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<PUBLISHER>Charles Scribner's Sons</PUBLISHER>
<PUBPLACE>New York </PUBPLACE>
<DATE>January, 1890</DATE>
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<P><PB REF="IMG00003" SEQ="0003" RES="600dpi" FMT="TIFF5.0" FTR="TPG001" N="R001">V


SCRIBNERS
MAGAZINE

PUBLISHED NQNTHLY
WITH ILLUSTRATIONS








VOLUME
VII
JANUAIW - JUNE

















CHARLES SCRIBNERS SONS NEW YORK
F.WARNEvC~ LONDON</PB>
<PB REF="IMG00004" SEQ="0004" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="R002">A~. LF7v~


/

(CCWr~,L
:UNIVLF.:~:1 rv
LWRARY
COPYBIGHT, 1890, BY CHABLES SOBIBNERS SONS.
































TROWS
PRINTING AND DOORRINDING COMPANR~
NEW YORK.</PB>
<PB REF="IMG00005" SEQ="0005" RES="600dpi" FMT="TIFF5.0" FTR="VOI001" N="R003">CONTENTS
OF





SCRIBNERS MAGAZINE.


VOLUME VII.
JANUARYJU~, 1890.


AFRICA. See Life among the Congo Savages; Tripoli of
Barbary; The Emin Pasha Belief Expedition; see also
in former volumes, Slavery in Africa, Vol. V., 660;
How I Crossed Afasai-Land, Vol. VI., 387; Where
Emin is, Vol. VI., 5~5.
AMATEUR TRACK AND FIELD ATHLETICS,	. CHARLES P. SAWYER,

ARCHA~OLOGICAL DISCOVERY IN IDAHO, AN, . G. FREDERICH WRIGHT,
With drawings from the object.
ART OF DINING OUT, THE, .

AS HAGGARDS OF TILE ROCK, .

AUTHOR AND HIS WORKS, THE            

BARBIZON AND JEAN-FRAN9OIS MILLETI, II.,
With frontispiece Portrait of Jean-Francois Millet
drawn by Carroll Beckwith, and with illustrations by
Will H. Low, Theodore Robinson, Harry Penn, J. D.
Woodward, and J. Carroll Beckwith.

BARYE EXHIBITION, THE                 
BROWNING,

BEAUTY OF SPANISH WOMEN, THE,
Illustrations from photographs, and from drawings by
V.	Pbrard.

BLACKFELLOW AND HIS BOOMERANG, THE,
Illustrated.

CITY HOUSE, THE(THE EAST AND SOUTH],
Drawings by 0. H. Bacher, W. C. Fitler, Hughson
Hawley, and J. D. Woodward.

COLLEGE MEN IN THE WORLD,

CONGO. See Life among the Congo Savages.

CO-OPERATIVE HOME WINNINGSOME PRACTICAL
RESULTS OF BUILDING AND LOAN ASSOCIATIONS,
With illustrations of houses built by Building and Loan
Associations, drawn by Carroll Beckwith, 0. H.
Bacher, Harry Penn, and A. Schilling. See Building
and Loan Associations, Vol. V., 700.
MARY TAPPAN WRIGHT,



T.	H. BARTLETT,









HENRY T. FINCH,



HORACE BAKER,
RUSSELL STUEGIS,








W.	A. LINN,
PAGE








775

235
658

556

659

531, 735





129

261

87



374


698



263




569</PB>
<PB REF="IMG00006" SEQ="0006" RES="600dpi" FMT="TIFF5.0" FTR="VOI002" N="R004">CONTENTS.

CORINNE,

DEEDLESS DRAMA, A                   
EDUCATIqN OF SPINSTERS,

ELECTRIC RAILWAY OF TO-DAY, THE,
Illustrations by J. D. Woodward, V. Perard,M.J.
Burns and A. F. Leicht.For other articles on Elec-
tricity see Electricity in the Service of Man, Vol. V.,
643; Telegraph of To-day, Vol. Vl., 3; Electricity
in Lighting, VoL VI., 176; Electricity in War (In
Naval Warfare), Vol. VI., 415 (In Land Warfare),
424; Electricity in Relation to the Human Body, VoL
VI., 589.

ELECTRICITY IN THE HOUSEHOLD,
Illustrations from drawings by Chester Loomis, Frank
Fowler, M. J. Burns, and W. C. Fitler.

EMIN PASHA RELIEF EXPEDITION, THE,
With frontispiece Henry M. Stanley from a photo-
graph taken in Cairo, Egypt, in March, 1890, and with
illustrations from photographs and sketches made by
the expedition, and drawn by J. D. Woodward. Frank
Fowler, E. W. Derning, W. L. Metcalfe, E. Riou, G.
Moutbard, A. Forestier, Dodge and Bridgman, and
Miss Langdon.

ERICSSON, JOHN. THE ENGINEERJuLY 31, 1803-
MARCH 8, 1889IIl.                      
With illustrations by J. Reich, V. P&#38; rard, M. J. Burns,
J. D. Woodward, and A. F. Leicht.
EXPIATION                              

Illustrations from drawings by A. B. Frost.

FRENCH AS ARTISTS, THE                  
FIRS~ LOVES                             

FORGOTTEN REMNANT, A                  
Illustrations by Kenyon Cox, J. D. Woodward, and V.
P~rard, and from photographs by T. A. Hine and R.
Munroe.

GENIUS AND ETHICS                    

HIDDEN SELF, THE,

HOUSEHOLDER, THE. See Rights of the Citizen.

HUNGARIAN CASTLES. See Through Three Civilizations.

HYPNOTISM. See Hidden Self.

IDAHO. See Arch~sological Discovery.

IN	THE VALLEYXV.-XXXIV. (Begun in September,
1889to be concluded in July, 1890.) .
Illustrations by Howard Pyle.

ITALIAN OPERA. See Wagnerianism.
JAPAN. See Theatres of.

JAVAN HACKETTS ILL-MENDED FORTUNES,
JERRYPART FIRST, Chapters 1.-VI. (To be continued

through the year.)

LAMB, CHARLES, IN THE FOOTPRINTS OF,I -IL
With frontispiece- Charles Lamb from an engra~g
by W. G. Jackman. and with illustrations by Herbert
Railton and John Fulleylove.

LIFE AMONG THE CONGO SAVAGES,
With illustrations from drawings and photographs by
the author, and by V. Perard and J. Reich.
LITERARY MADRID, A DAY IN,	-
With three portraits.
EUGENE SCHUYLER,

GEORGE A. HIBBARD,



JOSEPH WETELER, -
		 PAGE
-	.	.644
	- 378
		395
-	-	.425
A. E. KENNELLY	102
Chief Electrician, EdisonLaboratory.
HENRY M. STANLEY,	-








WILLIAM CONANT CHURCH,
OCTAVE THANET,
KIRK MUNROB,
WILLIAM JAlucs,
- 662







169, 336
55, 239,283,443

131

-	. . . 262


-	. . . 303






	. . . 792

361
HAROLD FREDERIC,
73, 221, 318, 497, 587, 757
E.	C. MARTIN, . . -
BENJAMIN ELLIS MARTIN,
HERBERT WARD,
-	- 458

715

	267,471



-	. 135
WILLIAM HENRY BISHOP, .	. 187
iv</PB>
<PB REF="IMG00007" SEQ="0007" RES="600dpi" FMT="TIFF5.0" FTR="VOI003" N="R005">CONTENTS.

LOST PLANT, THE,A CONSULAR EXPERIENCE,

MARIA                                    

MENS WOMEN                              

MILLET, JEAN-FRA QIS. See Barbizon.

MINNESOTA HEIR OF A SERBIAN KING, THE,A
CONSULAR EXPERIENCE                    

NAPOLEON IN 1804, GLIMPSES OF            

NEW METHUSELAH, THE                  

NEW YORK AS A CAPITAL                   

ORIGIN OF ANTIPATHIES                     

PALMYRA. See Tadmor in the Wilderness.

PARADOX OF HUMOR, THE

PARIS EXPOSITION, THE,NOTES AND IMPRESSIONS.

PERILS OF PURE FUN                    

PERNILLAA STORY OF SWEDE CREEK           

POINT OF VIEW, THE.
Art of Dining Out, The, 658.
Author and His Works, The, 659.
Barye Exhibition, The, 129.
Browning 261.
College l~{en in the World, 263.
Education of Spinsters, 395.
First Loves, 262.
French as Artists, The, 131.
Genius and Ethics, 792.
Maria, 657.
Meus Women, 262.

R1GHTS OF THE CITIZEN, THE.
I.	As A HOUSEHOLDER                
IL As A USER OF THE PUBLIC STREETS,
Ill.	As A USER OF PUBLIC CONVEYANCES,

N
SEMINOLES. See Forgotten Remnant.
SOCIAL LIFE IN PRINT,

SPANISH NOVELISTS. See Literary M~zdrid.

SPANISH WOMEN. See Beauty of.

SPRING PHILOSOPHY	

STANLEY, HENRY M. See Emin Paz/la Relief Expedition.

STYLE                                 

TADMOR IN THE WILDERNESS,
lllustrations by J. D. Woodward and Harry Femi, and
from photographs.

THACKERAYS LIFE                         
THEATRES OF JAPAN, THE,
Illustrations by Tankei and Kiyokichi, and from Nen-
dai-ki and the Gaku-ya Zukai.

THROUGH THE GATE OF DREAMS           

THROUGH THREE CIVILIZATIONS,
With frontispiece In a Hungarian Village, and with
illustrations from photographs by the author, drawn
by J. D. Woodward, Harry Fenn, V. P~rard, and W.
C. Fitler.
Jom~ PIERSON,









EUGENE SCHUYLER,
CLARENCE DEMING,
SARAH ORNE JEWETT,









W.	C. BROWNELL,



KARL ERICKSON,


New York as a Capital, 396.
Origin of Antipathies, 790.
Paradox of Humor, The, 527.
Perils of Pure Fun, The, 393.
Social Life in Print, 131.
Spring Philosophy, ~
Style, 525.
Thackerays Life, 130.
Toiler and the World, The, 894.
Travel Habit, The, 789.
Treatment for a Defective Sense, 79L


FREDERICK W. WHITRIDGE,
FRANCIS LYNDE STETSON,
PRESIDENT SETH Low,















FREDERICK JONES Buss,






T.	J. NAKAGAWA,



T.	R. SULLIVAN,

W.	H. MALLOCK,
V
PAGE

115

657

262
255

620

514

396

790
527

18

393

632
417
625
771
131




526
525

400


130

603


157

204</PB>
<PB REF="IMG00008" SEQ="0008" RES="600dpi" FMT="TIFF5.0" FTR="VOI004_SPI001" N="R006">CONTENTS.

TODDYILLE RAFFLE, THE               

TOILER AND THE WORLD, THE           

TRAVEL HABIT, THE	

TUREATMENT FOR A DEFECTIVE SENSE,

TRIPOLI OF BARBARY(AFRICAN STUDIES. I.)

Illustrations from drawings by Mr. Jacassy.

WAGNERIANISM AND THE ITALIAN OPERA,

WATER-STORAGE IN THE WEST             
With frontispiece Dam across the Bear Valley, San
Bernadino County, Cal., and with illustrations from
photographs, and from drawings by Harry Fenn, J.
D.Woodw~d, and V. P~rard.
EDGAR MAYHEW BACON,







A.	F. JACASSY,


WILLIAM F. AITHORP,
WALTER GILLETTE BATES,
POETRY.

ATONEMENT                     

BACKLOG DREAMS                 

BALLAD OF TONIO MANZI, THE,

BALLAD OF THE WILLOW POOL,
BIRDS AND THE TELEGRAPH WIRES, THE,.
Illustration from a drawing by Mr. Cranch.
DATED FEBRUARY THE 14TH,

DAWN AND DUSK AT KARNAK,

DEAD CITIES                

DISTICHS                  
HAUNTED ROOM, A,

HORACE, BOOK I., ODE IV.To SESTIUs,
(Archdeacon Wranghams Translation, 1821.)
With frontispiece Now Chaplets Bind, by J. R.
Weguelin.

INSCIENS                        

MAGIC HOUSE, THE,

MEETING, A                      

MOON-PATH, THE             

OLD-FASHIONED LOVE-SONG, AN,

ROSAMOND,

THE VANISHED YEAR         
EDITH M. THOMAS,

FRANK DEMPSTER SHERMAN,

GRAHAM R. TOMSON,

GRAHAM R. TOMSON,

C.	P. CRANCH           


EDWARD S. MARTIN,

CHARLES HENRY L~DERS,

A.	LAMUMAN            

JOHN HAY              

JOHN HAY           






W.	G. VAN TASSEL SUTPHEN,

DUNCAN CAMPBELL SCOTT,

CHARLES EDWIN MARKHAM,

ARCHIBALD LAMPMAN,

H.	C. BUNNER,

BARRETT WENDELL,

JOHN VANCE CHENEY,
Vi
PAGE

.123

394

789

791

37


487

3
36

568

53

201

218


238

455

624

631

255

399




317

713

513

219

17

.783

303</PB>
<PB REF="IMG00009" SEQ="0009" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="1">A.</PB>
<PB REF="IMG00010" SEQ="0010" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="2">DAM ACROSS THE BEAR VALLEY, SAN BERNARDINO COUNTY, CAL.</PB></P>
</DIV1>
</FRONT>
<BODY>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-3">
<BIBL>
<AUTHOR>Walter Gillette Bates</AUTHOR>
<AUTHORIND>Bates, Walter Gillette</AUTHORIND>
<TITLE TYPE="ART">Water-Storage In The West</TITLE>
<BIBLSCOPE TYPE="pg">3-17</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00011" SEQ="0011" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="3">SCRIBNERS MAGAZINE.
JANUARY, 1890.
WATER-STORAGE IN THE WEST.
By Walter Gillette Bates.

	FOR various purposes, scientific and
historical, we find writers treating
of the United States under the three
great divisions of the Eastern Highlands,
the Central Plain, and the Western Pla-
teau. This rough natural division is also
useful from an agricultural stand-point.
These three sections show certain gen-
eral differences in climate, in the lay of
the land, in the fertility of the soil, in
the presence or absence of forests, and in
the water-supply, which, in turn, lead to
a marked diversity in crops, in the size
of farms, and in the methods of working
them.
Take, for instance, the problem of the
	water-supply, which is probably, little as
Eastern farmers realize it, the most im-
portant factor in agriculture. Along
the Atlantic coast there is an abun-
dance, in some places an over - abun-
dance, of rain. Heavy snows fall in
winter, and are retained by the forests
covering the hills. The streams do not
run dry in summer, and a drought of a
month is a rare occurrence.
	In the Mississippi Plain the rainfall
is in most places lighter. The smaller
streams at times dry up in summer, and
a drought of over a month is not un-
common. Still, the lack of rain has
never yet caused a failure of crops over
any extended area.
	As we approach the one-hundredth
Copyright, 1889, by Charles Scribners Soiss. All rights roserved.
VOL. VII.
No. 1.
Dam Partly Finishedwith Reservoir Allowed to be Partially Filled. Walost Grove Ariz.</PB>
<PB REF="IMG00012" SEQ="0012" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="4">4	WATER-STORAGE IN THE WEST.


meridian, however, we discover a new
phase of the water-supply. The one-
hundredth meridian cuts into two parts
Dakota, Nebraska, Kansas, Thdian Ter-
ritory, and Texas. Somewhere in the
western half of these States there runs
an irregular, shifting line, across which
the unaided natural rainfall is not suf-
ficient to raise a crop every year. To
the west of this line lie about one mill-
ion two hundred thousand square miles
of land, over two-fifths of the entire
United States. Of course, this vast ter-
ritory is not all arid. One block of
magnificent land, including northern
California, western Oregon and Wash-
ington, has an ample rainfall. And
scattered everywhere, on rich bottom-
lands close to rivers, on high mesas
partly covered with forests, or in narrow
mountain-valleys, lie many farms which
depend for water on the rainfall and
the natural humidity of the soil.
	Nevertheless this great territory is
properly called the arid region of the
United States. The annual rainfall is not
only small, ranging from about twenty
inches in the north to a little over two
inches in southwestern Arizona, but is
exceedingly variable. Signal-service re-
ports that show a rainfall of forty inches
in one year will show perhaps not more
than ten inches the following year.
The greater part of the rain falls at one
time, in the winter, when it cannot be
used. A large portion of the country is
overdrained. The streams do not flow
on the surface of the ground, but have
cut their way deep into the bed-rock
in the case of some of the larger rivers,
like the Colorado, thousands of feet.
The country is completely overlaid with
a net-work of these artificial drains.
Whenever a heavy rain happens to fall
in summer the water at once rushes off
the thin soil into these washes or cafions,
which for a few hours or days are raging
torrents, but before a week is past are
entirely dry. The water that has fallen,
perhaps several inches, has disappeared
without doino the sli~htest good to the
soil. In the Southwest, where the
streams flow through sandy rather than
rocky beds, many of them reverse the
natural conditions, being largest at their
source and gradually dwindling to noth
View of Lake Basin~ Walnut Grove Ariz,, Before Building of Dam.</PB>
<PB REF="IMG00013" SEQ="0013" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="5">	WA TEP-S TO RAGE IN THE WEST.	5



ing as they sink beneath the sand. In
short, the rainfall of the arid region is
not only small and variable but it comes
at unseasonable times and drains away
almost as soon as it falls.
	Until very recently the people of the
United States have not been much in-
terested in this section, from an agri-
cultural stand-point. Up to this time
there has been an abundance of good
land unoccupied in the Mississippi Val-
ley. The far West has been the land of
mines and ranchesa desert terrible in
its vastness and barrenness. But near-
ly all the good farming-land of the Cen-
tral Plain has now been taken up. The
Dakotas, which have been receiving and
absorbing the mass of immigrants since
the lands of Nebraska Kansas and Min-
nesota have been appropriated, are now
well - settled States. When Oklahoma
was recently opened, twice as many set-
tlers stood ready as there was land for
them to occupy. Still the great stream
of European immigration rolls in upon
us. The Eastern States still send their
young men west. Where are all these
new farmers to find the farms to work?
In their search for them they are making
their way into every part of the Western
Plateau. They are at last, by necessity,
forced to turn to the arid region, hith-
erto unthought of as a field for agricul-
ture.
	As these pioneers press on into this
unknown land, they find the common
picture of it misleading. They find that,
if the country be a desert, it is so only
from lack of water and not from the
sterility of the soil. Wherever water is
found in sufficient quantity, they see
crops in nowise inferior to the best
grown in the Eastern or Central States.
In the Southwest they find many produc-
tions which cannot be grown anywhere
else in the country. Most important of
all, they find that the rainfall, though
small, is almost everywhere sufficient for
farming, if it did not mass itself in un-
favorable times of the year and disap-
pear so rapidly.
	The problem is so to regulate, increase,
or store this small water-supply as to
make fruitful this rich but idle soil. It
is a problem full of interest to every
farmer in the great West, but, on a larger
scale, a probleni of the utmost moment
to the whole United States, if not to the
Walnut Grove, after Partial Filling of the Artificial Lake.</PB>
<PB REF="IMG00014" SEQ="0014" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="6">	6	WATER-STORAGE IN THE WEST.

world. All land in the East is either in ing this has yet been suggested. In prac-
the hands of private owners or covered tice, the search is first of all for a subter-
with forests on mountain-sides which ranean supply of water. Wells are sunk,
are almost untillable. Nearly all the and if, by any peculiar formation of the
land of the Central Plain that can be soil, water is found near the surface,


cultivated by the natural water-supply
is already appropriated, and every acre
will be taken up within a decade. In
the West lies this immense territory
two-fifths of the wholethe greater part
of whose soil is capable of rich return
but which now lies unproductive. Can
this land, in any way, be covered with
farms, and these millions of acres made
productive? What a problem is this,
both for the present and, still more, for
the future of our country and the over-
crowded world. It is the pr6blem of
the reclamation of an empire.
	The people of the West, in their rest-
less, American way, are attacking this
problem from every side. The simplest
theoretical solution would be to increase
the rainfall or to shift it from the win-
ter to the spring and summer months,
but no practical method of accomplish-
windmills are used to irrigate small
farms. Artesian water is sought for
persistently everywhere, in some places
with great success, in many more with
blank failure. Private companies are
boring holes in every level, unwatered
m c~a. Territorial legislatures offer re-
wards for the first artesian well flowing
so many gallons an hour. Again, a
trial-well may be driven in the bed of a
dry wash and disclose a stream of water
flowing below. If so, a tight dam sunk
to bed-rock brings this to the surface,
to be drawn away in the irrigating ditch.
A deep, narrow trench dug directly
across a narrow valley will often fill with
a good-sized stream.
	Water developed~ from any of these
subterranean sources is applied to the
soil by the well-known method of irriga-
tion. But these methods are unimpor
Construction of the Walnut Grove Dam.</PB>
<PB REF="IMG00015" SEQ="0015" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="7">	WATER-STORAGE IN THE WEST.	7

tant compared with irrigation from such living streams as exist. These living
streams are either small creeks, high in mountain-valleys, or the larger rivers
which do not run dry at any time of the year. The corresponding system of ir-
Flume across the Santa Ana River, Riverside Water Company Cal.


rigation is either on a small or a large scale. The settler in the mountain-valley
throws a rude dam of sand or brush across the little creek that flows through his
land, digs a ditch a few feet wide along the hill-side as far as his farm runs,
turns the water out of it across his land as he needs it, and, as long as the stream
flows, raises his crops independent of the cloudless sky. The dam very likely
washes out every year and the ditch must be redug each spring, but this work
is slight compared with the certainty of a good crop.
	But this is not the system of irrigation whose fame by much advertisement
is spread everywhere. This is irrigation on the characteristically large scale of</PB>
<PB REF="IMG00016" SEQ="0016" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="8">8	WATER-STORAGE IN THE WEST.

