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The Vernon Duke Collection

Processed by the Music Division of the Library of Congress

Music Division, Library of Congress

Washington, D.C.

2007

Finding Aid encoded by Library of Congress Music Division, 2007

Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu005004

Organization of The Vernon Duke collection

APPENDIX II: Recordings (transferred to MBRS)

Title: The Vernon Duke collection
Span Dates: 1918-1968.
Call No.: ML31.D98
Creator: Duke, Vernon, 1903-1969.
Size: 52 linear ft.; 145 boxes; ca. 17,500 items
Language: Collection material in English
Repository: Music Division, Library of Congress, Washington, D.C.
Abstract: The collection is in two series, Music and Non-music. The former includes his stage, vocal, and instrumental music, sketchbooks, lyric sheets, and music not by Duke, including the holograph of Signature for the High-low concerts by Aaron Copland. The latter consists of: correspondence with, among others, George Balanchine, Martin Charnin, Peter De Vries, Howard Dietz, Dean Dixon, Neshui Ertegun, Ira Gershwin, Bernard Hermann, George Ivask, Serge, Olga, and Natalie Koussevitzky, John Latouche, Jerome Lawrence, Robert E. Lee, Lotte Lehmann, Anthony Lindsay-Hogg, Jimmy McHugh, Johnny Mercer, Ogden Nash, Gabriel Paitchadze, Roland Petit, Serge Prokofiev, Ginger Rogers, Harold Rome, Ann Ronell, Nicolas Slonimsky, Leopold Stokowski, David Turet, William Walton, and Arthur Whitelaw, as well as ASCAP, American Guild of Authors & Composers, and the puplishers Broude Bros., Carl Fischer, Frank Music Corp., Little, Brown & Co., G. Ricordi, and attorneys Weissberger & Frosch; subject files of correspondence, clippings, and other material; photographs; programs; scrapbooks; and miscellaneous material.

Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by personal names, related names, and listed alphabetically therein.

Personal Names

Balanchine, George--Correspondence.
Charnin, Martin--Correspondence.
Copland, Aaron, 1900-1990--Autographs.
De Vries, Peter, 1910-1993--Correspondence.
Dietz, Howard, 1896-1983--Correspondence.
Dixon, Dean, 1915- --Correspondence.
Duke, Vernon, 1903-1969--Autographs.
Duke, Vernon, 1903-1969--Correspondence.
Duke, Vernon, 1903-1969.
Duke, Vernon, 1903-1969.
Ertegun, Nesuhi--Correspondence.
Gershwin, Ira, 1896-1983--Correspondence.
Herrmann, Bernard, 1911-1975--Correspondence.
Ivask, I͡Uriĭ--Correspondence.
Koussevitzky, Natalie--Correspondence.
Koussevitzky, Olga--Correspondence.
Koussevitzky, Serge, 1874-1951--Correspondence.
Latouche, John, 1917-1956--Correspondence.
Lawrence, Jerome, 1915-2004--Correspondence.
Lee, Robert Edwin, 1918- --Correspondence.
Lehmann, Lotte--Correspondence.
Lindsay-Hogg, Anthony--Correspondence.
McHugh, Jimmy, 1894-1969--Correspondence.
Mercer, Johnny, 1909-1976--Correspondence.
Nash, Ogden, 1902-1971--Correspondence.
Paitchadze, Gabriel--Correspondence.
Petit, Roland, 1924- --Correspondence..
Prokofiev, Sergey, 1891-1953--Correspondence.
Rogers, Ginger, 1911-1995--Correspondence.
Rome, Harold, 1908-1993--Correspondence.
Ronell, Ann--Correspondence.
Slonimsky, Nicolas, 1894-1995--Correspondence.
Stokowski, Leopold, 1882-1977--Correspondence.
Turet, David--Correspondence.
Walton, William, 1902-1983--Correspondence.
Whitelaw, Arthur--Correspondence.

Related Names

American Guild of Authors and Composers.
American Society of Composers, Authors and Publishers.
Broude Brothers Limited.
Carl Fischer Inc.
Chappell and Co.
Copland, Aaron, 1900-1990. Signature for the High-low concerts.
Frank Music Corp.
Little, Brown and Company.
Ricordi (Firm)
Weissberger & Frosch.

Administrative Information

Provenance

Gift; Kay McCracken Dule Ingalls; 1980-1985.

Accruals

No further accruals are expected.

Processing History

The Vernon Duke Collection was processed in 1994 by Mark Eden Horowitz. The original finding aid was prepared with Corel WordPerfect 5.1. In 2005 the Vernon Duke Collection finding aid was coded for EAD format by Michael A. Ferrando.

Copyright Status

The status of copyright on the materials of The Vernon Duke collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).

Restrictions

Certain restrictions to use or copying of materials may apply.

Electronic Format

Signature for the High-low concerts / Aaron Copland

Preferred Citation

Researchers wishing to cite this collection should include the following information: container number, The Vernon Duke collection, Music Division, Library of Congress, Washington, D.C.

Introduction

The Vernon Duke Collection was deposited at the Library of Congress by Mrs. Kay McCracken Duke Ingalls--Vernon Duke's widow--and subsequently converted to gift during the years 1980 to 1985. Access to this material is not restricted. However, readers must secure prior written permission from the Vernon Duke estate, and other parties where appropriate, in order to obtain photocopies of material from this collection.

The Vernon Duke Collection does not represent or contain all works by Vernon Duke held in the Music Division's Collections, but, rather, only those items that were given to the Library by Mrs. Duke. This Guide does not identify items that are not part of the Vernon Duke Collection, but it may be of particular interest to the scholar to know that there exist seven folders of letters, speeches, and other literary materials by Vernon Duke in the Music Division's Miscellaneous Manuscripts Collection. Vernon Duke correspondence may also be found in, though not limited to, the following collections: Koussevitzky, Lopatnikoff, Schillinger/Music Division, Gershwin/Miscellaneous Manuscripts, Schwerké, Slonimsky, and Music Division Old Correspondence.

Biographical Sketch

Date	Event
1903 Oct. 10	Born Vladimir Alexandrovitch Dukelsky, Parafianove, Minsk
1916-1919	Studied composition with Reinhold Glière and Marian Dombrovsky at the Kiev Conservatory
1920	Fled the Revolution with his family, settling first in Constantinople
1921 Autumn	Sailed for New York
1924	Sailed to Paris at the behest of Artur Rubinstein
1925 Feb. 21	Katja the Dancer opens in London, two songs by Duke added to score
1925	Zephyr and Flora performed (Diaghilev Ballets Russes, Kochno-Braque-Chanel-Massine)
1926 May 22	Yvonne opens in London, half of the score by Duke
1927 April	Two Little Girls in Blue closes during pre-London tryout, one song by Duke
1927 Oct. 12	Bow-Wows opens in London, one song by Duke
1928 Feb. 8	Yellow Mask opens in London
1928 June 14	First Symphony premiered by Koussevitzky and the Boston Symphony
1929 August	Open Your Eyes closes during pre-London tryout
1930	Duke contributes songs or instrumentals to the films: Follow the Leader, Follow Thru, Heads Up, Hold Your Man, Laughter and The Sap from Syracuse
1930 June 4	Garrick Gaieties (Third Edition) opens in New York, partial score by Duke
1930 Oct. 15	Three's A Crowd opens in New York, one song by Duke
1931 July 21	Shoot the Works opens in New York, one song by Duke
1931	Epitaph premieres in Boston; July 31st, Shoot the Works opens, which included one song by Duke
1932 Oct. 5	Americana (1932) opens in New York, one song by Duke
1932 Dec. 7	Walk a Little Faster opens in New York, Duke's first complete Broadway score, which included his most famous song "April in Paris"
1933 May 31	"Composers' manifesto" published in the New York Times
1934 Jan. 4	Ziegfeld Follies of 1934 opens in New York, music mostly by Duke
1934 Dec. 27	Thumbs Up opens in New York, one song by Duke--"Autumn in New York"
1934-35	Duke studies orchestration with Joseph Schillinger
1935 March 8	Public Gardens ballet premieres in Chicago
1936 Jan. 30	Ziegfeld Follies of 1936 opens in New York, score includes "I Can't Get Started"
1936 April	Revised ballet Jardin presented at the N.Y. Metropolitan Opera House, then Covent Garden (London) in June
1936 Dec. 25	The Show Is On opens in New York, partial score by Duke
1937	Second Symphony in Paris, conducted by Albert Wolff
1937 July 11	George Gershwin dies; Duke is a pallbearer at the funeral
1937-38	Duke completes Gershwin's score for the film The Goldwyn Follies
1938 Jan. 12	The End of St. Petersburg is premiered at Carnegie Hall
1938	Duke organizes High-Low Concerts in New York
1939 March 7	Vladimir Dukelsky becomes an American citizen and takes Vernon Duke as his legal name
1939 Dec. 26	The White Plume retitled A Vagabond Hero opens and closes in Washington, D.C., during pre-Broadway tryout, partial score by Duke
1940 May 23	Keep Off the Grass opens in New York with Duke's contribution, the ballet "Raffles," choreographed by George Balanchine for Ray Bolger
1940 Oct. 25	Cabin in the Sky opens in New York, score includes "Takin' a Chance on Love"
1940	Duke writes songs for the Seymour Felix-staged Midnight Frolics, and composes "New York Nocturne," to become Charlie Barnet's theme song
1940-41	Duke contributes songs to the shows: Crazy With the Heat, Ice-Capades of 1941 and It Happens on Ice
1941 Dec. 25	Banjo Eyes opens in New York
1942 Jan. 9	The Lady Comes Across opens in New York
1942 April	Duke's mother dies.
1942	Duke contributes a song to the film White Catgo; he is drafted and enters the Coast Guard for two and one half years; composes Cello Concerto for Gregor Piatigorsky
1943 March	Cabin in the Sky (film) opens
1943 March 18	Violin Concerto premiered by Koussevitzky in Boston
1943 March 22	Dancing in the Streets opens and closes in Boston during pre-Broadway tryout
1944 Jan. 13	Jackpot opens in New York
1944 May 5	Tars and Spars opens in New York and tours the country
1944 Nov. 16	Sadie Thompson opens in New York
1946 Jan. 4	Cello Concerto premieres in Boston with Piatigorsky, conducted by Koussevitzky
1946 Oct. 10	Sweet Bye and Bye opens and closes in New Haven during its pre-Broadway tryout
1946, Nov. 18	"Ode to the Milky Way" premieres at City Center in New York, conducted by Leonard Bernstein
1946 Dec. 19	Le Bal des Blanchisseuses (Ballets des Champs Elysées, Kochmo-Stanislao Lepri-Roland Petit)
1948 Feb.	Paris Aller et Retour broadcast on French radio
1948	Harpsichord Sonata composed for Fernando Valenti; Duke founds the Society for Forgotten Music
1952 Dec. 15	Two's Company opens in New York
1955	Duke's autobiography--Passport to Paris--is published
1956 May 22	The Littlest Revue opens in New York (Off-Broadway,) score mostly by Duke
1957	Vernon Duke marries Kay McCracken
1957 Nov. 12	Time Remembered opens in New York, a play with two songs by Duke
1959 Oct. 14	The Pink Jungle opens and closes in San Francisco during its pre-Broadway tryout
1963	Listen Here!: a Critical Essay on Music Depreciation published. Zenda performed on the west coast
1963 Aug. 5	Zenda opens and closes in San Francisco during its pre-Broadway tryout
1964 Jan. 21	Cabin in the Sky revival opens in New York
1969 Jan. 16	Vernon Duke dies in Santa Monica, California

Scope and Content Note

In addition to being a renowned composer, Vernon Duke was an author, poet, translator, gourmand, businessman, bon vivant, and an intellectual. Duke's eclecticisim is well documented in the Vernon Duke Collection. As a result, the collection is rich in research potential for a wide variety of topics. The music holographs cover the entire length of Vernon Duke's career--from compositions dating from his student days in 1918 (Morceaux pour piano, op. 1, composed when he was fifteen) to works from 1968 (the revised version of his ballet Entr'acte)--a year before he died. The collection represents the dual nature of Dukelsky/Duke as a composer of twentieth century European/Russian influenced "serious" or "classical" music, and a composer of jazz-influenced American popular and show music. Documenting his position as an international professional in the world of music, the collection contains voluminous correspondence between Duke and prominent composers, conductors, scholars, producers, lyricists, journals, universities and performers.

The Vernon Duke Collection is in two series: Music and Non-Music; Music is in eight subseries:

1. Stage Music: music for musicals, operas, operettas, ballets, films and background music and songs for plays.

2. Stage Music, Zenda: approximately half of the musical materials in the collection.

3. Vocal Music: art songs, song cycles, and popular songs.

4. Choral Music.

5. Instrumental Music, which includes works for solo instruments.

6. Sketchbooks.

7. Non-Duke Music.

8. Lyric Sheets.

When a page count appears within square brackets, the pages are not numbered and the count was supplied by the author of this Guide. When an item is described as ms. as opposed to Copyist's ms., the hand is believed to be that of an orchestrator or arranger. Ozalids, unless otherwise noted, are typically believed to have been prepared from a copyist's manuscript. Numbers in parentheses are item counts. When there were multiple copies of a musical item, we always retained at least two. If there were variant annotations, more than two copies of an item may have been retained.

When a song title in the Stage Music subseries is followed by "#" and a number or combination of numbers and letters, that designation appears on all or most of the items listed below that title, indicating its position in the running order of the stage work. These numbers are supplied here for purposes of differentiating multiple versions of the same song title or to indicate songs that at least appear to have made it into the rehearsal process for a production of the show. When a portion of a song title is crossed through on the music, it is also crossed through in the Guide.

Because of the quantity of music from Zenda, the music from that show has been divided into three sets of boxes: piano-vocal scores, piano-conductor scores, sketches; parts; and full scores. Although this Guide lists song titles alphabetically within a show, the box/folder numbers are not consecutive because of the division of types and sizes of material. Thus, if a reader wishes to consult all parts from Zenda in alphabetical order, boxes 57-72 should be requested. For every song title in Zenda, the first time a lyricist is credited (rarely on full scores or parts) his name is given in the description of that item and not again unless there is a change in the lyricist for that title. When a song title includes designations such as: "pno. cond.", "vocal", or "vocal choir", that is how it appears on the item. Unless it grossly misleads in describing the item, we have let the original designation stand.

The correspondence in the Vernon Duke Collection is extensive--approximately 4,500 items. There are some details about the organization and makeup of those items that will be useful to the researcher:

1) Not all correspondence in the collection is in the Correspondence series--some correspondence may be found in: Writings by Duke, Subject Files, and Scrapbooks; these items are not cross-referenced, but, with some familiarity with Duke's career, the researcher should be able to determine where such correspondence is likely to be found. For instance, much of the correspondence with collaborators--lyricists, librettists--may be found in the Show files; and responses to a questionnaire Duke sent to major musical figures for inclusion in his book Listen Here may be found in the Writings by Duke subseries.

2) Correspondence includes: letters, telegrams, postcards, notes, cards, and invitations; in some cases photographs are either laid in or affixed to a piece of correspondence.

3) A large portion of the correspondence is from Duke, in the form of carbons, photocopies, rough drafts, and letters marked "not sent". In some cases--where this Guide lists correspondence with a given individual--the only item(s) in the collection are from Duke, to the individual listed.

4) We have retained, to the degree possible, Vernon Duke's organization of the correspondence. This has caused some letters from prominent people to be filed with the correspondence of a certain organization. For instance, the "ASCAP" file contains letters from Arthur Schwartz, Stanley Adams, Irving Caeser, and L. Wolfe Gilbert, among others. These items are not cross-referenced. This is also true of topics; for instance, correspondence on Zenda can be found in a variety of places within the collection.

5) Correspondence in the "Miscellaneous" sections is from less-prominent people for whom we have five or fewer letters.

The researcher studying Vernon Duke's biography should note that the Writings by Duke subseries includes the original manuscripts for Duke's autobiography, Passport to Paris, including entire chapters that were deleted prior to publication.

Appendix I is an alphabetical list of all songs from Stage Music (including Zenda) that also lists the show that the song is from. The only titles that are not included are generic ones such as: "Overture," "Opening," "Exit music," and "Finale."

Appendix II is a list of the recordings (reel-to-reel tapes, accetate disks, and commercial recordings) that are a part of the Collection, but have been transferred to the custody of the Motion Picture, Broadcasting and Recorded Sound Division.

Mark Eden Horowitz, September 1994

Organization of The Vernon Duke collection

The Vernon Duke collection is organized in 14 series:

Show music
Vocal music
Choral music
Instrumental music
Sketchbooks
Music by other composers
Lyric sheets
Writings by vernon duke
Correspondence
Subject files
Programs
Photographs
Miscellaneous
Scrapbooks

Container List

Box	Contents


	SHOW MUSIC
		Show music of Vernon Duke consisting of manuscripts, scores, parts, etc.
		Arrangement is alphabetical by title.

		April in Paris, 1951-2 film musical. Lyrics to english titles by Sammy Cahn.

