocoressi. Paris, 16 Apr. 1908. 1p., French | ||||||||||||
| BOX 17 | A. Mus. Quot. S.: El retablo, Lento. 2m. thematic quotation | ||||||||||||
| BOX 17 | Mus. ms. cop. A. Rev.[?]: El corregidor y la molinera. 8p. Arranged for piano solo. Probably copyist's manuscript, possibly revised by Falla | ||||||||||||
| BOX 111 | Port. Phot. S.: to Boaz Piller, Granada, 1929. By Eschig (Box 111) | ||||||||||||
| Fauré, Gabriel, 1845-1924 | |||||||||||||
| BOX 17 | A. Mus. ms. S.: Arpège, op. 76, No. 2, 6 Sept. 1897. 6p., 34x27cm., French, ink. Song with piano accompaniment, text by Albert Samain. Full score | ||||||||||||
| Digital image available | |||||||||||||
| BOX 17 | A. L. S.: [to Loeffler?]. Paris, 26 Apr. 1922. 1p., French. Regarding new works, health | ||||||||||||
| BOX 17 | A. L. S.: to a conductor. Rue des Vignes, 7 Mar. 1923. 1p., French. Regarding doubling the role of Penelope | ||||||||||||
| Feinhals, Fritz, 1869-1940 | |||||||||||||
| BOX 17 | A. L. S.: Munich, 29 Mar. 1906. 2p., German | ||||||||||||
| Fernandes, Armando José, 1906-1983 | |||||||||||||
| BOX 17 | A. Mus. ms. S.: Fandango, for piano solo, 1937. 7p., 29x21cm. | ||||||||||||
| BOX 17 | A. Mus. ms. S.: Homenagem a Fauré; (Nocturno), for piano solo, 1938. 9p., 29x21cm. | ||||||||||||
| Ferrari, Gabrielle, 1851-1921 | |||||||||||||
| BOX 111 | Port. Phot. | ||||||||||||
| Fétis, Edouard, 1812-1909 | |||||||||||||
| BOX 17 | A. L. S.: Brussels, 29 Dec. 1881. 1p., French | ||||||||||||
| Fétis, François-Joseph, 1784-1871 | |||||||||||||
| BOX 17 | A. L. S.: to Benedict. Brussels, 30 May 1842. 1p., French | ||||||||||||
| Feuermann, Emanuel, 1902-1942 | |||||||||||||
| BOX 17 | A. L. S.: to Boaz Piller. [Cleveland?], 18 Nov. 1939. 1p., German | ||||||||||||
| BOX 111 | Port. Phot. S.: to Boaz Piller, Apr. 1940 (Box 111) | ||||||||||||
| Février, Henry, 1875-1957 | |||||||||||||
| BOX 17 | A. Mus. Quot. S.: Monna Vanna, inscribed. French | ||||||||||||
| Ficker, Ludwig von, 1880-1967 | |||||||||||||
| BOX 111 | Port. Phot. S.: to Josef Humplik and Hildegard Jone, 12 Aug. 1926 | ||||||||||||
| Fiedler, Max, 1859-1939 | |||||||||||||
| BOX 94 | A. Mus. ms. Rev. S.: Praeludium und Fuge mit Choral "Nun danket alle Gott." 42p., 33x26cm. Full score. Bound | ||||||||||||
| Fielitz, Alexander von, 1860-1930 | |||||||||||||
| BOX 17 | A. Mus. ms. S.: Vom Berge, op. 55, No. 2. 2p., 36x27cm., German, English | ||||||||||||
| BOX 17 | A. L. S.: Berlin, 31 Jan. 1909. 1p., German | ||||||||||||
| BOX 111 | Port. Phot. (Box 111) | ||||||||||||
| Finke, Fidelio Friedrich, 1891-1968 | |||||||||||||
| BOX 17 | A. Mus. ms. S.: Sonate für Bratsche und Klavier, 1952. 28p., 34x27cm. + 32x24cm. Complete sketches, with sketch on last page for large orchestra and solo | ||||||||||||
| BOX 17 | Mus. ms. cop.: Sonatine, 1945. 12p. | ||||||||||||
| BOX 17 | Pri. Sco. S.: Konzert für zwei Klaviere, Leipzig: Peters, c1959, to Hans Moldenhauer, Dresden, 21 Dec. 1959. 38p. | ||||||||||||
| Finkes, Dominik | |||||||||||||
| BOX 17 | A. Mus. ms. cop. S.: Graduale in B Dur (In Sanae), "Die Nacht der Musik," für Chor und Orchester, 1828. 27p., 29x24cm., Latin. Leopold Hauser, copyist, 25 Aug. 1892. Full score | ||||||||||||
| Fischer, Adolphe, 1847-1891 | |||||||||||||
| BOX 17 | Pri. Sco. S.: Etude, op. 25, No. 7 by Chopin, transcribed by Fischer, to Servais, Mar. 1879, Leipzig: Breitkopf & Härtel, n.d. 6p. | ||||||||||||
| Fischer, Christian Wilhelm, 1786[?]-1859 | |||||||||||||
| BOX 17 | 6 A. L. S.: to Remie. Berlin, Magdeburg, Leipzig, Apr.-June, 1829. 25p., German | ||||||||||||
