Lesson
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Presenting the Student Lesson
Day 1: Introducing the Artifact Road Show
Conduct a personal "mind walk" using personal primary source documents and personal
artifacts that reflect something important in your own life. Display the artifact and guide and instruct the students to use the Artifact Analysis Matrix to record their observations of the artifact. Then share "the real story" of your relationship to the artifact.
To connect to the creative concept of "Artifact Road Show," students
can place a value on the artifact from a reviewer and owner perspective. This
leads to a discussion of what brings value, as well as meaning, to an artifact.
Some suggestions for personal artifacts are:
- published documents-an official document about you, i.e., driver's license,
birth certificate, teaching credential, passport;
- unpublished documents-a letter written to you, diary, journal;
- oral traditions/histories-a family story, and
- visual documents/artifacts-a photograph, drawing, caricature, trophy, locket,
or medal.
Day 2: Student
Activity
Ask students to bring their own personal artifacts and display them for their group of three students. Teams of three review each artifact supplied by team members and interpret them to determine information about the owners' personalities and lifestyles. Each team works together to complete the Artifact Analysis Matrix.
Day 3: Sharing the Results
When the groups' Artifact Analysis Matrix charts
are complete, the reviewers share their charts with the class. The artifact
owner "constructs the context" that reveals "the whole story."
In order to connect to the creative concept of "Artifact Road Show,"
students may place a value on the artifact from a reviewer and owner perspective.
This leads to a discussion of what brings value to an artifact.
Day 4: Introducing the Library of Congress and American Memory
Introduce students to a selection of primary sources that are "Rare Finds"
from American Memory.
As a whole class, students complete a large version of the Artifact
Analysis Matrix, using 18" x 12" paper with plenty of room to
write notes. The students analyze the content of the primary sources to gather
as much information as possible about the context of the story they are about
to read.
Reading Activity
Each of the student lessons is taken from a grade level anthology by Harcourt Brace. The stories
are offered within each grade-level student anthology:
- Rare Finds (Grade 4);
- Coast to Coast (Grade 5); and
- Hidden Treasures (Grade 6).
Fourth Grade:
Students read aloud and discuss The River Ran Wild by Lynne Cherry,
with a silent re-reading assigned as a follow-up. In addition to reading the
story together as an entire class, include a discussion of the illustration
borders and how they tie into the story. Students can also be assigned
a portion of the illustrations to research/report to the class.
Fifth Grade:
Students read aloud and discuss The American Family Farm by Joan
Anderson, illustrated with photographs by George Ancona. This beautifully illustrated
photo-essay shows the positive and negative aspects of family farms in
Georgia, Iowa, and Massachusetts. Students should be prepared to compare
the positives/negatives with the positives/negatives they find in the
photographs from American Memory.
Sixth Grade:
Students read The River by Gary Paulsen. This book is the fourth
in a series about Brian Robeson and his quest to survive a variety of challenges
in his young life. In The River, he is asked to return to the wilderness
to teach government scientists about his survival techniques. He soon finds himself
faced with still another survival challenge. Brian's skillful use of a map plays
a role in his survival. Gary Paulsen's survival stories provide a excellent chance
to review the structure of a good story. You might want to have the students track
the problems, solutions, and climax of this story as they read. Students can also
learn more about the author and investigate the other books that he has written.
Day 5: Writing a 5-W Poem--Rough Draft
Use direct quotations of phrases and vocabulary from the book that they have read.
Students answer the 5-Ws:
- who;
- what;
- where;
- when;
- why, and sometimes
- how.
Students attempt to match these "answers" to both the literary work
and the artifact. You may want to write a beginning verse together, and then
have them work in teams of three to add one or two more verses. Be sure to instruct
them in the skills of capitalization and punctuation for poetry.
Suggestions for writing the poem:
- Students may write individual poems.
- Students may write individual verses selected from assigned pages, and put their verses together with the rest of the class to form one longer poem that encapsulates the entire story.
- Students may work in groups of two or three to write a group poem.
- Students may work in groups of two or three to create a verse selected from assigned pages and put their verses together with the rest of the class to form one longer poem that encapsulates the entire story.
Day 6: Writing a 5-W Poem--Final Draft
The final creative activity involves
arranging the quoted phrases and individual words into a verse or
series of verses that link the artifacts to the literary
work.
Day 7: Publishing
Post the artifacts, literary titles, or book covers/illustrations, and poetry
on a bulletin board.
Evaluation
Use the 5-W Poetry Rubric for Fourth/Fifth
Grade or Sixth Grade to evaluate student work. Add brief descriptions for each of the sections, if desired. Students should have the rubric before them as they begin to work so they know how they will be evaluated. Students may also help in developing the descriptions as part of the clarification process after hearing the assignment described.
| 5-W Poetry Rubric Explanation: Fourth/Fifth Grade |
|
Content: always earns the most
points.