BOX-FOLDER 1/1			Aupres de Ma Blonde
				Ozalid piano-vocal score ; 2 p.
				Arr. by Vernon Duke

BOX-FOLDER 1/2			I ask you
				Ozalid piano-vocal score ; 4 p.

BOX-FOLDER 1/3			I don't know what I've got
				Ozalid piano-vocal score ; 3 p.

BOX-FOLDER 1/4			It must be good
				Ozalid piano-vocal score ; 5 p.

BOX-FOLDER 1/5			Life is such a pleasure
				Ozalid piano-vocal score ; 3 p.

BOX-FOLDER 1/5			Life is such a pleasure (Ray Bolger)
				Ozalid piano-vocal score ; 5 p.

BOX-FOLDER 1/6			Only once
				Ozalid piano-vocal score ; 3 p.

BOX-FOLDER 1/7			Sur le Pont d'Avignon
				Ozalid piano-vocal score ; 1 p.
				Arr. by Vernon Duke

BOX-FOLDER 1/8			That's what makes Paris, Paree
				Ozalid piano-vocal score ; 6 p.

BOX-FOLDER 1/9			Who needs it?
				Ozalid piano-vocal score ; 4 p.

		Le Bal des blanchisseuses, [The washerwomen's ball], ballet suite for orchestra, 1946-47

BOX-FOLDER 90/1			[Le Bal des blanchisseuses]
				Ozalid of holograph full score ; 104 p.

		Cabin in the sky, 1940 musical; revival, 1964. Lyrics by John Latouche

BOX-FOLDER 1/10			Cabin in the sky
				Eric W. Knight ms. short score arrangements for 1964 revival ; [108] p.
				Contents: Overture # 1 We'll live all over again # 3 Little poppa Satan (Devil's entrance) #4 Incidental music (act I scene I) #5A The man upstairs # 6 Taking a chance on love # 7 Cabin in the sky #8 Do what you wanna do # 10 Taking a chance on love - reprise # 11 Entr'acte # 12 Not a care in the world # 13 Vision ballet # 14 It's not so bad to be good # 15 Love me tomorrow # 16 Petunia's entrance (act II, scene I) # 16A Love turned the light out # 17 Cross-over # 18 Livin' it up # 19 Savannah # 21 Storm music # 22 Incidental music - act II, scene II # 23 Cabin finale #24

BOX-FOLDER 1/11			Cabin in the sky
				Mimeograph of ms. short score ; 148 p.
				Contents: Overture Opening chant Junior's entrance Fleet foot's theme General's entrance The man upstairs Taking a chance on love Cabin in the sky Do what you wanna do Finale act I entr'acte Fugue In my old Virginia home Vision ballet Not so bad Love me tomorrow Love turned the light out Honey in the honeycomb Savannah Storm General's recitative General's entrance Opening last scene Last scene
				+ Table of contents with annotations in pencil ; 1p.

BOX-FOLDER 2/1			Fugue
				Photocopy of holograph piano-vocal score with annotations ; 5 p.

BOX-FOLDER 2/2			General's entrance
				Holograph piano-vocal score ; [2] p.

BOX-FOLDER 2/3			It's not so bad to be good
				Holograph piano-vocal sketch in pencil ; [4] p.

BOX-FOLDER 2/4			It's not so bad to be good
				Photocopy of ms. piano-vocal score ; 4 p.
				Same as above (waxed transparencies)

BOX-FOLDER 2/5			Jazz fugue ; Scotch jingle
				Holograph piano-vocal sketch in pencil ; [2] p.

BOX-FOLDER 2/6			Little poppa Satan
				Photocopy of holograph + ms. piano-vocal score ; 4 p.

BOX-FOLDER 2/6			Little poppa Satan
				Typed lyric sheet + carbon ; [2 p. each]
				Same as above (waxed transparencies)

BOX-FOLDER 2/7			Livin' it up
				Photocopy of copyist's ms. piano-vocal score ; 3 p.
				Typed lyric sheet ; [2] p.
				Lyric by Vernon Duke

BOX-FOLDER 2/8			The man upstairs ; There's honey in the honeycomb ; Love me tomorrow (but leave me alone today)
				Holograph sketches ; [3] p.
				Holograph piano-vocal ; [3] p.

BOX-FOLDER 2/8			The man upstairs (verse) ; Verse (picture in the sky) ; Verse "love put the light out" ; Verse "Virginia home" ; "Savannah" verse
				Holograph sketches ; [4] p.

BOX-FOLDER 2/8			The man upstairs
				Photocopy of holograph piano-vocal score ; 4 p.

BOX-FOLDER 2/8			[The] man upstairs finish
				Holograph piano-vocal score ; [1] p.
				Ms. piano-vocal score ; [1] p.

BOX-FOLDER 2/9			Opening Chant ; Fleetfoot's theme
				Photocopy of holograph piano-vocal score with annotations ; 3 p.
				Copies (2) of above, 1 (waxed transparencies)

BOX-FOLDER 2/10			The vision (ballet)
				Negative photostat of ms. piano score ; [3] p.
				Same as above (waxed transparencies)

BOX-FOLDER 2/11			We'll live all over again
				Holograph piano-vocal ; [2] p.
				Same as above, last p. only

BOX-FOLDER 2/12			We'll live all over again
				Negative photostat of above
				Same as above (waxed transparencies)

BOX-FOLDER 2/13			[Miscellaneous]
				Contents: Honey in the honeycomb. Typed lyric sheet ; [1] p.

BOX-FOLDER 2/13			[Unidentified]
				Photocopy of ms. piano score ; 4 p.
				Same as above (waxed transparencies)

BOX-FOLDER 2/14			Cabin in the sky ; curtain call Greenwich mews
				Printed (2) programs

BOX-FOLDER 2/15			[Song listing]
				Holograph ; [1] p.

BOX-FOLDER 2/15			[Invoice to Kay Duke]
				Photocopy ; [1] p.

BOX-FOLDER 2/15			[Outline for overture(?)]
				Ms. ; [2] p.
				Lyrics by Sammy Cahn

BOX-FOLDER 2/16			The big towns and the small towns
				Ozalid piano-vocal score ; 9 p.

BOX-FOLDER 2/17			Extenuatin circumstances
				Ozalid piano-vocal score ; 4 p.

BOX-FOLDER 2/18			Fight over me
				Ozalid piano-vocal score ; 5 p.
				Typed lyric sheet ; [2] p.

BOX-FOLDER 2/19			The girl with the prettiest legs in town
				Photocopy of copyist's piano-vocal score ; 5 p.

BOX-FOLDER 2/20			He said
				Photostat of copyist's piano-vocal score ; 4 p.
				Typed lyric sheet ; [1] p.

BOX-FOLDER 2/21			Honor me with this dance
				Ozalid piano-vocal score ; 6 p.

BOX-FOLDER 2/22			I can take it or leave it alone
				Photostat of copyist's piano-vocal score ; 5 p.
				Typed lyric sheets (2) ; [1] p.

BOX-FOLDER 2/23			I may say maybe
				Ozalids (2) piano-vocal score ; 7 p.

BOX-FOLDER 2/24			I'm goin' places
				Ozalid piano-vocal score ; 4 p.
				Typed lyric sheet ; [1] p.

BOX-FOLDER 2/25			Ladies like us ; Gay little tune ; Bolero-cancion
				Holograph sketches ; [2] p.

BOX-FOLDER 2/26			The man my mother married
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 2/27			The man my mother married
				Typed lyric sheets (13) various versions

BOX-FOLDER 2/28			Mister Harvey Pruitt
				Ozalids (2) piano-vocal score ; 6 p.

BOX-FOLDER 2/29			Once I fall
				Ozalid piano-vocal score ; 4 p.

BOX-FOLDER 2/30			Parties
				Photostat of copyist's piano-vocal score ; 11 p.
				Typed lyric sheets (3) ; [2] p. each

BOX-FOLDER 2/31			A railroad woman
				Copyist's ms. piano-vocal score (transparencies) ; 4 p.
				Ozalid
				Typed lyric sheets (5) various versions

BOX-FOLDER 2/32			Same as a man
				Ozalid piano-vocal score ; 4 p.

BOX-FOLDER 2/33			Step up and shake
				Photosat of copyist's piano-vocal score ; 8 p.

BOX-FOLDER 3/1			There comes a time
				Photostat of copyist's piano-vocal score ; 4 p.

BOX-FOLDER 3/2			Wait till you see New York
				Ozalids (2) piano-vocal score ; 6 p.
				Typed lyric sheets (5) various versions

BOX-FOLDER 3/3			We're alone in the world
				Ozalid piano-vocal score ; 5 p.

BOX-FOLDER 3/4			With a man on first
				Holograph piano-vocal score ; 7 p.

BOX-FOLDER 3/5			With a man on first
				Ozalid piano-vocal score ; 10 p.
				Typed lyric sheets (7) various versions

BOX-FOLDER 3/6			Casey Jones
				Typed script (Act I) adaption by George Abbott and Arthur Carter ; 48 p.

BOX-FOLDER 3/7			Casey Jones
				Photocopy of above

BOX-FOLDER 3/8			Casey Jones
				Typed synopses/scenarios (4) various versions

BOX-FOLDER 3/9			Casey Jones
				Holograph (1) and typed (3) song listings

		Dancing in the streets, 1943 (film?) musical. Lyrics by Howard Dietz

BOX-FOLDER 3/10			Bay of Botany
				Ozalid of piano-vocal score ; 7 p.
				Typed lyric sketch ; [1] p.

BOX-FOLDER 3/11			Boys, boys
				Holograph piano-vocal score, no lyric ; [5] p.

BOX-FOLDER 3/12			Cancan in the canteen
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 3/13			Comforts of home
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 3/14			Friendly bar
				Ms. (holograph?) piano-vocal score ; 7 p.

BOX-FOLDER 3/15			Hip! (the girls are marching)
				Ms. (holograph?) piano-vocal score ; [4] p.

BOX-FOLDER 3/16			In my dreams
				Holograph piano-vocal score ; [4] p.
				Typed lyric sheets (2), 1 with additions

BOX-FOLDER 3/17			Keep your amateur standing
				Ms. (holograph?) piano-vocal score ; [6] p.

BOX-FOLDER 3/18			Kiss your baby goodbye
				Ms. (holograph?) piano-vocal score ; [2] p.

BOX-FOLDER 3/19			We've been through the mill
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 3/20			[Unidentified]
				Ms. lyric sketch ; [1] p.

		Dancing in the streets, 1943 ; or, Jackpot, 1943-4 musical. Lyrics by Howard Dietz. (see also listings under Jackpot)

BOX-FOLDER 3/21			Below the equator
				Copyist ms. piano-vocal score, no lyric (transparencies) ; 4 p.

BOX-FOLDER 3/22			Honeypie's dance
				Ms. (holograph?) piano score ; [4] p.

BOX-FOLDER 3/23			I'm in love with a dame (with a muscular frame) ; Ella the elephant ; Arm-in-arm ; Farewell for a while
				Holograph sketches ; [4] p.

BOX-FOLDER 3/23			I'm in love with a dame/with a muscular frame
				Typed lyric sketch with holograph melody sketch ; [1] p.

BOX-FOLDER 3/24			Swattin' the fly
				Copyist ms. piano-vocal score, no lyric (transparencies) ; 3 p.

BOX-FOLDER 3/25			This particular party
				Holograph piano-vocal score, no lyric ; [4] p.
				Ms. (holograph?) piano-vocal score ; 4 p.

BOX-FOLDER 3/26			Under my umbrella
				Holograph piano-vocal score ; [3] p.

BOX-FOLDER 3/27			"Jackpot" and "Dancing in the streets"
				Typed song listing ; [1] p.

BOX-FOLDER 3/27			Where did you come from
				Typed lyric and ms. lyric sketch ; [1 sheet]

BOX-FOLDER 3/27			[Unidentified]
				Ms. lyric sketch

		Diamond in the rough (the Mark Twain musical), 1964-68 unproduced. Lyrics by John Everest

BOX-FOLDER 4/1			Afternoon delightful
				Holograph piano-vocal score ; [2 p]

BOX-FOLDER 4/2			Afternoon delightful
				Holograph piano-vocal score (transparencies) ; 2 p.
				Ozalid

BOX-FOLDER 4/3			Ban the book!
				Holograph piano-vocal score ; [8] p.

BOX-FOLDER 4/4			Ban the book!
				Holograph piano-vocal score (transparencies) ; 6 p.
				Ozalid

BOX-FOLDER 4/5			Diamond in the rough
				Holograph piano-vocal score ; 3 p.

BOX-FOLDER 4/6			Ev'ry one of us
				Holograph piano-vocal score (transparencies) ; 2 p.
				Ozalid

BOX-FOLDER 4/7			The grand manner # 5
				Holograph piano-vocal score ; 9 p.

BOX-FOLDER 4/8			The grand manner # 5
				Holograph piano-vocal score (transparencies) ; 8 p.
				Ozalid

BOX-FOLDER 4/9			I may never get well again
				Holograph piano-vocal score ; 3 p. + typed lyric sheet + dance ; [2] p.

BOX-FOLDER 4/10			I may never get well again
				Holograph piano-vocal score (transparencies) ; 5 p.
				Ozalid

BOX-FOLDER 4/11			I'm not his sister anymore
				Holograph piano-vocal scores ; verse 2 p. ; refrain 3 p. + dance [1] p.

BOX-FOLDER 4/12			Jumpin' frog
				Holograph piano-vocal score ; 4 p.

BOX-FOLDER 4/13			Jumpin' frog
				Holograph piano-vocal score (transparencies) ; 6 p.
				Ozalid

BOX-FOLDER 4/14			Live and love a lot # 2
				Holograph piano-vocal score ; 12 p. + 12a-12b

BOX-FOLDER 4/15			Live and love a lot # 2
				Holograph piano-vocal score (transparencies) ; 13 p.
				Ozalid

BOX-FOLDER 4/16			The man you are # 9
				Holograph piano-vocal score ; 4 p.

BOX-FOLDER 4/17			The man you are # 15
				Holograph piano-vocal score (transparencies) ; 4 p.
				Ozalid

BOX-FOLDER 4/18			The new Pilgrims' prayer # 1
				Holograph piano-vocal score (transparencies) ; 2 p.
				Ozalid

BOX-FOLDER 4/19			A new year filled with love # 6
				Holograph piano-vocal score ; 5 p.

BOX-FOLDER 4/20			A new year filled with love # 6
				Holograph piano-vocal score (transparencies) ; 6 p.
				Ozalid

BOX-FOLDER 4/21			The perfect chaperone # 8
				Holograph piano-vocal score ; 8 p.

BOX-FOLDER 4/22			Please be patient with me
				Holograph lead sheet sketch ; [1] p.

BOX-FOLDER 4/23			The quadrille (act I) from The Right Guy
				Holograph with ozalids pasted in piano score ; 9 p.

BOX-FOLDER 4/24			The quadrille (act I) from The Right Guy
				Copyist's ms. with holograph piano score (waxed transparencies) ; 9 p.
				Ozalid

BOX-FOLDER 4/25			Safe little world # 3
				Holograph piano-vocal score ; 5 p.

BOX-FOLDER 4/26			Safe little world # 3
				Holograph piano-vocal score (transparencies) ; 5 p.
				Ozalid

BOX-FOLDER 4/27			She has to be the right girl # 4
				Holograph piano-vocal score ; 4 p.

BOX-FOLDER 4/28			She has to be the right girl # 4
				Holograph piano-vocal score (transparencies) ; 5 p.
				Ozalid

BOX-FOLDER 4/29			We're all going on a honeymoon # 12
				Holograph piano-vocal score (transparencies) ; 3 p.
				Ozalid

BOX-FOLDER 4/30			What do you wanna get married for? # 14
				Holograph piano-vocal score ; 8 p.

BOX-FOLDER 4/31			What do you wanna get married for? # 10
				Holograph piano-vocal score (transparencies) ; 8 p.
				Ozalid

BOX-FOLDER 5/1			When I was a little boy
				Holograph piano-vocal score ; 7 p.

BOX-FOLDER 5/2			When I was a little boy # 16
				Holograph piano-vocal score (transparencies) ; 5 p.
				Ozalid

BOX-FOLDER 5/3			You are youth # 13
				Holograph piano-vocal score + lead sheet sketch on verso of p. 1 ; 7 p.

BOX-FOLDER 5/4			You are youth # 9
				Holograph piano-vocal score (transparencies) ; 7 p.
				Ozalid

BOX-FOLDER 5/5			[Diamond in the rough]
				Typed lyric sheets, some photocopies ; [25] p.
				(Includes "A lad for ev'ry lass" not found elsewhere)

BOX-FOLDER 5/6			Diamond in the rough ; the Mark Twain musical
				Typed script, book by Stanford Whitmore and John Everest ; 89 p. + [2] p. laid in
				Typed script, act I only ; 61 p.