| Flesch, Carl, 1873-1944 | |||||||||||||
| BOX 17 | T. L. S.: [to Bruno Eisner]. Berlin-Wilmersdorf, 19 Dec. 1916. 2p., German | ||||||||||||
| BOX 17 | T. L. S.: to a lady. n.p., 24 Nov. 1920. 2p., German | ||||||||||||
| BOX 17 | T. L. S.: to Bruno [Eisner]. Baden-Baden, 20 June 1935. 1p., German | ||||||||||||
| Flothuis, Marius, b. 1914 | |||||||||||||
| BOX 17 | A. Mus. ms. S.: Round, for Eight Part Mixed Choir, op. 50, 3 July 1953. 9p., 34x25cm., English, ink. Based on words of Orlando Gibbons | ||||||||||||
| BOX 17 | A. Mus. ms. S.: Love and Strife, Cantata, 1947. 12p., 35x27cm., English, pencil. Sketches | ||||||||||||
| BOX 17 | A. L. S.: to Hans Moldenhauer. ?, 24 July 1956. 1p., German | ||||||||||||
| BOX 17 | T. L. S.: to Hans Moldenhauer. Amsterdam, 7 Jan. 1977. 1p., English | ||||||||||||
| BOX 111 | Port. Phot. Gr. S.: Flothuis with Rosaleen Moldenhauer (Box 111) | ||||||||||||
| Related Collection Materials See: Rosbaud, Hans | |||||||||||||
| Flotow, Friedrich, 1812-1883 | |||||||||||||
| CALL NO.: (Shelf) | A. Mus. ms. S.: Dorf-Messe, für Männerchor (Messe villageoise), Kyrie, Gloria, Laudamus te, Credo, Incarnatus, Sanctus, Agnus dei. 37p., 33x26cm., ink. Full score. Bound. According to a newspaper clipping glued to inside back cover, the mass was originally composed for men's chorus, soli, and organ. First performed by the Darmstadt men's chorus on 27 Nov. 1882 (Shelf) | ||||||||||||
| Digital image available | |||||||||||||
| BOX 17 | A. L. S.: [to a theater director in Berlin]. n.p., 4 Aug. 1859. 3p., German | ||||||||||||
| BOX 17 | A. L. S.: n.p., n.d. 4p., French | ||||||||||||
| BOX 17 | A. Mus. Quot. S.: Indra, Act II, Berlin, Apr. 1853, 1p. | ||||||||||||
| Foerster, Josef Bohuslav, 1859-1951 | |||||||||||||
| BOX 111 | Port. Phot. S.: by Schiestl & Wolf | ||||||||||||
| Formes, Karl Johann, 1816-1889 | |||||||||||||
| BOX 17 | A. L. S.: London, 24 Jan. 1861. 2p., German | ||||||||||||
| Formes, Theodor, 1826-1875 | |||||||||||||
| BOX 17 | 11 A. L. S.: to Bartolf Senff. Berlin, London, Magdeburg, 1853-1869. 29p., German | ||||||||||||
| Förster, Sophie, 1831-1899 | |||||||||||||
| BOX 17 | A. L. S.: to Müller. Dresden, 10 Oct. 1861. 2p., German | ||||||||||||
| BOX 17 | A. L. S.: to [Julius] Schloss. Dresden, 8 May 1862. 1p., German | ||||||||||||
| Forti, Anton, 1790-1859 | |||||||||||||
| BOX 17 | A. L. S.: to Remie at the Royal Court Opera, Dresden. Vienna, 20 Mar. 1829. 2p., German | ||||||||||||
| Fortner, Wolfgang, 1907-1987 | |||||||||||||
| BOX 17 | A. Mus. ms. S.: Streichtrio, Andante con moto, [1952]. 2p., 31x27cm., ink. First draft | ||||||||||||
| BOX 17 | T. L. S.: to Hans Moldenhauer. Heidelberg, 16 Jan. 1956. 1p., German | ||||||||||||
| Foss, Lukas, b. 1922 | |||||||||||||
| Related Collection Materials See: Brisman, Heskel | |||||||||||||
| Fradkin, Fredric, 1892-1963 | |||||||||||||
| Related Collection Materials See: Rabaud, Henri | |||||||||||||
| Fraenkel, Wolfgang, 1897-1983 | |||||||||||||
| BOX 94 | A. Mus. ms. S.: Streich-Quintett, 1975-1976. 22p., 31x24cm. | ||||||||||||
| BOX 94 | A. Mus. ms.: Streich-Quintett, 1975-1976. 10p., 28x21cm. | ||||||||||||
| BOX 94 | T. Doc. A. Rev.: Bermerkungen. 2p. 2 copies | ||||||||||||
| BOX 94 | 2 Prog.: 14 Apr. 1978, 24 Feb. 1987. 7p., English. Signed by performers | ||||||||||||
| Francescatti, Zino, 1902-1991 | |||||||||||||
| BOX 111 | Port. Phot. S.: to Boaz Piller, 1944 | ||||||||||||
| Franck, César, 1822-1890 | |||||||||||||
| BOX 17 | A. Mus. ms. S.: Paris, patriotic ode, for tenor and orchestra. 28p., 35x27cm., ink. Full score | ||||||||||||