the West. Its genesis is simple. The
laws of the Western States and Territo-
ries everv~vhere recognize and protect
the rights of the first or prior appro-
priator of water. If the first settler on
the banks of a stream draws off, in his
ditch, one half or the whole of the cus-
tomary flow to irrigate his farm, he has
the right to take this one-half or the
whole llcw forever, to the entire exclu-
sion of any subsequent settler. But the
same rule applies to rivers of large size.
As the quick-witted Westerner stands
by the side of one of the great rivers
and looks over thousands of acres of
desert land along its banks, he sees a
fortune in the situation. Only get cap-
ital enough together, organize a great
company, dig an immense canal which
will appropriate all the water in the
river, and yoa command the whole val-
ley. It is the position of the Western
railroads repeated. Instead of waiting
for settlers to come and dig little ditches
as they need them, an immense capital
digs one huge canal watering thousands
of farms, and then draws settlers by ad-
vertisement and boom. So all over the
West, throughout Colorado, in central
and southern California, in Montana
and Idaho, on the Salt and Gila Rivers
in southern Arizona, there are great
companies, with capitals running into
the millions, putting this idea into
effect. The canals they dig are twenty,
thirty, or even fifty miles long. The
largest are a hundred feet wide and ten
feet deep, very rivers in themselves.
They follow the contour of the country,
running back farther and farther from
the river as the latter falls away. The
main canal gives off lateral branches at
frequent intervals, and by an ingenious
system of gates, crossings, and ditches
sends water to every foot of arable
ground between it and the river. The
land belongs to the Government, and is
taken up by individual settlers at mere-


Beginning of a Flume at Walnut Grove.</PB>
<PB REF="IMG00017" SEQ="0017" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="9">	WA TEN-S TO RAGE IN THE WEST.	9
Completed Dam at Walnut Grove rear view (410 feet acroaa, at top 110 feet high).


ly nominal prices under the Desert Land Act. But the water belongs to the
canal company, and it is this water that the settler really pays for. He sows his
one hundred and sixty acres with grain or alfalfa, or plants his twenty acres with
grapes, oranges, or olives, and under a cloudless sky in a few years has a farm
producing as no Eastern farm ever does. A dozen or a hundred square miles of
desert are transformed in five years into a wonder of blooming fruitfulness.
Yet even this meagre description of the marvellous development of the power
Two 25 inch Delivery Pipvu Running through the Walnut Grove Dam.
rL.
jiA</PB>
<PB REF="IMG00018" SEQ="0018" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="10">	10	WATER-STORAGE IN THE WEST.

of water through irrigation shows its
limitations. It is of necessity confined
to those streams that never run dry,
and is confined to a comparatively nar-
row strip of level land along such rivers.
Even the largest canals seldom run
more than ten miles away from the
stream and, of course, irrigate only on
one side, toward the river. It is not too
much to say that this system of irriga-
tion from living streams is already ap-
proaching its limit. The first large
canals were built only a few years ago;
yet so fast does enterprise move in the
West that it is probable that every
available river of any size either has its
canals already in operation, or all of the
water appropriated and the canals laid
out. The Southern Pacific Railroad was
built across southern Arizona in 1880,
practically opening up a new country.
There are now over two hundred and
fifty miles of main canal in the Salt and
Gila Valleys of that region, and many
more under way. Colorado in 1886 had
nearly one thousand miles of irrigating
canal.
	In short, just as the amount of land
that can be cultivated from subterranean
water is limited, so the amount that can
be irrigated from living streams is also
limited; and, at the present rate, that
limit will be reached in a comparatively
short time. The problem of making the
great arid region productive must be
attacked upon some other side.
	The latest solution of the problem i~
that of water-storage. Its idea is this.
Although not many of the streams carry
water throughout the year, they all run
full at some time within the year. As
described before, many of them are rag-
ing torrents in the early spring or for
a few days in summer after a cloud-
burst in the mountains. This water i~
now wasted or worse than wasted, de-
nuding the land of its soil and carry-
ing destruction to dams and irrigating
canals. The plan of water-storage is to
impound this water as it runs to waste
in the season of flood and use it in the
season of drought. Select the proper
valleys for water-basins, close their out-
lets with dams, store great lakes of
water when the mountain-snows melt~
and then let it out slowly and at will
Irrigating Orange Grove Riverside Cal.</PB>
<PB REF="IMG00019" SEQ="0019" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="11">	WATER-STORAGE IN THE WEST	11

through flumes and ditches to the lands
belowthis is the essence of the new
idea. It is to this solution of the prob-
lem of aridity that all eyes are now
turning in the West. Governors are
urging its importance in their messages,
and legislatures are memorializing Con-
gress to turn their attention to the un-
rivalled fitness of their particular State
or Territory for its trial. The Govern-
inent is investigating its feasibility, both
through a Congressional commission and
by a hydrographic survey. Private com-
panies are locating dam-sites, laying out
colonies and towns, and building enor-
mous dams.
	The main essentials of successful wa-
ter-storage on a large scale are three:
a water-basin, a lake-site, and the land
to be irrigated, in proper relation to one
another. The water - supply must be
sufficient to fill the dam every year; if
possible, twice a year. The catchment
basin or area drained by the stream to
be dammed should therefore be as large
as possible. To ascertain the supply that
can be relied upon, the flow of water in
the stream should be carefully measured
many times during the year. If possible,
the average of several successive years
should be taken, for it must never be
forgotten that the efficiency of any sys-
tem of water-storage is measured by the
very smallest amount of water stored in
the very dryest year.
	As to the lake-site, this must general-
ly be a large and level valley, everywhere
enclosed by hills except where the wa-
ter escapes, which should be through
a caiion narrow enough to be dammed at
a reasonable expense. The valley must
widen out at once above the dam-site,
or the lake-capacity will be small what-
ever the height of the dam; its bottom
must be nearly level for a long distance,
or the dam will have to be built too
high. The larger the lake-surface and
the smaller the gap to be closed, the
cheaper the dam and the more water
stored.
	Finally, the dam must be situated
somewhere near and at a higher level
than the land to be irrigated. For
there must be some cheap and easy way
of transferring the water from the point
of collection to the point of application.
	It is obvious from this that every
caiTion in the West is not a natural dam-
site, nor every mountain-valley capable
of becoming an artificial lake. It is to
ascertain more accurately where these
natural dam-sites are that the present
hydrographic survey is being made.
The Government at present does not
propose to build any dams, but to in-
vestigate the extent to which the arid
lands of the West can be redeemed by
irrigation, to select sites for storage-
reservoirs, and to segregate the irrigable
from the non-irrigable lands. The sur-
vey corps will measure proposed lake-
basins, find out how many gallons of
water they will hold with dams of vari-
ous heights, measure the flow of water
in streams, and determine the amount
of arable laud commanded by any par-
ticular reservoir. This is work which
corresponds very closely to that done by
the Hydrographic Survey in mapping
the coast-lines of the country. It is well
that it should be carried on by the Gov-
ernment, as such work is generally done
badly or not at all by individuals eager
to complete their proposed design and
get returns. Whether the Govern-
ment should build such dams and irri-
gating works as are found feasible is a
very different question.
	But Western enterprise has not waited
for Government aid. Although the stor-
ing of water for the purposes of irri-
gation is a new idea in this country,
private capital is already making the
experiment. In particular, there have
been four very large dams finished
within the last few years which it may
not be uninteresting to describe briefly
particularly as each of them represents
a different type of structure, and the
four together, probably all the kiads that
are likely to be built. They show clearly,
moreover, the influence of their situation
on the type followedsuch as the pres-
ence or absence of abundant building-
stone, and the cheapness or dearness of
cement, as the dams lie near to or far
from railroads.
	Near Merced, in central California, a
large irrigating canal, seventy-five miles
long, has been in process of construction
for six years. A few miles from the
city the course of the canal lay across a
wide valley or depression, around which
the canal must either make a wide de</PB>
<PB REF="IMG00020" SEQ="0020" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="12">The Sweetwater River Dam, near San Diego Cal.</PB>
<PB REF="IMG00021" SEQ="0021" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="13">WA TER-S TO RAGE IN THE WEST.

tour or cross it by an expensive flume.
It was finally decided to dam up the
lower end of the valley and convert it
into a storage-reservoir. The dana, of
necessity, is one of earth, which was
scraped and hauled into place by men
and teams. It is nearly a mile long
and, in places, sixty feet high. It took
five years to build and, as its position is
not a favorable one, was very expensive.
The lake formed covers six hundred and
fifty acres, and holds five thousand five
hundred million gallons when full.
	At Walnut Grove, forty miles south of
Prescott, Ariz., a dam was completed in
1888 which also depends upon gravity
as the principle of its construction, but
is built of stone instead of earth. It lies
in the typical position for such struct-
ures, closing the narrow outlet of a wide
valley. Its situation, in the interior and
naanv miles from a railroad, precluded
the use of cement, while the sides of the
very caflon it closes furnished an inex-
haustible supply of the best granite.
The dam is a huge wedge-shaped core
of loose rock thrown in just as it was
blasted from the hill-sides, and kept in
place and shape by wide back and front
walls. These walls are hand - laid, but
are without cement. With no further
protection the water would, of course,
flow away almost as fast as if no dam
were there. This protection is supplied
by a double apron or skin, of three-inch
planks, lined with tarred felting, calked,
and painted with water-proof paint, cov-
ering the whole water-face of the dam,
and resembling in many ways the side
of a ship. The dam is one hundred and
ten feet high, and the lake, which now
forms the largest body of water in Ari-
zona, covers a surface of seven hundred
and fifty acres, and impounds four thou-
sand million gallons.
	The third dam is the one across the
Bear Valley in San Bernardino County,
Cal. Its principle, that of the arch,
is entirely different from that of the
two dams already described, and the
structure would attract attention any-
where for the boldness of its design.
Popularly speaking, it is a carefully con-
structed but surprisingly thin wall, curv-
ing upstream and keyed securely into
the rocky banks. It holds back the
water not on account of its weight, but
because the arch which it forms trans-
mits the pressure to the sides of the
caflon. It is but twenty feet thick at
base and less than three at the top. By
occupying a position of great natural
advantage this reservoir, with a dam but
sixty feet high, covers an area of two
thousand two hundred and fifty acres,
and holds ten thousand million gallons.
	The aristocrat of the four, however,
lies near San Diego, Cal. It has been
built by a company closely allied to the
Atchison, Topeka &#38; Santa F6 Railroad
Company, across the Sweetwater River,
and commands a large tract of land owned
by it about National City. It is most
carefully constructed of cut rock laid
in Portland cement. It combines the
two mechanical principles already men-
tioned, depending upon its weight for
stability, but being built in the form
of an arch for additional security. The
dam is about ninety feet high, and the
lake, now full, covers seven hundred
and twenty-five acres and holds six thou-
sand million gallons. The water is con-
veved to the land below in iron pipes in-
stead of the cheaper flumes and ditches.
Of these there are already sixty miles
in place.
	This brief description of these four
dams already constructed may show
something of the variety and magnitude
of the work begun, but it shows little of
the peculiar and picturesque conditions
which surround it. The building of a
great dam anywhere is a most difficult
task, involving the best, and often the
boldest, engineering skill, great admini~-
trative ability, and the most scrupulous
fidelity in minute details. But the diffi-
culty is multiplied many times when we
transfer the point of operation to some
wild, unopened mountain - caiion in the
extreme West. The railroads are far
away; even a wagon-road must be cut for
miles in the sheer mountain-side. The
engineer and his assistants must be
brought together from distant places
and will probably be totally unfamiliar
with the region, its climate, and the class
of labor employed. In the Southwest
this labor must be largely Mexican, now
that public opinion prevents the employ-
ment of Chinese. If not Mexican, then
it must be the scarce, highly paid, inde-
pendent white labor of the West.
I</PB>
<PB REF="IMG00022" SEQ="0022" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="14">	14	WATER-STORAGE IN THE WEST

	With a road constructed to the scene
of action, work must begin at the very
foundation. The ground must be
cleared of trees, a camp laid out, sleep-
ing and eating houses built for work-
men, a store and saloon provided and
stockeda little town, in fact, built up
in a day, aud this on land that was but
yesterday an unbroken mountain-caiion.
Work on the dam begins at once, and, if
it is to be pushed forward to any advan-
tage, mast be carried on under the most
thorough system of oversight and divi-
sion of labor. One gang of excavators
attack the dam-site and push their way
rapidly to bed - rock; another begin to
blast the stone to be used in the dam
from the quarries, to be transferred by
carmen, and placed in the hands of a
fourth gang of masons or stone-layers
as fast as place is made for them. Dy-
namite or giant powder is used freely
and recklessly, and the air resounds with
tremendous blasts at all times of the
day and night.
	If lumber is to be used, either in the
dam or flume, timber must be located, a
saw-mill put up, and a complete lum-
ber camp equipped, often many miles
from the dam. Freighters, those most
essential adjuncts of camp-life, must be
gathered together and their work or-
ganized. If it is considered necessary
to push the work, as it generally is,
with impatient stockholders awaiting
results, then operations must be carried
on by night as well as by day, and elec-
tric lights shine over rocks which have
seldom seen even the camp-fire of the
hunter or cowboy. Much expensive
machinery must be hauled in over the
steep mountains. This machinery must
be put together and worked under the
rudest and most primitive conditions,
at a time when the slightest delay may
mean great loss. The stoppage of a
single pump may allow a hole to fill up
which has taken weeks to excavate. The
breaking of a single important piece of
machinery at that distance from the
place of manufacture often causes intol-
erable delay.
	Moreover, the several hundred work-
men must be well housed and fed, espe-
cially the latter, if they are Americans.
Indeed, the wishes and prejudices of
these laborers must be catered to in
every particuiar. The work must al-
ways be hurried, not only to satisfy
stockholders, but in order to complete
Irrigation for Alfalfa, by Flooding the Ground, Arizona Canal Company, Salt River Valley.</PB>
<PB REF="IMG00023" SEQ="0023" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="15">	WATER-STORAGE IN THE WEST.	15

a substantial portion during the dry sea-
son. The engineers are at the mercy
of the laborers, for the latter are few
and most offensively independent. They
work when they choose and lay off in
the same way. A pay-day sees saloons
and gambling-houses in full blast, and
but little work is forthcoming for a
week.
	Yet, notwithstanding all these draw-
backs  the extreme roughness of the
country, the distance from the base of
supplies, the lack of experienced fore-
men, the turbulence of the laborers 
if the engineer in charge has true Ameri-
can administrative ability the work goes
forward with astonishing rapidity. Sup-
plies, tools, and machinery are ordered
by car - loads and hauled in from the
railroad by twenty - mule teams. Men
adapt themselves quickly to new posi-
tions and are made foremen of the
various gangs, store-keepers, or mana-
gers of the food-supply. The store, the
boarding-house, the corral, even the
saloon, if moral principles do not inter-
fere, are managed by the company and
turned into a source of profit. A stage-
line to the nearest railroad station is
started, a post-office is establishedin
short, a town of four or five hundred in-
habitants springs, full-grown, into exist-
ence.
	As the dam rises from its firm foun-
dation on bed-rock, it is time to think
of the means of transferring the water
to the irrigable lands below. If the
country is rolling, this will be by means
of a ditch or canal; if rocky, by a flume
or pipe-line. The surveying corps,
which up to this time have been en-
gaged in plotting the lake-basin in or-
der to ascertain its exact capacity at
every level, are now put to work in the
field. As many surveys are necessary.
for a flume-line as for a railroad, and the
final one must stake out the ground
with the utmost precision. If a ditch
is the plan adopted, gangs of excavators,
aided by machinery where the country
is level, are started simultaneously on
sections of convenient length; if a flume,
the excavators level off a flume-bed and
are followed by gangs of lumbermen
and carpenters. At places, as in the
case of the Merced Canal, long tunnels
must be cut through impeding high-
lands. Supplies, pipe or lumber, tools
and machinery, must be rapidly and
continuously forwarded to all these
moving camps.
	So the work, more and more systemat-
ized and simplified as it goes on, comes
finally to an end. The dam and flumes
are finished, the floods come, the lake
fills, and at last the water is drawn off to
do its appointed work on the lands that
are waiting for it with the thirst of cen-
turies.
	Of these great reservoirs, although
many are planned, not many have been
completed, no others as large as the four
described. But these are looked upon
only as the forerunners of a great sys-
tem. The prescient Western eye, as it
looks across one of these artificial lakes,
sees not one dam but hundreds, not a
billion of gallons of water stored but
thousands of billions, not one waste
turned into a garden but a Sahara
made to bear fruit. To a large extent
this enthusiasm is justified. Congress
is acting in the matter in a most com-
mendable way. Private enterprise is
eager to seize the golden opportunity
before it is too late. One can scarcely
pick up a newspaper without reading of
the organization of a water-storage com-
pany, or the beginning of work on some
reservoir.
	Many of the projects thus gravely put
forward would seem the wildest folly to
conservative Eastern men. This com-
pany proposes to close a certain valley
by an enormous dam, then pierce the
enclosing mountains with a tunnel sev-
eral miles long, throwing the water thus
stored into the valley next across the
ridge, but lying at a lower level. An-
other proposes to tap and drain in the
same way a large natural lake in the
Sierras. A third plans the diversion of
a river as large as the Colorado, and the
reclamation of a whole territory by irri-
gation. The West never shrinks from
a proposal on account of its boldness,
and, indeed, is often justified by its suc-
cess.
	It is, however, possible that these peo-
ple are too sanguine in their new faith,
and that the storing of water is not des-
tined all at once to convert a million
square miles of desert into a garden of
plenty. If this is so, it will not be be-</PB>
<PB REF="IMG00024" SEQ="0024" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="16">	16	WATER-STORAGE IN THE WEST.

cause there is not fertile land in abun-
dance. Nor will it be because the rain-
fall is not sufficient when properly
conserved to irrigate the soil. But it
is possible that sites for storage-reser-
voirs which can be utilized by private
enterprise will not be found in as great
numbers as is confidently expected.
This fact will be authoritatively settled
by the hydrographic survey now in
progress. The gist of their work is to
locate possible reservoirs, and criticism
must be suspended until their work is
completed, at least in part. Their sur-
vey will undoubtedly point out many val-
uable reservoir-sites and not a few sur-
prisingly fine ones, but it is also likely
to demonstrate that the mountains are
not full of them. The conditions of suc-
cess which have been mentioned  a
stream affording enough water, a large
lake-basin, a very narrow dam-site, and
proximity to irrigable landsare rigid
conditions and absolutely essential to
any development by private capitaL If
the supply of water is not large enough,
if the storage-capacity is too small, if
the dam or the flume costs too much,
the enterprise will not pay, and that is
the end.
	This, of course, is from the stand-point
of private enterprise, which asks, Will
it pay, and pay quickly? There re-
mains the question of Governmental
construction, the building of permanent
dams on a large scale at public expense.
To this there are, of course, obvious
objections  the enormous outlay in-
volved, the opportunity for jobbery, the
danger that the work would be badly
done. Yet the arguments in favor of
Governmental construction are not with-
out force. The main one is that govern-
ments can afford to do what private en-
terprise can not. It is not absolutely
necessary that their work should pay
dividends from the first or second year,
nor that it should pay at all, in the strict
commercial sense. The Government,
therefore, ~ould build reservoirs where
none would otherwise be built, and look
for returns in the water-rents of hun-
dreds of years to come.
	Another argument is found in the
fact that the United States owns the
land, which private speculators do not.
The latter must look for dividends from
the rent of the waterthe land, however
valuable, being sold by the Government
at a nominal price. But the Government,
if it owned the dams, could not only
charge a yearly rental for the water, but
could sell the land at greatly increased
prices.
	Again, it is urged that the publicity
of Governmental construction would re-
sult in better work than can be hoped
for under any other system. If there
are any engineering works that call for
the most scrupulous honesty in their con-
struction they are these reservoirs, which
are planned to stand for ages, and whose
destruction menaces not only the prop-
erty but the lives of whole communities.
A private company is always anxious to
spend as little as possible, and so gravi-
tates toward the lowest limit of safety
and expense. It may be that under
Governmental construction, notwith-
standing the great temptation for job-
bery, the very magnitude and publici-
ty of the undertaking would enforce
more careful designing and sounder
work.
	Whether it is best for the Government
to enter upon this momentous work is
a question not to be answered in a day.
Nor is this necessary. Although nearly
all the available land in the country
which can be cultivated by the natural
rainfall has been appropriated, it is by
no means all in full cultivation. Yet
this state of affairs is approaching, and
it will approach all the faster if the pres-
ent immigration from Europe is allowed
to go on unchecked.
	When this time comes, when the great
Mississippi Valley begins to feel some of
the European evils of over-population,
which the East already feels, and cannot
relieve itself, as the East has always
done, by drafting off its surplus popu-
lation to the West, the Government may
well ask itself whether it can any longer
afford to leave one-third of its domain
a desert. It may seem far better to be-
gin the construction of public works on
the very largest and most extended
scale, on a plan which aims, from the
first, at the utilization of every drop of
water that falls within the area of the
arid region. Such a system would re-
quire very many years for its completion,
many years even for elaborating the plan.</PB>
<PB REF="IMG00025" SEQ="0025" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="17">	AN OLD-FASHIONED LOVE-SONG.	17

It would perhaps be an undertaking as
foreign to the present character of our
Government as the system of agricult-
ure it contemplates is to the good old
methods we have inherited from Eng-
land. But with the future in view, the
growth of population, the filling up of
all the countries which now welcome
colonists, the consequent dearth of land,
the impossibility of desert-reclamation
by private capital, it is not altogether
visionary to say that Governmental in-
terference on the largest scale will be
the inevitable result.




AN OLD-FASHIONED LOVE-SONG.

By H. C. Bunner.

TztL me what within her eyes
Makes the forgotten Spring arise,
And all the day, if kind she looks,
Flow to a tune like tinkling brooks;
Tell me why, if but her voice
Falls on mens ears, their souls rejoice;
Tell me why, if only she
Doth come into the companie
All spirits straight enkindled are,
As if a moon lit up a star.

Tell me this thats writ above,
And I will tell you why I love.

Tell me why the foolish wind
Is to her tresses ever kind,
And ouly blows them in such wise
As lends her beauty some surprise;
Tell me why no changing year
Can change from Spring, if she appear;
Tell me why to see her face
Begets in all folk else a grace
That makes them fair, as love of her
Did to a gentler nature stir.

Tell me why, if she but go
Alone across the fields of snow,
All fancies of the Springs of old
Within a lovers breast grow bold;
Tell me why, when her he sees,
Within him stirs an April breeze;
And all that in his secret heart
Most sacredly was set apart,
And most was hidden, then awakes,
At the sweet joy her coming makes.