BOX-FOLDER 5/7			[Diamond in the rough]
				Typed excerpts from script
				Contents: I, i (2) ; I, iii (2) ; I, vi (2) ; I, vii (2) ; I, x ; II, i (2) ; II, iv ; II, vii (2)

BOX-FOLDER 5/8			Diamond in the rough ; the Mark Twain musical
				Typed synopses (2) ; 20 p.

BOX-FOLDER 5/9			Mark Twain musical, The
				Typed synopsis ; 10 p.
				Typed listing of possible titles ; [1] p.
				Typed notes, dated: July 18, 1967 ; [1] p.
				Typed listing of music ms. ; [1] p.

		Dilly, 1954-1955 unproduced musical. Lyrics by Vernon Duke, Jerome Lawrence and Robert Lee.

BOX-FOLDER 6/1			Another day, another buck
				Ozalid piano-vocal score ; 3 p.

BOX-FOLDER 6/2			Bachelorhood
				Ozalid piano-vocal score ; 3 p.

BOX-FOLDER 6/3			The backlot blues
				Ozalid piano-vocal score ; 3 p.

BOX-FOLDER 6/4			Dilly
				Holograph piano-vocal score ; 6 p.
				Holograph piano-vocal score ; [2] p.
				Ozalid with holograph lyric piano-vocal score ; 3 p.

BOX-FOLDER 6/5			Don'tcha hate it (when they sing a love song)
				Holograph piano-vocal score ; [4] p. + 1 p. crossed out

BOX-FOLDER 6/6			Farewell to New York ; II.ii
				Holograph piano-vocal score (transparencies) ; 8 p.
				Ms. with holograph lyric piano-vocal score ; 5 p.
				Ozalid

BOX-FOLDER 6/7			He's back in town ; I.3 ; ~~Time passes by~~
				Ms. with holograph lyric piano-vocal score ; 3 p.

BOX-FOLDER 6/8			Holiday in Hollywood ; II (1) ; (12) (c)
				Ozalid piano-vocal score ; verse 2 p., refrain 2 p.

BOX-FOLDER 6/9			I sure have been in love
				Holograph melody sketch ; [1] p.

BOX-FOLDER 6/10			I'm about to become a lover
				Ozalid piano-vocal score, no lyric ; 4 p.

BOX-FOLDER 6/11			Just lucky, I guess
				Holograph piano-vocal score ; [5] p.

BOX-FOLDER 6/12			The kissing ~~ballet~~ song
				Ozalid piano-vocal score ; 7 p.

BOX-FOLDER 6/13			A lad for ev'ry lass # 11
				Holograph piano-vocal score ; 4 p.
				Lyric with Everest

BOX-FOLDER 6/14			A lad for ev'ry lass # 11
				Holograph piano-vocal score (transparencies) ; 3 p.
				Holograph melody sketch ; [1] p.
				Ozalid

BOX-FOLDER 6/15			Look at me
				Holograph piano-vocal score ; verse [2] p., refrain [3] p.

BOX-FOLDER 6/16			Love me now
				Holograph lead sheet ; [2] p.

BOX-FOLDER 6/17			Lucre, love or liquor
				Ozalids (2) piano-vocal scores ; 3 p.

BOX-FOLDER 6/18			Mocambo mambo
				Holograph piano-vocal score ; 7 p.

BOX-FOLDER 6/19			Now is the time for all good men
				Ozalid piano-vocal score ; 3 p.

BOX-FOLDER 6/20			Roses in the rain (canon version)
				Holograph vocal score ; [3] p.

BOX-FOLDER 6/21			Roses in the rain ; I.7
				Ozalid piano-vocal score ; verse 2 p., refrain 3 p.

BOX-FOLDER 6/22			Since yesterday ; I.4
				Ozalid piano-vocal score ; 2 p.

BOX-FOLDER 6/23			Small world
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 6/24			The story conference # 6
				Holograph piano-vocal score ; 20 p.

BOX-FOLDER 6/25			Take the money (finale act I) ; I.11
				Ozalids (2) piano-vocal scores ; 8 p. + 1 copy has [2] p. holograph & 1 copy has [4] p. holograph added

BOX-FOLDER 6/26			There's nothing like an this old fashioned waltz ; II.8
				Ozalid piano-vocal score ; 4 p.

BOX-FOLDER 6/27			A village ~~named~~ called Hollywood ; I.1-A
				Ozalid piano-vocal score ; 3 p., Coda [1] p.

BOX-FOLDER 7/1			What if you're not ; Small talk, verse: ; In our chateau in Brooklyn
				Holograph sketches ; [3] p. ; lyric for "In our chateau in Brooklyn" by John Latouche

BOX-FOLDER 7/1			What if you're not ; II.4A
				Ozalid piano-vocal score ; verse 2 p., refrain 3 p.

BOX-FOLDER 7/2			Who's excited? ; II.6A
				Ozalid piano-vocal score + holograph material ; 3 p., verse [1] p.

BOX-FOLDER 7/3			Dilly lyrics
				Bound typed lyric sheets, some photocopies ; [36] p.
				Contents: My homes's a village called Hollywood ; Another day, another buck ; Dilly ; He's back in town ; Though I said no to you yesterday ; The story conference [contains: It's been done] ; Roses in the rain ; Just lucky I guess (2) ; Small world ; Look at me (2) ; Act one finale [contains: Take the money] ; Holiday in Hollywood ; What if you're not ; The kissing song ; Who's excited ; Lucre, love or liquor ; There's nothing like this old fashioned waltz ; Farewell to New York
				Copy of above (not bound)

BOX-FOLDER 7/3			Dilly score ; routine - "Dilly"/audition
				Typed (2) song listings ; [2] p. + [1] p.

BOX-FOLDER 7/4			Dilly
				Typed script book by Jerome Lawrence and Robert E. Lee based on the novel "Miss Dilly says no" by Theodore Pratt ; 84 p. + 58 p.

		Emperor Norton, 1954, ballet after Jacques Offenbach, scenario and choreography by Lew Christensen David Lichine ; originally titled: Girls' dormitory

BOX-FOLDER 102/1			Emperor Norton (after Offenbach) 1954
				Holograph full score ; 251 p.

BOX-FOLDER 7/5			Emperor Norton
				Holograph piano score ; 91 p.

BOX-FOLDER 7/6			[Emperor Norton]. Girls' Dormitory
				Bound photocopy of above + laid in holographs: insert (p. 90) ; [1] p., and "Emperor Norton" coda (to follow Ballerina's variations) ; [3] p.

BOX 8-10			Emperor Norton
				Bound photocopy of holograph full score with annotations ; 251 p. ; holograph [9] p. laid in
				Contents: Flute parts (4) (BOX: 8/2) Oboe parts (4) (BOX: 8/3) Clarinet parts (4) (BOX: 9/1) Bassoon parts (4) (BOX: 9/2) Horn parts (4) (BOX: 9/3) Trumpet parts (4) (BOX: 9/4) Trombone & tuba parts (5 )(BOX: 9/5) Piano parts (3) (BOX: 9/6) Percussion parts (3) (BOX: 10/1) Violin I parts (4) (BOX: 10/2) Violin II parts (5) (BOX: 10/3) Viola parts (4) (BOX: 10/4) Cello parts (4) (BOX: 10/5) Bass parts (4) (BOX: 11/1)

		Entr'acte, ballet, 1938-1947-1968

BOX-FOLDER 90/2			Entr'acte
				Holograph full score (transparencies) ; 174 p.

BOX-FOLDER 90/3			Entr'acte
				Ozalid of above

BOX-FOLDER 11/2			Entr'acte "finale", ballet orchestrated 1952
				Holograph full score ; 42 p.

BOX-FOLDER 11/3-7			Entr'acte
				Contents: Violin I parts (2) (BOX: 11/3) Violin II parts (3) (BOX: 11/4) Viola parts (2) (BOX: 11/5) Cello parts (2) (BOX: 11/6) Bass parts (2) (BOX: 11/7)

BOX-FOLDER 11/8 BOX-FOLDER 12/1			Entr'acte ballet en 1 acte de George Balanchine ; partition de piano, New York 1947-1950
				Holograph piano score (waxed transparencies) ; 52 p.
				Ozalids (2) of above, 1 copy to p. 50 with holograph "codetta" laid in ; p. 51-52
				On p. 52: 1938-1947-1951

		Girls' dormitory see Emperor Norton

BOX-FOLDER 12/2			Gondla prelude pour le drame de N. Gumileff ; op. 4 ; pour grand orchestre ; partition 1922, New York
				Holograph full score ; 29 p.
				Cover signed by Serge Lifar

BOX-FOLDER 12/3			Gondla
				Parts (50)

		Helen of Troy, unproduced(?) operetta, music mostly by Offenbach. Lyrics by Marshall Barer

BOX-FOLDER 13/1			Finale (act I)
				Holograph piano-vocal score ; 16 p. + 9 p. + counter-melody ; [1] p.

BOX-FOLDER 13/2			Finale - act I
				Ozalids (2) of copyist's ms. piano-vocal score ; 34 p.

BOX-FOLDER 13/3-4			I'm called the king # II
				Holograph piano-vocal score, no lyric ; 2 p.
				Ozalids (2) of copyist's ms. piano-vocal score ; 4 p.

BOX-FOLDER 13/5			Invocation to Venus # V
				Ozalids (2) of copyist's ms. piano-vocal score ; 4 p.

BOX-FOLDER 13/6			The judgement of Paris # III
				Ozalids (2) of copyist's ms. piano-vocal score ; 10 p.

BOX-FOLDER 13/7-8			No one is perfect # I
				Holograph piano-vocal score, sans most of lyric ;13 p.
				Ozalids (2) of copyist's ms. piano-vocal score ; 19 p.

BOX-FOLDER 13/9			No one is perfect ; No. 15 duo
				Printed Offenbach piano-vocal score with new lyric written in ; p. 135-152

BOX-FOLDER 14/1-2			A queen is always on display # IV
				Holograph piano-vocal score, no lyric ; 6 p.
				Ozalids (2) of copyist's ms. piano-vocal score ; 6 p.

BOX-FOLDER 14/3			[Unidentified]
				Holograph melody sketches ; [1] p. + [2] p.

BOX-FOLDER 14/4			Helen of Troy (La Belle Helene)
				Typed script, book by Bill Hoffman ; 37 p. + 41 p. ; 2nd p. 2-1 laid in

		Jackpot, musical 1943-4. Lyrics by Howard Dietz. (see also listings under Dancing in the streets, or Jackpot)

BOX-FOLDER 14/5			Blind date # 4
				Ozalid of copyist's ms. piano-vocal score ; 6 p.

BOX-FOLDER 14/6			Dear little cottage # 16
				Ozalid of copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 14/7			First night # 6
				Holograph piano-vocal score ; [5] p.
				Copyist ms. piano-vocal score ; [4] p.
				Typed lyric sheet ; [1] p. ; dated: Feb. 11, 1943

BOX-FOLDER 14/8			An hour ago
				Holograph piano-vocal score ; [4] p.
				Ozalid of copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 14/9			I adore a saloon # 3
				Holograph and ms. piano-vocal score ; 7 p. + choral arrangement ; p. 3-14 laid in
				Ms. piano-vocal score ; 13 p. (p. 5-9 wanting)

BOX-FOLDER 14/10			I kissed my girl goodbye
				Holograph piano-vocal score ; [4] p. (p. wanting)

BOX-FOLDER 14/11			I own a piece of a girl # 5
				Ozalid of copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 14/12			I wanna go back
				Ozalid of copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 14/13			I'm in love with my top sergeant # 1
				Ozalid of copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 14/14			Jackpot (finale act I.)
				Holograph piano-vocal score ; 5 p.

BOX-FOLDER 14/15			A little marriage is a dangerous thing
				Ozalid of copyist's ms. piano-vocal score ; 3 p.

BOX-FOLDER 14/16			The little Streptococcus
				Ozalid of copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 14/17			The long last mile
				Ozalid of copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 14/18			Since the ballet came to Shubert Alley
				Ozalid of copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 14/19			What's mine is yours # 19
				Ozalid of copyist's ms. piano-vocal score ; 4 p.

		Jardin public see: Public gardens

		Kings and cabbages see: Zenda

		Lady Blue ballet de Roland Petit paroles pour la chanson "Lady Blue" de Bernard Dimey, 1961

BOX-FOLDER 90/4-5			Lady Blue
				Holograph full score (transparencies) ; 20 p. + 12 p. + 8 p.
				Ozalids (2) of above

BOX-FOLDER 15/1			Lady Blue
				Holograph piano score (transparencies) ; 54 p.
				Ozalid of above

BOX-FOLDER 15/2			Lady Blue
				Copyist ms. piano-vocal score (transparencies) ; 5 p.
				Ozalid of above

		Midwinter's night dream see: Songe d'une nuit d' hiver

		Mistress into maid (opera in two acts) based on Pushkin's tale, libretto by the composer, english version by Gregory Golubeff, May 1928-August 1958, revised: September 1967, London/Pacific Palisades, Calif. ; to the memory of Serge de Diaghilev

BOX-FOLDER 16/1			Mistress into maid ; act I
				Holograph full score ; 188 p.

BOX-FOLDER 16/2			Mistress into maid ; act II
				Holograph full score ;p. 189-417

BOX-FOLDER 16/3			Mistress into maid ; Demoiselle-Paysanne
				Holograph piano-vocal score ; 162 p.

BOX-FOLDER 17/1			Mistress into maid [copy 1]
				Ozalid of holograph piano-vocal score ; 162 p.

BOX-FOLDER 17/2			Mistress into maid [copy 2]
				Ozalid of holograph piano-vocal score ; 162 p. + 2 p. holograph laid in + "duet (Liza, Miss Jackson)" ozalid ; 11 p.

BOX-FOLDER 17/3			Mistress into maid [copy 3]
				Ozalid of holograph piano-vocal score ; 162 p.

BOX-FOLDER 18/1			Mistress into maid [copy 4]
				Ozalid of holograph piano-vocal score ; 162 p.

BOX-FOLDER 18/2			Mistress into maid [copy 5]
				Ozalid of holograph piano-vocal score ; 162 p.

BOX-FOLDER 18/3			Mistress into maid [copy 6]
				Ozalid of holograph piano-vocal score ; 162 p.

BOX-FOLDER 19/1			Mistress into maid [corrected copy] [copy 7]
				Ozalid and holograph piano-vocal score ; 193 p.

BOX-FOLDER 19/2			Mistress into maid [copy 8]
				Ozalid piano-vocal score (corrected copy) ; 193 p.

BOX-FOLDER 19/3			Mistress into maid [copy 9]
				Ozalid piano-vocal score (corrected copy) ; 193 p.

BOX-FOLDER 20/1			Mistress into maid [copy 10]
				Ozalid piano-vocal score (corrected copy) ; 193 p.

BOX-FOLDER 20/2			Mistress into maid [Duet (by Wm. Jackson of Exeter)]
				Copyist's ms. piano-vocal score (transparencies) ; 11 p.
				Ozalids (2) of above

BOX-FOLDER 20/3			Mistress into maid
				Typed libretto, heavily annotated, in English and Russian ; [46] p. + [1] p. holograph laid in

BOX-FOLDER 20/4			Mistress into maid
				Typed librettos (2) ; 23 p.

		Nantucket, unproduced musical, 1960. Lyrics by Harold Rome

BOX-FOLDER 21/1			Alone (the whaling widows) # 1
				Holograph piano-vocal score ; 4 p.

BOX-FOLDER 21/2			Diddle-daddle # 3
				Holograph piano-vocal score ; [8] p.

BOX-FOLDER 21/3			I knew you well # 4
				Photocopy of holograph piano-vocal score ; 4 p.

BOX-FOLDER 21/4			Je t'aime-I love you # 6
				Holograph piano-vocal score ; [3] p.

BOX-FOLDER 21/5			Love is like an elephant # 5
				Holograph piano-vocal score ; 4 p.

BOX-FOLDER 21/6			Made in Nantucket # 9
				Holograph piano-vocal score ; [7] p.

BOX-FOLDER 21/7			My heart decided
				Photocopy of holograph piano-vocal score ; [4] p.

BOX-FOLDER 21/8			Nothing is too good # 2
				Holograph piano-vocal score ; 7 p.

BOX-FOLDER 21/9			Opening (act I)
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 21/10			Pincus et cie # 11
				Holograph piano-vocal score ; [6] p.

BOX-FOLDER 21/11-12			Song of our love
				Holograph piano-vocal score ; [3] p.
				Ozalid of holograph piano-vocal score ; [3] p.

BOX-FOLDER 21/13			There you are again
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 21/14			They never told me #10
				Photocopy of holograph piano-vocal score ; [4] p.

BOX-FOLDER 21/15			They never told me (Sylvia's reprise act II)
				Holograph piano-vocal score ; [2] p.

BOX-FOLDER 21/16			Unlucky Pierre (song and trio) # 12
				Holograph piano-vocal score ; [6] p.

BOX-FOLDER 21/17			A whaler's life # 13
				Holograph piano-vocal score ; 12 p.