Correctness: relates to content; enough points to make a difference in grade.
Conventions: enough points to make a difference in grade.
Completion: on time/enough points to make a difference in grade.
Cooperation: relates to staying on
task, sharing the work, working quietly, etc. (possibly a rating
from other group members.)
|
| 5-W Poetry Rubric Categories: Fourth/Fifth Grade |
Points |
| Content: 2 sets of 5-W verses |
20 |
| Correctness: answers 5-W; arranged correctly |
10 |
| Conventions: spelling, title, capitalization, word processing or penmanship |
10 |
| Completion: on time, complete |
5 |
| Cooperation: helped others, stayed on task |
5 |
| Bonus: Creativity in
presentation and phrase/word selection | 10 |
|
| 5-W Poetry Rubric Explanation: Sixth Grade |
| Map Analysis: relates to content of the maps; earns as many points as content section
Content: always earns the most
points.
Correctness: relates to content; enough points to make a difference in grade.
Conventions: enough points to make a difference in grade.
Completion: on time/enough points to make a difference in grade.
Cooperation: relates to staying
on task, sharing the work, working quietly, etc. (possibly a rating
from other group members.)
|
| 5-W Poetry Rubric Categories: Sixth Grade |
Points |
| Map Analysis | 20 |
| Content: 2 sets of 5-W verses |
20 |
| Correctness: answers 5-W; arranged correctly |
10 |
| Conventions: spelling, title, capitalization, word processing or penmanship |
10 |
| Completion: on time, complete |
5 |
| Cooperation: helped others, stayed on task |
5 |
| Bonus: Creativity in
presentation and phrase/word selection | 10 |
|
Extension
The lesson may be extended using the following activities:
- Use software to create slide shows or Web pages illustrating the literary
work, artifacts, and 5-W poetry. Add soundtracks of students reading their
poetry or music to the slide shows or Web pages.
- Other literary works may be used, such as the suggested titles that follow.
These title may be enriched by the American Memory primary sources listed
with each title.
| Fourth Grade |
| Extension activities may be provided by using the links from
the lesson with the literature listed below. After working through the lesson
as a whole class, students may choose to repeat the activity with one of
these additional titles. Students may compare the events in the following
books to the listed links from American Memory so as to bring the story
to life. |
|
Little House on the Prairie by Laura Ingalls Wilder
|
By the Great Horn Spoon by Sid Fleischman
From One Man's Gold; the Letters and Journal of a Forty-Niner, Enos Christman in California As I Saw It, 1849-1900:
- Letter: Ellen to Enos, July 1st, 1849
- Letter: Enos to Ellen, June 30th, 1849
- Enos to Ellen, November 19, 1849. (letter describing sea sickness)
- Enos to Ellen, St. Valentine's Day, Feb. 14, 1850. (after landing in California)
- Enos to Ellen, April 28, 1852.(I'm coming home)
|
|
Blue Willow by Doris
Gates
|
Extraordinary Black Americans by Susan Altman
|
| Fifth Grade
|
Extension activities may be provided by using the links from the lesson
with the literature listed below. After working through the lesson as a
whole class, students may choose to repeat the activity with one of these
additional titles.
Students may compare the events in the following books to links from
The
Northern Great Plains, 1880-1920, to bring the story to life.
|
Prairie Songs by Pam Conrad
A young doctor builds a sod house and brings his Philadelphia bride, Emmeline,
to live there. Emmeline does not adapt well to the hardships of prairie
life. |
Grasshopper Summer by Ann Turner
Sam White likes his life in Kentucky, but is forced to move with his
family to the Dakota Territory following the Civil War. His family builds
a sod home and experiences the perils of living on a prairie farm. |
Dakota Dugout by Ann Turner
A book about life in the Dakota Territory. |
Prairie Visions by Pam Conrad
This book also provides photographs of sod houses and life on the early
prairie. |
Dandelions by Eve Bunting and Greg Shed
A family migrates to the prairie and lives in a sod house. Each family member reacts to the hardships in a different way. The role played by the dandelions
brings some joy and relief to everyone. | Heartland by Diane Sieber and Wendell Minor
Primarily a picture book, it provides a great contrast and a more modern look
at the American family farm. A more romanticized view than the other works,
the book also has a worthwhile update on today's prairies and plains. |
| Sixth Grade
|
| The following literary works represent stories where maps
play a crucial role. Using the hyperlinks supplied in the lesson for The
River by Gary Paulson, additional map interpretation activities may
be completed. After working with maps as a whole class during study of The
River, students can then work in small groups, with each group reading
one of the works listed below and presenting the results of their map study
and a summary of the highlights of the story to the class. |
| Where the Red Fern Grows by Wilson Rawls
|
Number the Stars by Lois Lowry |
| Freedom Ride by Liz Fordred with Susie Blackmun |
Julie of the Wolves by Jean Craighead George |
|