| Digital image available | |||||||||||||
| CALL NO.: (Shelf) | A. Mus. ms. S.: Prélude, choral et fugue, for piano solo, to Marie Poitevin. 21p., 35x27cm. Bound in white vellum. The original manuscript used for the first performance by Marie Poitevin. With reproduction of same (Shelf) | ||||||||||||
| Digital image available | |||||||||||||
| BOX 17 | A. L. S.: ?, 1884. 1p., French | ||||||||||||
| BOX 17 | A. L. S.: n.p., n.d. 1p., French | ||||||||||||
| BOX 111 | Port. Paint. Repro. (Box 111) | ||||||||||||
| Related Collection Materials See: Dron, Marthe Nancy | |||||||||||||
| Related Collection Materials See: Duparc, Henri | |||||||||||||
| Franco, Johan, 1908-1988 | |||||||||||||
| Related Collection Materials See: Lier, Bertus van | |||||||||||||
| Franz, Robert, 1815-1892 | |||||||||||||
| BOX 18 | A. Mus. ms.: für Einen, op. 1, No. 8. 4p. (pp.5-8), 24x33cm. | ||||||||||||
| BOX 18 | 3 A. L. S.: Halle, 24 Jan. 1859, 18 May 1881, 7 Nov. 1885. 6p., German | ||||||||||||
| BOX 18 | A. L. S.: to Schäfler. Halle, 7 Mar. 1869. 3p., German | ||||||||||||
| BOX 18 | 4 A. L. S.: [to Carl Reinecke?]. Halle, 26 Sept., 14, 25, 30 Nov. 1884. 15p., German. With musical notation | ||||||||||||
| BOX 18 | A. L. S.: to Carl Reinecke. Halle, 16 Dec. 3p., German | ||||||||||||
| BOX 18 | A. L. S.: to Meier. n.p., n.d. 1p., German | ||||||||||||
| BOX 18 | A. Doc.: Musical notation. Annotations concerning Mozart's music. 4p., German | ||||||||||||
| BOX 18 | A. Mus. Quot. S.: Halle, 14 Sept. 1885, inscribed | ||||||||||||
| Frege, Livia, 1818-1891 | |||||||||||||
| BOX 18 | 2 A. L. S.: to Molli[?]. Leipzig, 11 Dec. 1833, ? Apr. 6p., German | ||||||||||||
| BOX 18 | A. Card: to Molli Zölzel[?]. Vienna, 13 May 1874. German | ||||||||||||
| Friedberg, Carl, 1872-1955 | |||||||||||||
| BOX 18 | 3 A. L. S.: to Bruno Eisner. Blue Hill, Maine, 5 Aug. 1940; New York, 17 Mar., 22 Apr. 1945. 8p., German | ||||||||||||
| Friedheim, Arthur, 1859-1932 | |||||||||||||
| BOX 18 | A. L. S.: Leipzig, 14 Apr. 1884. 2p., German | ||||||||||||
| Friedlaender, Max, 1852-1934 | |||||||||||||
| BOX 18 | A. L. S.: Misdroy[?], 25 Aug. 1898. 3p., German | ||||||||||||
| BOX 18 | P. card S.: to Eugen Lindner. Berlin, 21 May 1904. 1p., German. About Brahms | ||||||||||||
| BOX 18 | P. card S.: to Gusti Tick. Bad Reichenhall, 28 Aug. 1910[?]. German | ||||||||||||
| BOX 18 | T. L. S.: to Karl Weigl. Berlin, 14 Oct. 1912. 2p., German | ||||||||||||
| BOX 18 | P. card S.: to Robert F. Arnold. Meran, ?. German | ||||||||||||
| BOX 18 | Obit.: German | ||||||||||||
| BOX 18 | T. Doc. S.: Attestation. For Olga Eisner as singer and teacher. Berlin, 1 May 1933. 1p., German | ||||||||||||
| BOX 18 | T. Doc.: Biography with portrait photograph reproduced. German | ||||||||||||
| BOX 111 | Port. Phot. S.: to Olga Eisner. By Scherl (Box 111) | ||||||||||||
| Fritzsch, Ernst Wilhelm, 1840-1902 | |||||||||||||
| BOX 18 | A. L. S.: to A. W. Gottschalg. Leipzig, 29 Nov. 1885. 1p., German. Regarding a Liszt manuscript | ||||||||||||
| Fugère, Lucien, 1848-1935 | |||||||||||||
| BOX 18 | A. L. S.: n.p., 1893. 1p., French | ||||||||||||
| BOX 111 | Port. Phot.: Paris, [1884]. Fugère in Joli Gilles. By Chalot (Box 111) | ||||||||||||
| BOX 111 | Port. Phot.: Paris, [1884]. Fugère with Mme. Molé-Truffier in Joli Gilles. By Chalot (Box 111) | ||||||||||||
| Führer, Robert, 1807-1861 | |||||||||||||
| BOX 18 | Mus. ms. cop.: Vier Trauergesänge für vier Singstimmen. 32p., 26x33cm. | ||||||||||||
| Fuleihan, Anis, 1900-1970 | |||||||||||||