BOX-FOLDER 21/18			The whalers' return # 1A
				Holograph piano-vocal score ; 11 p.

BOX-FOLDER 21/19			When it's love
				Holograph piano-vocal score ; 3 p.
				On back: California has a sick-/son, by name of Richard Nixon;/please don't listen to his threnody -/use your bean - and vote for Kennedy,/Vernon Duke

BOX-FOLDER 21/19			When it's love # 8
				Holograph piano-vocal score ; [5] p.

BOX-FOLDER 21/20			When the devil played the fiddle (can-can) # 7
				Holograph piano-vocal score ; [6] p.

BOX-FOLDER 21/21			You after all these years
				Ozalid of copyist's ms. piano-vocal score ; 3 p.

BOX-FOLDER 21/22			[Nantucket]
				Typed (carbons) lyric sheets ; [5] p.
				Contents: Alone (song of the willing, whaling widows of Nantucket) Nothing is too good Song of our love There you are again

BOX-FOLDER 21/23			[Nantucket]
				Holograph song listing ; [1] p.
				Typed song listing (not related to Nantucket) ; [1] p.

		Paris after dark, unproduced musical. Lyrics by Leonard Adelson and Dusty Negulesco

BOX-FOLDER 22/1			Everybody loves everybody
				Holograph lead sheet ; [4] p.

BOX-FOLDER 22/2			I haven't a bean in my jeans
				Holograph lead sheet ; [2] p.

BOX-FOLDER 22/3			It's been pleasant, pleasant
				Holograph lead sheet ; [2] p.

BOX-FOLDER 22/4			Jenny, Jenny (save your dreams)
				Ozalid of copyist's ms. lead sheet ; 2 p.

BOX-FOLDER 22/5			The language of love
				Holograph lead sheet ; [2] p.

BOX-FOLDER 22/6			Lonely in Paris
				Holograph lead sheet ; [2] p.

BOX-FOLDER 22/7			Paris after dark
				Holograph lead sheets (2) ; [2] p.

		The pink jungle, unproduced musical (?), 1959-60. Lyrics by Vernon Duke

BOX-FOLDER 22/8			Act II page 88
				Ozalids (2) copyist's ms. piano score ; 2 p.

BOX-FOLDER 22/8			Act II page 112
				Ozalid copyist's ms. piano score ; 2 p.

BOX-FOLDER 22/9			All the luck in the world # V
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 22/10			Blow the man down ; chanty
				Ozalid copyist's ms. piano score ; [1] p.

BOX-FOLDER 22/11			Brian
				Ozalids (2) copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 22/11			Brian ; act I page 3
				Ozalid copyist's ms. piano score

BOX-FOLDER 22/12			Chase music
				Ozalid copyist's ms. piano score ; 1 p.

BOX-FOLDER 22/13			Chic talk
				Ozalid copyist's ms. piano-vocal score ; 12 p.

BOX-FOLDER 22/14			Don't you ever cross me path
				Holograph piano-vocal score ; 6 p. + insert ; [1] p.

BOX-FOLDER 22/15			Fanfare
				Ozalid copyist's ms. piano score ; 1 p.

BOX-FOLDER 22/16			Free as the air
				Ozalid copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 22/17			Funeral # 7-B
				Ozalid copyist's ms. piano score ; 1 p.

BOX-FOLDER 22/18			Funeral music # 7
				Ozalids (3) copyist's ms. piano-vocal score ; 2 p.

BOX-FOLDER 22/19			Ghost music
				Ozalid copyist's ms. piano score ; 2 p.

BOX-FOLDER 22/20			Harvey's theme
				Ozalid copyist's ms. piano score ; 1 p.

BOX-FOLDER 22/21			A hundred women in one
				Ozalid copyist's ms. piano-vocal score ; 6 p.

BOX-FOLDER 22/22			It's tough to be a girl
				Ozalids (2) copyist's ms. piano-vocal score ; 6 p.

BOX-FOLDER 22/23			Love for sure
				Ozalids (2) copyist's ms. piano-vocal score ; [2] p.

BOX-FOLDER 22/24			M-10
				Ozalid copyist's ms. piano score ; 3 p.

BOX-FOLDER 22/25			M-11
				Ozalid copyist's ms. piano score ; [1] p.

BOX-FOLDER 22/26			Nobody but Tess
				Ozalid copyist's ms. piano-vocal score ; 6 p.

BOX-FOLDER 22/27			Persian room-ba
				Ozalid of holograph piano-vocal score ; 4 p.

BOX-FOLDER 22/28			The pink jungle
				Ozalids (2) copyist's ms. piano-vocal score ; 4 p.
				Ozalid copyist's ms. vocal arrangement by Jack Latimer ; 5 p.

BOX-FOLDER 22/29			Plaza music
				Ozalid copyist's ms. piano score ; 2 p.

BOX-FOLDER 22/30-31			Prelude
				Holograph piano score/sketch ; [1] p.
				Ozalid copyist's ms. piano score ; 2 p.

BOX-FOLDER 22/32			Same old love
				Ozalid copyist's ms. piano-vocal score ; 3 p.

BOX-FOLDER 22/33			Tess mambo
				Ozalid copyist's ms. piano score ; 6 p.

BOX-FOLDER 22/34			There was I (and where were you?)
				Ozalids (2) copyist's ms. piano-vocal score ; 4 p.
				Photocopy copyist's ms. alternate version piano-vocal score ; p. 4

BOX-FOLDER 22/35			Where do you go when you arrive?
				Ozalid copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 22/36			Where do you go when you're on top?
				Ozalids (2) copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 23/1			[The pink jungle]
				Typed lyric sheets, some carbons ; [33] p.
				Includes "Just like children," "My sky without a star," "Paris in New York" not found elsewhere

BOX-FOLDER 23/2			The pink jungle ; third draft
				Typed script, book by Leslie Stevens ; 101 p. (incomplete)

BOX-FOLDER 23/3			The pink jungle ; fourth draft
				Typed script (bound), book by Leslie Stevens ; 123 p.

BOX-FOLDER 23/4			The pink jungle ; fourth draft
				1st act of above (2), (2nd copy incomplete)

BOX-FOLDER 23/5			The pink jungle ; act two
				Typed script, p. 69-123 + 11-113b (4 p.)

BOX-FOLDER 23/6			The pink jungle
				Ms. song listing ; [3] p.
				Typed song listing ; [1] p.

		[Public garden] ; Jardin public, ballet, 1934-35 (revised 1945-54). Argument d'apres Andre Gide, decor et costumes de Alice Halicka, choregraphie de Leonide Massine

BOX-FOLDER 24/1			Jardin public
				Holograph piano/short score ; 70 p. + [3] p. laid in
				Uniform title: Public garden

		Rain see: Sadie Thompson

		[Rich girl, peasant girl] ; [Baryshnia - Krest'ianka], "opera in two acts, after Pushkin/(May 1928 - February 1931.)/.../scenario by the composer; text by the composer (apart from excerpts from the original)."

BOX-FOLDER 24/2			[Rich girl, peasant girl]
				Holograph piano-vocal score ; 137 p.
				Dedication: to the memory of S.P. Diaghilev.
				Cover signed by Serge Lifar

		La Robe de Mariee, ballet de vertes

BOX-FOLDER 24/3 BOX-FOLDER 25/1			La Robe de Mariee
				Woodwind, brass and percussion parts (11)
				String parts (12)

		Sadie Thompson, musical, 1944 (originally titled: Rain). Lyrics by Howard Dietz

BOX-FOLDER 26/1			Any woman who is willing will do # 10
				Holograph piano-vocal score ; [3] p.

BOX-FOLDER 26/2			Back in circulation
				Holograph piano-vocal score ; [4] p.
				Sketch for "I told a lie" crossed out on p. [4]

BOX-FOLDER 26/3			Codetta (act I) # 13A
				Holograph piano score ; [1] p.

BOX-FOLDER 26/4			The devil in you is strong # 20
				Holograph piano-vocal score ; [3] p.

BOX-FOLDER 26/5			Fisherman's wharf # 4
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 26/6			From the cradle to the grave # 21
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 26/7			Happy again
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 26/8			He's good for nothing but me
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 26/9			A house with a piano # 18
				Holograph piano-vocal score ; [5] p.

BOX-FOLDER 26/10			Incidental music (act I) (to follow opening) # 1A
				Holograph piano score ; [3] p.

BOX-FOLDER 26/10			Incidental music (act I) # 10A
				Holograph piano score ; [2] p.

BOX-FOLDER 26/11			Interlude
				Holograph piano-vocal score ; [3] p.

BOX-FOLDER 26/12			Join the marines # 6
				Holograph piano-vocal score ; [3] p.

BOX-FOLDER 26/13			The key to the gates # 12-B
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 26/14			Men's dance
				Holograph piano score ; [4] p.

BOX-FOLDER 26/15			My handsome # 12
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 26/16			Overture
				Ms. piano score ; [7] p.

BOX-FOLDER 26/17			Stayin'-in woman # 5B
				Holograph piano-vocal score (no lyric); [4] p.

BOX-FOLDER 26/18			The weeping sky # 9
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 26/19			When you live on an island # 2
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 26/20			Where the sun god walks # 8
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 26/21			You-U.S.A. # 7
				Holograph piano-vocal score ; [4] p.

BOX-FOLDER 26/22			You'll be born all over again
				Holograph piano-vocal score (no lyric) ; [4] p.

BOX-FOLDER 26/23			You're dreamlike
				Photocopy of holograph piano-vocal score (no lyric) ; [4] p.

BOX-FOLDER 26/24			[Sadie Thompson]
				Typed lyric sheets, some carbons ; [6] p.
				Contents: Fool that I was (3) Life's a funny present from someone My handsome Swattin' the fly

		She's working her way through college, film musical, 1952. Lyrics by Sammy Cahn

BOX-FOLDER 27/1			I'll be loving you
				Ozalid copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 27/2			Love is still for free
				Ozalid copyist's ms. piano-vocal score ; 9 p.

BOX-FOLDER 27/3			Stuff that dreams are made of, The
				Ozalid copyist's ms. piano-vocal score ; 5 p.

BOX-FOLDER 27/4			Who can tell?
				Ozalid copyist's ms. piano-vocal score ; 3 p.

BOX-FOLDER 27/5			She's working her way through college
				Photocopy of typed song listing (also April in Paris) ; [1] p.

		Songe d'une nuit d' hiver (midwinter's night dream), ballet en 1 acte, argument de Vernon Duke, décors et costumes de André Beaurepaire, New York 1949

BOX-FOLDER 27/6-7			Songe d'une nuit d' hiver
				Holograph piano score (transparencies) ; 47 p.
				Ozalids (2) ; 47 p.

		Sweet bye and bye, musical, 1946-1948. Lyrics by Ogden Nash

BOX-FOLDER 27/8			Chase music
				Ozalid of ms. piano score ; 2 p.

BOX-FOLDER 27/9			I says to him
				Ozalids (2) of ms. piano-vocal score ; 5 p.

BOX-FOLDER 27/10			Let's be young
				Ozalid copyist's ms. piano-vocal score ; 6 p.

BOX-FOLDER 27/11			My broker told me so
				Ozalid copyist's ms. piano-vocal score ; 3 p.

BOX-FOLDER 27/12			Opening-act I
				Ozalid of copyist's ms. piano score ; 2 p.

BOX-FOLDER 27/13			Singing commercial
				Ozalid copyist's ms. piano-vocal score ; [1] p.

BOX-FOLDER 27/14			Sweet bye and bye
				Ozalid copyist's ms. piano-vocal score ; 4 p.

BOX-FOLDER 27/15			Utility bridge
				Ozalid copyist's ms. piano score ; [1] p.

BOX-FOLDER 27/16			Sweet bye and bye
				Typed song listing ; [1] p.

		Time remembered, background score and 2 songs for stage play, 1957

BOX-FOLDER 102/2			Ages ago
				Holograph full score ; 17 p.

BOX-FOLDER 102/3			Time remembered
				Ms. full score ; 14 p.

BOX-FOLDER 91/1			Overture
				Holograph full score ; 32 p.

BOX-FOLDER 91/2			I time remembered
				Holograph full score ; 12 p. + p. 5A-6A

BOX-FOLDER 91/3			II lunch music
				Holograph full score ; p. 13-22

BOX-FOLDER 91/4			II-A time remembered
				Holograph piano score ; [1] p.

BOX-FOLDER 91/5			III (Amanda opens the window)
				Holograph full score ; p. 23-35

BOX-FOLDER 91/6			IV Leocadia
				Holograph full score ; p. 35-49 + p. 38a-39b

BOX-FOLDER 91/7			V last scene ; VI Amabile (Albert)
				Holograph full score ; 28 p. + p. A-M laid in

BOX-FOLDER 91/8			VIII coda (act I)
				Holograph full score ; 9 p.

BOX-FOLDER 91/9			IX act II (opening)
				Holograph full score ; 5 p.

BOX-FOLDER 91/10			X tango
				Holograph full score ; 9 p.

BOX-FOLDER 91/11			XI waltz codetta (act II)
				Holograph full score ; 6 p.

BOX-FOLDER 91/12			Entr'acte act III
				Holograph full score ; p. 5-[26]

BOX-FOLDER 91/13			XII tango (music on stage) act III
				Holograph full score ; 8 p.

BOX-FOLDER 91/14			XIII "time remembered" (waltz) act III
				Holograph full score ; 15 p.

BOX-FOLDER 91/15			XIV polka (act III)
				Holograph full score 9 p.

BOX-FOLDER 91/16			XV ages ago (act III) ; (out)
				Holograph full score ; 11 p.

BOX-FOLDER 91/17			XVII transformation scene (act III)
				Holograph full score ; 12 p.

BOX-FOLDER 91/18			XVIII Dawn music
				Holograph full score ; 10 p.

BOX-FOLDER 91/19			XIX final scene (act III)
				Holograph full score ; 22 p.

BOX-FOLDER 91/20			XX Duchess exits - act III
				Holograph full score, 1st p. copyist's ms. piano score ; [4] p.

BOX-FOLDER 28/1			Time remembered
				Photocopy (reverse image) of holograph piano-score (transparencies) ; 51 p.

BOX-FOLDER 28/2			Act II (new opening)
				Holograph piano score ; [2] p.

BOX-FOLDER 28/3			Entracte (act III)
				Ozalid copyist's ms. conductor short score ; 5 p.

BOX-FOLDER 28/4			The waltz (act III) # XIII
				Ozalid copyist's ms. piano conductor score ; p. 5-9

BOX-FOLDER 28/5			Love scene # XIX
				Ozalid copyist's ms. piano conductor score ; p. 21-28

BOX-FOLDER 28/6			Exit music
				Copyist's ms. short score (transparency) ; p. 3

BOX-FOLDER 28/7			Ages ago
				Printed piano-vocal score ; Chappell & co. Inc., New York, N.Y. ; p. 3-5
				Photocopy of above (transparencies)

BOX-FOLDER 28/8			Time remembered
				Holograph piano-vocal score of verse ; [3] p.

BOX-FOLDER 28/9-10			Time remembered
				Printed piano-vocal score ; Chappell & co. Inc., New York, N.Y. ; p. 3-5
				Photocopy of above (transparencies) ; p. 3-4
				Typed lyric sheet ; [1] p.

BOX-FOLDER 28/11			[fragments]
				Various copies and ozalids of pages of holograph piano score and full scores

BOX-FOLDER 28/12			[sketches]
				Holograph melody sketches with some accompaniment, 3 sketches, 2 crossed out ; [2] p.

BOX-FOLDER 28/13			Entr'acte
				Parts (25)

BOX-FOLDER 29/1			I. Time remembered
				Parts (25)

BOX-FOLDER 29/2			II. Lunch music
				Parts (1)

BOX-FOLDER 29/3			IIa.
				Parts (11)

BOX-FOLDER 29/4			III. Amanda opens the window
				Parts (1)

BOX-FOLDER 29/5			IV. Leocadia
				Parts (15)

BOX-FOLDER 29/6			V. last scene ; VI. Albert's theme ; VII. Amanda
				Parts (11)

BOX-FOLDER 29/7			VI. Albert
				Parts (1)

BOX-FOLDER 29/8			VIII. coda (act I)
				Parts (1)

BOX-FOLDER 29/9			IX. act II (opening)
				Parts (2)

BOX-FOLDER 29/10			X. tango
				Parts (1)

BOX-FOLDER 29/11			XI. waltz codetta (act II)
				Parts (1)

BOX-FOLDER 29/12			XIII. time remembered (waltz act III)
				Parts (4)

BOX-FOLDER 29/13			XIV. polka (act III)
				Parts (4)

BOX-FOLDER 29/14			XV. ages ago (act III)
				Parts (5)

BOX-FOLDER 29/15			XVII. transformation scene (act III)
				Parts (1)

BOX-FOLDER 29/16			XVII. dawn music - act 3
				Parts (1)

BOX-FOLDER 30/1			XIX. final scene (act II)
				Parts (3)

BOX-FOLDER 30/2			[XIX.] 19. (new)
				Parts (8)

BOX-FOLDER 30/3			XX. Duchess exits - act III
				Parts (1)

BOX-FOLDER 30/4			Exit music
				Parts (1)

BOX-FOLDER 30/5			Ages ago
				Ozalid copyist's ms. 3 violin arrangement ; 3 p.