Tell me what is writ above,
And I will tell you why I love.</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-4">
<BIBL>
<AUTHOR>H. C. Bunner</AUTHOR>
<AUTHORIND>Bunner, H. C.</AUTHORIND>
<TITLE TYPE="ART">An Old-Fashioned Love-Song</TITLE>
<BIBLSCOPE TYPE="pg">17-18</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00025" SEQ="0025" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="17">	AN OLD-FASHIONED LOVE-SONG.	17

It would perhaps be an undertaking as
foreign to the present character of our
Government as the system of agricult-
ure it contemplates is to the good old
methods we have inherited from Eng-
land. But with the future in view, the
growth of population, the filling up of
all the countries which now welcome
colonists, the consequent dearth of land,
the impossibility of desert-reclamation
by private capital, it is not altogether
visionary to say that Governmental in-
terference on the largest scale will be
the inevitable result.




AN OLD-FASHIONED LOVE-SONG.

By H. C. Bunner.

TztL me what within her eyes
Makes the forgotten Spring arise,
And all the day, if kind she looks,
Flow to a tune like tinkling brooks;
Tell me why, if but her voice
Falls on mens ears, their souls rejoice;
Tell me why, if only she
Doth come into the companie
All spirits straight enkindled are,
As if a moon lit up a star.

Tell me this thats writ above,
And I will tell you why I love.

Tell me why the foolish wind
Is to her tresses ever kind,
And ouly blows them in such wise
As lends her beauty some surprise;
Tell me why no changing year
Can change from Spring, if she appear;
Tell me why to see her face
Begets in all folk else a grace
That makes them fair, as love of her
Did to a gentler nature stir.

Tell me why, if she but go
Alone across the fields of snow,
All fancies of the Springs of old
Within a lovers breast grow bold;
Tell me why, when her he sees,
Within him stirs an April breeze;
And all that in his secret heart
Most sacredly was set apart,
And most was hidden, then awakes,
At the sweet joy her coming makes.

Tell me what is writ above,
And I will tell you why I love.</PB>
<PB REF="IMG00026" SEQ="0026" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="18">	~ 	~
	           (f			~	~J	r(	WI
	~	~)	~




THE PARIS EXPOSITION.
NOTES AKD IMPRESSIONS.

By W. C. Brownell.

I.

was fitting that one of
the very greatest events
of modern history
should be celebrated
by one of the greatest
spectacles of modern
times; but it is a little
curious that the political should exceed
even the spectacular interest of the latter.
This was, nevertheless, true of the recent
Paris Centennial Exposition, I think.
At least its political importance was very
great, and that a mere worlds fair should
have had such an importance is a phe-
nomenon positively unique. The Expo-
sition, in fact, appealed to the mind as
forcibly, as brilliantly, as it did to the
eye. Its significance was as salient as
its splendor, and it was very splendid
indeed. It was a great national reas-
surance, the embodied triumph of the
Republic at home and abroad, the wit-
ness of the present Republics soundness
and strength, and the attestation of the
practical puissance of, in general, the re-
publican ideal.
	The Republic and republicanism were
very fortunate. The commemoration of
1789 is a very different thing from a com-
memoration of 1793. Only to a pedant,
one would say, can even the fall of the
Bastille seem typical of anarchy, and real-
ly the celebration might have been taken
as the apotheosis of constitutional gov
eminenta fete in which every nation
of Europe, but that of Russia, might,
one would think, cordially join. Every
cabinet of importance, however, held
aloof; and the effect of the monarchical
abstention was very dramatic. It gave
France at once a position of relief and
distinction. Her isolation in reality
placed her on a pedestal. It gave her
the same position in the impartial im-
agination that she occupied a century
ago, when she was preaching the eman-
cipation of the people everywhere,
before she had begun to enslave the na-
tions they composed. European hos-
tility, in a word, did her the very great
service, in this practical age of politics,
of rendering her politically interesting.
And republicanism shared the benefit of
this service with her.
	The opposition and the lukewarmness
of the monarchical world, moreover, gave
a distinctly French aspect to the Expo-
sition. It was not so much universal as
national. Except the exhibits of South
American republics, and the sensational
Oriental contributions, there were in the
general and cursory view of the grounds
and buildings, almost no elements that
were not French. Speaking loosely,
wherever one wandered idly, or what-
ever department he inspected closely,
the most interesting and admirable ob-
jects were French. And, of course, in
mere mass, French preponderance was
overwhelming. Inthis way a very strong</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-5">
<BIBL>
<AUTHOR>W. C. Brownell</AUTHOR>
<AUTHORIND>Brownell, W. C.</AUTHORIND>
<TITLE TYPE="ART">The Paris Exposition - Notes And Impressions</TITLE>
<BIBLSCOPE TYPE="pg">18-36</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00026" SEQ="0026" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="18">	~ 	~
	           (f			~	~J	r(	WI
	~	~)	~




THE PARIS EXPOSITION.
NOTES AKD IMPRESSIONS.

By W. C. Brownell.

I.

was fitting that one of
the very greatest events
of modern history
should be celebrated
by one of the greatest
spectacles of modern
times; but it is a little
curious that the political should exceed
even the spectacular interest of the latter.
This was, nevertheless, true of the recent
Paris Centennial Exposition, I think.
At least its political importance was very
great, and that a mere worlds fair should
have had such an importance is a phe-
nomenon positively unique. The Expo-
sition, in fact, appealed to the mind as
forcibly, as brilliantly, as it did to the
eye. Its significance was as salient as
its splendor, and it was very splendid
indeed. It was a great national reas-
surance, the embodied triumph of the
Republic at home and abroad, the wit-
ness of the present Republics soundness
and strength, and the attestation of the
practical puissance of, in general, the re-
publican ideal.
	The Republic and republicanism were
very fortunate. The commemoration of
1789 is a very different thing from a com-
memoration of 1793. Only to a pedant,
one would say, can even the fall of the
Bastille seem typical of anarchy, and real-
ly the celebration might have been taken
as the apotheosis of constitutional gov
eminenta fete in which every nation
of Europe, but that of Russia, might,
one would think, cordially join. Every
cabinet of importance, however, held
aloof; and the effect of the monarchical
abstention was very dramatic. It gave
France at once a position of relief and
distinction. Her isolation in reality
placed her on a pedestal. It gave her
the same position in the impartial im-
agination that she occupied a century
ago, when she was preaching the eman-
cipation of the people everywhere,
before she had begun to enslave the na-
tions they composed. European hos-
tility, in a word, did her the very great
service, in this practical age of politics,
of rendering her politically interesting.
And republicanism shared the benefit of
this service with her.
	The opposition and the lukewarmness
of the monarchical world, moreover, gave
a distinctly French aspect to the Expo-
sition. It was not so much universal as
national. Except the exhibits of South
American republics, and the sensational
Oriental contributions, there were in the
general and cursory view of the grounds
and buildings, almost no elements that
were not French. Speaking loosely,
wherever one wandered idly, or what-
ever department he inspected closely,
the most interesting and admirable ob-
jects were French. And, of course, in
mere mass, French preponderance was
overwhelming. Inthis way a very strong</PB>
<PB REF="IMG00027" SEQ="0027" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="19">	THE PARIS EXPOSITION.	19

impression of French superiority was
very subtly instilled. So that by frown-
ing on the Republic, Europe not only
gave it relief and interest, but indirectly
magnified France herself in every civil-
ized and impressionable mind.
	The domestic opposition was equally
maladroit. There can be but little
doubt but that, could they have divined
the great success of the Exhibition, the
conservatives and anti-parliamentarians
would have united with the Government
in its support, in order to have reaped a
share of the credit for it. Had they done
so they would certainly have minimized
it as a political event. As it was, when
the enterprise was in its inceptive stages
they gambled on its failure. They
withdrew a support which would have
assured success at the outset (though, as
the event proved, it was really needless),
and thus, instead of discrediting the gov-
ernment with the sober classes for ex-
travagance and display, it demonstrated
not only how admirably the govern-
ment could get along without them, but
how well France herself had got along
all the years that she had been deprived
of the benefit of their direction. With
such resources, and such an admirable
development of them as the Exposition
witnessed, the demand for a saviour
of the country, in the person of either
the Comte de Paris or of General Bou-
langer, became ridiculous. The country
appeared to have been already saved,
and the monarchists and anti-parliamen-
tarians did their best to prove that
it had been saved by the Opportunists.
The electors seemed, at all events,
to take this view on September 22d, in
the result of which election the success
of the Exposition, made as it was by
Europe and by the domestic Opposition
the test of the parliamentary Republics
efficiency, was a factor whose importance
it is probably difficult to exaggerate.
Defamation and detraction at home and
abroad, the necessity of keeping au-
thoritative measures within the lim-
its of republican liberty, of preserving
order and freedom together, of washing
in public a certain amount of soiled lin-
en, dissensions in the ranks of its own
followers  all these phenomena, from
which in countries less alive or more des-
potic government is free, had had an un
doubted discrediting effect on the pres-
tige of the government. The success of
the Exposition, by demonstrating a na-
tional prosperity and improvement whol-
ly inconsistent with inefficient adminis-
tration, restored the peoples faith in its
representatives and its system.
	It is interesting to note, furthermore,
that the Expositions success throws a
good deal of light on our habit of ap-
plying certain principles of our own An-
glo-Saxon political philosophy to French
politics. These principles clearly have
not the a priori universality which we
attach to them if what we deem stability
of government is not necessary to a na-
tions progress and prosperity. To many
foreign observersespecially to England,
the old ally of Napoleon Ill., from whose
journals we hear the most about French
politicsthe state of French affairs dur-
ing the past few years has seemed ex-
treinely alarming on account of the in-
stability of the governmenta phrase
referring partly to the short life of
French ministries, but particularly to
the existence of large and powerful po-
litical parties opposed to the very form
itself of the government. A country in
this conditionto say nothing of M.
Zola, whose eccentricities fascinate Eng-
lish attention  must be in rapid deca-
dence, it is argued, because this is what
decadence is. Yet the Exposition is a
monumental demonstration of the con-
trary. In its five months of existence it
probably convinced many per cent. more
Anglo-Saxon political philosophers than
any amount of written exposition could
do, that if France is in decadence her
decadence is one which it would be gro-
tesque in any other European country
to commiseratecertainly in one which
has still to settle its land, its social, its
religious, and its Irish questions. What
is stable in France is institutions,
and the Exposition is a convincing proof
of the comparative unimportance of the
very form of the governuient itself,
important as this is, and as Frenchmen
feel it to be, as is witnessed by the heat
and violence of their discussion of it.
Owing to the Exposition, as I have im-
plied, the so-called fundamental differ-
ences between French political parties
will seem less significant than they have
seemed. This is witnessed by the recent</PB>
<PB REF="IMG00028" SEQ="0028" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="20">	20	THE PARIS EXPOSITION.

elections, with the consequent disappear-
ance of the grosser side of Boulangism.
And if there should also result a practi-
cal acceptance of the Republic by any
considerable share of the reactionary
party, of which there are now some
signs, the political effect of the Exposi-
tion would be in the highest degree sen-
sationaL But what it has alreadyproved,
and proved abundantly, is, that these dif-
ferences are in reality much less funda-
mental and significant than we are apt
to fancy them.
	For no such concrete exhibition of a
nations power and civilization could
have been created by one political par-
ty alone. The Republicans deserve the
credit of it, in the way I have indicated:
because it was abandoned to them by
the Opposition, and because they con-
ceived, created, and administered the
enterprise. At the same time it was
pre-eminently the work of the whole na-
tion, politicians apart, and stood as a
monumental attestation of that prodig-
ious force, French patriotism. Whatever
differences might divide it as to the
form of government best in itself, or
best adapted to the needs of France, the
great mass of Frenchmen forgot these
so soon as the project took shape and
the honor of France was engaged. The
politicians apart, there were no absten-
tions. Every class, from the artist to the
artisan, contributed its best, and the re-
sult was the product of national enthu-
siasm on a grand scale and carried into
minute detail. The hostility of Europe
probably served only to fan the flame of
this enthusiasm among even the ranks
of the reactionaries; French royalists
are essentially more democratic than
most European liberals who are liberal
through conviction merely, and not in-
terest, and they have found the rule
of the Republic so elastic that practi-
cally they have little fault to find.
Doubtless, had the r~gime been monarch-
ical instead of republican, there would
have been the same striking consensus
of patriotic effort, the same evident pre-
dominance of patriotic over partisan
feeling. But the regime had been re-
publican, truly republican since 1877,
and the result not only proved the pros-
perity and progress of the country un-
der itnot only proved that very great
industrial and intellectual eminence
could be attained under it in the face of
quite unparalleled difficulties; that a na-
tion, eschewing militarism on the one
hand, and making of every citizen a sol-
dier on the other, might nevertheless ex-
cel nobly in the arts of peacebut proved
also that under it French patriotism was
as puissant as ever, and could so show
itself in rational, and, so to speak, rou-
tine, as well as in dramatic impressive-
ness.

II.

	As a spectacle the striking feature of
the Exposition was the Exposition itself
the ensemble, the general coup dceil,
its unity, in a word. The advantageous
side of the French passion for subordi-
nating the detail to the mass was never
better illustrated. One need only think
of the enormous scale on which this
was done, the dimensions of the elements
of the gigantic organism, to appreciate
how grandiose must have been the ef-
fect of composition, scrupulously mani-
fest in every part. Such an effect is the
end and aim of whatever is truly picto-
rial, of course. And such a picture as
the Champ de Mars and the Trocad6ro
in this sense presented can never have
been composed. The sense was con-
stantly impressed by it, even in moments
of special study of particular exhibits.
Interesting as these were in detail,
there was always something more in-
teresting, more absorbing, namely, the
whole to which they contributed. The
Tour Eiffel itself took its place tranquilly
and sedately among the members of the
organism.
	It need hardly be said that this ef-
fect was not fortultous. It was, of
course, very carefully calculated; and
this calculation, as felicitous as it was
careful, was distinctly and sensibly one
of the chief elements in the delight of
the eye which it produced. There was
probably never so large a space of the
earths surface, covered by works by the
hand of man, from which the element
of the picturesque was so definitely ab-
sent. One felt that everything had been
arranged, considered, combined, com-
posed, as I saythat nothing had been
left to itself, to the inequalities of the</PB>
<PB REF="IMG00029" SEQ="0029" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="21">	THE PARIS EXPOSITION.	21

ground, to the necessities of hampered
means, to the chances of conflicting in-
terests, to the whim of individuals or
the notions of cliques, to the haphazard
of independent initiative and private en-
terprise. This is the first, and perhaps
the most essential, effect of a work of
art, and an international exhibition is,
as a whole, a work of art or it.is nothing;
constructed picturesqueness on the one
hand, or a mere convenient medium for
the display of industrial and a~sthetic ob-
jects on the other, can never attain the
effect of unity which gives to a composi-
tion its attractiveness and its indepen-
dent raison d~tre.
	You entered the grounds anywhere,
and were in the presence of this pict-
ure. At first, and remembering the
convenience of the little railroad at
Philadelphia in 1876, I was inclined to
moralize on our superior sense of util-
ity and necessity. There was a steam
tramway, to be sure, which united the
Champ de Mars with the Esplanade des
Invalides, but it was useful chiefly to
convey persons from one end of the Ex-
position to the other when they found
the grounds between them and home.
It conducted no one to points of in-
terest. There were, I soon found, no
points of interest. There were, that is
to say, no interstitial waste places.
Large as the grounds were, the build-
ings were not scattered over them in
isolated individual interest, but were in-
terdependently combined. They fringed
the great parallelogram of the Champ
de Mars in almost unbroken succession;
a fence was needed only to secure places
of entrance and exit; the only view was,
like that of any other theatre, from the
inside. On the Esplanade des Invalides
they were arranged in files and ranks like
a town, with outlying suburbs of caf6s,
and the slighter colonial structures.
Standing under the great arch of the Tour
Eiffel, with your back to the Trocad6ro,
stretching its enclosing and concentrat-
ing wings around one end of the quad-
rilateral, you faced the Central Dome,
which rose some two hundred and
twenty-five feet into the air, with a di-
amet~r of over one hundred feet. On
either side of it were the wings of the
Palais des Industries Diverses, of which
it formed the central entrance. At
their lateral limits the porticos which
bordered these joined those of the build-
ings devoted to foreign industries, which
came toward you till they reached on
either hand the Palais des Beaux Arts
and the Palais des Arts Lib6raux.
These, identical in general structure,
and thus contributing a very marked
effect of symmetry, extended nearly to
the Tower. Around and back of you
were numberless buildings, mainly the
special pavilions of the Spanish re-
publics, those of the French aquarell-
ists and of the French pastellists, of the
different theatres and casinos, deftly
distributed among grassy mounds and
clumps of trees. The lawn between the
Tower and the Central Dome was a car-
pet of brilliant green bordered by broad
gravel walks, and accented by gleam-
ing sculpture, glistening fountains, and
a decorous profusion of flowers that
seemed to have strayed down from the
Trocad6ro gardens, where they formed
an essential part of the display. The
concentric effect of the spectacle, the
manifestly contributory function of each
part, may be readily imagined.
	This effect of unity was powerfully
assisted by the general excellence of all
the structural details of the Exposition.
There were no jars, no discordant notes
of eccentric taste, nothing to break the
agreeable uniformity of a high level of
competence and cultivation. The color
effect was particularly charming. The
Central Dome was a dusky gold bronze,
heightened by the brilliant bits of bur-
nished gold and primary color which
decorated the portal it surmounted. It
left, in color, something like the general
impression created by the interior of St.
Marks at Venice. The twin domes of
the Fine Arts and Liberal Arts Palaces
were of a delicate blue-green faYence
pricked out with fretwork of yellow and
white, not unlike Persian tiling, and,
indeed, bearing a strong resemblance to
the color of the Dieulafoy find recently
set up in the Louvre. The palaces them-
selves were of masonry, made of large
bricks of terra-cotta delightfully mottled
in tints of gold and fawn and salmon,
and flecked here and there with the white
of sculptured figures in relief and in the
round, the piers carrying the sumptuous
entablatures running along the build-</PB>
<PB REF="IMG00030" SEQ="0030" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="22">	22	THE PARIS EXPOSITION.

ings on either side of the arcaded por-
tals being of skeleton iron painted a pale
flat blae, and inclosing light terra-cotta
tiling decorated in relief with much
structural sense. So that in color as
well as in form the great mass of build-
ings was a composition indescribably
bright and gay as a whole, and in detail
exhibiting a crescendo of gravity and
richness, from the clear transparent
notes of the extremities to the sober
sumptuousness of the Central Dome.
	The architecture was architecture in
the sense in which few modern build-
ings are, namely, perfect expression of
purposethe style developed out of the
necessities of the problem rather than a
conventional style arbitrarily adopted
and adapted. Its or4gins were trace-
able enough, of course, and it was clear-
ly enough French. But it was, as one
may say, of the IJuiversal Exposition
style. It was open to strict criticism
here and there, no doubt  as, for ex-
ample, the unstructural imposts of the
central portal, which seemed more like
mammoth modelling than true construc-
tion, and such a building as the pavilion
of the aquarellists, which was a trivial
even if a dainty bit of pistache stucco.
But ordinary criticism was hardly in
order, so important an element of the
general expression was the transitori-
ness that is so essential a trait of a
Universal Exposition. If the arch-
traves of the Liberal and the Fine Arts
Palaces were carried on piers of skeleton
iron-work filled in with terra-cotta, their
portals made of brick and decorated
with plaster, and if terra-cotta garlands
and cupids ornamented their friezes;
if the imposing building of the War
Department was of plaster modelled in
forms consecrated to lasting stone ; if
much of the purely decorative sculp-
ture of the grounds was of the same
material; if the Central Dome was too
laden with gold and color to serve as
anything but the focus of a prodigious
fetethe sense of nice adjustment of
form to function was so much the great-
er. Just such a light and gay and airy
effect was in this way secured as the
inner feeling of fitness demanded.
Everything was simply as solid, as sub-
stantial, as thorough, as complete as its
motive demanded, without the excess
of simulating a permanence foreign to
its idea.
	And yet so lavishly had the oil in the
lamp of sacrifice been burned, so lit-
tle compromise had been made with in-
evitable impending demolition, that, to
an American at leastaccustomed to a
much more radical expression of transi-
torinessperhaps the liveliest impres-.
sion to be obtained from the Exposition
was that it was as fine as the French
people could make it. If it had faults
or shortcomingsand I believe Mr. Ed-
ison found the machinery rn-arranged
in some respectstheir conception and
not at all the execution of it was respon-
sible. They, at all events, illustrated
their ideal of a worlds fair. They had
just what they wanted. No expense of
time, care, patience, talent, or money had
been spared. In these regards the con-
sideration that a building was to be
erected for only a temporary purpose
had manifestly been allowed no weight.
Attention had obviously been concen-
trated on the end to be attained. No
detail was neglected, no general effect
deemed too costly. Had the Tour
Eiffel sprung from the motive of the
Tower of Babel it could not have been
constructed and decorated with severer
scrupulousness. Had the twin palaces
of the Liberal and the Fine Arts been
designed for the permanent housing of
the treasures that for less than half a
year filled their spacious halls, they could
not have worn a more unstinted and ex-
uberant aspect.
	The buildings, indeed, were decoratel
with a freedom and fulness of fancy in
the highest degree creditable to French
architects, who certainly do not usually
err on the side of the rococo. Not only
were they decorative and festal in color
and general conformation, but they were
ornamented with a gay profusion of
gala whose prodigality was nevertheless
strictly subordinate to decorum and
good taste. There was no hint of the
note which German, Italian, or Spanish
Universal Exposition architecture would
be sure to strike. One need hardly
speak of the decoration which the
French sculpture of the past ten years,
variously distributed about the grounds,
constituted; or of the special decora-
tions of the grounds and buildings by</PB>
<PB REF="IMG00031" SEQ="0031" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="23">	THE PARIS EXPOSITION.	23

the numerous and cultivated guild of
French sculptors and painters, except
to chronicle the success of the monu-
mental fountain by Coutana work full
at once of brio and of elevation, besides
being immensely clever in more conven-
tional respects. One need only mention
that the fa9ade of Machinery Hall was
decorated with a group representing
Electricity, by Barrias, and one per-
sonifying Steam, by Chapu; that the
Central iDome was surmounted by a
France Distrll)uting Crowns, by Dela-
planche; that Rodin contributed a heroic
Architecture to the Fine Arts, and
Aub6 a Printing to the Liberal Arts
building; and that the interior of the
Central Dome was decorated by La-
vastre with a fine frieze representing
the procession of the nations. Few
of these works were to be regarded as
masterpieces. It is, indeed, difficult to
conceive of a masterpiece by M. Dela-
planche. But as decoration of a worlds
fair they, of course, far surpassed the
result that any other people could hope
to obtain. And the lavish work of the
well-known sculptors and painters aside
though it should be added that this
was often invoked by private exhibitors
as well as by the administrationthe
taste displayed in the general frame-
work of the Exhibition was very note-
worthy. The exhibits were classified
with that order for which the French
are famous. Each department of art or
industry counted as a separate whole in
the general spectacular composition.
Each had its own kind of portal, hang-
ings, cases, and canopies, all designed
with the taste obtainable only where this
sort of thing is a tradition, and thus,
even in the most industrial portions of
the Exhibition, contributing to the gen-
eral effect of unity and excellence.