| BOX 111 | Port. Phot. S.: to Hans Rosbaud, Frankfurt, 1932. By Sudak | ||||||||||||
| Fürstner, Adolph, 1833-1908 | |||||||||||||
| BOX 18 | A. L. S.: to A. W. Gottschalg. Berlin, 8 Feb. 1871. 2p., German. Mentions Liszt manuscripts, Schubert, Weber | ||||||||||||
| Furtwängler, Wilhelm, 1886-1954 | |||||||||||||
| BOX 18 | A. L. S.: to Bekker. Frankfurt, 17 May 1921. 1p., German | ||||||||||||
| BOX 18 | A. L. S.: to Tischer. Leipzig, 15 Mar. 1925. 2p., German | ||||||||||||
| BOX 18 | T. L. S.: to Tischer. St. Moritz, 14 Sept. 1926. 1p., German | ||||||||||||
| BOX 18 | A. L. S.: to Karl Weigl. Leipzig, 3 Feb. 1927. 1p., German | ||||||||||||
| BOX 18 | T. L. S.: to Karl Weigl. Berlin, 27 May 1931. 1p., German | ||||||||||||
| BOX 18 | T. L. S.: to Zemlinsky. Berlin, 16 Jan. 1934, 1p., German. With sketches on verso | ||||||||||||
| BOX 18 | T. L. S.: to Bruno Eisner. Vienna, 8 Jan. 1936. 1p., German | ||||||||||||
| Related Collection Materials See: Orlik, Emil | |||||||||||||
| Füssl, Karl Heinz, 1924-1992 | |||||||||||||
| BOX 18 | A. Mus. ms. S.: Celestina, Oct. 1975, to the Moldenhauer Archives. 44p. + 13p. (sketches), 21x27cm. | ||||||||||||
| BOX 18 | A. Mus. ms. S.: Dybuk, Act II. 2p., 32x25cm. | ||||||||||||
| BOX 18 | A. Mus. ms. S.: Dybuk, Act III, to Stravinsky for his 80th birthday. 4p., 32x25cm. | ||||||||||||
| BOX 18 | A. Mus. ms. S.: [Choral composition written for Hans Erich Apostel's 70th birthday], 1971. 1p., 21x27cm. | ||||||||||||
| BOX 18 | A. L. S.: to Hans Moldenhauer. Vienna, 11 May 1976. 1p., German | ||||||||||||
| BOX 18 | T. Doc. A. Rev.: Program notes and chart of tone rows for Dybuk. 6p., German | ||||||||||||
| BOX 18 | T. Doc. A. Rev.: Typed synopsis of the three acts of the opera, Dybuk. 2p., German | ||||||||||||
| BOX 18 | T. Doc. A. Rev. S.: Work list. 2p. | ||||||||||||
| BOX 18 | 2 T. Lib. A. Rev. S.: Dybuk, Act III. 21p., German | ||||||||||||
| BOX 18 | Mus. ms. Repro. S.: Dialogue in Praise of the Owl and the Cuckoo, 1948, revised 1966, to the Moldenhauer Archives, Oct. 1975. 33p. | ||||||||||||
| BOX 18 | Mus. ms. Repro. A. Rev.: Le Rhinocéros, 1966. 55p. Also three copies of the text (English, German, French), and 1p. accompanying document | ||||||||||||
| BOX 18 | Pri. Sco. S.: Epitaph und Antistrophe, Vienna: Universal, c1965, to the Moldenhauer Archives, 1975. 29p. | ||||||||||||
| BOX 18 | Pri. Sco. S.: Refrains für Klavier und Orchester, Vienna: Universal, c1972, to the Moldenhauer Archives, Oct. 1975. 55p. | ||||||||||||
| BOX 18 | Pri. Lib. A. Rev. S.: Dybuk, Vienna: Universal, c1968, 26 Sept. 1970. 48p., German | ||||||||||||
| BOX 18 | Pri. Lib. A. Rev. S.: Dybuk. 23p., German | ||||||||||||
| BOX 18 | Pri. Lib. S.: Dybuk, Vienna: Universal, c1968. 48p., German | ||||||||||||
| BOX 18 | 2 Docs. S.: Brochure. Dybuk, to the Moldenhauer Archives. 6p. each | ||||||||||||
| BOX 18 | Prog. S.: Celestina, to the Moldenhauer Archives. With two additional copies | ||||||||||||
| BOX 18 | 2 Docs. Repro. S.: Articles on Füssl. 2p. | ||||||||||||
| Related Collection Materials See: Erbse, Heimo | |||||||||||||
| Gabrieli, Giovanni, ca. 1553/6-1612 | |||||||||||||
| BOX 19 | A. Doc. S.: Entry in a guest book. 16 Nov. 1596. 1p., 16x10cm. Gives full signature, title, date, and autograph of Henricus Julius, Duke of Brunswick, 1595 (Box 19) | ||||||||||||
| Gade, Niels, 1817-1890 | |||||||||||||
| BOX 19 | A. L. S.: to Reinecke. Copenhagen, 16 Jan. 1875. 3p., Danish | ||||||||||||
| Gál, Hans, 1890-1987 | |||||||||||||
| BOX 19 | A. Mus. ms. S.: Three Preludes for Pianoforte, op. 65. 14p., 24x30cm. | ||||||||||||