BOX-FOLDER 30/6			Time remembered
				Ozalid copyist's ms. 3 violin arrangement ; 3 p.

BOX-FOLDER 30/7			I think you're pretty too
				Carbon of typed lyric sheet ; 2 p.

		Washerwomen's ball, The see: Bal des Blanchisseuse, Le

		Zenda, 1963 musical. Lyrics by Leonard Adelson, Sid Kuller and Martin Charnin

BOX-FOLDER 92/1			Alone at night # 5
				Ms. full score ; 24 p.

BOX-FOLDER 31/1			Alone at night # 6
				Holograph piano-vocal score ; 9 p.
				Photocopy of holograph piano-vocal score alternate section (m. 26-27 changed) ; 1 p.
				Lyric by Leonard Adelson

BOX-FOLDER 31/2			Alone at night
				Copyist's ms. piano conductor score (transparencies) ; 10 p.
				Ozalids (6)

BOX-FOLDER 31/3			Alone at night
				Copyist's ms. piano-vocal score (transparencies) ; 10 p.
				Laid in: typed scene revision ; 2 p. with note attached
				Ozalids (5)

BOX-FOLDER 31/4			Alone at night
				Ozalids (2) alternate version than above ; 6 p.
				Note: 1 copy has 1 m. correction pasted in

BOX-FOLDER 57/1			Alone at night
				Parts (22)

BOX-FOLDER 31/5			Alone at night piano-vocal ; alternate opening
				Copyist's ms. (transparencies) ; 2 p.

BOX-FOLDER 31/6-7			Alone at night (interlude)
				Holograph piano-vocal score ; 2 p.
				Copyist's ms. piano-vocal score (transparencies) ; 2 p.
				Lyric by Martin Charnin
				Note on cover to Pembroke Davenport from Duke
				Ozalids (3)

BOX-FOLDER 92/2			Announcement/rehearsal # 20B
				Ozalids (5) short scores all with revisions, some extensive ; pagination varies, approximately 9 p.

BOX-FOLDER 92/3			Artists # 20
				Ms. full score ; 53 p.
				Laid in: Breakfast (full score) ; 11 p. with 2 p. laid in

BOX-FOLDER 31/8			Artists # 20
				Copyist's ms. (transparencies) ; 27 p.
				Ozalids (6)

BOX-FOLDER 57/2			Artists # 20
				Parts (22)

BOX-FOLDER 92/4			Artists B. G. # 24B
				Ms. full score ; 4 p.

BOX-FOLDER 32/1			Artists B. G. # 24B
				Copyist's ms. piano conductor score (transparencies) ; 2 p.
				Ozalids (3)

BOX-FOLDER 57/3			Artists B. G. # 24B
				Parts (54)

BOX-FOLDER 32/2			Artists - opening act II
				Holograph piano-vocal sketch ; 8 p.
				Lyric by Sid Kuller

BOX-FOLDER 32/3			Artists - opening act II
				Copyist's ms. (transparencies) ; 8 p.
				Ozalids (4) ; 9 p.
				Note: 1 copy missing p. 1 & 2

BOX-FOLDER 32/4-5			[Artists] opening act II
				Ozalids (2) choral arrangement ; 2 p.
				Ms. lyric sheet (sketch) ; 1 p.
				Typed script revisions ; [1,3,4,5] p.

BOX-FOLDER 32/6			New artists
				Ozalids (4) piano-vocal scores ; 3 p.
				Uniform title: Artists

BOX-FOLDER 92/5			Athena's dance/pt. 1 inst./pt. II # 26A, # 26B
				Ms. full score ; p. 1-17 + p. 1-8 laid in

BOX-FOLDER 32/7			Athena (piano-vocal)
				Holograph piano-vocal score ; 4 p. + ms. lyric sheet ; 1 p.

BOX-FOLDER 32/8			Athena's dance part I & II inst. pno. cond.
				Ms. (transparencies) ; p. 1-6, 8-10
				Ozalids (3) ; 1 copy is 6 p., the others are 10 p. ; on t.p.: 26A & 26B

BOX-FOLDER 57/4			Athena's dance/pt. 1 instr. # 26AA
				Parts (22)

BOX-FOLDER 92/6			Athena's dance part III # 26C
				Ms. full score ; 16 p.

BOX-FOLDER 32/9			Athena's dance pt. III (conclusion) # 26C
				Ms. piano conductor score (transparencies) ; 7 p.
				Ozalids (2)

BOX-FOLDER 57/5			Athena's dance pt. III (conclusion) # 26C
				Parts (22)

BOX-FOLDER 33/1			Beautiful B.G. # 17A ; pno. cond. See also: Let her not be beautiful...
				Ozalids (2) ; 2 p.
				Lyric by Martin Charnin

BOX-FOLDER 33/2			Beautiful curtain # 18
				Ozalids piano conductor score (2) ; 2 p.

BOX-FOLDER 63/1			Beautiful curtain # 18
				Parts (20)

BOX-FOLDER 33/3			A bird that never learned to fly # 20
				Holograph piano-vocal score ; 5 p. + [1] p. crossed out at front
				On cover: My heart [has come a tumbling down] (final title)
				Lyric by Leonard Adelson

BOX-FOLDER 33/4			A bird that never learned to fly # 20
				Copyist's ms. piano-vocal scores (wax transparencies) ; 4 p.
				Ozalid lead sheet/condensed score ; 2 p.
				Ozalids (9)
				Lyric by Leonard Adelson, in some copies crossed out and replaced with "Martin Charnin"

BOX-FOLDER 33/5			Reprise of "a bird that never learned to fly"
				Holograph piano-vocal score ; p. 6-8
				Uniform title: A bird that never learned to fly

BOX-FOLDER 33/6			A bird that never learned to fly/reprise
				Copyist's ms. (transparencies) ; 4 p.
				Ozalids (2)

BOX-FOLDER 93/1			Born at last # 21
				Ms. full score ; 42 p.

BOX-FOLDER 33/7			Born at last # 21
				Holograph piano-vocal score ; 4 p.
				Lyric by Martin Charnin

BOX-FOLDER 33/8			Born at last # 21
				Ozalids (5) piano conductor score ; 13 p.

BOX-FOLDER 33/9			Born at last # 21
				Copyist's ms. piano conductor score/later version (transparencies) ; 22 p.
				Ozalids (2)

BOX-FOLDER 58/1			Born at last # 21
				Parts (22)

BOX-FOLDER 33/10			Born [at last]/insert
				Copyist's ms. piano conductor score (transparencies) ; 3 p.
				Ozalids (3), 1 copy with note attached

BOX-FOLDER 58/2			Born [at last]/insert
				Parts (37)

BOX-FOLDER 93/2			Born [at last]/rescore ; (this is in the overture also used for "exit")
				Ms. full score ; 5 p.

BOX-FOLDER 34/1			Born [at last]/rescore ; (this is in the overture also used for "exit")
				Copyist's ms. (transparencies) ; 3 p.
				Ozalids (4) ; 2 with "Born/insert" attached [6] p. ; 1 marked: exit

BOX-FOLDER 58/3			Born [at last]/rescore # 24B
				Parts

BOX-FOLDER 58/4			Exit ; Born [at last]/rescore # 21A
				Parts (22)
				Uniform title: Born at last

BOX-FOLDER 93/3			Bounce # 1A
				Ms. full score ; 30 p.

BOX-FOLDER 34/2			Bounce # 1A
				Ms. piano-vocal score ; 7 p.
				Lyric by Martin Charnin

BOX-FOLDER 34/3			Bounce # 1A
				Copyist's ms. piano conductor score (transparencies) ; 8 p.
				Ozalids (3)
				Lyric by L. Adelson and S. Kuller

BOX-FOLDER 58/5			Bounce # 1A
				Parts (23)

BOX-FOLDER 34/4			Bounce # 34
				Ozalids (4) piano-vocal score ; 9 p.
				Lyric by Martin Charnin

BOX-FOLDER 34/5			Bounce ; new copy
				Ms. lead sheet/condensed score ; [4] p.

BOX-FOLDER 34/6			Bounce
				Ozalids (3) lead sheet/condensed score ; 3 p.

BOX-FOLDER 93/4			Bounce #2, # 1A
				Ms. full score ; 31 p. + new p. 18-21 laid in, p. 19-20 in short score format

BOX-FOLDER 34/7			Bounce #2, # 1A
				Copyist's ms. piano conductor score (transparencies) ; 16 p.
				Ozalids (3)
				Lyric by L. Adelson and C. Kuller

BOX-FOLDER 59/1			Bounce #2, # 1A
				Parts (23)

BOX-FOLDER 34/8			Bounce 2 9/21/63 fix ; pno-cond
				Copyist's ms. (transparencies) ; [3] p.

BOX-FOLDER 34/8			Bounce #2 fix 8/23/63 ; pno-cond
				Ms. (2) ; [1] p. each

BOX-FOLDER 93/5			Bounce exit # 1B
				Ms. full score ; 3 p. + note attached to cover

BOX-FOLDER 35/1			Bounce exit # 1B
				Copyist's ms. piano conductor score (transparency) ; [1] p.
				Ozalids (2)

BOX-FOLDER 35/1			Bounce exit-new # 1B
				Copyist's ms. (transparency) ; [1] p.
				Ozalids (2)

BOX-FOLDER 59/2			Bounce exit # 1B
				Parts (22)

BOX-FOLDER 59/3			Bounce exit-new # 1-B
				Parts (20)

BOX-FOLDER 35/2			Breakfast ; pno-cond
				Copyist's ms. (transparencies) ; 11 p.
				Ozalids (2) ; on t.p.: 20

BOX-FOLDER 35/2			Breakfast coda
				Holograph choral arrangement with accompaniment ; [1] p.

BOX-FOLDER 35/2			[Breakfast]
				Typed script revisions with annotations ; p. [II-1-1] - II-1-3

BOX-FOLDER 59/4			Breakfast # 20
				Parts (22)

BOX-FOLDER 93/6			Bridge # 3-A
				Ms. full score ; 1 p. ; on t.p.: segue to Wonderful sounds

BOX-FOLDER 35/3			Bridge # 3-A
				Ms. short score (transparencies) ; [1] p.
				Ms. piano score ; [1] p.
				Ozalids (2)

BOX-FOLDER 59/5			Bridge # 3-A
				Parts (19)

BOX-FOLDER 59/6			Bridge # 3-A (different version from above)
				Parts (13)

BOX-FOLDER 35/4			Business or pleasure
				On cover: Opening act I
				Holograph piano-vocal score ; 8 p.
				Lyric by Martin Charnin

BOX-FOLDER 93/7			Charming waltz (utility) # 15B
				Ms. full score (correction attached on p. 4) ; 7 p.

BOX-FOLDER 35/5			Charming waltz (utility) # 15B
				Ms. piano conductor score (transparencies) ; 2 p.
				Ozalids (2) ; one is marked "15B", the other is marked "26D"

BOX-FOLDER 59/7			Charming waltz (utility) # 15B
				Parts (36)

BOX-FOLDER 59/8			Charming waltz (utility) # 26D
				Parts (17)

BOX-FOLDER 35/6			Come to me
				Photocopy of holograph piano-vocal score with annotations ; 9 p.
				On t.p.: "Kings and cabbages"
				On recto of p. 2, cover when folded: 11
				Lyric by Martin Charnin

BOX-FOLDER 93/8			Command performance (part I) # 26
				Ms. full score ; 10 p.

BOX-FOLDER 35/7			Command performance (part I) # 26
				Copyist's ms. piano conductor score4 (transparencies) ; 6 p.
				Ozalids (3)

BOX-FOLDER 60/1			Command performance (part I) # 26
				Parts (22)

BOX-FOLDER 93/9			Command [performance] #2, # 26A
				Ms. full score ; 8 p.

BOX-FOLDER 35/8			Command [performance] #2, # 26A
				Copyist's ms. piano conductor score (transparencies) ; 5 p.
				Ozalids (2)

BOX-FOLDER 60/2			Command [performance] #2, # 26A
				Parts (21)

BOX-FOLDER 35/9			Montage "command performance" ; opening - fanfare
				Ms. short score with ozalid material pasted in ; [12] p.
				Uniform title: Command performance
				Sections include: ballet/derived:/1. polka/2. mazurka, 1st transition (unfurling banner), soprano and trio bit, harlequin, transition, Verdi duet (derived: "Zenda"), mazurka

BOX-FOLDER 35/10			Montage "command performance" ; opening - fanfare
				Copyist's ms. short score (transparencies) ; 12 p.
				Uniform title: Command performance
				Ozalids (8)

BOX-FOLDER 36/1			Count the stars # 17
				Ozalids (2) piano-vocal scores ; 5 p.
				On t.p. of 1 copy: No one owns tomorrow/~~Count the stars~~/out obsolete lyrics
				Lyric by Leonard Adelson

BOX-FOLDER 93/10			Curtain act I
				Ms. full score ; 2 p. + note included on score paper

BOX-FOLDER 93/10			Orchestral curtain act I
				Ms. full score ; 2 p. + note attached

BOX-FOLDER 36/2			Orch. curtain act 1 # 18A
				Copyist's ms. (transparencies) ; [1] p.
				Uniform title: Curtain act I
				Ozalids (3)

BOX-FOLDER 60/3			Orch. curtain act 1 # 18A
				Parts (2)
				Uniform title: Curtain act I

BOX-FOLDER 36/3			Curtain/act I/new # 18
				Copyist's ms. piano conductor score (transparencies) ; 2 p.
				Uniform title: Curtain act I
				Ozalids (2)

BOX-FOLDER 60/4			Curtain/act I/new # 18
				Parts (21)
				Uniform title: Curtain act I

BOX-FOLDER 93/11			Curtain act II (yesterday's forgotten)
				Ms. full score ; 6 p.

BOX-FOLDER 36/4			Curtain act II ; pno.cond.
				Copyist's ms. (transparencies) ; 3 p.
				Ozalids (3) ; on t.p. of 1 copy: 19 ; on t.p. of 2 copies: 35

BOX-FOLDER 60/5			Curtain act II # 35
				Parts (21)

BOX-FOLDER 94/1			The elusive Mr. Rassendyl girls dance & vocal # 27
				Ms. full score ; 18 p.

BOX-FOLDER 36/5			The elusive Mr. Rassendyl girls dance & vocal # 27
				Copyist's ms. piano conductor score (transparencies) ; 9 p.
				Ozalids (2)
				Lyric by S. Kuller

BOX-FOLDER 60/6			The elusive Mr. Rassendyl girls dance & vocal # 27
				Parts (22)

BOX-FOLDER 36/6			The elusive Mr. Rassendyl # 24
				Holograph piano-vocal score ; 6 p.

BOX-FOLDER 36/7			The elusive Mr. Rassendyl (Rassendyl and girls) part 1 # 24
				Ozalids (6 + one p. [1]) piano-vocal scores
				Lyric by Leonard Adelson

BOX-FOLDER 36/8			The elusive Mr. Rassendyl (Rassendyl and girls) part 1 # 24
				Copyist's ms. (transparencies) ; 6 p. + [1] p. with 4 m. marked: old-intro ; and Addelson listed as lyricist
				Ozalids (4)
				Lyric by Sid Kuller

BOX-FOLDER 36/9			The elusive Mr. Rassendyl part 2 (Rassendyl and girls) # 25
				Copyist's ms. (transparencies) ; 2 p.
				Ozalids (2)
				Lyric by Leonard Adelson

BOX-FOLDER 36/10			[The] elusive Mr. Rassendyl intro
				Holograph piano score ; 1 p.

BOX-FOLDER 36/10			The elusive Mr. Rassendyl/(added verse)
				Holograph piano-vocal score ; [1] p.
				Lyric by Sid Kuller

BOX-FOLDER 94/2			[The] elusive [Mr. Rassendyl] patter # 27A
				Ms. full score ; 6 p.

BOX-FOLDER 36/11			[The] elusive [Mr. Rassendyl] patter # 27A
				Copyist's ms. piano cond. score (transparencies) ; [2] p. with 4 m. marked: old-intro
				Ozalids (2)

BOX-FOLDER 60/7			[The] elusive [Mr. Rassendyl] patter # 27A
				Parts (19)

BOX-FOLDER 36/12			The elusive Mr. Rassendyl # 21, # 22
				Ozalid (various sections) and 1 p. of manuscript piano-vocal score ; [6] p.

BOX-FOLDER 36/13			Enchanting girls
				Holograph piano-vocal score and sketch; [4] p.

BOX-FOLDER 36/14			Enchanting girls
				Ozalids (6) ; 4 p.
				Ozalids (2) lead sheet marked: (-2nd chorus-) ; [1] p.
				Typed lyric sheet ; 1 p.
				Lyric by Sid Kuller
				See later versions under titles: Girls...