III

	Ix	ability to secure these qualities the
French have, it will hardly be denied,
an advantage over any people in the
world. As one of our commissioners
remarked to me, the French are natu-
rally exhibition sharps. Doubtless
the Exhibition of 92 will be an ex-
tremely interesting one. It may attest
our progress, and indeed our eminence,
in many fields besides the industrial
and material ones. It will, of course, of-
fend those who have the interests of art
deeply at heart more than did even the
Tour Eiffel at Paris. If it is representa-
tive it will have its share of corn-palaces
and butter-women; perhaps the slight
success obtained at Paris by our repro-
duction of the Venus of Milo in choco-
late will not discourage those to whom
Parisian taste seems deficient in imag-
inativeness. But these may very well
be taken as superficial incidents in what
may very well prove a truly important,
interesting, and significant display. I
hope, however, it will be deemed neither
supercilious nor unpatriotic if I suggest
that, should the Exhibition of 92 as a
spectacle possess the unity and excel-
lence of the Paris Exposition, we shall
certainly have cause for congratulation.
	There are three disadvantages against
which, as compared with the French, we
shall be compelled to struggle. One is
the disadvantage of possessing no site
which can be compared for fitness with
that which Parispossesses en permanence,
and the impossibility of our constructing
one. A fit site for a Universal Exhibi-
tion is not a belvedere; nor are topo-
graphical inequalities and sylvan poten-
tialities pertinent features of such a site.
We have been talking for the past few
months as if they were ; but the moment
we get down to practicality we shall
discover that we have been using the
word site as if it were a universal
norm, so to speak, and that a site,
and a site for a Universal Exposition are
two different things. The site at Paris
is in the latter sense an ideal one. The
Trocad6ro palace, with its tall towers and
wide sweep, dominates a large acreage
of gardens which decline toward the
Seine and communicate by the Pont
dkna with the vast space of the Champ
de Mars immediately opposite. Along
the left bank of the river extends, as far
as the large Esplanade des Invalides, a
sufficient width of unoccupied ground
to prevent any interruption of the Ex-
hibition, so that whether you are in the
Trocad6ro gardens, the Esplanade des
Invalides, or the Champ de Mars, you are
merely in a part of a compact exhibition
divided formally rather than really into</PB>
<PB REF="IMG00032" SEQ="0032" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="24">	24	THE PARIS EXPOSITION.

three grand divisions, which thus furnish
opportunity for grouping in a large and
effective way without the disadvantage
of mutual isolation. But the great ad-
vantage of this site is that it is within
so few minutes walk from the centre of
Paris that it may be justly called cen-
tral, and the advantages of a central site
in Paris are simply incomparable. No
site in the world for a worlds fair can
compare with that which makes it the
nucleus of Paris. And this by no
means because of accessibility by land
and water, by tramway, cab, bus, and
walkingwhich nevertheless means that
the Exhibition may be as much an even-
ing as a day exhibitionbut because
Paris itself is a perpetual spectacle, and
merely incloses in its inner enceinte the
spectacle of the moment. The parks,
the boulevards, the theatres, the muse-
umseverything in the way of distrac-
tion and instruction for which Paris is
famousborder a Universal Exhibition
at Paris with a zone of far greater at-
tractiveness for a worlds fair crowd than
can elsewhere be obtained. A Universal
Exhibition in Paris, in a word, has not
only the interest of being for the mo-
ment the nucleus of the greatest spec-
tacle in the world, but the advantage of
sharing the burden of entertaining its
guests with surroundings which are in
themselves of unequalled attractiveness
and interest.
	A second spectacular disadvantage
which it would be greatly to our credit
in any substantial degree to overcome
is the fact that, unlike the French, we
have no competent organization, di-
rected by a long and splendid tradition
of ~sthetic dignity and taste, to create
and control the Exhibition of 92. For
everything but formal initiative we are
dependent on that immense, that salu-
tary, but in some respects that ineffec-
tive force known as private enterprise.~~
There is no need to praise the manifold
beneficence of private enterprise. An
American can hardly open his mouth
on this subject without uttering com-
monplaces. And we may maintain that
not only in such matters as building
ever so many more miles of railway than
we really need, or in fighting a gigantic
war on an essentially militia basis, we
have demonstrated the utility of private
enterprise, but also that officialism is
very disastrous in the sphere of a~sthet-
ics itselfand at the same time appre-
ciate the fact that, for the creation and
control of an immense spectacle whose
worst dangers are dissonance and hete-
rogeneity, officialism with a conservative
and cultivated sesthetic tradition has an
immense superiority. In such a matter
officialism is not divorced from general
enthusiasm, it directs it. It is not an
artificial but a co-ordinating influence.
Compared with a worlds fair due to the
private enterprise of a number of
public-spirited plutocrats and interested
business houses, one born of govern-
ment interference is intensely popular,
and has a rational and natural sanction.
The French Government, in the case of
the Paris Exposition, was eminently a
popular exponent, as our phrase is,
and merely organized the national en-
thusiasm, which its machinery, in already
perfect condition for such a function,
enabled it to do with admirable ease
and efficiency. It was not embarrassed
by the selection of a site, nor by the
question of raising funds, nor by the
best means of employing the funds at
its disposal. Sure, like ourselves, of the
national and popular support, but able
to dispense with the cumbrous and
snail-like necessity of assurance of it, it
could attack the problem of organization
with directness. All it had to do was
to call together the engineers, architects,
sculptors, and decorators, and lay the
general problem before them. To say
that a committee, however represent-
ative, enthusiastic, and intelligent, can
do this as easily and effectively, is like
saying that training and experience are
of no value in the conduct of enterprises
of this kind. The architects of the Ex-
hibition of 1892 will doubtless be the
last functionaries appointed.
	The absence of any body of engineers,
architects, sculptors, and decorators at
all commensurate in numbers, solidarity,
and ~esthetic tradition, is the third, and
perhaps the chief disadvantage, the rec-
ognition of which is a first step toward
overcoming it. We are famous for our
engineering feats, and no doubt we can
look forward to something as interesting
and impressive in this sense as eithe1~
the Tour Eiffel or the Palais des Ma-</PB>
<PB REF="IMG00033" SEQ="0033" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="25">	THE PARIS EXPOSITION.	25

chines. But spectacular composition is
quite another matter (and it will be un-
derstood that it is of this exclusively
that I am speaking) and it may certainly
be doubted if to this end our engineers
and architects would pull together as
sapiently and harmoniously as the fa-
mous corps of the Paris Exposition. Pos-
sibly the engineers would feel that they
had little to learn from the architects,
even in the direction of sesthetic adapta-
tion. Speculation aside, however, and
engineering apart, it is clear that the
city which in architecture, painting, and
sculpture is the worlds school at the
present day, must, for that reason, pos-
sess an amount of talent to be drawn
upon far in excess of that existing else-
where. If we had anything correspond-
ing in amount, we might argue advan-
tages from our freedom from the dry
and sapless character of official art.
We certainly have no official art, and
certainly what art we have is free as the
air of heaven. But it happens that not
only is official art the ideal kind for
the construction and decoration of a
Universal Exhibition, up to a certain
point, but that beyond that point Paris
has the advantage of the free art which
the present extremely liberal Ministry
of the Fine Arts is doing so much to en-
courage. Still, the greatest poem, says
Scherer, speaking of Faust, is not
that which is most skilfully constructed,
but that in which there is the most poe-
try; and however little a poem and a
worlds fair resemble each other, perhaps
in 1892 the contents of our Exhibition
will atone for any possible shortcomings
in form. We may be sure they will, in
any case, in the eyes of persons who think
it will need no great effort to eclipse the
Paris spectacle even as a spectacle.


Iv.

	So much had been said against it
that a visitor to the Exposition might
have been excusably surprised not to
find the Tour Eiffel vulgar. But the
unprejudiced visitor must have been
still more surprised to find it a posi-
tively agreeable object. It was, how-
ever, not only not vulgar, but agreeable.
A priori objections to it were certain-
ly reasonable enough. Everyone must
have sympathized with the protest of
the Paris artists made before the Tower
was begun. The chances were entirely
against the aesthetic success of some-
thing that was supposed to aim exclu-
sively at height; though after all, now-
adays, since we have discovered that
motive is of no importance in art, what
does it matter if the motive of a work of
art be height? Do we not all know
certainly, if we do not we are not mod-
ern that technic is what counts? If
technic be generally competent and
specifically admirable, the result must
be successful. And technically the Tour
Eiffel was superb. It may have been
intended merely to be astonishing, but
in reality it was in the highest degree
impressive.
	Height, indeed, was not its sole mo-
tive. M. Eiffel has said, I believe, and
there are advocates of essaying such an
enterprise at our Exhibition in 1892,
that it would be perfectly easy to erect
a tower twice as high. The English, as
usual perhaps not quite seizing the
point of view in a non-utilitarian and
foreign matter, consoled themselves by
reflecting that it would take two Tours
Eiffel to make a single span of the great
Forth Bridge. Its motive was impres-
siveness. To the end of impressiveness
size is certainly an important considera-
tion. No one would pretend that a
model of the Brooklyn Bridge would be
as impressive as the original, any more
than people who care chiefly about the
looks of things (and who were the chief
critics of the Tower in advance) would
maintain that its utilitarian function is
an element of its impressiveness. And
size rather than height, was the main
source of the Towers impressiveness as
an extraordinary structure. It did not
appear extraordinarily high; probably it
would not have done had it been double
its actual height; everyone who saw it for
the first time expressed disappointment;
its height was something which had to
grow on one, so largely had the imagina-
tion discounted it. But it appeared from
the first extraordinarily big. The im-
mense anchorage and piers, the tremen-
dous spans of the lower arches, the enor-
mous mass of iron wreathing upward,
the vast platforms, containing spacious</PB>
<PB REF="IMG00034" SEQ="0034" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="26">	26	THE PARIS EXPOSITION.

caf6s and promenades and a large per-
manent population, hardly required the
reflection that all this was a mere me-
chanical necessity to the end of placing
a stationary point a thousand feet in the
air to impress one with a sense of the
grandiose in pure construction such as
few other works can.
	Impressiveness on this scale and of
this unique sort seems to me, I confess,
all aesthetic theorizing aside, an extreme-
ly laudable end for the main featurethe
noveltyof a universal exhibition. There
is a certain dignity in a mammoth ob-
ject of the kind erected solely for a com-
memorative purpose, provided it be kept
within the limits of taste and sense, pro-
vided, that is to say, it be, although a
monster, distinctly not a monstrosity.
The mere fact that the Tour Eiffel was
a prodigious structure, and gave to
thousands of people, through its mere
size and height, such a sensation as they
had never experienced in their lives,
without appearing architecturally ab-
surd, is, I think, its very sufficient ex-
cuse. But in addition to this the tower
was, as I have said, a distinctly agreeable
object. Its lines were fine, its propor-
tions harmonious, the entire structure
agreeable in ils evident slenderness and
obvious strength. From some points
of viewsufficiently distant for one to
lose the sense of constructionthe curve
of the outline seemed perhaps weak, ow-
ing to the spread of the base and the
tenuity of the top. But it should be
remembered that it is particularly true
of architecture that the mind has always
to come to the assistance of the eye, or,
in other words, that the eye should be
a trained one. In the nnmerous reduc-
tions of the Tower the base undoubtedly
appears too heavy for the top; but in
looking at the Tower itself one instinc-
tively recalls the tremendous service the
base has to perform, and the curve be-
comes thus truly a line of beauty. If
the essence of architectural beauty were,
as is sometimes maintained, the complete
expression of function, then the Tour
Eiffel would rank high as a work of ar-
chitecture. This is not, however, the es-
sence of architectural beauty, but only
an essential condition of it; and perhaps
the most that one can say of the Tower,
accordingly, is that it is a beautiful work
of engineering. But it can be said of it
with entire sobriety that in virtue of its
obviously logical structure it far sur-
passes in beauty such works of archi-
tecture as are essentially constructed
decoration instead of decorative con-
struction. Eliminate the pleasure to
be derived from association and from
the sculptures and mouldings and folia-
tionsthe thousand felicities which be-
long to stone and belong to stone alone
and I am not sure that the delight to be
obtained from looking at the myriad
thrusts and points of resistance, the
bolts and rivets, the long upward-spring-
ing shafts, the manifest communication
of accumulated power from tier to tier
of rods and girders, was not in its way
worthy to be compared with that to be
derived from standing before the fa9ade
of a cathedral.
	Moreover, the Tower was eminently a
part of the Exposition. It dwarfed
nothing. It composed delightfully. It
dominated easily, but not arrogantly, the
buildings and landscape, and though you
were generally, when out-of-doors, half
conscious of its presence, it did not ob-
trude itself. In a word, it took its place
the place that had been provided for
it in the general plan. It was a central
point of interest from its character, and
of observation from its prominence; but
it distinctly contributed to the ensemble
rather than formed an eccentric and dis-
cordant note. Its eminence had noth-
ing exclusive and egoistic about it. It
helped, indeed, to decorate, to embellish
the Champ de Mars, which was by no
means merely its abject environment.
This effect was due partly to the inter-
est of the other constructions, the beauty
of the Central Dome, the charming color
and delightful aspect of the lateral pal-
aces, the brilliance of the lawns, the
fountains, the groups of sculpture, the
scores of isolated structures scattered
about; but it was due also to the so-
briety and good taste with which it was
itself decorated.

V.

	No part of the Exposition was more
conspicuous than that contributed by
what it is convenient to call the Orient
though in this case the Orient ex</PB>
<PB REF="IMG00035" SEQ="0035" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="27">	THE PARIS EXPOSITION.	27

tended to the Pillars of Hercules. Paris,
especially artistic Paris, was delighted
with these examples of an exotic civiliza-
tion. Cairo Street was in some respects
the centre of the Exhibition, though it
only fringed a portion of one of its sides.
It was very well done; the illusion was
as complete as possible. There was
nothing cynical about the reconstruction
of an Egyptian or other streetnothing
obviously superficial and clumsily imita-
tive. The street was, to use the current
slang, manifestly sincere. The bronze
Egyptian donkey-boys, clad in long
blue tunics, were very genuine. They
thumped and shouted to their beasts,
laden with most incongruously Occi-
dental freight, as it is probable they do
on the banks of the Nile. The carved
jalousies and oriels, glued to the per-
pendicular walls of whitewash, and hang-
ing over and just out of the reach of the
bustling, elbowing, clamorous crowd be-
low them, were express importations.
The caves and cellars and gloomy re-
cesses, redolent of perfumes and dusky
with pastilles, contained indubitably
genuine carpets and trinkets, and were
presided over by genuine, if polyglottic,
followers of the Prophet. Genuineness
must have been the only excuse for the
hoarse cries, the strident calls, the or-
chestral cacophony, which bewildered
the sense of hearing even more than the
barbaric color and form did the eye.
	But in spite of the genuineness of it
allin spite, moreover, of the typical nat-
ure of it allit was impossible, I think,
for the wholly sane sense to avoid being
depressed by a feeling of its essential
artificiality. Is this, after all, what Islam
has to give us? Is this the sum of its
contribution to the delight of the eye,
the pride of life, or the gayety of na-
tions? These raucous girls and decrepit
men pressing upon our attention fili-
gree, little boxes, scent-bottles, ciga-
rettes, pipes, bits of lacquer, beads,
bangles, slippers, embroideries, and the
thousand Oriental notions of their
trivial bazaars are melancholy in direct
proportion to their reality and repre-
sentative character. Pass on to the
stucco India Palace, filled with Hindo-
stan stuffs and inlaid gewgaws, varied,
marshalled, and commercially organized
by English commercial tact, and the
same sensationthe same impression of
the Orientoppresses you. It is pict-
uresqueness run to seed, the scum of a
civilized decadence, the flotsam and jet-
sam of a worn-out world, the frivolity
and cynical pueriity of a taste grown
absolutely mechanical, the sordid squalor
of an intelligence utterly disillusionized.
	This effect was of course immensely
heightened by the incongruousness of
the whole Asiatic exhibit. Over all hung
the gray sky of Paris, the white mud of
the Champ de Mars was underfoot, the
crowd was a crowd of badauds and for-
eigners from the three remaining quar-
ters of the earth, Paris showers sprinkled
the court -yards and pattered against
the chiselled latticesin the fairest of
fair weather the Paris atmosphere was
cruelly indiscreet and uncompromising
beside the intense sunlight and warm
blending of the Easteru air. Apart
from its environment, at any rate, one
concluded, the things that Cairo Street
and its dependencies stood for were not
properly to be appreciated. Just what
they need, namely, a subordination and
absorption into an ensemble which re-
treats and retires and does not justify
itself in such emphatic and defiant fash-
ion as here, here is lacking. Judged by
the criteria which the rue du Caire sup-
plied, Gautier, Fromentin, IRegnault,
Pierre Loti are incomprehensible. The
grime was more salient than the color,
the chaos more prominent than the pict-
uresqueness. Perhaps, indeed, the rea-
son why the Orient pleases artists so
much is because it furnishes only the
elements of a picture; because it is mag-
nificently heterogeneous and haphazard;
because, in a word, it is so truly unpic-
tonal. Perhaps, even in the Orient, as
well as in the rue da Caire, it is the im-
agination that is stimulated rather than
the sense that is pleased. But so far as
the ordinary amateur is concerned I
dont know that it makes much differ-
ence in the resultant effect on the sense
and nerves whether the barbarism that
one is experiencing be rudimentary or
decayed. We may say, perhaps, that
crudity is more refreshing morally, be-
cause one is accustomed to think of it
as the beginning of better things and
unconsciously credits it with the virtues
of a fancied future. On the other hand,</PB>
<PB REF="IMG00036" SEQ="0036" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="28">	28	THE PARIS EXPOSITION.

there is undeniably a certain harmony
in the debris of elements once composed
and still united which is a~stheticafly a
shade more agreeable; the picture has
tone, however the parts may lack distinc-
tion, and however purposeless and puer-
ile the ensemble.
	But to appreciate how utterly lacking
in distinction was all this vaunted pict-
uresqueness, this fancied romanticism
of color and costume and custom which
made up the rue du Caire, one had only
to turn into the neighboring rooms of
the Japanese exhibits. The contrast af-
forded one of the acutest and most ele-
vated sensations of ~esthetic pleasure it
is possible to experience. One was at
once in a rarer atmosphere, and ex-
changed tQmultuousness for serenity,
a ragged and dishevelled disorder for
intelligence, refinement, elegance; the
dregs of a dissipated relaxation for the
true tension of cultivated exertion; an
abandoned orgy for the repose and san-
ity of the pursuit of perfection. This
general effect of the Japanese rooms
was perhaps more remarkable than the
excellence of the special exhibits, though
this was, of course, very great indeed, and
as the tickets on bronzes and porce-
lains disclosedmany museums and pri-
vate collections will be the richer for
treasures of delicate and sensitive art.
Outside and right and left was glitter
and tinsel  the gaudy grotesquerie of
Siamese imagination, the trumpery trin-
kets of Egypt, Morocco, Asia Minor;
within, space and quiet; beautiful objects
grouped, without sacrifice of individual
interest, in tall black and glass cabi-
nets; wide passage-ways between these,
the courtesy of civilization manifest in
the demeanor of the attendants, and the
purely decorative features of the frame-
work of the whole distributed with a
chaste abstention from profusion and a
dignified reserve in display in the high-
est degree impressive. It seemed diffi-
cult to fancy the danse du ventre going
on amid the abominable cacophony of
gongs and castanets a dozen steps away.
	Going on, however, it was the live-
long day. Every hour, every half-hour
of the afternoon and evening, in half a
dozen grimy cafes the Terpsichorean
ideal of the Orienl was illustrated anew,
and so absolutely mechanical and list-
less was the spirit that infused the per-
formers that, to a reflecting person, it
was the audience that was really the
spectacle. The audience was at all
events a study. The number of women
was ludicrously disproportionate, and the
number of American women was notice-
able. Some of them seemed slightly pen-
sive, but all were interested. Their large
eyes grew larger still. They almost for-
got decorum in crowding for a better
view, in leaning over the backs of chairs,
in concentrated, absorbed attention.
They seemed to be making the acquaint-
ance of a new world of phenomena, to be
learning something  which it is well
known is the state of mind most exciting
to the American girL But it is perhaps
doubtful if their acquisition was capable
of formulation. In most cases it must
have remained in the state of pure im-
pression; and probably most of them
will agree that, important as impressions
are, this one was, on the whole, unsatis-
factory.
	If there were anything distinctly sen-
suous about the danse du ventre it might
be more reprehensible, but i.t could not
fail of being more interesting. Great-
er reprehensibility would have secured
what was, in fact, most lamentably lack-
ing, namely, a raison di2tre, and a raison
dI2tre always makes a thing more inter-
esting. Doubtless, in its origin, its pri-
mordial idea, this series of contortions
had significance, just as much of the
symbolism of more spiritual ceremonial
which now subsists in equally empty
though more decorous fashion was once
full of meaning, however esoteric and
Eleusinian. At Paris and to-day it is
absolutely hollow and dull. Fatima
had the air of a bored contortionist.
Her movements were extraordinary, and
I was not surprised to hear that one of
her comrades, forced to perform them
from morning till night, and thus robbed
of the recuperating repose which un-
doubtedly she enjoyed in Cairo or Sa-
lonica, had died of peritonitis at one of
the hospitals. But anatomical paradox
has in itself really no excuse for exist-
ence if it be both ugly and insignifi-
cant, and if in addition there be no heart
in it.
	There was, on the contrary, heart,
and little else, at the other end of the</PB>
<PB REF="IMG00037" SEQ="0037" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="29">	THE PARIS EXPOSITION.	29