| Galimir, Felix, b. 1910 | |||||||||||||
| Related Collection Materials See: Apostel, Hans Erich | |||||||||||||
| Gänsbacher, Johann, 1778-1844 | |||||||||||||
| BOX 19 | A. Mus. ms. S.: Serenade, Innsbruck, 8 Mar. 1823. 8p., 22x32cm. | ||||||||||||
| Ganz, Wilhelm, 1833-1914 | |||||||||||||
| BOX 19 | A. Card S.: to Munday. [London], 9 Mar. 1888. 2p., English | ||||||||||||
| BOX 19 | A. L. S.: to Routlege. [London], 18 May 1898. 4p., English. With musical illustration. Regarding Enrico Tamberlik | ||||||||||||
| García, Manuel, 1805-1906 | |||||||||||||
| BOX 19 | A. L. S.: Manchester Square, 25 Mar. 1871. 2p., French | ||||||||||||
| BOX 19 | A. L. S.: n.p., n.d. 1p., Italian | ||||||||||||
| BOX 19 | Clip.: 18 Mar. 1905. 2p., English | ||||||||||||
| Gardoni, Italo, 1821-1882 | |||||||||||||
| BOX 19 | A. L. S.: n.p., n.d. 1p., French | ||||||||||||
| BOX 111 | Port. Phot. S.: 28 July 1861. By Caldesi (Box 111) | ||||||||||||
| Gastinel, Léon-Gustave-Cyprien, 1823-1906 | |||||||||||||
| BOX 19 | A. Mus. Quot. S.: Le Miroir, Andante, to Achille Vogue[?], 23 June 1884. 1p., French. Part of an autograph letter signed, mailed from Antony, Seine | ||||||||||||
| Gebhard, Hans, 1882-1947 | |||||||||||||
| BOX 19 | A. Mus. ms. S.: 5 Christian-Wagner Lieder I, 1924. 12p., 34x27cm. | ||||||||||||
| BOX 19 | A. Mus. ms. S.: Christian-Wagner Lieder II, 1925. 9p., 34x27cm. | ||||||||||||
| Geiringer, Karl, 1899-1989 | |||||||||||||
| Related Collection Materials See: Haydn, Joseph | |||||||||||||
| Gérardy, Jean, 1877-1929 | |||||||||||||
| BOX 19 | A. Mus. Quot. S.: Cello Concerto by Saint-Saëns, 5 Mar. 1906 | ||||||||||||
| Gerber, Heinrich Nikolaus, 1702-1775 | |||||||||||||
| BOX 19 | A. Mus. ms. S.: "Freu dich sehr o meine Seele, cum 12 Variationibus di Johann Pachelbel," Apr. 1716. 14p., 32x19cm., ink. Complete score. This work is one in a series published in 1683. A copy of this publication has not been located, although a number of pieces contained therein are extant in manuscript form | ||||||||||||
| Digital image available | |||||||||||||
| Gerhard, Roberto, 1896-1970 | |||||||||||||
| BOX 94 | A. Mus. ms.: Concerto for Orchestra. 1p. (p.85), 47x32cm., ink | ||||||||||||
| BOX 94 | 31 L. S.: to Adolph Weiss. 1927-1956. 71p., German. Many letters signed jointly by Gerhard's wife, Poldi. Some postscripts by Kolisch, Wladimir Vogel. Details Schoenberg circle at Berlin. Includes autograph letters, typed letters, and postcards | ||||||||||||
| BOX 94 | T. Doc.: Lecture. "On Webern." 4p., English. With autograph title | ||||||||||||
| BOX 94 | L. Repro.: to Poldi Gerhard, from Dr. H. A. Fleming, Cambridge, 5 Jan. 1970. 1p., English | ||||||||||||
| BOX 94 | 2 Pri. Sco.: Libra; Leo, London: Oxford University Press, c1970, to Hans and Rosaleen Moldenhauer. 122p. + 115p. Inscribed by Poldi Gerhard | ||||||||||||
| BOX 94 | 4 Pri. Sco.: opera 20, 22, 27, 28, by Webern. With analyses by Gerhard | ||||||||||||
| BOX 94 | 3 Clip.: Reviews. 1966, 1973 | ||||||||||||
| BOX 94 | Bk.: The Complete Instrumental and Chamber Music of Arnold Schoenberg and Roberto Gerhard, London: Sinfonietta Production, 1973, to Hans and Rosaleen Moldenhauer. 180p., English. Inscribed by Poldi Gerhard | ||||||||||||
| Gericke, Wilhelm, 1845-1925 | |||||||||||||
| BOX 19 | A. Card S.: Vienna, 1 Feb. 1p., German | ||||||||||||
| BOX 111 | A. Mus. Quot. S.: Allegretto, Boston, 27 Oct. 1899. On Gericke's letterhead as conductor, Boston Symphony Orchestra. Mounted with portrait photograph below (Box 111) | ||||||||||||
| BOX 111 | Port. Phot.: Mounted with musical quotation above. By Chickering (Box 111) | ||||||||||||