BOX-FOLDER 36/15			Entre acte ; pno. cond.
				Ozalids (3) ; 2 copies are 6 p., 1 copy is 9 p.
				On t.p.: Overture fine to train station ; on 2 copies: "19" ; on 1 copy: "18-A"

BOX-FOLDER 60/8			Entre acte ; overture fine to train station # 19
				Parts (20)

BOX-FOLDER 94/3			Exit music
				Ms. full score ; 12 p.
				Laid in: full score "overture #1. ending" ; p. a-b

BOX-FOLDER 36/16			Exit music
				Copyist's ms. piano conductor score (transparencies) ; 15 p.
				Ozalid

BOX-FOLDER 61/1			Exit music
				Parts (20)

BOX-FOLDER 94/4			Fanfare
				Ms. full score, unfinished ; 3 p.

BOX-FOLDER 94/5			Festive march/inst. # 6
				Ms. full score ; 9 p.

BOX-FOLDER 37/1			Festive march/inst. # 6
				Copyist's ms. short score (transparencies) ; 3 p.
				Ozalids (2)

BOX-FOLDER 37/2			Festive march/inst. # 6
				Holograph piano score ; 2 p.

BOX-FOLDER 37/3			Festive march/inst. # 6
				Copyist's ms. piano score (transparencies) ; 2 p.
				Ozalids (2)

BOX-FOLDER 61/2			Festive march/inst. # 6
				Parts (19)

BOX-FOLDER 37/4			Folk dance ; polka # 11
				Holograph piano score ; [5] p.

BOX-FOLDER 37/5			Folk dance ; polka # 11
				Copyist's ms. piano score (transparencies) ; 5 p.
				Ozalids (4), 2 copies have measures removed from p. 3

BOX-FOLDER 37/6			A gift of love ; wedding chorus ; piano-chos
				Copyist's ms. (transparencies) ; 4 p.
				Ozalids (2)

BOX-FOLDER 37/7			A gift of love
				Holograph choral parts SATBBa ; 1 p. each, Baritone and Bass together, for a total of 4 p.

BOX-FOLDER 37/8			A gift of love
				Copyist's ms. choral parts SATBBa (transparencies) ; 1 p. each, Baritone and Bass together, for a total of 4 p.
				Ozalids (8, 2 copies of each part)
				Lyric by Martin Charnin

BOX-FOLDER 37/9			A gift of time ; (vocal)
				Ozalid piano-vocal score ; p. 3-6

BOX-FOLDER 37/9			A gift of time ; duet version (verse wedded to chorus)
				Ozalid (2) piano-vocal score ; p. 7-11

BOX-FOLDER 37/9			A gift of time ; ~~Life/Time and place~~ (music under dialogue)
				Ozalid piano score ; 2 p.
				Lyric by Leonard Adelson

BOX-FOLDER 37/10			A girl for every day of the week # 2
				Holograph piano-vocal score ; 4 p.

BOX-FOLDER 37/11			A girl for every day of the week # 2
				Copyist's ms. piano-vocal score (transparencies) ; p. 5-10
				Ozalids (5)
				Lyric by Leonard Addelson and Sid Kuller

BOX-FOLDER 37/12			Girls
				Holograph piano-vocal sketch ; [2] p.

BOX-FOLDER 37/13			Girls
				Ozalids (2) piano-vocal score ; 4 p.

BOX-FOLDER 94/6			Girls and Rassendyl # 29
				Manuscript full score ; 16 p.

BOX-FOLDER 37/14			Girls and Rassendyl # 29
				Copyist's ms. piano conductor score (transparencies) ; 11 p.
				Ozalids (2)

BOX-FOLDER 61/3			Girls and Rassendyl # 29
				Parts (22)

BOX-FOLDER 94/7			Girls exit # 32
				Ms. full score ; 7 p. + 1 p. crossed out

BOX-FOLDER 37/15			Girls exit # 32
				Copyist's ms. piano conductor score (transparencies) ; 3 p.
				Ozalids (2)

BOX-FOLDER 61/4			Girls exit # 32
				Parts (21)

BOX-FOLDER 37/16			Girls exit - new intro # 32
				Copyist's ms. piano conductor score (transparencies) ; 1 p.
				Ozalids (2), 1 copy attached to "Girls exit" as above

BOX-FOLDER 37/17			Girls exit - new intro # 32
				Ms. short scores, alternate from above (2) ; 1 p. + attached to: "Girls exit ; pno. cond." ; 3 p.

BOX-FOLDER 38/1			Happy horns and merry bells # 4
				Copyist's ms. piano-vocal score (transparencies) ; 7 p.
				Ozalids (3)
				Lyric by Leonard Adelson and Sid Kuller

BOX-FOLDER 38/2			He wouldn't dare # 32
				Ozalids (2) piano-vocal scores ; 5 p.
				Lyric by Martin Charnin
				Became, with new lyrics "Here and there", see below

BOX-FOLDER 38/3			Hello, must do a show, goodbye!
				Holograph piano-vocal score ; 11 p.
				Lyric by Leonard Adelson and Sid Kuller

BOX-FOLDER 38/4			Hello, must do a show, goodbye!
				Copyist's ms. (transparencies) ; 14 p.
				Ozalid

BOX-FOLDER 38/5			Here and there # 11
				Copyist's ms. piano conductor score (transparencies) ; 13 p.
				Ozalids (5) ; 1 copy marked : out
				Lyric by Martin Charnin
				The same music was used previously as "He wouldn't dare", see above

BOX-FOLDER 61/5			Here and there # 11
				Parts (20)

BOX-FOLDER 38/6			Here and there # 32
				Ozalids (6) piano-vocal scores ; 11 p.

BOX-FOLDER 38/7			I wonder what he meant by that
				Holograph piano-vocal score ; 8 p. + an original 1st p. that is crossed out
				Lyric by Leonard Adelson

BOX-FOLDER 38/8			I wonder what he meant by that
				Copyist's ms. (transparencies) ; 12 p. + alternate p. 10 with different lyric at the bottom

BOX-FOLDER 39/1			I wonder what he meant by that # 15
				Ozalids (10) (various) ; 12 p. ; some copies have laid in "new ending" and/or "vocal"

BOX-FOLDER 94/8			I wonder what he meant by that / vocal # 15A
				Ms. full score ; 26 p. + additional internal pages stapled or taped together

BOX-FOLDER 39/2			I wonder what he meant by that / vocal # 15A
				Copyist's ms. piano cond. score (transparencies) ; 10 p. + p. 11 "new ending", p. [12] "extension", p. [13] "insert", p. 2 (p. [14]) "insert"
				Ozalids (5), cut and paste sections, and "new endings" etc. taped at end

BOX-FOLDER 62/1			I wonder what he meant by that / vocal # 15A
				Parts (26)

BOX-FOLDER 39/3			I wonder what he meant by that choir
				Ms. choral sketches ; [3] p.

BOX-FOLDER 39/4			I wonder what he meant by that ; vocal
				Copyist's ms. choral score (transparencies) ; 2 p.
				Ozalids (2)

BOX-FOLDER 40/1			New end - meant by that
				Ms. piano-vocal sketch ; 1 p.
				Uniform title: I wonder what he meant by that

BOX-FOLDER 40/1			End-meant
				Ms. piano-vocal sketch ; 1 p.
				Uniform title: I wonder what he meant by that

BOX-FOLDER 40/2			"Meant by that" ; new ending
				Copyist's ms. piano-vocal score (transparencies) ; 1 p.
				Uniform title: I wonder what he meant by that
				Ozalids (2)

BOX-FOLDER 94/9			I wonder what he meant by that/cerem. dance # 15
				Ms. full score ; 10 p. + p. "a" at front

BOX-FOLDER 40/3			I wonder what he meant by that/cerem. dance # 15
				Copyist's ms. piano-conductor score (transparencies) ; 4 p.
				Ozalids (2)

BOX-FOLDER 62/2			I wonder what he meant by that/cerem. dance # 15
				Parts (22)

BOX-FOLDER 62/3			I wonder [what he meant by that]/insert (utility)
				Parts (17)

BOX-FOLDER 40/4			I won't stand in your way # 7
				Photocopy of holograph piano-vocal score with annotations ; 5 p. (pages taped vertically and horizontally)
				Lyric by Martin Charnin

BOX-FOLDER 40/5			I'll marry a soldier # 5
				Photocopy of holograph piano-vocal score with annotations ; 5 p. (pages taped vertically and horizontally)
				Lyric by Martin Charnin

BOX-FOLDER 40/6			It does not # 17, # 23
				Holograph piano-vocal score ; 7 p.
				Lyric by Leonard Adelson

BOX-FOLDER 40/7			It does not # 17, # 23
				Ozalids (7) piano-vocal scores (with pasteovers) ; 9 p.
				Incomplete ozalid marked "obsolete master" on the outside, containing p. 2, 3, 4, 6 & 7 of copyist's ms. (transparencies included)

BOX-FOLDER 40/8			~~It does not~~ why not
				Ozalids (2) piano-vocal scores (later alternate version than above) ; 8 p.
				Uniform title: It does not
				1 copy has laid in typed script revisions with lyrics ; p. II-3-4A -II-3-4B (2 p.)

BOX-FOLDER 40/8			~~It does not~~ why not
				Ms. listing of productions staff telephone numbers ; 1 p.
				Uniform title: It does not

BOX-FOLDER 40/9			It's a quaint little custom # 10
				Holograph piano-vocal score ; verse p. 1-3, refrain p. 1-5
				In folder marked: out/replaced with # 10 A whole lot of happy
				Lyric by Leonard Adelson

BOX-FOLDER 40/10			It's a quaint little custom # 10
				Ozalids (2) piano-vocal scores ; 8 p.
				Ozalids (2) (alternate from above) including verse ; 11 p. ; on t.p.: 10
				Ozalids (2) verse only ; 3 p.

BOX-FOLDER 41/1			Kings and cabbages # 8
				Holograph melody sketch with some chord indications ; [1] p.
				Ms. lyric sheet laid in ; [1] p.

BOX-FOLDER 41/1			Kings and cabbages # 8
				Photocopy of holograph piano-vocal score with annotations ; [3] p.
				Lyric by Martin Charnin

BOX-FOLDER 94/10			Let her not be beautiful # 17
				Ms. full score ; 16 p.

BOX-FOLDER 41/2			Let her not be beautiful # 17
				Copyist's ms. piano conductor score (transparencies) ; 8 p. + "Fix on let her not be beautiful" ; [1] p.
				Ozalids (3)
				Ozalids (2) ; "corrected" version

BOX-FOLDER 41/5			Let her not be beautiful # 17
				Copyist's ms. piano-vocal score (alternate version from above) ; 4 p.
				Ozalids (5) ; 4 p.
				Typed lyric sheet with annotations ; p. I-11-4A

BOX-FOLDER 62/4			Let her not be beautiful # 17
				Parts (22)

BOX-FOLDER 41/3			Let her not be beautiful (you are all that's beautiful)
				Holograph piano-vocal score ; 4 p.

BOX-FOLDER 41/4			Let her not be beautiful (you are all that's beautiful)
				Ozalid piano-vocal score ; 4 p.

BOX-FOLDER 94/11			Let her not be beautiful reprise # 33, # 17A
				Ms. full score (some p. are stapled on top of others) ; 14 p.

BOX-FOLDER 62/5			Let her not be beautiful reprise # 33, # 17A
				Parts (22)

BOX-FOLDER 41/6			Let her not be beautiful (reprise) ; pno. cond.
				Copyist's ms. (transparencies) ; 6 p.
				Ozalid

BOX-FOLDER 41/7			Let her not be beautiful (reprise-new) # 33
				Copyist's ms. (transparencies) ; 2 p.
				Ozalids (2) these are the same ozalids as above with pasteovers from the "new" ozalids

BOX-FOLDER 41/7			Let her not be beautiful/reprise
				Ozalid (non-reprise version with annotations regarding the reprise) piano-vocal score ; 4 p.

BOX-FOLDER 41/8			Ending of "let her not be beautiful" reprise
				Ms. sketch ; 2 p.
				Uniform title: Let her not be beautiful reprise

BOX-FOLDER 41/9			Beautiful B.G. # 17A
				Uniform title: Let her not be beautiful
				Ozalids (2) piano conductor score ; 2 p.

BOX-FOLDER 62/6			Beautiful B.G. # 17A
				Parts (20)
				Uniform title: Let her not be beautiful

BOX-FOLDER 41/10			Life (music under dialogue) ; Life [verse] ; Life/duet version (verse wedded to chorus)
				Ozalids (2) piano-vocal score with no lyric ; 11 p.
				Original title: Time and place

BOX-FOLDER 94/12			Love is the worst possible thing # 25
				Ms. full score ; 30 p. + [1] p. "insert before last 4 bars"
				Short score sketch laid in: "Sexy episode" and "Punch and Judy" ; [1] p.

BOX-FOLDER 41/11			Love is the worst possible thing # 25
				Copyist's ms. piano conductor score (transparencies) ; 11 p. + old p. 11
				Ozalids (2) with various annotations

			Page - 9 - new (love is the worst)
				Copyist's ms. (transparency) ; 1 p.
				Ozalid

BOX-FOLDER 41/12			Love is the worst possible thing
				Copyist's ms. piano vocal score (transparencies) ; 6 p.
				Ozalids (4) with various annotations
				Dated: 8/19/63

BOX-FOLDER 41/13			Love is the worst possible thing
				Copyist's ms. piano-vocal score (transparencies) ; 4 p.
				Ozalid + holograph attached ; p. 4
				Dated: 8/17/63
				Lyric by Martin Charnin

BOX-FOLDER 63/2			Love is the worst possible thing
				Parts (23)

BOX-FOLDER 41/14			Love is [the worst possible thing] (counter melody)
				Holograph sketch, unidentified sketches on verso ; [1] p.

BOX-FOLDER 94/13			[Love is the worst possible thing] reprise
				Ms. full score ; 2 p. + note attached to front

BOX-FOLDER 42/1			Love [is the worst possible thing] reprise # 34 ; pno. cond.
				Ozalids (2) ; 6 p.

BOX-FOLDER 42/1			Fix 8/22/63 Love [is the worst possible thing] reprise
				Copyist's ms. short score (transparencies) ; [1] p.

BOX-FOLDER 63/3			Love [is the worst possible thing] reprise new # 34
				Parts (20)

BOX-FOLDER 42/2			Loveless you and hateful me # 13
				Holograph piano-vocal score ; 6 p. + [1] p. crossed out piano score for "National anthem"
				Lyric by Sid Kuller

BOX-FOLDER 42/3			Loveless you and hateful me # 13
				Copyist's ms. piano-vocal score (transparencies) ; 8 p.
				Ozalid, alternate version ; 6 p.
				Ozalids (2)

BOX-FOLDER 95/1			Magic music # 28
				Ms. full score ; 6 p.

BOX-FOLDER 42/4			Magic music # 28
				Ms. short score ; [3] p.
				Photocopy

BOX-FOLDER 42/5			Magic music # 28
				Copyist's ms. piano conductor score (transparencies) ; 2 p.
				Ozalids (4)

BOX-FOLDER 63/4			Magic music # 28
				Parts (23)

BOX-FOLDER 63/5			Magic music # 31
				Parts

BOX-FOLDER 42/6			Mazurka # 12
				Holograph piano score ; [3] p.

BOX-FOLDER 42/7			Mazurka # 12
				Copyist's ms. in ink on (transparencies) ; 3 p.
				Ozalids (3) ; 2 copies 4 p., 1 copy 2 p.

BOX-FOLDER 42/8			Montage poster # 26A ; train
				Copyist's ms. short score (transparencies) ; [2] p. ; on first p. "old pg. 8", from: Overture fine to train station
				Ozalids (2) ; [4] p. (?, 9, 5, 6)

BOX-FOLDER 63/6			Montage poster # 26A ; train
				Parts (20)

BOX-FOLDER 42/9			The morning you were born
				Photocopy of holograph piano-vocal score with holograph lyric ; [3] p.
				Lyric by Martin Charnin

BOX-FOLDER 95/2			My heart has come a tumblin' down # 24
				Ms. full score ; 15 p.

BOX-FOLDER 42/10			My heart has come a tumblin' down # 24
				Copyist's ms. piano conductor score (transparencies) ; 8 p.
				Ozalids (2)
				Typed lyric sheet with annotations ; 1 p.
				Lyric by Martin Charnin

BOX-FOLDER 64/1			My heart has come a tumblin' down # 24
				Parts (20)

BOX-FOLDER 42/11			My heart has come a-tumblin-down ; new verse
				Holograph piano-vocal score ; [3] p.

BOX-FOLDER 42/12			My heart has come a tumblin' down - rehearsal ; pno. cond.
				Copyist's ms. (transparencies) ; 2 p.
				Ozalids (3) with various annotations

BOX-FOLDER 42/13			My heart [has come a tumblin' down] - rehearsal ; change master bars 8 + 9
				Ms. (2) sketches ; [1] p. each

BOX-FOLDER 42/14			My heart has come-a-tumbling-down (refrain - beguine version)
				Ms. piano-vocal score ; 2 p.