Champ de Mars, where the Gitanas were
appropriatelyinstalled in the Palais
des Enfants. These Spanish gypsies,
mainly female, with enough of a mascu-
line intersprinkling to give variety and
conventional point to their perform-
ances, seemed veritably to have le diable
au corpswhich is perhaps merely a mod-
ern rendering of the old phrase pos-
sessed of the devil. Their entertain-
ment seemed the incarnation of caprice.
Nothing more riotous, formless, and
abandoned can be imagined. It was im-
possible at first to get the thread of it, to
reduce it to anything like coherence.
After a time one became habituated or
demoralized enough to fancy he could
divine the point of view. But this point
of view once seized appeared all the more
wildly extravagant, all the more impu-
dent and atrocious. The noise was
deafening. The music, to whose accom-
paniment the antics of the dancers
were adjusted, was furnished by little
tambourines absolutely echoless and
non-vibrant, the national castanets, and
a remorselessly persistent handclapping,
which was first mystifying, then madden-
ing, and finally, by dint of tireless con-
tinuance, stupefying. Its measures were
marked at irregular intervals, suggested
by the whim of the individual members
of the company, by shouts and cries of
the most epileptic violence. Happily,
to most of the audience they probably
seemed inarticulate. The dancing was
mostly of a kind whose essential inde-
corousness was no doubt essentially
modified by its calm deliberation and
technical correctness. But I think the
fondness for it of artistic Paris was an
acquired taste.
	The Javanese dancers were a troupe
of an altogether different character, and
it is only just to credit the go4tfaisand~
of the Parisians wiUa preferring them to
the flagrant and turbulent contortions
just mentioned. They were neither
noisy nor abandoned. The music was
slow, regular, and savage only in timbre.
It tortured the nerves in an insidious
and unsuspected way onlylike certain
forms of Chinese punishment, which at
first seem wholly bearableand did not
assail them violently, as did that of the
Spanish and Egyptian virtuosi. And to
its unphrased, unmodulated monotony
VOL. VII.3
the dancers moved with trailing steps in
slowinfinitely slowcurves, wreathing
their arms, or rather their hands, with
the wrist as a pivot, in a sinuous sedate-
ness quite impossible to characterize or
describe. As they circled about the
little stage, a solemn-visaged youth in
perhapsfull canonicals, surrounded by
a group of attendant girls, they seemed
to be performing a series of barn-yard
evolutions, as of a slowly strutting cock
encircled by his harem of hens. It was
decorous to the point of solemnity, and
the sense of measure was certainly pre-
served to an almost measureless degree.
The dancers were never carried beyond
themselves by the entrain of the dance,
but very visibly and agreeably controlled
and regulated their gestures and poses.
In this sense the performance was clearly
an artistic one. But at the end of a
half hour the observer who did not find
it monotonous must have been a deter-
mined seeker after sensations. The
elaborate but limited sinuosity of the
waving hands and flexible wrists seemed
at last perfectly insipid, and, instead of
being intentional, merely the reduction
to a factitious appearance of order, of
movements in reality hap - hazard and
fortuitous, by a slowing of the pace to
such an extent that the sense of slowness
disguised the lack of character in the
design. After the Gitanas any exhibi-
tion of decorum was agreeable, but be-
fore long the emptiness of pure decorum
made itself dismally perceived, and one
could not help thinking that the Pari-
sian amateurs who went into ecstasies
over the Javanese did not analyze their
sensations with sufficient assiduity.
They must have seemed a little na?fs
to the Javanese themselves, whose re-
signed expression was now and then
apparently varied by a shade of amuse-
ment at the simplicity of their audi-
ences.
	In themselves, however, the dancers
were more interesting than their ser-
pentine posturings. There was one, espe-
cially, a girl of fourteen or fifteen, but
evidently at the acme of maturity, over
whom all artistic Paris was excited. Her
skin, of which a great deal was visible, was
of the most beautiful golden hue, with
citron shadows, and her arms were mod-
elled with an extraordinary delicacy.</PB>
<PB REF="IMG00038" SEQ="0038" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="30">	30	THE PARIS EXPOSITION.

Her face was decidedly of a moon-like
character, with eyes wide apart, and a
rudimentary nose of concave outline.
But, as a venerable and philosophic
Frenchman who sat behind me remarked,
What difference does it makea line
like this or a line like that? What is
really beautiful is youth. And this
young woman was the incarnation of
youth. It seems that our noses appear
ridiculous to Javanese connoisseurs, and
that the unvarying mark of a Batavian
caricature is an exaggerated nose; per-
ihaps it was our noses as well as our
na~vet~ that amused the performers. It
is well to have a standard, an ideal, even
of noses, however; it is a great simpli-.
tier; and one reflected that even people
who believe in concave noses have an
advantage over those who believe only
in youth. In the first place, they have
more youth themselves. In this sense
the Parisian delight in all this trans-
planted irrelevance seemed extremely
old.

vi
	THE industrial display was doubtless
very good, though special competence
is required in order to speak of it in-
telligently. Our own exhibit made a
poor showing, for example; but judging
by the grands prix and medals it ob-
tained it must have been a valuable
contribution to a worlds fair, considered
as an institution for the development of
industry and manufactures. No one,
however, could fail to note the immense
commercial preponderance of Great
Britain in these respects over the pro-
tected countries of the Continenteven
that part of the Continent which enjoys
the superiority over England of artistic
instincts, a tradition of culture, and the
Code Napoleonand as at Philadelphia,
in 1876, the English exhibit constituted
a vast object-lesson in political economy
which the dullest might learn by mere
dint of looking. The educational side
of the Exposition, too, was extremely
prominent. Everyone has read of the
street of the habitations of man in all
ages, of the history of labor series, of
the scientific congresses held in almost
unbroken succession from the opening
to the close of the Exposition, and of
such conspicuous importance as to in-
duce the London Spectator to speculate
in a long article on the worth of such
congresses after all. But for the ordi-
nary observer, of all the contents of the
Exhibition, the art therein gathered was
the most interestingwhether this be
or should be the case at a worlds fair
or not.

	Naturally here France reigned un-
rivalled, both because the French at-
tach so much value to art, and the Ex-
position was so eminently French, and
because there is, comparatively, so little
modern art outside of France. But the
French display was rendered far more
impressive than otherwise it would have
been, more impressive indeed than its
warmest admirers could have expected it
to be, by the happy idea of the retro-
spective exhibition of French master-
pieces in painting and sculpture exe-
cuted during the past hundred years.
The Cent ennaire was, in truth, the
very core and centre of the Exposition.
The Louvre and Luxembourg together
give no such vivid sense of the value of
French art, of the title of French schools
to rank with those of Italy and Holland,
as the splendid array of sculptures and
canvases spread out under the spacious
blue dome of the Fine Arts Palace and
overflowing into the contiguous galleries
on either side. Here only could one get
a just notion of the richness, the long
career, and the vitality of distinctly
French art after its emancipation from
Italian leading-strings. For Fragonard,
who was painting in 1789, almost carries
it back to the days of reaction from Ital-
ian influence, and from Fragonard to
Itodin stretched a line of works illustrat-
ing every phase of its later evolution
amply and splendidly. How much, too,
there was in each successive phase was
a lesson in catholic appreciation hardly
otherwise to be obtained. The Cen-
tennaire was almost a demonstration of
the truth of Mr. Henry James~s wise re-
mark, that art is only a point of view,
and genius mainly a way of looking at
things. Prudhon, David, Ingres, Pela-
croix, Couture, Corot, Millet, Courbet,
Manet, Puvis de Chavanneshow much
to say for itself here had each of these
interhostile points of view over which</PB>
<PB REF="IMG00039" SEQ="0039" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="31">	THE PARIS EXPOSITION.	31

such fierce battles have been fought,
and such heated intolerance exhibited.
Fragonards witchery and abandoned
nisouc~ance; Prudhons grace and lam-
bent color; Davids sense of self-control
and perfect power of expressing what he
deemed worthy of expressing; Ingres
linearly beautiful demonstrations of his
sincerityhis saNity, indeedin pro-
claiming that drawing was the probity
of art; Delacroixs splendid proofs that
color and action are alone worth atten-
tion; Corots triumphant assertion that
blithe serenity is natures truest note;
Courbets superbly stated proposition
that only the petty lies without the do-
main of artistic subject, and that one
motive is as good as another  even
elegance itself  provided you take it
largely enoughall these various points
of view seemed invincible when you
stood before the splendid illustrations
of them that the (Jentennaire contained.
You might theorize at your leisure, and
note among other things the steady evo-
lution of technic which these master-
pieces of French art attested during the
past hundred years; but philosophizing
in their presence seemed professional
and almost priggish.

	Both the Centennaire and the exhibi-
tion of current French art, the paintings
and sculpture of the past ten years,
showed one tendency or trait of the ut-
most significance, namely, a perfect
catholicity of official selection. Can-
vases and statues figured in each which
had either been rejected at the Salon or
treated with contumely there. Courbet
and Bodin had apparently become the
head of the corner. It is impossible to
overestimate the importance of this ap-
parent divorce between the Government
and the Institute, this enthusiastic adop-
tion, and not mere countenancing, by the
former of free, in spite of the frowns
of academic art. It is not fanciful to
say that it would never have happened
under a monarchical regime, that the
republican faith and its triumph have
broadened the artistic as well as the
political horizon, and in the field of ~es-
thetics as well as of politics now reigns
the genius of liberty and an ideal impa-
tience of restrictions and conventions
so far as these tend to hamper, hinder,
or exclude talent of any kind. The care-
ful cherishing of salutary, the careful
curbing of dangerous influences, the
timid and perhaps selfish trades-union
spirit, which hitherto the Administration
has more or less warmly supported in
the Institute, have for the moment given
way. IJltramontanism has indeed given
place to radicalism, one may say, and
possibly the pendulum has swung over
far in the direction from which it has
so long by main strength been withheld.
But no one can doubt that whatever ex-
travagance may be considered to accom-
pany the change will, in its turn, be
sufficiently curbed by the great forces
of conservatism always at work in French
art, and in the public to which French
art appeals, and that the Institute knows
its trade too well, and really possesses
too fine a sense of sobriety and measure
to lose more than the surplusage of
power which official aid once gave it and
gives it no longer. So that the change
I speak of cannot fail to be as salutary
as it is notable. Much dissatisfaction
was expressed at the prominence of
Manet and the presence of Monet at the
Exposition, and there need be no fear
that any school of free art will perma-
nently receive the government support
which will make it in turn officiaL

	This, however, does not imply acquit-
tal of the modernists themselves of
the charge of intolerance, and in their
contributions to the exhibition of cur-
rent art there was, I think, abundant
evidence of the fanaticism which is per-
haps an inevitable accompaniment of the
energy requisite for effective Protestant-
ism. What can you accomplish in at-
tacking any system unless you attack it
systematically? And the French plein-
air painters, as a rule and in the mass,
seem really to paint as if nothing else
in the world were worth a moments
thought except the just reproduction of
out-of-doors values. These painters
made the most vivid impression of any
of the various French schools to whose
works gallery after gallery was devoted,
perhaps owing to our having grown
familiar with the Bonnats and Benjamin
Constants, and Henners and Laurenses
and Detailles. They are the painters
not, I think, of the indefinite, but prob</PB>
<PB REF="IMG00040" SEQ="0040" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="32">	32	THE PARIS EXPOSITION.

ably of the immediate future. They
date from Manet as a matter of fact,
though, as so often happens in a move-
ment of this kind, Bastien - Lepages
modification of Manets uncompromising
attitude has been adopted by most of
them. Monet and luminarisine are yet
to come, perhaps, and though it is hard
to imagine what phase of nature will be
left after that upon which a school
may concentrate its attention, yet as the
phases of nature are infinite the succes-
sion of schools will doubtless continue.
	No one not a traditional adherent of
the academic conventions can fail to ap-
preciate the excellence of the plein-air
painters. It is not to be doubted that
their procedure is worthy of a scientific
age, and mathematical to the last degree.
The doctrine they advocate and illus-
trate simply demands an exact corre-
spondence in the light and dark scale of
a picture to that of the natural scene
represented, exact imitation both of lo-
cal tints and general tone being impos-
sible, owing to the difference between
natures highest light and lowest dark,
and the potentialities of the palette. In
other words, as you can squeeze absolute
white out of no tube, you must first de-
termine the scale of your picture, and
then make every note in it bear the same
relation to every other that the corre-
sponding note in nature bears to its fel-
lows in its own different scale. And
what this value of the note should
be, you can figure out with mathemati-
cal precision. Only in this way can the
effects of light and airthose two most
pictorial of natures effectsbe caught,
it appears; and some of the painters,
indeed, sketch in figures instead of col-
ors, marking the values of their differ-
ent notes; for example, 65, 80,
45, etc., instead of endeavoring to
match local tones. Color? One scheme
of color is as good as another; it is light
that brings colors into harmony, and
harmony is the end to aim at. Form?
Get the value right, and let the object
model itself. Chiaro-oscuro? An anti-
quated artificiality! Sentiment? Mere
literature! Pedantry here naturally re-
sults in the phenomenon known as trompe
lwil (optical illusion is hardly so good a
term), but it is undeniable that the plein-
air painters have established a technical
standard by their undivided attention to
values which must prove of very great
importance in painting. They have
spoiled for everyone the old, hot, studio-
painted works. They have raised the
standard of naturalistic representation
by still another degree, and have accord-
ingly performed a service comparable
with those associated .with the names of
the great technical innovators in the
same line of developmentGiotto, Sig-
norelli, Ghirlandaio, Claude, Rembrandt,
Velasquez. And they have imposed their
view everywhere  Germany, Norway,
Russia, America most of alland even
England.
	At the same time much honor as is the
due of reformers who raise the stand-
ard of technic in painting, it is impos-
sible not to reflect that technic is, after
all, machinery, and that in art what a
man says is of importance, as well as
how he says it. We may hereafter re-
quire of painters that in attempting nat-
uralistic representation they commit no
solecisms, and that to that end they
pay as much attention to atmosphere as
to form, color, and chiaro-oscuro. We
may come to find M. G~r~me as na?f in
this sense, as we do Cimabue in drawing.
But something else may be demand-
ed as well, something besides machin-
ery, something besides good painting.
In this something the French painters
who are now the leaders in their art are
distinctly lacking. They show you how
nature looks to you, if you have looked
closely at her manifestations. What
they think and feel, how they are im-
pressed, seems a matter of no impor-
tance. Their art is objectivity reduced
to system, and consequently to artistic
barrenness. For what permanently in-
terests and attaches in art is personal
impression, or, in the case of a school,
the sharing of some personal impression,
some way of looking at things by a
number of artists that is not the way,
the scientific way  the way in which
Raphael and Michael Angelo were im-
pressed by line and form and mass;
Titian and Tintoretto by color; Velas-
quez by reality; Rembrandt by chiaro-
oscuro; Corot by the morning; Millet by
toil and resignation ; IDelacroixby energy;
the school of Leonardo, of the Della
Robbia, of the fifteenth-century Floren</PB>
<PB REF="IMG00041" SEQ="0041" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="33">	THE PARIS EXPOSITION.	33

tines, by some spiritual view of life, ap-
pealing indirectly to the mind through
the eye, as formal poetry appeals to it
directly. In a word, the essence of
painting is poetry and not science. And
the French painting of the day, with its
preoccupation with the niceties of nat-
uralistic representation, can be regarded
only as a powerful agent in perfecting
the medium through which the painting
of the future will have to express itself.
This in itself is a very honorable distinc-
tion, it need not be said, and perhaps it
is inconsistent with a more spiritual ac-
complishment. But it was impossible
to avoid turning with pleasure, and, in-
deed, with a certain sense of relief, at
the Exposition, from the galleries of
clever and sapient current French art
to the Centennaire, where from every
canvas you got a personal impression, a
definite and distinct point of view ;
where, in fine, every picture was a syn-
thesis instead of an exhibition of imper-
sonal cleverness, and where imagination
counted for more than observation.

	After the French galleries the Ameri-
can rooms I should think would have
been found by an impartial spectator the
most interesting, partly because they
were interesting for other than purely
~nsthetic reasons. They furnished sub-
ject for much discussion that was really
of an ethnological character. Whatever
we do in an asthetic way interests Euro-
peans in this way first of all perhaps;
their attitude to it is one of curiosity.
To the mass of the French especially,
perhaps, Chateaubriand is still an au-
thority on America; America still sug-
gests to them red-skins and virgin for-
ests, an environment of wildness and
savagery modified in these later days by
an enviably successful philistinism. As
a matter of fact our artists are infinitely
less attracted by wildness and savagery
than theirs, of course; but the very nat-
ural reason for this is something they
quite fail to comprehend. They are con-
stantly reproaching us with our imita-
tiveness and demanding originality of
us, quite forgetting that a certain ob-
jectivity, necessary in order to secure
artistic appreciation, depends solely on
unfamiliarity, and that originality in art
demands art even before originality.
Our material may have immense poten-
tialities  though I confess to a feel-
ing sometimes that Europeans exagger-
ate these  but the point of view
demands a perspective that intimate
association to some extent forbids.
	It was inevitable, at any rate, that as
soon as we began to pay any systematic
attention to painting we should be pre-
occupied with the endeavor to learn how
to paint rather than to be original.
Painting is, after all, a difficult matter,
and painting well is as necessary as it is
difficult, if you are to satisfy any inter-
est more abiding than that of mere cu-
riosity. The American exhibit showed
at any rate that Americans have learned
how to paint, and French critics who
object to their cleverness in imitation
modestly forget that it is difficult to
paint well nowadays without imitating
the French plein-air painting. It would
be as rational to object to the adoption
by a European War Department of the
latest invention in arms or ammunition.
France has been the pioneer in the prog-
ress of realistic rendering of nature, and
as nothing but the realistic rendering
of nature is thought of nowadaysby
Frenchmen at all eventsit seems a lit-
tle superficial in them to reproach ar-
tists of other nationalities with a prompt
and elastic recognition of the fact. It
is true that the defects of the great and
distinguished French quality of mod-
ernity appear rather sharply accentu-
ated in the work of the Franco-Ameri-
cans, as, artistically, the Americans who
paint in Paris may be called. You feel,
I am bound to acknowledge, the limita-
tions of this quality more in the Franco-
American than in the French rooms. It
is a little more express and external, a
little less spontaneous and native as ex-
hibited by Mr. Charles Sprague Pearce
or Mr. Alexander Harrison than it is as
illustrated even by Manet himself. You
are more obsessed by the preoccupation
with values, et prceterea nihil. The illu-
sion is more striking and therefore less
illusive. The effect of trompe lccil is
more arrogant and unabashed. But this
is perhaps due to the exaggeration of
objective enthusiasm, and as soon as
things take their places a little better,
as soon as plein-air painting becomes as
conventional among the Franco-Ameri</PB>
<PB REF="IMG00042" SEQ="0042" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="34">	34	THE PARIS EXPOSITION.

cans as it has among the Frenchmen
themselves, we may fairly expect to see
less of the machinery of their work.
Meantime the machinery is in admirable
order, and is the best machinery to be
had. It does not so much matter, after
all, who invented it.
	As to specific imitation, the imitation,
that is to say, by certain Americans of
certain French masters, that, I think,
was greatly exaggerated by the French
critics. To say, as M. Maurice Hamel
does, in the Gazette des Beaux Arts, that
Cabanel and Manet, G6r6me and Car-
olus Duran, Bouguereau and Dagnan,
Whistler and Munkacsy, Jules Breton
more than Millet, are in turn or simul-
taneously consulted by American paint-
ers is clearly confused and mechanical
rhetoric. Mr. Whistler is himself more
of an American than anything else, and
much more so than Mr. Sargeiat, who
may be accused of being an imitator of
Carolus Duran only in so far as a pupil
who far surpasses his master may be.
No one imitates Bouguereau or Jules
Breton or Munkacsy. But in saying
that American painting as exhibited at
Paris showed the gift of assimilation,
a quick eye, manual dexterity, the as-
surance of precocious virtuosi, a liking
for effect and sensationalism, little medi-
tation in the presence of reality, slight
reflection upon phenomena, few passion-
ate confidences, resulting in aesthetic
gymnastics and samples of pure clever-
ness, and that, finally, it appeared
alert, adroit, and superficial, M. Hamel
must be admitted to be on surer ground.
	Still, the French critics made the mis-
take of judging of the American exhibit
by the room kept for themselves by the
Franco-Americans, to the neglect of that
devoted to American painters painting
at home. There were three very suf-
ficient reasons for this. Probably we
should have to put first of all their a
priori conviction that America is a veri-
table Nazareth in art matters, and there-
fore it would pay only to inspect the
work of Americans painting in Paris,
whence the induction that as these
painters showed more imitativeness than
originality, America must be a Nazareth
indeeda kind of symmetrical and cir-
cular logic especially French perhaps.
In the second place, it was impossible
to see any of the paintings in the purely
American room as satisfactorily as all of
those in the Franco-American gallery,
and impossible to see many of them
at all; the Franco-Americans had had
everything their own way. In the third
place, the Franco-Americans paint so
much better than their stay - at -home
compatriots that anyone to whom, as to
French critics, insufficient technic is a
dispensation from any scrupulous exam-
ination of motive, would naturally de-
vote himself principally to the works of
the former. MI the same, it is, I think,
regrettable that these gentlemen were
not as generous as they could well have
afforded to be. Our exhibition would
certainly have gained had there been no
such arbitrary and unpatriotic division
of forces in the presence of the enemy.
I think, indeed, the French critics would
have been more impressed had the
Franco-Americans surrendered the bet-
ter room to their less fortunate fellows,
though doubtless that would have been a
refinement of patriotic feeling not to be
exacted of foreign colonists of any
kind.