| Gernsheim, Friedrich, 1839-1916 | |||||||||||||
| BOX 19 | P. card S.: to Chrysander. Berlin, 12 Apr. 1900. German | ||||||||||||
| BOX 19 | A. L. S.: ?, 2 Feb. 1909. 2p., German | ||||||||||||
| BOX 19 | Call. c. Annot.: Berlin, 24 Feb. 1898. German | ||||||||||||
| Gernsheim, Willi, b. 1899 | |||||||||||||
| BOX 19 | A. Mus. ms. S.: Maikäferlied, Mannheim, 12 Feb. 1927. 3p., 34x27cm. | ||||||||||||
| Gershwin, George, 1898-1937 | |||||||||||||
| BOX 95 | A. Mus. ms. S.: [Jascha, Mischa, Sascha, Toscha], Boston, 31 Dec. 1929. 1p., 21x25cm., ink. Four-part song written for a party at the home of Koussevitzky. Unpublished | ||||||||||||
| BOX 95 | A. Mus. ms.: [Porgy and Bess]. 1p., 33x26cm., pencil. Sketches in condensed score, including text, marked "Robbins, Page 3" | ||||||||||||
| Digital image available | |||||||||||||
| BOX 95 | Doc.: Text. " Jascha, Mischa, Sascha, Toscha." Text by Ira Gershwin, to music by George Gershwin, written out by Nicolas Slonimsky. 1p., English, 23x15cm. | ||||||||||||
| BOX 95 | A. L. S.: to Boaz Piller. New York, 3 Feb. 1930. 1p., English | ||||||||||||
| BOX 95 | L.: to Hans Moldenhauer, from Boaz Piller. Brookline, Massachusetts, 25 May. 1p., English. Regarding "Jascha..." | ||||||||||||
| BOX 95 | 2 Sig. | ||||||||||||
| Related Collection Materials See: Ravel, Maurice | |||||||||||||
| Gervinus, Georg Gottfried, 1805-1871 | |||||||||||||
| BOX 19 | A. L. S.: to Selmar Bagge. Heidelberg, 18 Oct. 1863. 3p., German | ||||||||||||
| Geselschap, Marie, b. 1874 | |||||||||||||
| BOX 19 | Doc. S.: Publicity brochure. Weimar, Aug. 1900, inscribed. 11p., German and English | ||||||||||||
| Gevaert, François-Auguste, 1828-1908 | |||||||||||||
| BOX 19 | A. L. S.: to Duvernoy. n.p., 6 Sept. 1859. 1p., French | ||||||||||||
| BOX 19 | A. L. S.: to Gustave. Paris, n.d. 3p., French. On musical life in Paris | ||||||||||||
| BOX 19 | A. L. S.: Paris, 8 Mar. 1864. 1p., French | ||||||||||||
| Ghircoiaşiu, Romeo, b. 1919 | |||||||||||||
| BOX 19 | Pri. Sco.: Rondo, Cluj: Conservatorul de Muzica(breve), to Hans Moldenhauer, c1970. 5p. | ||||||||||||
| Giardini, Felice, 1716-1796 | |||||||||||||
| BOX 19 | A.[?] Mus. ms. S.: Chorus's to the Stabat Mater, "O quam tristis," "Fac ut ardeat cor meum," "Amen." Arranged for solo voices, chorus, and instruments. 36p. + 16p. (parts), 24x30cm. | ||||||||||||
| Gibert, Vicente María de, 1879-1939 | |||||||||||||
| BOX 19 | A. Mus. ms. S.: Tres cants extrets del cicle, "De la primera jornada." 18p., 31x21cm. | ||||||||||||
| Giehne, Heinrich | |||||||||||||
| BOX 19 | 2 A. L. S.: [to Selmar Bagge?]. Karlsruhe, Nov. 1860, 5 Aug. 1862. 10p., German | ||||||||||||
| Gieseking, Walter, 1895-1956 | |||||||||||||
| BOX 19 | A. L. S.: to Marion Bauer. n.p., n.d. 1p., French | ||||||||||||
| BOX 111 | Port. Phot. S.: to Boaz Piller, Boston, 4 Mar. 1928. By Lucas-Kanarian (Box 111) | ||||||||||||
| Gigli, Beniamino, 1890-1957 | |||||||||||||
| BOX 19 | T. L. S.: to Ramón Palacio. New York, 1 Dec. 1928. 1p., Italian | ||||||||||||
| Gil, José, 1886-1947 | |||||||||||||
| BOX 19 | A. Mus. ms. S.: Valse, para piano, to Ricardo Viñes. 4p., 37x27cm. | ||||||||||||
| Gilson, Paul, 1865-1942 | |||||||||||||
| BOX 19 | P. card: Brussels, Coventry, 1910[?]. French | ||||||||||||
| Gimpel, Jakob, 1906-1989 | |||||||||||||
| Related Collection Materials See: Apostel, Hans Erich | |||||||||||||
| Giordano, Umberto, 1867-1948 | |||||||||||||
| BOX 19 | A. Mus. ms. S.: Esercizii, 15 July 1917. 1p., 33x27cm., pencil | ||||||||||||