BOX-FOLDER 42/15			My heart has come-a-tumbling-down (refrain - beguine version)
				Copyist's ms. piano-vocal score (transparencies) ; 3 p.
				Ozalids (2)

BOX-FOLDER 95/3			My heart has come a tumblin' down / vocal tag # 24A
				Ms. full score ; 7 p.

BOX-FOLDER 42/16			My heart has come a tumblin' down / vocal tag # 24A
				Copyist's ms. piano conductor score (transparencies) ; 4 p.
				Ozalids (2)

BOX-FOLDER 64/2			My heart has come a tumblin' down / vocal tag # 24A
				Parts (21)

BOX-FOLDER 95/4			[My heart has come a] tumbling [down] - opt. end
				Ms. full score ; p. 10-12 + title p. attached

BOX-FOLDER 42/17			[My heart has come a] tumbling [down] - opt. end
				Ms. piano conductor score (transparencies) ; 2 p.
				Ozalids (2)

BOX-FOLDER 64/3			[My heart has come a] tumbling [down] - opt. end
				Parts (19)

BOX-FOLDER 95/5			[My heart has come a] tumbling down / march int. # 23
				Ms. full score ; 13 p.

BOX-FOLDER 42/18			[My heart has come a] tumbling down / march int. # 23
				Copyist's ms. piano conductor score (transparencies) ; 4 p.
				Ozalids (2)

BOX-FOLDER 64/4			[My heart has come a] tumbling down / march int. # 23
				Parts (22)

BOX-FOLDER 95/6			My royal majesty # 3
				Ms. full score ; 48 p. + [3] p. laid in: bar 166, new p. 46-47

BOX-FOLDER 43/1			My royal majesty # 3
				Copyist's ms. piano conductor score (transparencies) ; 13 p.
				Ozalids (5) (with pasteovers), 1 copy has laid in ms.: #3A ; [1] p.

BOX-FOLDER 43/2			My royal majesty # 3
				Holograph piano-vocal score ; 15 p. + "introduction (royal fanfare)" inside of front cover ; [1] p., and "interlude" at back ; [3] p.

BOX-FOLDER 43/3			My royal majesty # 3
				Ozalids (7) (first version) ; 15 p. ; some dated: 6/27/63 ; 1 copy has laid in "ending" in ms., lyric sketch on back ; [1] p. with "coda"
				Ozalids (2) (2nd version) ; 18 p. ; on t.p.: out ; 1 copy dated: 5/31/63
				Ozalid ; 13 p.

BOX-FOLDER 64/5			My royal majesty # 3
				Parts (25)

BOX-FOLDER 95/7			My royal majesty ; new end ; new 183 ; not this end
				Ms. full score ; [1] p.

BOX-FOLDER 95/7			My royal majesty ; rescore 165-166
				Ms. full score (crossed out) ; [1] p.

BOX-FOLDER 43/4			My royal majesty ; 10/17/63 new bars 175 to end
				Copyist's ms. piano-vocal score (transparencies) ; [1] p.
				Ozalid

BOX-FOLDER 43/4			My royal majesty ; 10/16/63 (new revised) ; coda
				Copyist's ms. piano-vocal score (transparencies) ; p. 17-18

BOX-FOLDER 43/4			My royal majesty ; 10/15/63 (revised) ; coda
				Copyist's ms. piano-vocal score (transparencies) ; p. 17-18
				Ozalids (2)

BOX-FOLDER 95/8			My royal majesty/B.G. # 14
				Ms. full score ; 4 p.

BOX-FOLDER 43/5			My royal majesty/B.G. # 14
				Copyist's ms. piano conductor score (transparencies) ; 2 p.
				Ozalids (2)

BOX-FOLDER 64/6			My royal majesty/B.G. # 14
				Parts (23)

BOX-FOLDER 44/1			National anthem
				Photocopy of holograph piano-vocal score with "dummy lyric" ; [2] p.
				Photocopy of holograph piano-vocal score, no lyric ; [2] p.
				Copyist's ms. piano-vocal (transparencies), no lyric ; 2 p. ; note attached
				Ozalids (2)
				Lyric by Martin Charnin

BOX-FOLDER 44/2			Never let them know what's going on
				Photocopy of holograph piano-vocal score with holograph lyric ; [3] p.

BOX-FOLDER 95/9			The night is filled with wonderful sounds # 4
				Ms. full score ; 32 p. + [2] p. of sketch material attached at p. 16

BOX-FOLDER 44/3			The night is filled with wonderful sounds # 4
				Copyist's ms. piano conductor score (transparencies) ; 13 p. + "new 58-59 [4] 8/13/63" ; [1] p., "[4] fix 8/8/63" ; [1] p.
				Ozalids (4) (pasteovers)
				Lyric by Martin Charnin

BOX-FOLDER 44/4			The night is filled with wonderful sounds # 4
				Ms. piano-vocal score ; [2] p.

BOX-FOLDER 44/5			The night is filled with wonderful sounds # 4
				Ozalids (2) piano-vocal scores ; 2 p.

BOX-FOLDER 65/1			The night is filled with wonderful sounds # 4
				Parts (22)

BOX-FOLDER 44/6			The night is filled with wonderful sounds # 4
				Copyist's ms. piano-vocal score (transparencies) ; 7 p.

			[The night is filled with] wonderful sounds # 4 (pages 3-4 in Ab)
				Holograph piano-vocal score corrections ; [1] p.

BOX-FOLDER 44/7			The night is filled with wonderful sounds # 4
				Ozalids (alternate version from above) (5) piano-vocal score ; 7 p., 1 copy only p. 3-5

BOX-FOLDER 44/8			Night [is] filled [with wonderful sounds, The]
				Copyist's ms. (transparencies) ; p. 3-4 ; marked "obsolete"
				Ozalid
				Includes: Insert on "sounds" bar 70A. Ms. sketch ; [1] p. Insert sounds. Ms. sketch ; [1] p.

BOX-FOLDER 44/9			[The night is filled with] wonderful sounds intro ; choir
				Ms. short score with choral arrangement ; [1] p.

BOX-FOLDER 44/10			[The night is filled with] wonderful sounds intro ; choir
				Copyist's ms. (transparency) ; [1] p.
				Ozalids (6), 1 copy attached to ozalid piano-vocal score ; 7 p.

BOX-FOLDER 44/11			[The] night is filled with wonderful sounds - last choir chorus
				Ms. choral arrangement ; [2] p. ; laid in choral sketch ; 2 p.

BOX-FOLDER 44/12			[The] night is filled with wonderful sounds - last choir chorus
				Copyist's ms. (transparencies) ; 2 p.
				Ozalids (6)

BOX-FOLDER 95/10			[The night is filled with] wonderful sounds (utility)
				Ms. full score ; 8 p. + p. 47 laid in

BOX-FOLDER 44/13			[The night is filled with] wonderful sounds (utility)
				Copyist's ms. piano conductor score (transparencies) ; 4 p.
				Ozalids (2) with "born/insert" attached ; [7] p.
				Ozalid with "yesterdays/orch." attached ; [6] p.
				Ozalids (5)

BOX-FOLDER 65/2			[The night is filled with] wonderful sounds (utility)
				Parts (37)

BOX-FOLDER 95/11			No ifs - no ands - no buts # 22
				Ms. full score ; 26 p. + insert new p. 16-18 + "insert #2" ; [1] p.

BOX-FOLDER 45/1			No ifs - no ands - no buts # 22
				Copyist's ms. piano conductor score (transparencies) ; 7 p.
				Ozalids (3), inserts and pasteovers
				Lyric by Martin Charnin

BOX-FOLDER 65/3			No ifs - no ands - no buts # 22
				Parts (20)

BOX-FOLDER 45/2			No buts! no ifs! no ands! # 33
				Ozalids (6) piano-vocal score ; 6 p. ; 1 copy has laid in revision : p. 3-9
				Uniform title: No ifs - no ands - no buts

BOX-FOLDER 45/3			"No buts! no ifs! no ands!" 10/15/63 (revised)
				Copyist's ms. piano-vocal score (transparencies) ; p. 3-9
				Uniform title: No ifs - no ands - no buts
				Ozalid
				Includes: 10/17/63 "revised" (no buts) ; insert page. Copyist's ms. (transparencies) ; m. 53-58G, 1 p. Ozalid. 10/17/63 (no buts!) ; insert page. Copyist's ms. (transparencies) ; m. 93-100, 1 p. Ozalid.

BOX-FOLDER 95/12			No more love # 2
				Ms. full score ; 32 p. + "new intro" attached at front ; p. a

BOX-FOLDER 45/4			No more love # 2
				Copyist's ms. piano conductor score (transparencies) ; 16 p.
				Ozalids (4), 1 copy has "no more love intro" attached ; [1] p.

BOX-FOLDER 45/5			No more love # 2
				Ozalids (5) piano-vocal scores ; 10 p. ; 1 copy 1st p. of "pno. cond." attached ; + [1] p.
				Dated: 7/12
				Lyric by Martin Charnin

BOX-FOLDER 45/6			No more love # 2
				Copyist's ms. piano-vocal score (transparencies) ; 10 p.
				Ozalids (6) ; 12 p. ; 1 copy has "interlude (1), (2) & (3)" laid in ; [3] p., 1 copy has holograph 3 m. sketch laid in ; [1] p., 1 copy has "pno. cond." attached, and holograph sketch of "interludes" laid in ; [1] p. each
				Dated: 7/1/63

BOX-FOLDER 65/4			No more love # 2
				Parts (20)

BOX-FOLDER 96/1			No more love new intro # 2
				Ms. full score ; 5 p.

BOX-FOLDER 65/5			No more love new intro # 2
				Parts (5)

BOX-FOLDER 46/1			No more love new intro # 2
				Copyist's ms. piano conductor score (transparencies) ; 2 p.
				Ozalids (2) with various annotations

BOX-FOLDER 46/1			No more love intro # 2 ; pno-cond ; 8/1/63
				Copyist's ms. (transparencies) ; [1] p.
				Ozalids (2)

BOX-FOLDER 46/2			No more love ; vocal
				Copyist's ms. choral score (transparencies) ; 4 p.
				Ozalids (2)

BOX-FOLDER 46/3			No more love interlude (1) 7/16 ; No more love interlude (2) 7/16 ; No more love interlude (3) 7/16
				Ms. piano-vocal sketches (3) ; [1] p. each
				Copyist's ms. (3) (transparencies) ; [1 p]. each
				Ozalids (6) (2 copies of each)

BOX-FOLDER 46/4			New end no more love
				Ms. piano-choir score ; [1] p.
				Uniform title: No more love

BOX-FOLDER 46/4			No more love/new (new ending) ; pno. choir ; 7/27/63
				Copyist's ms. (transparencies) ; 2 p.
				Uniform title: No more love
				Ozalids (2)
				Above items were found in a folder marked: out

BOX-FOLDER 46/5			No one owns tomorrow
				Copyist's ms. piano-vocal score (transparencies) ; 5 p. + note attached
				Ozalids (4), 1 copy missing p. 5
				Typed lyric sheet with annotations ; [1] p.
				Lyric by Leonard Addelson

BOX-FOLDER 46/5			"Tomorrow" ; 7/1/63
				Ms. 3 m. piano-vocal sketch ; [1] p.
				Became "Yesterday's forgotten" with new lyric

BOX-FOLDER 46/6			No one owns tomorrow # 17
				Ozalids (4) piano-vocal scores, various versions ; 5 p.

BOX-FOLDER 46/7			No two ways about love
				Holograph sketch ; [1] p.
				Lyric by Martin Charnin

BOX-FOLDER 46/8			Old friend
				Copyist's ms. piano-vocal (transparencies) ; 4 p.
				Ozalids (2)
				Lyric by Leonard Adelson

BOX-FOLDER 46/9			One night ago
				Holograph piano-vocal score ; 8 p. ; on cover: (instrumental in act I; sung in act II)

BOX-FOLDER 46/10			One night ago # 19
				Copyist's ms. (transparencies) ; 11 p.
				Ozalids (4), 1 copy has typed lyric sketch laid in ; [1] p., 1 copy is 5 p. long with an alternate p. 5, and missing measure numbers on p. 2-5
				Lyric by Leonard Adelson

BOX-FOLDER 46/11			One night ago (dance interlude)
				Holograph piano score ; [2] p.

BOX-FOLDER 46/12			Opening act I
				Holograph piano score ; 1 p.

BOX-FOLDER 46/12			Act one opening # 1
				Copyist's ms. piano-vocal score (transparencies) ; 4 p.
				Ozalids (2)
				Lyric by Leonard Adelson and Sid Kuller

BOX-FOLDER 96/2			Opening act II
				Ms. full score ; 5 p.

BOX-FOLDER 47/1			Opening act II # 19
				Copyist's ms. piano conductor score (transparencies) ; 3 p.
				Ozalids (2)

BOX-FOLDER 47/1			Opening/act II # 35
				Ozalids (2) piano-vocal scores, 1 copy leads into "Artists" ; 9 p., the other copy is 2 p.
				Lyric by Sid Kuller

BOX-FOLDER 66/1			Opening act II # 19
				Parts (22)

BOX-FOLDER 47/2			Organization ; (act II) opening # 14
				Holograph piano-vocal score ; 15 p. + taped on extension on p. 5
				Lyric by Leonard Adelson

BOX-FOLDER 47/3			Organization
				Ozalid piano-vocal score ; 19 p.

BOX-FOLDER 47/4			Overture ; pno. cond.
				Copyist's ms. (transparencies) ; 10 p.
				Ozalids (2), "insert" attached ; 17 p. (approx.)

BOX-FOLDER 66/2			Overture # 1 ; overture insert ; born/rescore ; born/insert
				Parts (23)

BOX-FOLDER 47/5			Overture (insert)
				Copyist's ms. piano conductor score (transparencies) ; p. 11-17
				Ozalid

BOX-FOLDER 66/3			Overture (insert)
				Parts (17) (transparencies)

BOX-FOLDER 96/3			New overture # 2
				Ms. full score ; 36 p.
				Uniform title: Overture

BOX-FOLDER 96/4			Overture # 2
				Ms. full score ; [34] p., p. 1, 3-4, 7-8, 18-46
				Dated: 8/22/63

BOX-FOLDER 66/4			Overture # 2
				Parts (26)

BOX-FOLDER 47/6			Overture # 2 ; 8/23/63
				Copyist's ms. piano cond. score (transparencies) ; [16] p. 1-13 + 8A-8C
				Copyist's ms. short score fixes (transparencies) ; [6] p.
				Ozalids (3)
				Note: "Overture # 1 end 8/26/63", "Overture # 2 8/23/63", "Overture #2", "Overture # 2 fix 8/23/63", Overture # 2 fix 8/23/63", "Overture # 2 8/23/63"

BOX-FOLDER 96/5			Overture fine to train station # 1C
				Ms. full score ; 18 p.

BOX-FOLDER 47/7			Overture fine to train station # 1C
				Copyist's ms. piano conductor score (transparencies) ; 7 p.
				Ozalids (3) ; 9 p.

BOX-FOLDER 67/1			Overture fine to train station # 1C
				Parts (35)

BOX-FOLDER 47/8			Orland national anthem
				Holograph piano score ; 1 p. ; on t.p.: Kings and cabbages

BOX-FOLDER 48/1			Patroness of art (opening act II)
				Holograph piano-vocal score ; 9 p. + 2-A and 2 crossed out p. including sketch for "interlude I wonder what he meant"

BOX-FOLDER 48/2			Patroness of Art # 18
				Copyist's ms. piano-vocal score (transparencies) ; 16 p.
				Ozalids (2) ; 16 p.
				Ozalid, alternate version ; 15 p.
				Lyric by Sid Kuller

BOX-FOLDER 48/3			Pull a rabbit out of the hat
				Ozalids (2) piano-vocal score ; 8 p.
				Lyric by Leonard Adelson

BOX-FOLDER 96/6			Queen mother's crossover
				Ms. full score ; 26 p.

BOX-FOLDER 48/4			Queen mother's crossover
				Ms. short score sketch ; [8] p., p. 1-3, 3A, 4-6, [unnumbered]

BOX-FOLDER 48/5			Queen mother's crossover
				Copyist's ms. piano conductor score (transparencies) ; 14 p.
				Ozalid

BOX-FOLDER 67/2			Queen mother's crossover
				Parts (22)

BOX-FOLDER 96/7			A royal confession # 13 ; (my son-in-law the king)
				Ms. full score ; 19 p.

BOX-FOLDER 48/6			A royal confession # 13 ; (my son-in-law the king)
				Copyist's ms. piano conductor score (transparencies) ; 8 p.
				Ozalids (2), final corrections dated: 8/7/63
				Ozalids (2), final corrections dated: 8/5/63
				Ozalids (2), dated: 7/22/63
				Ozalids (2), undated
				Lyric by Sid Kuller

BOX-FOLDER 67/3			A royal confession # 13 ; (my son-in-law the king)
				Parts (23)

BOX-FOLDER 48/7			My son-in-law the king # 14
				Holograph piano-vocal score ; 4 p.
				Uniform title: A royal confession

BOX-FOLDER 48/8			A royal confession ; My son-in-law the king
				Ozalids (7) piano-vocal scores ; 7 p.