	The Dutch pictures were not the most
interesting of the Exposition, but I
think possibly they were the most sin-
cere. A serene atmosphere pervaded
the rooms, a tranquil sense of haven-like
aloofness from the storms and whirling
eddies of technical discussion; some-
thing of the placid quiet that pervades
as a decorous mist the tree-lined ave-
nues of the Hague, where most of the
distinguished Dutchmen have their stu-
dios, and catches up the soft and sober
reflections of the low-toned objects it
enshrouds; something of the breezy
reaches and gusty dunes of Schevenin-
gen and of the sedate picturesqueness of
Amsterdam streets. After Manets stac-
cato how soothing is Mesdags utmost
animation! After Mr. Meleherss aston-
ishing trompe lceil how large and free
seem Mauves stretches of plain and cool
gray cloud-filled skies! This is what it
is to be ii~ harmony with nature, one
reflects, as he remarks the absence of all
effort to spy out her secrets, to solicit
over-anxiously her intimacy, to treat her
as a model and make of her a specta-
cle. What good sense, what good taste</PB>
<PB REF="IMG00043" SEQ="0043" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="35">	THE PARIS EXPOSITION.	35

every canvas attested! How markedly
absent any trace of vulgarity, of intel-
lectual fret, of insecurity, of special and
urgent appeal, of pose of any kind!
	And at the same time it need hardly
be said that the impression made by the
Netherlands galleries was very far re-
moved from that produced by an art
essentially bourgeois. Dutch technic has
always saved Dutch art from that re-
proach; and though it had more power
in the days of Van der Meer of Delft,
and De Hooghe, to say nothing of such
strenuous personalities as Rembrandt
and Franz Hals, it never had more dis-
tinction than it has at the present time.
Distinction is, indeed, one of its very
salient characteristics. Clear, cool color,
firm and free drawing, a nice instinctive
sense of values, without over-emphasis
in this regard, never separating, as it
were, space and the air that fills it in
order to show that you appreciate both,
and a certain deft precision of touch
bordering on elegance were noticeable
in scores of canvases. But, on the
other hand, what the Dutchmen, too,
seem really lacking in is imagination.
Their attitude toward nature is very
fine, but it is a trifle tranquil. They
sacrifice, efface themselves in natures
presence. They are impressionable, but
half-consciously so, by assimilation and
absorption as it were, rather than
through positive enthusiasm. Enthusi-
asm, indeed, is a word hardly to be
found in their vocabulary. They are
rather sympathetic even than impres-
sionable. One feels that they have lived
long in the environment they paint, that
they were born in it, that they have
never left it, that they love it as the
son who was not prodigals must have
loved his home  appreciatively, affec-
tionately, ~ut a little unemotionally.
And they might, of course, show far
more impressionability than they do
and still show a defective imagination;
the impressionable and the imaginative
genius being so different as sometimes
to seem mutually exclusive. They ex-
hibit less temperament, less personal
feeling, even than the Frenchman, who
is given over to technic, and whose great
defect is the sacrifice of temperament
to technic, because the latter, however
impersonal and unsympathetic his atti-
tude toward nature, nevertheless pursues
technic with a personal ardor quite ab-
sent from the composed competence of
the Netherlands painters. But how tri-
umphantly they rise above the defects of
their admirable qualities must be ones
last reflection as he turns from the Neth-
erlands rooms to those wherein he will
find more imagination, more enthusi-
asm, and more perturbation.


	The French appreciation of the Eng-
lish pictures was significant  both of
the catholicity of French appreciation
and of the merit of English pictures.
The extreme unlikeness of the American
and English contributions struck every-
one, but it was curious to note how much
more the French cared for that foreign
art which differed most from their own
than they did for that which resembled
it most. The reason clearly was the in-
dividuality of the English pictures which
as a whole, however they might witness
either antiquated or elementary technic,
nevertheless testified to a belief in the
imagination as the most important fac-
tor in the production of fine art. And
it would be difficult to conceive a more
striking attestation of the value of imag-
inativeness in painting than the mani-
fest respect which the French showed
for works which in many other respects
invited their clemency. Elsewhere the
French ideal reigned supreme. Ma-
drazo and Rico illustrated it in the Span-
ish rooms, though, of course, a decided
trace of Fortuny was noticeable in the
canvases of each of them. The Germans,
too, and Russians, who were nevertheless
very impressiveespecially counting the
striking street-studies of Marie Bash-
kirtseffwere more careful about ex-
pression than about idea. Finally, and
I confess that to me the fact was dis-
appointing, both Segantini and Nono
showed that Italy is still occupied main-
ly with technical problems. That, after
all, one must conclude, is the note of
the moment in art.</PB>
<PB REF="IMG00044" SEQ="0044" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="36">ATONEMENT.

By Edith M. Thomas.

Tnou repentest, and thy tears
Flow for those misfeatured years
That, with old reproach and taunt,
Thine amended footsteps haunt.
But thou mayest not, in sooth,
Placate thine aggriev~d Youth.

Thou repentest, and wouldst heap,
From thy bin and coffer deep,
Store upon their nakedness
Whom thou spurnedst all pitiless.
But thou mayest not find peace
In late doles of thine increase.

Thou repentest, and wouldst yield
All the trophies of the field
Where a great heart vailed to thee
That thy fame upreared might be.
But thou mayest not rebuild
What thy lustier growth has killed.

Thou repentest, and thy breast
Heaves for one that (well at rest)
Once thy crossed or wanton will
Could with cruel tremor fill.
But thou mayest not confer
Aught upon that slumberer.

Thou repentest !dost thou deem
Heaven is lent unto thy scheme
That thou mayest now undo
What thy writhing heart-strings rue,
And with dealings sooth and kind
Of their aim thy Furies blind?

Thou repentest, and wouldst press
Forward to a sweet redress.
Ay; but if a God prefer
In thy wakened breast should stir
Grief to keep thy purpose pure,
What for thee but to endure?

Thou repentest! Well, repent.
Urge naught else, but be content
That the callous chord did break,
That thy heart at length could ache.
Ache! thou heart long proof to pain,
Though thy prayer no God constrain.</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-6">
<BIBL>
<AUTHOR>Edith M. Thomas</AUTHOR>
<AUTHORIND>Thomas, Edith M.</AUTHORIND>
<TITLE TYPE="ART">Atonement</TITLE>
<BIBLSCOPE TYPE="pg">36-37</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00044" SEQ="0044" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="36">ATONEMENT.

By Edith M. Thomas.

Tnou repentest, and thy tears
Flow for those misfeatured years
That, with old reproach and taunt,
Thine amended footsteps haunt.
But thou mayest not, in sooth,
Placate thine aggriev~d Youth.

Thou repentest, and wouldst heap,
From thy bin and coffer deep,
Store upon their nakedness
Whom thou spurnedst all pitiless.
But thou mayest not find peace
In late doles of thine increase.

Thou repentest, and wouldst yield
All the trophies of the field
Where a great heart vailed to thee
That thy fame upreared might be.
But thou mayest not rebuild
What thy lustier growth has killed.

Thou repentest, and thy breast
Heaves for one that (well at rest)
Once thy crossed or wanton will
Could with cruel tremor fill.
But thou mayest not confer
Aught upon that slumberer.

Thou repentest !dost thou deem
Heaven is lent unto thy scheme
That thou mayest now undo
What thy writhing heart-strings rue,
And with dealings sooth and kind
Of their aim thy Furies blind?

Thou repentest, and wouldst press
Forward to a sweet redress.
Ay; but if a God prefer
In thy wakened breast should stir
Grief to keep thy purpose pure,
What for thee but to endure?

Thou repentest! Well, repent.
Urge naught else, but be content
That the callous chord did break,
That thy heart at length could ache.
Ache! thou heart long proof to pain,
Though thy prayer no God constrain.</PB>
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<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-7">
<BIBL>
<AUTHOR>A. F. Jacassy</AUTHOR>
<AUTHORIND>Jacassy, A. F.</AUTHORIND>
<TITLE TYPE="ART">Tripoli Of Barbary - (African Studies. I.)</TITLE>
<BIBLSCOPE TYPE="pg">37-53</BIBLSCOPE>
</BIBL>
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<PB REF="IMG00046" SEQ="0046" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="38">	38	TRIPOLI OF BARBARY.

of a country and that of its people, one
realizes that the race who dwell here
must be different from those of the rest
of the world. The struggle against the
rough and adverse elements of Northern
climates, the necessity of fighting them
in order to live, the possibility of finally
mastering them, have developed the best
capabilities of the human race ; while the
contemplation of this desolate land, ly-
ing prostrated like a helpless slave under
the tyranny of a sun implacable, has en-
gendered idleness and fatalismpure
vegetative life.
	At twilight, Tripoli, the last Turk-
ish town of northern Africa, outlines
itself faintly, then disappears in dusky
haze. One by one the stars come into
luminous life until the heavens are all
a twinkling blaze; the sea, murmuring
ever her soft and vague refrain, sleeps
with the transparency of a mirror, fleck-
ed here and there with fugitive traces
of phosphorescence. In the morning
we enter an open space pompously
called harbor: no forest of masts,
hardly three or four ships at anchor, no
signs of activity, and involuntarily our
thoughts travel to far away natal lands
and contrast their busy scenes with this
African torpor. In the profound silence,
the most trifling sounds of earth are
heard with perfect distinctness. At a
few cable lengths Tripoli, shimmering
in a luminous atmosphere, smiles at us
in her matinal parure ; she is circled
with an oasis of palms studded with
hundreds of domes and minarets that
the rising sun kindles into dots of scin-
tillating light: behind old Spanish
walls the houses stand forth white and
delicate against a sky of amethyst: the
slightest details are visible, and all
touches one with a penetrating charm.
It is the eternal enchantment of the
cities of the Orient seen at a distance;
but, alas! set foot within them, the illu-
sion vanishes and disgust seizes you.
They are like beautiful bodies having
the appearance of life but within which
the worm of death and decay eats cease-
lessly. It is related of a dilettante that,
during his sojourn at Constantinople,
he contented himself with admiring the
marvellous aspect of the city from the
deck of his yacht refusing to go ashore,
Outside the Walls at Sunset.</PB>
<PB REF="IMG00047" SEQ="0047" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="39">	TRIPOLI OF BARBARY.	39

lest closer acquaintance would bring
disillusions too cruel. He was right;
the Orient of dreams and poesy is not
the Orient of reality; magic appear-
ances conceal the desolate spectacle of a
society arrived at the last limits of de-
cadence. The depravity of manners,
the immorality and corruption of the
administration, the enervation of char-
acter, have ruined Turkey. It is not only
an Empire which is falling, but a civ-
ilization which is passing.
	Willing or not, you are made to take
part in the noisy scene on deck when a
horde of dirty rascals try to waylay you.
How much talent is then wasted! how
many ruses and combinations of all
sorts over the few cents they make by
carrying you and your luggage to the
Custom House. There also what jost-
ling, what a noise ; all this little world
is in uproar, everyone signalling, ges-
ticulating, speaking at once. Such a
fray bewilders a civilized man, but those
familiar with Southern exuberance re-
gard it tranquilly, well knowing the dis-
order is more apparent than real and
that these people who bawl so loudly
always end by understanding one an-
other. The traveller who has acquired
that most necessary art not to be in a
hurry procures rapidly enough the ex-
amination of his luggage. An instant
after, following some robust porter, he
traverses an open place encumbered with
the tables and benches of a caf6, and
is not a little surprised to find himself
the object of general curiosity to the in-
ternational representatives of the Chris-
tian colony. Coffee and nargiles are
there nierely as a pretext, in reality the
gathering is in his honorthe arrival of
a respectable traveller being an event
rare enough to interest an entire popu-
lation. The name, the quality of this
novelty are known before he reaches
land. Will he do this, will he do that?
He has a smart look. Who knows but
w

I~k 
On the Beach.
A Guesmith.</PB>
<PB REF="IMG00048" SEQ="0048" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="40">	40	TRIPOLI OF BARBARY.

he is one of these spies! France and
Italy covet this country and, as seems to
be the custom of the day, have sent offi-
cers hither on secret missions. As a
result, all conscientious tourists making
gives them an original aspect, is that
the houses, scarce six feet apart in the
widest streets, are connected by nu-
merous arcades, felicitously preventing
the walls from nearing each other in




































slight inquiries as to what they see run
the risk of being taken for spies.
	The portal passedTripoli being a
fortress, as one infers from the wretched-
looking soldiers seated about cross-
legged, mending stockingsone enters
a maze of crooked and irregular streets.
What is nowhere else seen, and what
a too dangerous kiss. All is a trifle
primitive here, the architecture like the
rest. There are scarcely any handsome
or even decent-looking houses except
consular residences and a few liabita-
tions of wealthy merchants, which are
rich and vulgar. However, what some
despise others enjoy. If one cannot ex
Minaret of the Mosque el Gourdji.</PB>
<PB REF="IMG00049" SEQ="0049" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="41">	TRIPOLI OF BARBARY.	41
in a Shop.
their scanty coverings, elbow Jews in
ridiculous costumes, half native and
half European. In a few moments one
has met with an infinite variety of ne-
groes, from the pure type almost with-
out nose and with enormous jawbones
and huge lips to those whose lineaments
are absolutely Caucasian. Porters, in
simple tunics corded about the waist,
carry heavy swinging bales on long poles
resting on their sho alders, cheering
their progress the while with an invo-
cation to Allah and his innumerable
prophets, chanted by an old man and re-
peated by the chorus; a true song of
savages, bursting forth like a fanfare of
trumpets. Veiled women, voluminously
wrapped, pass by like ambling bundles
of clothes. Officers by scores, those of
the new school stiff but neat, trying to
resemble their German confr~res, since
the fashion in Turkish circles is to imi-
tate the lions of the day; the older
officers kindly looking enough, but in
what miserable costumes! Moorish
dandies stroll and pose languidly about,
seemingly absorbed in preserving their
immaculate patent-leather slippers from
any impertinent fleck of dirt. Crafty-
featured Greeks and Levantines thread
their insinuating way among the motley
groups. At each step it is a new tab-
leau, and the desire seizes you to stop
while the eyes follow a curious type, and
turning from it with regret fall on ten as
pect to live comfortably in Tripoli, as in
Tunis or Cairo for example, at least it
has the advantage of not being half-
civilized like them. Under the Sultans
rule it has remained the capital of a
truly barbaric state, still virgin of un-
provements and with just enough dilap-
idated abandon, dirt, and picturesque-
ness to make the delight of the artist.
	In the variegated crowd filling the
streets scores of types may
be distinguished: Arabs of
the town, draped in their
blankets like Romans in
their togas, and, in fact, the
jaram is the direct de-
scendant of the toga and,
judging from its looks,
seems to have retained all
the dirt of those interven-
ing centuries; others, whose
costume consists simply of r
a flowing robe, generally
white, or, to be precise,
which was once white!
Sometimes this robe is of V ~
silk of vivid hue, and the ~
effect of that gay note in a
bit of street is like a poppy	Carrying Haifa.
in a wheat-field. Bedouins,
whose limbs, wiry and strongly muscled interesting. We must move on, however,
shine a superb bronze color through but not without looking at that fat bon</PB>
<PB REF="IMG00050" SEQ="0050" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="42">	42	TRIPOLI OF BARBAR Y.

bon merchant squatted in a corner be-
fore a little table whereon are spread
unrelishable sweets. He stirs them
lazily with fingers of doubtful cleanli-
ness, psalmoding the while the Pharisee s
prayer, interlarded no doubt with male-
dictions addressed to us dogs of infi-
dels! Notwithstanding his dirtiness,
he does not lack a certain dignity; his
eyes are half-closed, but their glance is
fine and piercing. Is he not a fitting
personification of that enigmatic Orient,
bountifully gifted by nature, but which
chooses to remain immobile among the
peoples who march forward?
	From the window of our chamber in
the Locanda we see a bit of blue sky,
deep and luminous as a precious stone,
against which a  koubba, melon-shaped,
outlines itself all white and incandescent.
The sun makes resplendent a perspec
tive of houses and gives an air of nobil-
ity to the most vulgar and common de-
tails. The light, vivid as it is, does not
hurt like the reflections from our skies
of tin. The shadows bathed in such
light become cool and transparent; ca-
ressing zephyrs pass from time to time.
What is better than to abandon our-
selves a whole day to that irresistible
charm, eloquent preacher of Horaces
philosophy?
	Only a portion of the Mediterranean
coast has remained out of the beaten
track of tourists, yet thousands of them
pass every month within a days sail of
it. It is that long reach of
shore which extends from
Tunis to Egypt, and no-
where in the entire length
of northern Africa does the
Great Desert advance so near
the sea. The dike of the
	Atlas range, rising from the
J Atlantic Coast and extending
	far eastward, protects a large
strip of fertile lands, once the
granary of Rome, against the
invading Sahara. This range
loses itself and is finally ef-
faced at the gulf of the Lit-
tle Syrta, and the vast, long-
pent up element, knowing no
more barrier, spreads its yel-
low, sandy waves as far as
the Nile, enveloping the last
half - submerged s u m m its
which form a rosary of oases.
That estuary of the Sahara is
the port of the Black Conti-
nent. It is the natural road
by which central Africa has
been attacked by many illus-
trious explorers: Clapperton,
Dr. Barth, Gerhard Rohlfs,
Nachtigall, to cite only a few,
have taken Tripoli as their
starting-point because of the
relative facility of coinmuni-
cation with the Baad el
Aubid, the Country of the
Blacks. That fact explains
the past and present importance of the
town. The only vestige of antiquity
spared by the iconoclastic mania of the
Moslems is a triumphal arch erected to
the glory of a forgotten Emperor Aure-
han. It rises amid minarets, and the
The Roman Triumphal Arch.</PB>
<PB REF="IMG00051" SEQ="0051" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="43">	TRIPOLI OF BARBARY.	43
V
~
2
Ruins at Leptis Magna.


little shops of a Maltese market and despite its mutilations, its disfigured bass-
reliefs, and the butchers stall that finds shelter under its marble blocks, that
hoary witness of the past preseives a stamp of noble grandeur. Groaning
camels stalk slowly past it, and crowds of noisy Moors take the place of the
Roman legions. IJuder the domination of Rome Tripoli, however, was not the
most important town of the province. It was from Leptis Magna, situated some
sixty miles to the east, that the caravans of Phornicians, those sturdy traders of
antiquity, and of Greek and Roman merchants started for the interior. Lep-
tis, sharing the fate of the once prosperous African colonies, is to-day but a
heap of ruins buried in the solitude, majestic and without boundaries, of the


The Castle.</PB>
<PB REF="IMG00052" SEQ="0052" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="44">	44	TRIPOLI OF BARBARY.

desert. A young Bedouin, watching his
meagre flock at their scant pasturage of
herbs, was the only human being I saw
there. Leaning on his staff, he seemed
to listen, like Virgils shepherd, to the
noise this vanished past had once made
in the world. A destiny as mysterious
as that of the distinguished generations
of which these ruins are the forgotten
remains leaves them to disappear slowly
under the gnawing breath of that infi-
nitely smallthe sand! and a near cen-
tury will not perceive even the traces of
their obliteration.
	The province of Tripoli, if measured
by its official frontiers, which exist only
in theory, presents an area larger than
the German Empire; but while the
name Germany signifies for Germans
the work of unity elaborated during
centuries, the ideal of right and duty,
the home where floats the flag for which
one dies, in short, that chain of tradi-
tional solidarities linking the cradle of
the child with the venerated tombs of
the fathers of the country, the land of
which we speak has no other
name for the million of men she
sustains than that of Bled el
Mouley, the Coirntry of the Mas-
ter. Between the state of things
this one fact reveals and the so-
cial conditions implied by our
ideas of nationality there is, there-
fore, an abyss.
	The nomads are bent on avoid-
ing tax-paying, which is easily
done. Who cares about pursuing
them in a district without roads,
water, towns, resources of any
sort? The Governor insists on
the payment of taxes only when
his soldiers can make such in-
sistance successful. On this con-
dition alone can he accomplish
his other duties, protect the cara-
vans and oases against the ag-.
gressive pirates of the desert, and
prevent fights and thefts among
the tribes. It is easy to under-
stand that beyond the collecting
of taxes along the coast he can do
nothing. The little he can do he
does only too well. The country
which fifty years ago was prosper-
ous under the Arab rule has fallen
into terrible misery. The Pashas,
one after another, have pressed
the life out of her so that she is
now like a squeezed lemon.
	The Turkish shepherd of the
Tripohitan flock has at command
about ten thousand men, a force much
greater than necessary to retain the coun-
try in vassalage, and intended chiefly to
resist a possible annexation by France
or Italy. These soldiers remind one of
their ancestors, those disordered hordes
who hurled themselves like a devastating
torrent on the Lower Empire. Their
life, encampments, mano~uvres are an
anachronism that would amuse a man
of the profession. To say that they are
dressed in rags is but to hint at the
truth. Their shoes, for example  but
have they any shoes? What name can
be applied to those pieces of wood,
shreds of stuff or skin, that are nailed,
/7
	ill	1,11

( ~/ ~
Ii I
In a Negro Village.</PB>
<PB REF="IMG00053" SEQ="0053" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="45">	TRIPOLI OF BARBARK	45

glued, pieced together with marvellous
ingenuity? The appearance of a march-
ing regiment is like that of a flock of
sheep, each going according to his
fancy if not pushed by his neighbor.
These poor wretches can every day study
the value of the proverb of Harpagon.,
Shyloclcs brother, that it is necessary to
eat in order to live, but not to live in
order to eat indeed, they prove it is
not necessary to eat much to live. At
least, their lives pass untroubled by
gout, if gout comes, as is said, from
excess of table. Even their pay, ridicu-
lously small as it is, exists only on paper.
The pay-days are as rare as the happy
days in the life of Abd el iRhaman, the
Magnanimous, Caliph of Cordova, who,
the Arab historians assure us, found,
after careful search, but fourteen in his
whole life. The same rule applies to
the officers, the highest only escape it.
A field-marshal gets his 3,400 francs a
month, but the captains do not receive
their 80 francs, and being married, with-
out fortune, and disqualified for other
occupations, how do they manage to
live? The weak point of the army is
there, in its officers, whose daily fight
against misery destroys their devotion
and emulation. But here we see con-
scientious Turkey, always full of good
intentions that are never realized, seek-
ing a remedy (naturally not the needed
one) by asking of Germany superior
officers to organize and instruct her own.
This little story is typical enough to be
worth telling: The Prussian staff sent
men of &#38; itc, among them the celebrated
Van der Goltz, whose military writ-
ings are classical, they were largely and
regularly remunerated, gifts, decora-
tions, flatteries were showered upon
them, but, of course, their advice was not
listened to. As men of conscience and
endeavor they were chagrined at this re-
sult and, finding themselves unable to
fulfil their mission, have wanted to re-
sim The Turks tried to retain them
with gold, which proved a secondary
consideration to men of such stamp, and
formal orders from Berlin were neces-
sary to keep them at their posts. A
Pasha said one day to one of these Ten-
tons: Dear Excellence, why do you
lament? You are paid, consideration is
heaped upon you, and in return but one
thing is asked of youto do nothing.
Go to the Brasserie, drink your beer,
smoke your pipe, and trouble no more
the tranquillity of your conscience.
	Yet, despite its vices and shortcomings,
the Turkish army presents a redoubt-
able mass ; other armies treated in like
manner would revolt, but it preserves its
spirit of passive obedience. If the re-
sources of tactics are lacking, the sol-
diers do their duty with admirable emsern-
ble, enduring privations and sufferings,
fighting with stubborn fury, dying cheer-
fully, because of a perfect unanimity of
sentiment and a common tie, less ele-
vated but more powerful than patriotism
fanaticism! This was proved in Tur-
keys last war.
The time of con-
quest is past with
her, but there is
no doubt that she
will resist an in-
vading enemy
with a glory, even
an efficacy, born
of her despair.
	The gnawing
worm of the
army, that mis-
ery, making of the
soldiers mendi-
cants who solicit
public charity in Type of Negro.</PB>
<PB REF="IMG00054" SEQ="0054" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="46">	46	TRIPOLI OF BARBARY.