| Giuglini, Antonio, 1827-1865 | |||||||||||||
| BOX 19 | 3 Sig. | ||||||||||||
| BOX 111 | Port. Phot. (Box 111) | ||||||||||||
| Giuliani, Michel, 1801-1867 | |||||||||||||
| BOX 19 | A. L. S.: to Diabelli. Florence, 29 Jan. 1825. 3p., German | ||||||||||||
| Glazunov, Alexander Konstantinovich, 1865-1936 | |||||||||||||
| BOX 20 | A. L. S.: to Taneyev. 8 Sept. 1915. 1p., Russian | ||||||||||||
| BOX 20 | A. Mus. ms. Quot. S.: Concerto pour Violon, Boston, Jan. 1930 | ||||||||||||
| Glinka, Mikhail Ivanovich, 1804-1857 | |||||||||||||
| BOX 20 | A. L. S.: to a publisher. Varese, 30 Oct. 1p., French | ||||||||||||
| Globokar, Vinko, b. 1934 | |||||||||||||
| BOX 20 | 2 A. L. S.: to Aurelio de la Vega. Paris, 31 Aug., 31 Dec. 1979. 2p., English | ||||||||||||
| Gluck, Alexander Johannes, 1683-1743 | |||||||||||||
| BOX 20 | A. Doc. S.: Chemnitz, 31 July 1723. 1p., German. Regarding a supply of wood | ||||||||||||
| Gluck, Christoph Willibald, 1714-1787 | |||||||||||||
| CALL NO.: (Shelf) | A. Mus. ms.: [Le feste d'Apollo, Act II, Aristeo], Primo coro nel Aristeo che ancora si balla. The opera was performed at Parma in 1769 for the wedding of the Infante Don Ferdinando to Maria Amalia. 7p., 22x30cm., ink. Full score of the first chorus. Text by C. I. Frugoni. The leaves bear Gluck's original pagination, 27-30. After the manuscript was broken up, this section was repaginated 1-8. Inscribed with provenance and text by Felix von Bamberg to whom Aloys Fuchs transferred the manuscript on 27 May 1842 at Vienna (Shelf) | ||||||||||||
| BOX 20 | Mus. ms. Repro.: Alceste. 1p. Facsimile. Previously framed with portrait engraving below | ||||||||||||
| BOX 111 | Port. Engr. (Box 111) | ||||||||||||
| Related Collection Materials See: Berlioz, Hector | |||||||||||||
| Related Collection Materials See: Walter, Bruno | |||||||||||||
| Godard, Benjamin, 1849-1895 | |||||||||||||
| BOX 20 | A. L. S.: to his editor. Cannes, 12 Oct. 1894. 1p., French | ||||||||||||
| BOX 111 | Port. Engr.: by Kiss (Box 111) | ||||||||||||
| Godefroid, Félix, 1818-1897 | |||||||||||||
| BOX 20 | Pri. Sco. S.: La Fille de Saul, Air de Saul, to Madame Lafleur, Durdilly, Paris. 10p., French | ||||||||||||
| Godowsky, Leopold, 1870-1938 | |||||||||||||
| BOX 95 | A. Mus. ms. S.: Two Cadenzas to Mozart's Concerto in E-flat for Two Pianos, K. 365, Carl Fischer, Los Angeles, Sept. 1920. 7p., 33x26cm. | ||||||||||||
| BOX 95 | P. card S.: to B. Neuer. Tampa, Florida, 14 Mar. 1916. English | ||||||||||||
| BOX 95 | Pri. Sco. S.: Fréderic Chopin: Selected Studies for Pianoforte, Arranged for Left Hand by Leopold Godowsky, op. 10, No. 1, G. Schirmer, 1899, to Florence Ziegfeld, Chicago, 2 June 1900. 7p. | ||||||||||||
| Goehr, Rudolph, 1906-1981 | |||||||||||||
| BOX 20 | Mus. ms. Repro. S.: Chatteries, 1957. 22p. Blueprint score | ||||||||||||
| BOX 20 | Mus. ms. Repro. S.: Concerto cancrizante. 12p. Blueprint score | ||||||||||||
| BOX 20 | Pri. Sco. S.: Concerto cancrizante, New York: Rongwen Music, c1956. 25p. (parts) | ||||||||||||
| Goepfart, Karl Eduard, 1859-1942 | |||||||||||||
| Related Collection Materials See: Lindner, Eugen | |||||||||||||
| Goldmark, Karl, 1830-1915 | |||||||||||||
| BOX 20 | A. Mus. ms.: [Die Königin von Saba]. 4p., 33x25cm. Fragment from the full score, containing the "Chor der Jungfrauen" | ||||||||||||
| BOX 20 | 3 A. L. S.: Gmunden, 17 June 1887[?], 22 Aug. 1899, 4 June 1900. 9p., German | ||||||||||||
| BOX 20 | A. L. S.: to Schittenhelm. Gmunden, 25 May 1900. 3p., German. On page three, sixteen singers have signed their names certifying that they have read the letter | ||||||||||||