BOX-FOLDER 96/8			Segue to palace # 34-A
				Ms. full score ; [4] p., last p. crossed out

BOX-FOLDER 49/1			Segue to palace # 34-A
				Copyist's ms. piano conductor score (transparencies) ; 2 p.
				Ozalids (2)

BOX-FOLDER 67/4			Segue to palace # 34-A
				Parts (20)

BOX-FOLDER 49/2			Sign on the dotted line
				Holograph piano-vocal score ; [3] p.
				Lyric by Leonard Adelson

BOX-FOLDER 49/3			Sign on the dotted line
				Copyist's ms. piano-vocal score (transparencies) ; 4 p.
				Ozalid

BOX-FOLDER 49/4			Sign on the dotted line (instrumental) #22A
				Holograph piano score ; [1] p.
				Copyist's ms. (transparencies) ; 2 p.
				Ozalid

BOX-FOLDER 49/5			Something new
				Holograph piano-vocal score ; 6 p.
				Lyric by Leonard Adelson

BOX-FOLDER 49/6			Something new
				Ozalids (2) piano-vocal score ; 6 p.

BOX-FOLDER 49/7			Thanks to love # 21
				Ozalids (2) piano-vocal scores ; 11 p. ; on t.p.: out
				Lyric by Leonard Adelson and Sidney Kuller

BOX-FOLDER 49/8			That was then, Mr. Rassendyl
				Photocopy of holograph piano-vocal score with holograph lyric ; [4] p.
				Copyist's ms. "ending of 3rd chorus" ; [1] p.
				Copyist's ms. 3 m. of melody ; [1] p.
				Lyric by Martin Charnin

BOX-FOLDER 49/9			There are girls
				Holograph piano-vocal score ; 20 p. + crossed out and unnumbered p.
				Lyric by Leonard Adelson

BOX-FOLDER 49/10			There is nothing like a wedding ; coda
				Holograph piano-vocal score ; [1] p.

BOX-FOLDER 49/11			There's nothing wrong with marriage
				Holograph piano-vocal score ; 5 p.
				Laid in: typed lyric sheet with annotations ; [1] p.
				Lyric by Martin Charnin

BOX-FOLDER 96/9			New title "there's room for her" # 11 ; ~~here and there~~
				Ms. full score ; 42 p. + laid in: here and there (new intro) ; 1 p.
				Uniform title: There's room for her

BOX-FOLDER 49/12			There's room for her # 11
				Copyist's ms. piano conductor score (transparencies) ; 8 p.
				Ozalids (3) ; 1 copy has laid in ozalid of "Here and there ; pno. cond." ; 13 p.

BOX-FOLDER 67/5			There's room for her # 11
				Parts (21)

BOX-FOLDER 96/10			Tour de force
				Ms. full score ; [27] p., p. 1-15, 19-21, 21a, 22-29

BOX-FOLDER 49/13			Tour de force
				Copyist's ms. piano conductor score (transparencies) ; 8 p.
				Ozalids (2)

BOX-FOLDER 49/14			Tour de force
				Holograph piano score ; 3 p.

BOX-FOLDER 49/15			Tour de force
				Copyist's ms. piano-vocal score (transparencies) ; 14 p.
				Ozalids (2)
				Lyric by Sid Kuller

BOX-FOLDER 67/6			Tour de force
				Parts (21)

BOX-FOLDER 49/16			Train music # 28
				Holograph piano score in pencil ; 2 p.

BOX-FOLDER 49/17			Train music # 28
				Copyist's ms. (transparencies) ; 2 p.
				Ozalids (2)

BOX-FOLDER 49/18			Trust in me
				Holograph piano-vocal score ; [8] p.
				Lyric by Leonard Adelson

BOX-FOLDER 49/19			Turlututu
				Holograph piano-vocal score ; [4] p.
				Photocopy of above
				Typed lyric sheet ; [1] p.
				Lyric by Vernon Duke

BOX-FOLDER 97/1			Verdi duo
				Ms. full score ; 11 p.

BOX-FOLDER 50/1			Verdi duo
				Copyist's ms. piano conductor score (transparencies) ; 6 p.
				Ozalids (3) 1 copy has laid in ms. short score sketch "Command performance #3" ; [2] p.

BOX-FOLDER 68/1			Verdi duo
				Parts (21)

BOX-FOLDER 50/2			Vernon Duccini
				Holograph piano score ; [1] p.
				Copyist's ms. (transparencies) ; [1] p.
				Ozalid

BOX-FOLDER 97/2			Waltz fantasy # 15AA
				Ms. full score ; 60 p. + "Waltz fantasy new end "attached ; 2 p.

BOX-FOLDER 50/3			Waltz fantasy # 15AA
				Copyist's ms. piano conductor score (transparencies) ; 16 p.
				Ozalids (5) (various items attached and/or laid in)
				Composed by: Vernon Duke, Irv Kostal and H. Mackay

BOX-FOLDER 50/4			Waltz fantasy # 15AA
				Ms. piano score sketch ; 6 p. + "Mambo" ; 10 p.

BOX-FOLDER 50/5			Waltz fantasy # 15AA
				Copyist's ms. piano score (transparencies) ; 15 p.
				Ozalids (2)

BOX-FOLDER 68/2-3			Waltz fantasy # 15AA
				Parts (11 + 28)

BOX-FOLDER 97/3			New new waltz/fantasy fix # 15AA
				Ms. full score ; p. 13-21
				Uniform title: Waltz fantasy

BOX-FOLDER 50/6			Waltz fantasy ; new 9-17-63
				Copyist's short score (transparencies) ; p. 4-7

BOX-FOLDER 97/4			Waltz fantasy rescore
				Ms. full score ; p. 13-20
				Ozalids (2)

BOX-FOLDER 50/7			Waltz fantasy ; [new 9/1/63
				Copyist's short score (transparencies) ; p. 4-6
				Ozalid

BOX-FOLDER 50/8			Waltz fantasy - (old)
				Ozalid short score, new ending pasted over last p. ; p. 14-16 (p. 16 pasted over)

BOX-FOLDER 50/8			Waltz fantasy - (very old)
				Ozalid short score, new ending attached ; p. 14-16 + attached p.

BOX-FOLDER 69/1			[Waltz fantasy] old
				Parts (19)

BOX-FOLDER 97/5			Waltz fantasy new new end
				Ms. full score ; p. 1-5, m. 202-221

BOX-FOLDER 97/5			Waltz fantasy new ending 8/10/63 ; 15AA cont.
				Ms. full score ; p. a-b + a-h, m. 192-221

BOX-FOLDER 50/9			Waltz fantasy new end 9/17/63
				Copyist's ms. short score (transparencies) ; p. 2-3, m. 200-221

BOX-FOLDER 50/9			Waltz fantasy - new end/revised 9/1/63
				Copyist's ms. short score (transparencies) ; p. 2-4, m. 200-221

BOX-FOLDER 50/9			Waltz fantasy - new end
				Copyist's ms. short score (transparencies) ; p. [2]-4, m. 192-221

BOX-FOLDER 50/9			Waltz fantasy (new ending)
				Ozalids (2), dated: 8/7/63 ; 1 p., m. 234-a - 238-a

BOX-FOLDER 51/1			We
				Photocopy of holograph piano-vocal score with holograph lyric ; 4 p.

BOX-FOLDER 51/1			Interlude
				Holograph lead sheet ; [1] p.
				Uniform title: We
				Lyric by Martin Charnin

BOX-FOLDER 51/2			We just might # 13
				Holograph piano-vocal score and piano score ; 5 p. + [3] p.
				Lyric by Leonard Adelson

BOX-FOLDER 51/3			Wedding march # 7
				Holograph piano score ; [3] p.
				Also on cover: ~~Now the world begins again (wedding music)~~ Wedding march

BOX-FOLDER 51/4			Wedding march # 7
				Copyist's ms. piano score (transparencies) ; 4 p.
				Ozalids (6)

BOX-FOLDER 69/2			New wedding march # 7
				Parts (20)
				Uniform title: Wedding march

BOX-FOLDER 51/5			New wedding march ; pno. cond.
				Copyist's ms. (transparencies) ; 5 p.
				Uniform title: Wedding march

BOX-FOLDER 51/5			New wedding march # 7 ; pno. c[o]nd.
				Copyist's ms. (transparencies) ; [1] p. ; m. 40-42
				Uniform title: Wedding march

BOX-FOLDER 51/5			New wedding march ; pno. cond. ; 9-4-63 ; ~~Love is the worst possible~~
				Copyist's ms. (transparency) ; 1 p., m. 24
				Uniform title: Wedding march

BOX-FOLDER 51/5			[Wedding march]
				Copyist's ms. (transparencies), 4 fragments ; m. 3-10, 15-16, 19-20, 29-33

BOX-FOLDER 51/5			New wedding march # 7 ; pno. cond. ; 8/6/63
				Ozalids (3) (pasteovers) ; 5 p.
				Uniform title: Wedding march

BOX-FOLDER 97/6			Wedding march/insert # 7
				Ms. full score ; 12 p. + 1a and 6a laid in

BOX-FOLDER 51/6			Wedding march/insert # 7
				Ozalids (3) piano conductor score , 1 copy has note attached ; 5 p.

BOX-FOLDER 69/3			Wedding march/insert # 7
				Parts (23)

BOX-FOLDER 51/7			Wedding music
				Holograph piano-choral score, note attached ; 5 p.

BOX-FOLDER 51/8			Wedding music (world begins)
				Copyist's ms. (transparencies), note attached ; 5 p.
				Ozalids (2), 1 copy has note attached
				Lyric by Leonard Adelson

BOX-FOLDER 51/9			Wedding music ; choir ; 9/20/63
				Copyist's ms. (transparencies) ; [2] p.
				Ozalid

BOX-FOLDER 51/9			Wedding music ; choir ; 7/23
				Holograph ; 1 p.
				Copyist's ms. (transparencies) ; 2 p.
				Ozalids (4)

BOX-FOLDER 51/10			Wedding music (world begins) ; vocal choir ; 7/5/63
				Copyist's ms. (transparencies), note attached ; 3 p.
				Ozalids (6)

BOX-FOLDER 97/7			Wedding song/orch # 6
				Ms. full score ; 4 p.

BOX-FOLDER 51/11			Wedding song/orch # 6
				Copyist's ms. piano conductor score (transparencies) ; 4 p.
				Ozalids (2)

BOX-FOLDER 69/4			Wedding song/orch # 6
				Parts (21)

BOX-FOLDER 51/12			[Wedding song] ; [Wedding music]
				Holograph and ms. piano-vocal/choral sketches (4 items) ; [5] p.

BOX-FOLDER 51/13			What does one do? # 4
				Photocopy of holograph piano-vocal score with holograph lyric ; 3 p.
				Lyric by Martin Charnin

BOX-FOLDER 97/8			When you stop and think # 5
				Ms. full score ; 28 p.

BOX-FOLDER 51/14			When you stop and think # 5
				Copyist's ms. piano conductor score (transparencies) ; 11 p.
				Ozalid with annotations

BOX-FOLDER 52/1			When you stop and think # 5
				Holograph piano-vocal score ; 9 p. + 2nd p. 5
				Holograph piano-vocal score ; 6 p. + 1 p. laid in
				Lyric by Martin Charnin

BOX-FOLDER 52/2			When you stop and think # 5
				Copyist's ms. piano-vocal score (transparencies) ; 8 p.
				Ozalids (2)

BOX-FOLDER 69/5			When you stop and think # 5
				Parts (22)

BOX-FOLDER 102/4			A whole lot of happy # 10
				Ms. full score ; 27 p. + "added intro" attached at front ; 1 p.

BOX-FOLDER 52/3			A whole lot of happy # 10
				Copyist's ms. piano conductor score (transparencies) ; 12 p.
				Ozalids (3)
				Lyric by Martin Charnin

BOX-FOLDER 52/4			A whole lot of happy # 10
				Ms. piano-vocal score ; 5 p.

BOX-FOLDER 52/5			A whole lot of happy # 10
				Ozalid piano-vocal score ; 5 p.
				Typed script revision of lyric (2) ; p. I-7-1A

BOX-FOLDER 52/6			A whole lot of happy # 10
				Copyist's ms. piano-vocal score (transparencies) ; 13 p.
				Ozalids (4), 1 copy has 3 laid in ozalids with annotations: "new opening" ; "four bar interlude" ; and p. 1-5 (5th copy)

BOX-FOLDER 69/6			A whole lot of happy # 10
				Parts (22)

BOX-FOLDER 52/7			A whole lot of happy ; vocal choir
				Copyist's ms. ; 8 p.
				Ozalid

BOX-FOLDER 52/8			Intro to happy # 10
				Copyist's ms. piano conductor score (transparency) ; [1] p.
				Uniform title: A whole lot of happy
				Ozalid

BOX-FOLDER 52/8			A whole lot of happy # 10
				Copyist's ms. piano conductor score (transparency), dated: 8/22/63 ; 1 p.

BOX-FOLDER 70/1			Intro to happy # 9A, # 10
				Parts (20)
				Uniform title: A whole lot of happy

BOX-FOLDER 52/9			New "happy" opening
				Ms. short score ; [1] p.
				Uniform title: A whole lot of happy

BOX-FOLDER 52/9			New opening - happy
				Copyist's ms. short score (transparency) ; [1] p.
				Uniform title: A whole lot of happy
				Ozalid + Ozalids (2) attached to piano-vocal score (incomplete with various annotations and pasteovers)

BOX-FOLDER 52/10			"Happy" opening
				Ms. short score ; 4 p.
				Uniform title: A whole lot of happy

BOX-FOLDER 52/10			Happy opening ; pno. cond.
				Copyist's ms. (transparencies) ; 4 p.
				Uniform title: A whole lot of happy
				Ozalids (2)

BOX-FOLDER 52/11			4-bar interlude "happy" ; mod. Eb to F
				Ms. short score ; [1] p.
				Copyist's ms. (transparency) ; 1 p.
				Uniform title: A whole lot of happy
				Ozalid

BOX-FOLDER 52/12			"Happy" paraphrase ; 2) tempo di polka (con grazia)
				Holograph sketch ; [1] p.
				Uniform title: A whole lot of happy

BOX-FOLDER 98/1			A whole lot of happy (utility) # 8
				Ms. full score ; 9 p.

BOX-FOLDER 53/1			A whole lot of happy (utility) # 8
				Copyist's ms. piano conductor score (transparencies) ; 3 p.
				Ozalids (3)

BOX-FOLDER 70/2			A whole lot of happy (utility) # 8
				Parts (62)

BOX-FOLDER 85/2			Happy / rock section # 10A
				Ms. full score ; 15 p. + "new" p. 10-13 laid in
				Uniform title: A whole lot of happy

BOX-FOLDER 53/2			Happy / rock section # 10A
				Copyist's ms. piano conductor score (transparencies) ; 7 p.
				Uniform title: A whole lot of happy
				Ozalids (2), 1 copy has "new" sections attached

BOX-FOLDER 70/3			Happy / rock section # 10A
				Parts (25)
				Uniform title: A whole lot of happy

BOX-FOLDER 53/3			Whole lot of happy (rock) ; follows vocal
				Ms. lead sheet and short score in pencil ; 3 p.
				Uniform title: A whole lot of happy

BOX-FOLDER 53/4			Whole lot of happy (rock) ; follows vocal
				Copyist's ms. lead sheet and short score (transparencies) ; 3 p.
				Uniform title: A whole lot of happy
				Ozalids (4)

BOX-FOLDER 53/5			"Happy-rock" ; pno. cond. ; 9-4-63
				Copyist's ms. (transparencies) ; 3 p., m. 36-54
				Uniform title: A whole lot of happy

BOX-FOLDER 53/5			Happy-rock # 10-A (old)
				Ozalids (2) ; p. 4-7 + 6-7
				Uniform title: A whole lot of happy

BOX-FOLDER 53/5			Rock for whole lot of happy
				Ms. sketches ; [1] p.
				Uniform title: A whole lot of happy

BOX-FOLDER 53/5			Whole lot of happy ; twist (dirty)
				Photocopy of ms. sketch ; 3 p.
				Uniform title: A whole lot of happy
				In folder labeled: Happy rock fixes

BOX-FOLDER 98/3			Why not # 25
				Ms. full score ; 17 p.

BOX-FOLDER 53/6			Why not # 25
				Copyist's ms. piano conductor score (transparencies) ; 8 p.
				Ozalids (3)
				Lyric by Martin Charnin

BOX-FOLDER 70/4			Why not # 25
				Parts (23)

The Vernon Duke Collection

Processed by the Music Division of the Library of Congress

Music Division, Library of Congress

Washington, D.C.

2007

Date

Event

SHOW MUSIC