a sometimes brutal manner, is also that
of the administration, whose employees
ought to receive a regular salary, but
do not. They have to do something to
procure the neces-
saries of life, and
have no other re-
source except to
sell their influ-
ence. It is easy
to believe that
such a state of
affairs engenders
injustices, arbi-
trary acts, and
that the Turks, as
a result, are not
loved by the na-
tives whom it
would have been
so easy to concili-
ate. Although
they cleverly in- ~ 
spire themselves i
with the Machia-
vellic principle of
Louis XI. of
France, de divi-
ser pour r~gner,
and, like the Eng-
lish in India, ad-
roitly use the
tribes one against
another, yet had
they been Chris-
tians their rule
would have been brief. But their force
lies in the fact that doininators and
vassals belong to the same religion. It
is also fanaticism that unites them. Very
unlike the Christians, the Faithful of to-
day are en messe the same fervid Faith-
ful as in the time of Omar and Mo-
hammed. Incredulity, indifference, so
widely spread among other sects, are
unknown among them.
	Mohammedanism, already twelve cen-
turies old, has, after a period of inactiv-
ity, awakened anew in Africa, and is
rapidly spreading. The reason of this
vitality is found, I believe, not so much
in the Koran, which contains, among in-
coherencies, many grand and beautiful
things, as in the genius of the Arab
race. It was not alone the beauties of
the Koran that made the success of the
religion which surrounded the Mediter
ranean with a crescent, extended over
Africa, whose points were at Saragossa
and Stamboul. No! behind the New
Idea was the Scimitar, that most histo-
rians have seen
alone, and above
all, there was a lu-
minous pleiad of
scientists and ar-
tists, its best
propagators. It
is necessary to
study the places
subservient to
Arab rule to gain
an adequate idea
of that civiliza-
tion which follow-
ed the lieutenants
of Mohammed,
simple men of the
sword, and agents
of a progress they
probably did not
themselves s e e.
The Unique God
(for Mohammed,
imitating Moses
and preceding
Luther, instituted
the cult of the
One God) was af-
firming himseli
through the most
beautiful literary
and scientific con-
ceptions, the perfecting of agriculture,
manufactures of all kinds, a new archi-
tecture, algebra, medicine, the intelli-
gence of practical things united to a
lofty idealism. Such was the civiliza-
tion the Cid destroyed in Spain, the
Turks have allowed to die in their hands,
the Arabs have forgotten. It is with the
Turks, that is to say, with the Tartars, of
Turkestan, that Islam is waning. Those
invading Tartars never knew how to re-
alize prosperous results from their con-
quests, while the Arabs at one time al-
most civilized Europe. It is in Constan-
tinople Mohammedanism lowers her
crescent, and there she will fall, but to re-
vive again among the Arabs, and through
them yet play a great r6le in Africa.

	The characteristic note of Tripoli is
its diversified population, and as Con-</PB>
<PB REF="IMG00055" SEQ="0055" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="47">	TRIPOLI OF BARBARY.	47
stantinople is a sort of magic lantern
through which defiles all the Asiatic world, so
this city presents an ethnological exposition of
African humanity. Neither in Cairo nor in
Tangiers are there such varieties. Side by side with
the local tradesmen are to be found the merchants
of the interior and the caravaneers, fierce types, with wild looks and noses like
eagles beaks. It is from the centre of Africa, that little known home of exclusive-
ness and barbarism, where nature imprints on man her rudeness and savagery,
that come the passers-by you meet with in the bazaars of Tripoli. Untouched by
our refinement of thought, possessing violent organizations, listening to all ap-
peals of the brute nature, they examine you insolently, nor move aside to let you
pass. But beware how you treat them, and God forbid your jostling them un-
thinkingly, for here you are in an enemys country. Yet in view of the fact that
the large Asiatic element, composed mostly
of convicts, is of the same unsavory order, it
is remarkable that the town should be so
quiet. Murders are almost unknown, and as
to theft, sad to say, Europeans of the lower
order have the monopoly of it.
	I have said that the Arabs are oppressed
by their masters, the Turks; these in turn,
as well as the Arabs, are victimized by the
	Jews. The Eastern Jew has remained what
j~ he was in medi~val times, a scourge; and
	the hatred he excited then, a hatred under-
stood in visiting these countries, had other
than purely religious grounds. He disgusts
us to-day by his sordid habits as he did Taci-
tus (Judeorum wos sordidurn). No matter
what his trade is, apparent or confessed, he
is essentially an usurerthe perpetual mo-
tion of the duro (dollar). The Moslem, hay-
ing the bad habit of contracting debts which
he never troubles to pay, is seldom ready to
meet his obligations; our Hebrew knows
	An Arab Merchant.	that, and cheerfully consents to prolong the
		loan, naturally doubling or trebling the rate
of interest. Thus the fortune of the Arab is like the sand in the hour-glass, and
dribbles atom by atom into the pocket of the usurer.
r
I</PB>
<PB REF="IMG00056" SEQ="0056" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="48">	48	TRIPOLI OF BARBARY

I
In the Jewish
	quarter we find our-
selves in a new world, for the rest of the
town, by contrast, is cleanliness itself.
If elsewhere, walking is often difficult
on account of the narrowness of the
streets, here it is a torment to drive one
mad. Flocks of scrofulous children of
all ages cry, shout, roll in the gutters.
As soon as a foreigner is seen, they gather
around him, looking curiously at every
detail of his costume, guessing at the
significance of his gestures or glances,
and begging in all possible styles, from
the most heartrending to the most im-
pudent. On all sides a hundred petty
trades find shelter in fetid holes, haunted
by types that seem to have just escaped
from Rembrandts brush. Through the
open doors of the schools one sees the
little ones bending over their Hebrew
text, spelling, with guttural modulations
and rhythmic movements of the head, the
verses of the Prophets that promise the
re-establishment of Zion. The Jewish,
as well as the Moslem universities pre-
serve intact the great divisions of the
scholastic, all based on the Holy Book,
and are copies of European universities
of the thirteenth century. That immo-
bile Orient always keeps the key and
illustration of our past.
	In the synagogues, crowded during
hours of service, the people walk about,
talking business as if in an exchange,
while nasal detonating voices scan the
lessons of the Old Testament. What a
contrast the mosques offer to such a
spectacle, with the long series of white-
robed Faithful, their simple and digni-
fied gestures, their repose and medita-
tions soothed by the trembling voice of
an old imam murmuring a prayer. The
large Maltese population is the bulk of
a flourishing Catholic church, and there
are also many other sects, but all, with-
out exception, have that point in com-
mon, fanaticism. These faiths, degraded
as they are by superstition, nevertheless
offer to the miserable, consolations the
rationalistic sciences cannot give, a res


















Outside the Gates of Tripoli.
C</PB>
<PB REF="IMG00057" SEQ="0057" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="49">	TRIPOLI OF BARBARY.	49

ignation to the evils of the present life
because of the blessed hope that foresees
at the end of it a paradise of reward and
happiness.
	I cannot leave the subject without
speaking of the admirable devotion of
the Sisters who come to pass a life of
sacrifice in this exile. They dedicate
themselves to the education of little
Christian girls, a task rendered nearly
hopeless by the spectacle of vice con-
stantly before these children. Rolling
without complaint their rock of Sisyphus,
insulted by the crowd, hardly respected
by their co-religionists, they excite our
truest sympathy, and one bows with re-
spect to these charitable women, who
pa~ss in that Oriental mire as the person-
ification of purity and sacrifice, giving
an example unfortunately too sterile.
	The life and animation of the town
centres at the Sovics (bazaars), and it is
most interesting to walk through their
vaulted galleries, watching the Tripo-
lines at their different vocations. As
each trade has its section the shops of
competing tradesmen are side by side,
with here and there small coffee- and
barber-shops. Gaudy cotton goods at-
tract the Oriental taste, and dark-skinned
Bedonins haggle fiercely about them
with calm Moors sitting cross-legged
and imperturbable. In dusky holes
bordering a narrow lane, the old men
bending over brazeros, chiselling rude
silver jewellery, seem, with their black
turbans, dingy beards, and noses adorned
by huge glasses, like dismal shapes
evoked by Aladdins lamp. ChatteLs are
hung on nails or lie about in a beggarly
array of greasy boxes, but despite the
scant skill displayed, buyers are plen-
tiful. Especially on market-days, the
street is crowded with villagers who
have come to sell their products, and
who never fail to invest what little
money they have made in presents for
their wivesfrom gallantry? Oh, no
but because Arab women fulfil the office
of the family safe, and carry on their
backs the common fortune in silver
ornaments. These peasants press to-
gether like a flock of sheep before each
shop, scrambling one upon another, the
better to see, and turning the desired
object many times in their hands before
buying it.
	The Tuesday market, held outside the
gates, is the event of the week. Early
in the morning a large open space near
the sea is invaded by a swarm of people
and beasts; little by little the merchan
7/ /
( ~ .	An Arabic Religious Seminary.</PB>
<PB REF="IMG00058" SEQ="0058" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="50">	50	TRIPOLI OF BARBARY.

dise is unloaded and spread on the
sand under the shelter of mats or small
tents, and the merchants squat, cigarette
in mouth, patiently awaiting customers.
E8abroa mm Allah! Patience is a
gift of God! The Friday market, held
in the oasis, a little distance from the
town, is a less important replica of this in
all but the situation, which is picturesque
in the extreme. The sandy roads, that
form a tangled net through the gardens,
are on that day traversed by cavalcades
of all kinds which make a continuous
procession of charming little pictures.
This feast of the eye has its thorns of dis-
comfort, for in these incased roads the
heat is extreme, the least motion raises
the dust in whirlwinds, and the vegeta-
tion exhales a heavy, suffocating odor.
On all sides the exasperating grating
of well-pulleys produces a motif too
Wagnerian for uneducated ears, in a
pastoral symphony played by a full
orchestra of buzzing insects, grass-
hoppers whirring shrilly, and the sun-
scorched palms crackling their dry
branches. In each garden rise the two
arms of a well, between which an enor-
mous leathern bag mounts and descends
on a rude wooden pulley, the chief in-
strument of the above-mentioned mu-
sic, discharging at each trip a flood of
water. The negro laborer uses a camel,
an ox, sometimes his wife, to give
the motion to the machine by going up
and down an inclined plane. The move-
ment does not stop day nor night during
the nine months of the dry season, and
it is thanks to that water, which is life,
thanks to constant care, that the verdure
of a semi-tropical vegetation blooms gay-
ly in the sand. Under the protection
of pomegranate, fig, orange, lemon, and
banana trees, through whose heavy foli-
age the sun percolates, flourish maize
and wheat, vegetables and flowers of
all sorts. Above it all, the stately palms
balance their heads in the superheated
atmosphere.
	The nomads often pitch their en-
campments on the limits of the oasis
under the protection of some zapti6
(policemen) we could approach their
black tents, raised but a few feet above
the ground, without fearing either the
hostile attitude of the inmates or the
dogs, whose hair bristled fiercely at
sight of the Christian. These miserable
tents, furnaces in summer, ice-chests in
The Pipe Bearer.
A Marabout.
/


2</PB>
<PB REF="IMG00059" SEQ="0059" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="51">	TRIPOLI OP BARBARY.	51

winter, are preferable as a habitation each have some novel mode of prayer,
to the hovels of the villages, for the wind and promenade the streets with flags
at least, carrying away the deleterious and drums. Of course, they deign to
miasma, purifies them. The dwellers receive the offerings of the Faithful, for
nnder tents are certainly more robnst it is well understood that Gods chosen

A Douar, or Bedouin Encampment.

and better built than the Arabs of the
oases. Although poor as Job, they con-
sider themselves free men, their lives
are passed in perpetual travels and
fights, while the town-people live where
they are born and worA~for which the
nomads despise theni as poor devils of
mercmtis, merchants, workers, a very
insulting epithet, and they maltreat and
plunder them as well as the Christians.
Indeed, the Bedouin is in perpetual war-
fare with all, even with his own kin, ful-
filling the prophecy of the angel to Ha-
gar, that Ishmael will be a wild man
his hand will be against every man, and
every mans hand against him.Gen.
xvi. 12.
	Town and oases are studded with
small domes piously adorned with float-
ing rags and tatters marking the tombs
of saints. Marabout is the name for
the tomb and its saintly occupant. The
genus marabout has not been inaptly
deseribed as either a drivelling idiot or
a predatory fanatic, more commonly the
first. In fact, the greater lunatic, the
holier saint! Allah has taken his
senses aforetime to paradise!~~ They
people cannot work like common mor-
tals. One is thankful that they do not
assail passers - by with the wail of the
professional mendicants. These latter
are intolerable with their eternal Give
alms, in the name of God. Most of
these beggars are strong and healthy, ex-
cept for the prevalent Oriental disease
of laziness. Asking one of them what is
his profession, he will answer tranquilly,
che,rtmc~s, a substantive that can only
be translated by the phrase, I sun
myself. Another will naively say: ~ I
have a brother who is a camel conduc-
tor, meaning, My brother works, I am
dispensed from doing the same.
	The best idea to be had of the flat-
lying city is from the lofty minaret of
the Djem~i el Gourgi, largest and most
modern of the mosques. It is difficult
to obtain permission to visit these
sanctuaries, but the Pashas word was a
powerful Sesame. Up the narrow, wind-
ing staircase we climbed until our limbs
ached, but at last we stood on the
sacred spot where the JiihtezzirL calls to
prayer, and, leaning over the parapet,
were rewarded by a splendid panorama.
4 /
4.







4/


I</PB>
<PB REF="IMG00060" SEQ="0060" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="52">	52	TRiPOLI OF BARBARY.

The doves came flying round us, and
into the stillness of height the hum of
the city rose from the busy bazaars,
while from the strong lungs of street
dealers came up strange Oriental cries.
A plain of blazing white roofs lies bak-
ing under the sun ; here and there rise
creamy domes and a few delicate min-
arets; narrow streets wind between them
where camels kneel and Arabs gesticu-
late. The city walls engirdle all, and be-
yond them, in the harbor, are two sad-
looking Turkish men-of-war, a few Le-
vantine craft of queer shape and rig, and
occasionally a European steamer. The
sea is of the loveliest turquoise blue ima-
ginable, and near the shore transpar-
ent, light-green patches show the rocks
at the bottom. Yonder a dangerous reef
encircles the harbor ; it might easily be
formed into a useful pier, but a former
Pasha decided that the rocks were too
old to bear the weight of masonry!
	Framing the town between two bands
of sand, like an emerald necklace on the
brown breast of a Bedouin girl, lie the
greatest oases of palms in the world.
The dunes of the Sahara rise faintly,
shadows trembling in an atmosphere of
diamond dust. Though so chatoyantes
from afar, they are, nevertheless, nude
and arid. Thus it is with that Orient
made so enchanting and fascinating
through poetical distance. Is it not a
little the same with all that dazzles us
at a distance in life?
A Negro Orchestra.</PB>
<PB REF="IMG00061" SEQ="0061" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="53">




13i Graham P. Tornson.

BUT the folk nell pianura,
Two leagues distant, who will tell them?
Who will brave the rush of waters
Should, perchance, the flood outstrip
him?
Who will bear the news to IRocca,
Far beneath us on the lowlands,
That the reservoir is broken,
And the water rushing, roaring,
Like a wild bull in his madness,
Like the sea let loose upon us,
Wasting farm, and field, and village,
Soon must speed to overwhelm them?
We are safe enough, God willing,
By the grace of the Madonna
Warned beforehand of the danger:
Ay, but who will warn the others,
For the way is long and weary,
And the path is full of peril?

In the blazing summer sunlight,
Swift adown the rugged footway,
Down the rocky road and barren,
Through the scattered, gnarled gray
olives
Leaning low, their twisted branches
Stretched, like withered hands, to stay
him,
On and on sped Tonio Mauzi,
Fleet of foot and gay of courage,
In the race with Death for rival.

At the entrance to the hamlet,
Where the tavern-door stands open,
In the dusty golden sunshine
Blithely went the game of morra,
With a quick, uneven cadence,
Short and same as dropping water:
Eager voices, outfiung fingers
Unoquatroottocinque!~
By the door a hooded wine-cart
VOL VII. 5
Waited, and the beasts in harness
Now and then awaking, stirring,
Set their listless bells ajingle.


Blithely went the game of morra,
To a quick, uneven cadence
Dueottoquatro-nove
Till the hard, short thud of footsteps
Hastening toward the village
Roused the players from their pastime:
And, behold! a dusty figure
Running breathless and exhausted;
Bare his breast, his lips were parted,
Gasping on the windless noontide,
And his feet were bare and bleeding.


Laughing rose they up to seize him,
Drew him, laughing, in among them;
Noisily they strove together,
In a jovial contention
Drowned with jests his breathless plead-
ing;
Laughed to scorn his words of warning.
Boon companions, mad and merry,
Still they held him there among them
In the dusty golden sunlight;
Challenged him to drink and gamble,
Dazed him with their empty laughter,
Till, at last, he strove for freedom,
Roused to wild despair and anger.


Let me go! oh, fools, unloose me!
Save yourselves, the flood is coming;
Loose me, I have come to warn you.
Holy G6su! listen to me
Let me go to warn the others
Curses on you! it is coming,
And you hold me here among you,
Waste the precious time in brawl-
ing
THE BALLAD OF TONIG MANZI.</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-8">
<BIBL>
<AUTHOR>Graham R. Tomson</AUTHOR>
<AUTHORIND>Tomson, Graham R.</AUTHORIND>
<TITLE TYPE="ART">The Ballad Of Tonio Manzi</TITLE>
<BIBLSCOPE TYPE="pg">53-55</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00061" SEQ="0061" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="53">




13i Graham P. Tornson.

BUT the folk nell pianura,
Two leagues distant, who will tell them?
Who will brave the rush of waters
Should, perchance, the flood outstrip
him?
Who will bear the news to IRocca,
Far beneath us on the lowlands,
That the reservoir is broken,
And the water rushing, roaring,
Like a wild bull in his madness,
Like the sea let loose upon us,
Wasting farm, and field, and village,
Soon must speed to overwhelm them?
We are safe enough, God willing,
By the grace of the Madonna
Warned beforehand of the danger:
Ay, but who will warn the others,
For the way is long and weary,
And the path is full of peril?

In the blazing summer sunlight,
Swift adown the rugged footway,
Down the rocky road and barren,
Through the scattered, gnarled gray
olives
Leaning low, their twisted branches
Stretched, like withered hands, to stay
him,
On and on sped Tonio Mauzi,
Fleet of foot and gay of courage,
In the race with Death for rival.

At the entrance to the hamlet,
Where the tavern-door stands open,
In the dusty golden sunshine
Blithely went the game of morra,
With a quick, uneven cadence,
Short and same as dropping water:
Eager voices, outfiung fingers
Unoquatroottocinque!~
By the door a hooded wine-cart
VOL VII. 5
Waited, and the beasts in harness
Now and then awaking, stirring,
Set their listless bells ajingle.


Blithely went the game of morra,
To a quick, uneven cadence
Dueottoquatro-nove
Till the hard, short thud of footsteps
Hastening toward the village
Roused the players from their pastime:
And, behold! a dusty figure
Running breathless and exhausted;
Bare his breast, his lips were parted,
Gasping on the windless noontide,
And his feet were bare and bleeding.


Laughing rose they up to seize him,
Drew him, laughing, in among them;
Noisily they strove together,
In a jovial contention
Drowned with jests his breathless plead-
ing;
Laughed to scorn his words of warning.
Boon companions, mad and merry,
Still they held him there among them
In the dusty golden sunlight;
Challenged him to drink and gamble,
Dazed him with their empty laughter,
Till, at last, he strove for freedom,
Roused to wild despair and anger.


Let me go! oh, fools, unloose me!
Save yourselves, the flood is coming;
Loose me, I have come to warn you.
Holy G6su! listen to me
Let me go to warn the others
Curses on you! it is coming,
And you hold me here among you,
Waste the precious time in brawl-
ing
THE BALLAD OF TONIG MANZI.</PB>
<PB REF="IMG00062" SEQ="0062" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="54">54	THE BALLAD OF TONJO MANZJ.
Hear the fellow, Giaconino!
Is he drunken or demented?

What, birbante! would you strike us?

Aiuto! call the Guardia!
Rid us of this foolish fellow.
For the knave comes running, look you,
Stumbles, panting, in upon us,
Stammers out some idle story,
Raves of floods, and prates of dangers
Was he drunken or demented?
C/hi .sapera? Maledetto!
Yet we rose to bid him welcome,
Bade him join our bout of rnorra,
Set a flask of wine before him
And the stubborn beast requites us
With his fury and his curses,
And his lies about a deluge.
Mad he is, or drunkbelieve us!
Let him cool his frenzied fancies
On the stone flags of the prison.

Still, exhausted and despairing,
Piteous, he told the story
Of his fruitless strife to save theni,
And the fast-approaching danger
Of his racewith Death for winner.
None would hear him, none would heed
him,
Who would heed a drunkards ravings?
Mad or drunkennay, what mattered?
Through the village street they haled
him,
Bound his feet with iron fetters,
Bound, and cast him into prison.

And the swart, black shadows length-
ened,
And the wine-cart started homeward
With its tinkling chime of mule-bells.
Sprang a cry athwart the voices
Of the players sharp and sudden
Novecinque God of mercy!
Fly! the waters are upon us
Run! the reservoir is broken
We are lost !are lost already!