| BOX 20 | A. L. S.: to Frau von Müller. Vienna, 23 May 1912[?]. 2p., German | ||||||||||||
| BOX 20 | Call. c. S.: Gmunden, 10 Sept. 1901. German | ||||||||||||
| BOX 20 | A. Mus. Quot. S.: see portrait photograph below | ||||||||||||
| BOX 111 | Port. Phot. S.: May 1898. On verso, accompanying autograph musical quotation. By Löwy (Box 111) | ||||||||||||
| BOX 111 | Port. Phot. S.: to Francis Young (Box 111) | ||||||||||||
| BOX 111 | Port. Gr. S. (Box 111) | ||||||||||||
| Goldschmidt, Otto, 1829-1907 | |||||||||||||
| BOX 20 | A. L. S.: to Lockey. London, 25 Nov. 1859. 4p., English | ||||||||||||
| BOX 20 | A. L. S.: to Mrs. Wright. London, 23 May 1871. 1p., English. On verso is pasted a newspaper obituary of Goldschmidt | ||||||||||||
| BOX 20 | A. L. S.: to Sebastian Veit. London, 21 July 1871. 4p., German | ||||||||||||
| BOX 20 | A. L. S.: to Benson Rathbone. London, 22 Apr. 1873. 1p., English | ||||||||||||
| BOX 20 | A. L. S.: [1876?]. 2p., English. Fragment | ||||||||||||
| BOX 20 | A. L. S.: to [Mary] Wurm. London, 13 May 1889. 2p., English | ||||||||||||
| BOX 20 | A. L. S.: to the firm of Novello. London, 8, 13 Oct. 1903. 2p., English. Reply on verso | ||||||||||||
| BOX 111 | Port. Caric. S.: Dec. 1879. 1p., 10x8cm. Original pencil drawing portraying a violinist (Box 111) | ||||||||||||
| Golinelli, Stefano, 1818-1891 | |||||||||||||
| BOX 20 | A. L. S.: n.p., n.d. 1p., Italian | ||||||||||||
| Goretti, Antonio, ca. 1570-1649 | |||||||||||||
| BOX 20 | A. L. S.: to Marchesa Bentivoglio in Ferrara. Parma, 1629. 1p., Italian | ||||||||||||
| Digital image available | |||||||||||||
| Gorter, Albert, 1862-1936 | |||||||||||||
| BOX 20 | A. Mus. ms. S.: Frühling ohne Ende. 7p., 34x27cm. | ||||||||||||
| BOX 20 | A. Mus. ms. S.: Herbst, 26 Aug. 1908. 2p., 35x27cm. | ||||||||||||
| BOX 20 | A. Mus. ms. Rev. S.: Ich schreite gottheitstrunken. 3p., 32x25cm. | ||||||||||||
| BOX 20 | A. L. S.: to Hans Moldenhauer, from Alberta Gorter. n.p., 1 Feb. 1964, 2p., German | ||||||||||||
| BOX 20 | A. Card S.: to Hans Moldenhauer, from Alberta Gorter. n.p., n.d. 1p., German | ||||||||||||
| BOX 20 | Doc.: Brochure. "Den deutschen Männergesangvereinen," Essen: Rheinischer. 19p., German | ||||||||||||
| BOX 20 | A. Doc.: Draft of an opera libretto, Friedemann Bach. 13p. | ||||||||||||
| BOX 20 | Mus. ms. cop.: Der Gruss. 8p. | ||||||||||||
| BOX 20 | Mus. ms. cop.: Sie müssen sich's gefallen la'n. 4p. | ||||||||||||
| BOX 20 | 15 Pri. sco.: Das Glück von Edenhall; Drei heitere Lieder; Drei Gesänge; Fünf Lieder; Sie müssen sich's gefallen la'n; Stimmungsbilder, Acht Clavierstücke, op. 17, No. 6 | ||||||||||||
| Gossec, François-Joseph, 1734-1829 | |||||||||||||
| BOX 20 | A. L. S.: n.p., 11 June 1791. 1p., French | ||||||||||||
| Gottschalg, Alexander Wilhelm, 1827-1908 | |||||||||||||
| BOX 20 | 6 A. L. S.: to Bartolf Senff. Weimar, 1856-1867, n.d. 18p., German | ||||||||||||
| BOX 20 | 2 P. cards S.: to Bartolf Senff. Weimar, 1 Mar. 1898, 1 July 1905. 2p., German | ||||||||||||
| BOX 20 | Doc.: Page from a journal. Advertising new books. 1866. 1p. German | ||||||||||||
| Götze, Emil, 1856-1901 | |||||||||||||
| BOX 20 | A. Alb. l. S.: Leipzig, 1 Nov. 1890 | ||||||||||||
| Gounod, Charles, 1818-1893 | |||||||||||||
| CALL NO.: (Shelf) | A. Mus. ms. Rev.: Sapho, [1878]. 46p., French. Duet between Sapho and Glycère, with accompaniment of the orchestra. (Shelf) | ||||||||||||
| BOX 20 | A. L. S.: to Ullmann. n.p., 30 May 1882. 2p., French | ||||||||||||
| Gouvy, Louis Théodore, 1819-1898 | |||||||||||||