All the twilight rang with voices;
Shouting men and sobbing women.
Like a herd of frightened cattle
Running headlong all together,
Each one striving to be foremost,
Filled the street awhile, but quickly
Passed, and left it blank and silent,
Till the flood roared down upon it.

When the fear was past and over,
And the folk flocked back to Rocca,
Walling for their ruined homesteads,
And the gear all waste and worthless,
Some there were that gossiped, Surely
There was one who ran to warn us,
But he stayed to brawl and gamble,
And they thrust him into prison
Andso quickly came the waters
They forgot him, poverino!

On the gray stone floor they found him,
Stark hands clinched, and face turned
downward
Poor dead face! distorted, blackened,
With the agony of drowning.

In the dusty golden sunlight,
Where the tavern-door stands open,
Blithely goes the game of morra
Eager voices, outfiung fingers,
Unoquatroottocinque!
And beyond there, in the prison,
Thus it waslike many another
All in vain, by all forsaken,
For his world died Tonio Manzi.</PB>
<PB REF="IMG00063" SEQ="0063" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="55">EXPIATION.
By Octave Thanet.

I.
	4Y the puddles and
sluices of water show-
ed, unless the rider
flashed his lantern
down the road.
Then a disk of land-
scape, a kind of
weird etching, was
struck out of the night. Huge gum-
trees dripped on either side; a stealthy
patter of rain-drops dribbling through
the thicket of trumpet-vines, tar-blank-
ets, and briar which masked the swamp
beneath. The rain had ceased, but not a
star appeared to illumine this surly and
dismal nature.
	North and south, as the lantern-bearer
knew, the rotten corduroy was drawn in
a straight line across the morass. North
and south, east and west, only a few
lonely cabins with their clearings broke
the monotony of the forest between the
Village River and the Black. Wherever
the land was creased by a depression,
the water covered the roots of the cy-
presses and tupello-gums.
	What a country to live in! mut-
tered the rider; is all Arkansas like
this, I wonder?
	Anyone could guess from the voice
that he who spoke was not a Southern-
er. It was a very pleasant voice, how-
ever, with nice modulations, and when
the lantern rays swerved at a stumble
of the horse, they showed a slender,
well-knit figure, and a delicate, bright
young face, with gentle brown eyes, and
not enough down on the upper lip or
cheek to hide a mobile mouth and
rounded chin; altogether a handsome
young fellow. Tiny wrinkles at the cor-
ners of the eyelids and a dimple in the
cheek hinted that this was also a young
fellow who laughed easily. He was
laughing now, swinging the lantern
above his mud-splashed legs.
	What a figure of fun you are, Fair-
fax Rutherford, said he, gayly, and yet
you dont look half the native either.
	With a praiseworthy notion of suiting
his dress to the country, Fairfax, before
he left England, had bought such an
outfit as they sell you in Regent Street
for the bush. Therefore he was clad
in a wide, cream-colored soft hat, a
shooting-jacket of brown duck which
bristled with pockets, and corduroy
trousers pushed into leggins.
	Father will laugh at me, I dare say
so his thoughts rambled on but I
thin/c he will be glad; what a bore to be
a stranger to ones own father!
	He tried to recall his single youthful
visit to his fathers plantation. Only a
few pictures would come. A great,
white, ill-built house and mysterious
clutter of outbuildings; bare-footed
negroes tumbling over each other, in
their efforts to make haste wid de din-
ner; outside, the river noises behind
the willows, the wind in the cypress
brakes, the reckless hunts through the
cane, the grinning black faces among
the cotton bolls, the hogs rooting under
the peccan trees, and cattle browsing on
the wide fields; the unkempt figures
which used to loiter round the store
and gin; that good little romp his step-
mothers daughter, Addle; those two
mischievous, riotous, soft-hearted lads,
his brothers, and the jocular, shabby,
easy-going planter, his father; such
were the pictures that all at once made
Fairfax Rutherford sigh, for the old bar-
barous, plentiful days were gone forever,
and the boys lay in their unmarked sob
diers graves.
	Soon his thoughts strayed to a conver-
sation which he had heard that afternoon,
just before he started. He had passed
through the Federal lines, and his days
journey ended with sunset at a poor tav-
ern, post-office and store as well, where
he hoped to procure another horse and
a guide. Guide there was none to be
had, but the woman who kept the house,
when she was told his name, greeted him
warmly, and bestowed on him her only
horse, a broken-down Texas pony with
the string-halt. She set before him her</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-9">
<BIBL>
<AUTHOR>Octave Thanet</AUTHOR>
<AUTHORIND>Thanet, Octave</AUTHORIND>
<TITLE TYPE="ART">Expiation</TITLE>
<BIBLSCOPE TYPE="pg">55-73</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00063" SEQ="0063" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="55">EXPIATION.
By Octave Thanet.

I.
	4Y the puddles and
sluices of water show-
ed, unless the rider
flashed his lantern
down the road.
Then a disk of land-
scape, a kind of
weird etching, was
struck out of the night. Huge gum-
trees dripped on either side; a stealthy
patter of rain-drops dribbling through
the thicket of trumpet-vines, tar-blank-
ets, and briar which masked the swamp
beneath. The rain had ceased, but not a
star appeared to illumine this surly and
dismal nature.
	North and south, as the lantern-bearer
knew, the rotten corduroy was drawn in
a straight line across the morass. North
and south, east and west, only a few
lonely cabins with their clearings broke
the monotony of the forest between the
Village River and the Black. Wherever
the land was creased by a depression,
the water covered the roots of the cy-
presses and tupello-gums.
	What a country to live in! mut-
tered the rider; is all Arkansas like
this, I wonder?
	Anyone could guess from the voice
that he who spoke was not a Southern-
er. It was a very pleasant voice, how-
ever, with nice modulations, and when
the lantern rays swerved at a stumble
of the horse, they showed a slender,
well-knit figure, and a delicate, bright
young face, with gentle brown eyes, and
not enough down on the upper lip or
cheek to hide a mobile mouth and
rounded chin; altogether a handsome
young fellow. Tiny wrinkles at the cor-
ners of the eyelids and a dimple in the
cheek hinted that this was also a young
fellow who laughed easily. He was
laughing now, swinging the lantern
above his mud-splashed legs.
	What a figure of fun you are, Fair-
fax Rutherford, said he, gayly, and yet
you dont look half the native either.
	With a praiseworthy notion of suiting
his dress to the country, Fairfax, before
he left England, had bought such an
outfit as they sell you in Regent Street
for the bush. Therefore he was clad
in a wide, cream-colored soft hat, a
shooting-jacket of brown duck which
bristled with pockets, and corduroy
trousers pushed into leggins.
	Father will laugh at me, I dare say
so his thoughts rambled on but I
thin/c he will be glad; what a bore to be
a stranger to ones own father!
	He tried to recall his single youthful
visit to his fathers plantation. Only a
few pictures would come. A great,
white, ill-built house and mysterious
clutter of outbuildings; bare-footed
negroes tumbling over each other, in
their efforts to make haste wid de din-
ner; outside, the river noises behind
the willows, the wind in the cypress
brakes, the reckless hunts through the
cane, the grinning black faces among
the cotton bolls, the hogs rooting under
the peccan trees, and cattle browsing on
the wide fields; the unkempt figures
which used to loiter round the store
and gin; that good little romp his step-
mothers daughter, Addle; those two
mischievous, riotous, soft-hearted lads,
his brothers, and the jocular, shabby,
easy-going planter, his father; such
were the pictures that all at once made
Fairfax Rutherford sigh, for the old bar-
barous, plentiful days were gone forever,
and the boys lay in their unmarked sob
diers graves.
	Soon his thoughts strayed to a conver-
sation which he had heard that afternoon,
just before he started. He had passed
through the Federal lines, and his days
journey ended with sunset at a poor tav-
ern, post-office and store as well, where
he hoped to procure another horse and
a guide. Guide there was none to be
had, but the woman who kept the house,
when she was told his name, greeted him
warmly, and bestowed on him her only
horse, a broken-down Texas pony with
the string-halt. She set before him her</PB>
<PB REF="IMG00064" SEQ="0064" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="56">	56	EXPIA TION.

best of food, also, fried pork, and corn
bread, and chicory coffee. While lie
ate he could overhear his hostess talk-
ing to some wayfarer. The man, with
the vigilant curiosity of rustics and of
the troublous time, had noted iRuther-
fords hat in the gallery.
	Who all you got in thar? said lie.
	He done come, answered the wom-
an, briefly.
	Fair Rutherford? Mymy! Mymy!
Wunt the ole man be chirked up!
Whut likes he, onyhow? Favor Jeff or
Rafe?
	Naw, he pintedly does favor his maw.
But he got the same pleasant laffin turn
like his paw. He aint so tall an stout
like Jeff an Rafe, but he are a mighty
pretty young man.
	The man laughed good-naturedly.
	Women folkses is all fur looks. Now
t my mine, Jeff an Rafe ben the pur-
ties young fellers I ever did see. Run
an ride an shootlaw me, they warnt
nuthin theyd orter know they didnt
done, by gum! An flghtinmy Lord!
I caynt git satisfied, nohow, with them
boys bein killed up! I ben with Jeff
at Springfieldleadin the charge with
three wyounds onto himjess like the
ole man, them boys. Hes mighty gayly
an pleasant, but I tell ye he are a
painter * in battle. He didnt quit
fightin till he must. An I stuck tew
him, blame my skin!
	You did, shore, Mist Fowler, re-
sponded the woman, warmly; bettern
some of his own kin. Look at Mr.
Fairfax Rutherford stayin over to Eu-
rop stiddier comm home an fightin
not that hed a got are good neether by
comm.
	I heard tell he ben a abolitionist, an
thats how come he went tuh Europ.
	Shucks, naw, sir. Aunt Hizzie she
tole me a plumb diffrent tale; sayd he
ben waitin on Mis Rutherford thats
dead-warnt she the third?
	The man laughed, and asked how was
he to know? he couldnt keep up with
the old mans marryings.
	Yes, sir, she ben the third, an she
belonged down t Little Rock; an the
cunnel he jes loved her tew kill, but
Mist Fairfax Rutherford got her word
tew marry him, an when he diskivered
her mind ben a turnin tur the cunnel, he
taken it mighty hard, hut he give her
back her word an lit out an went t
Europ. Didnt do nare meanness tew
the cunnel.
	Must a ben a durned fool ! was
the mans contemptuous comment; but
whether his contempt was excited by
Fairfax Rutherfords forbearance or his
going to Europe did not appear.
	He was a mighty pretty man, con-
tinued Mrs. Crowder, mneditatively. I
kin jes see the way he looked when he
come yere on a visit. Never did come
but twicet. Hit ben in the fall of the
year. Yes, sir. An if ye please, he wears
a coat all trimmed up with fur, kase of
it bein so cole up North. They all sent
the kerridge, an little Fair hopped aout
an ben a limpin raoun, like he uster.
He gives a sorter styart like, when he
fust seen the chile, an I heerd him say
t hisseff, Yes, hes got the eyes. Eyes
like hem, ye onderstand. Anybuddy
cud see lie jes sot the world an any +
by that ar boy, from the fust minnit.
The cunnel let him cyar way kase he
sayd the doctors in Lunnon cud cure
his laig; and they done it fur a fac. He
came back oncet on a visit an didnt
halt a bit. Looked like his paw cudnt
bar ter pyart with him that time, nohow,
but I reckon hed guy his word.
	Then hed stick tew hit, said Fow-
her, doggedly; the ole man never rues
back.t Reckon the young feller will be
goin aout by sun up?
	He are goin aout this evenin, Mist
Fowler. Hes heerd his paw done broke
his haig an is right feeble, an he caynt
stop. Says its a straight road an he
doan mind mud. Hes fixin t go
m~aow.
	Looks like he got grit. I lowed he
had when I heerd baout his letter t the
ole man. Writ it soons lie heerd baout
Rafe. Say, wisht I cud cyar the boy
longer me, but twudnt be bes, I recken.
Waal, mud aint moren shoe-mouth
deep moster the way, ans ye say, Mis
Crowder, hits a straight road. An
its me they alls ayfter, not him. Say,
Tobes like ter be a spell gittin of that,
cudnt I jes git a squint at him?
* Panther. They were not uncommon in Arkau~as at	t Any is often used for all.
this datein the sixties.	$ Rue back is to try to get ont of a bad bargain.</PB>
<PB REF="IMG00065" SEQ="0065" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="57">	EXPIATION.	57

	Come by and see him.
	Better not, better not, some un
mought come by an see us tgether,
but Id like fur t see him.
	Apparently Mrs. Crowder acquiesced;
for Fairfax, whose ears were abnormally
acute, heard cautious footsteps outside,
and had a sense of being inspected
through the window.
	He had listened to the whole conver-
sation with a mingling of interest and
amusement. How the half-forgotten
dialect returned to him, with its soft
drawl and nasal accent, and those singu-
lar inflections which seemed to leave the
voice poised in mid-air, as it were, at
the close of a sentence.
	At some parts of the talk he winced.
His fathers many marriages were a sore
point to him, as human natures com-
promises with the ideal always are to
youth. To be the third Mrs. Ruther-
fords son seemed bad ~ough, but to
have the fourth Mrs. Rutherford mov-
ing about the house, and, in a painstak-
ing way, dusting the portraits of her
predecessors, was almost indecent. I
dare say its the country, he muttered,
everybody seems to be marrying his
or her third or fourthHello!
	He reined in his horse sharply, and
looked down the road. Certainly that
was the splash of hoofs through the mud.
Thstinctively he let the lantern, which
was slung about his neck, drop into its
natural position, while with his free hand
he drew a pistol. The Federal troops
had forced Marmaduke and Shelby to
retreat; but bands of guerillas infested
the country. Offscourings of both ar-
mies, outlaws of all kinds, under the pre-
tence of patriotism, they stripped the
miserable citizens of what dregs of prop-
erty war had left them.
	Fairfax, hearkening, felt an ominous
tremor run through his horses limbs.
In a second the pursuing horse galloped
into the circle of light. A man, hatless
and coatless, was clinging to the beasts
neck; his arms clasped about the neck,
his head hanging. The horse, a power-
ful bay mare, galloped recklessly over
the rotten timber. Fairfax shouted; he
saw that the man must be wounded, be-
cause there was blood on his hair and
his shirt. Simultaneously he caught at
the flying bridle.
	The mare stopped and flung up her
head; the rider lay like a limp rag.
	I say, are you hurt? called Fair-
fax ; do you want some brandy? Then
he started violently, bent over the man,
and touched his hand.
	Great heavens! he muttered, what
a horror!
	It was the man who had talked with
Mrs. Crowder that afternoon,andhe
was stone-dead. Somebody had lashed
the unfortunate creature to the horse,
tying his wrists together about the neck,
and his feet by the ankles.
	The young fellow looked at him with
a quivering face. He was shaken by a
confusion of pity and horror. It was
his first sight of violent death. Bred in
the daintiest and smoothest of old-world
civilization, bloodshed and personal
peril were only printed words to him.
Here he was, flung into the arena. And
he was conscious of an excited curiosity,
besides his pity and his horror. At the
same time another obscurer emotion
threaded his sensations, more personal,
with an edge of pain to it; an emotion
haunting and subtle like a nightmare
recollection, gone before it can be viewed
distinctly.
	Back, far back in his childhood, in
dark rooms, in negro cabins listening to
hobgoblin yarns of conjured victims;
once, wringing his hands on a river bank
while a girl, hardly a year older than he,
wades into the current, branch in hand,
and rescues a drowning boy; or on
horseback galloping after dogs and
hounds toward the horrible tusks at
bay; in a hundred similar experiences
that intangible terror had its springs.
How far back yesterday seemed the old
childish spectre ; but now
	I believe Im afraid of being afraid !
cried young Fairfax.
	His thoughts, which take longer in
the telling, did in fact occupy the brief-
est space; and all the while he was
holding the bay mares rein and staring
at the livid face flung over her neck.
	When the young man shifted his lan-
tern for better examinationnot with
any hope of finding a lingering of life,
for no creature could live a minute with
that jagged tear in his brainhe per-
ceived a folded paper pinned very care-
fully to the back of the dead mans shirt.</PB>
<PB REF="IMG00066" SEQ="0066" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="58">	58	EXPIA TION.

	To Rutherfords amazement the paper
bore his own name. He unpinned it and
opened the folds to find these words:
	This is Mr. James L Fowlerhe was
shot by the graybacks. He was a right
good friend of your father. For Gods
sake, take him to his wife and six chil-
dern. This is importlant. They live on
the you side of Runing Watter. Rite
on your road, the horse knows the way.
	The handwriting was cramped and
uneven, and there was no signature.
	Well, here is a pretty mess, said
Fairfax; Running Water? where the
deuce is Running Water? and does the
you side mean this side or the further
side? Confound it, I used to know!
	His vague terrors had all disappeared;
he was occupied entirely with the dis-
tasteful errand proposed to him. But
he did not consider, for a second, the re-
fusing of it; even had the man not been
his fathers friend, there were the miser-
able wife and six children waiting on
the you side of Runing Watter.
	Dismounting, he bound up the man s
head with his silk handkerchief, as de-
cently as he could; after which he got
on his sorry hack again, and rode on,
leading the bay mare.
	It did flash across him once that it
might be a trap; but he could see no
motive for the needless pains, since any
guerillas minded to capture and plun-
der him need only wait on the road.
No, it was more likely that some help-
less witness of the murder had taken
such strange means of sending the mur-
dered mans body home.
	Yet, as he pored over the note again,
he was struck with the impression of
something underlying the words.
	This is important, he repeated,
and why marked? What an extra-
ordinary way to express himself. By
Jove, it may be herself, for anything I
know.
	He wondered if the writer could be
Mrs. Crowder. The man must have
been shot directly after I left so he
made out the story and it must have
been somebody who knew me and knew
where I was going, and what an old
signpost I was riding. Overtake me!
by Jove, a cow could overtake this
brute.
	The road grew better for a little
space, but presently dipped into a
denser forest. Fairfaxs lantern showed
him the gleam of water. A dark stream
wound among the, cypress trunks into
the night. Plainly, this was Running
Water, and on the other side should be
poor Fowlers house; yes, he could see
the twinkle of a light.
	Riding nearer, the shape of a house
took outlinea large, low, gambrel-roof-
ed houseand at a window the light.
A pang struck the young mans heart as
he thought how the light was shining
for the father thus taking his woful last
ride. A childs white head was close to
the lamp, and a woman held up a baby
to make futile clutches at its own little
laughing face in the window-pane.
	Fairfax could have groaned. How
can I tell them ? he thought. Con-
found the kind-hearted meddler that
saddled this nasty business on ~
But there was nothing for it now but
to go on. Moreover, at this moment, a
couple of yelping hounds burst out of
the shadows to plunge at their masters
legs with a tumult of howls.
	The door was opened, showing a
woman who held a rude lamp on high.
Even at that moment Fairfax perceived
that she was young and pretty. Above
the voices of another woman and the
elder children rang a sweet, high little
treble Daddy comm! Daddy com-
in ! Fairfax felt heartsick.
	We all reckoned you werent com-
ing to-night, said the young woman,
shading her eyes with a slim white hand,
while the other lifted the lamp for a
wider view. The light brought her a
picture which made her run swiftly to
the horses head.
	Hes been hurt? she said, in a
very low voice; oh, poor fellow!
	Fairfax was aware of a quick relief, a
sense of companionship; this wasnt the
way that a sister or wife would talk;
the girl must be some neighbor; and
afterward he remembered how sure he
felt, with the first glance, that she was a
woman to help one.
	A few nervous, brief sentences told
her all that he knew of the tragedy.
She took the note. As she read, the
lamplight was on her fine profile, and
loosened hair, and the lovely oval of one
cheek.</PB>
<PB REF="IMG00067" SEQ="0067" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="59">	EXPIA TION.	59

	How admirably pretty she was, to be
sure! But it was not her beauty that
made the young fellow stare at her. He
was looking at the fingers on the note
white, smooth fingers, with almond-
shaped nails.
	Why, its a lady! he exclaimed.
	Just then she lifted her eyes. They
were swimming in tears.
	Oh, Cousin Fair, that I should not
have known you! she said.
	It is Adele, then, cried he. Of
course; how could he have failed to
recognize her before, his little cousin
who was his step-mothers daughter?
	He might have taken his childhoods
privilege on her soft, pale cheek, but a
voice from the doorway recalled him,
like a blow.
	Looks like you all a long spell out
thar, said Jim Fowlers wife; come on
in, Ill be shore chillin * ef I stan yere
much longer. Fotch the gentleman by,
Miss Della, please, wile Jim putts up
the hosses.
	The young man and the girl ex-
changed a glance of miserable confi-
dence, each conscious of a touch of re-
lief in the others presence.
	You stay here, whispered Adrle,
get between him and the light so she
caynt see ; Ill tell her.
	The light wavered above her brown
head as she ran into the house. The
door was shut behind her. Outside,
to Fairfax waiting while the hounds
crouched at their dead masters feet,
whimpering, and the wind was rising in
the cypress brake, it seemed a long time
before the door opened again; and, dur-
ing it all, he could not hear a sound
from within.
	I feel as I used to feel when I was
a cowardly little cub, was his involun-
tary comparison; if only AdUe would
come!
	She had come; at least she was on
the threshold. A lad of thirteen or
fourteen stood behind her, crying bit-
terly but silently. He held the rude
grease lamp ~ of the country ; and
Addle helped Fairfax lift poor Jim Fow-
1cr from his horse. Together they bore
him into the house and laid him on his

	chilling, in Arkansas, does not mean catching
cold or heing cold; bot having the chill, which is part of
the agne common in low lands.
bed, where the widow came and bent
over him. She was dreadfully calm,
though the children made a din of
grief about her. She did not seem to
know when the boy coaxed them into
another room. But Fairfax saw Della
send a compassionate glance after the
little fellow.
	Theys things t be done, the widow
said, in a dull, hard voice, things ; holp
me, Miss Della.
	It would be in his boots, said the
girl.
	Yes, we lowed to putt it in his
stocking, said the woman, bending over
him, dry-eyed, but tremb]ing, and
straining at the boots. They were the
very raggedest, forlornest boots that
Fairfax had ever seen; and removed
there were revealed strips of rag twisted
about the feet in place of stockings, as is
done in some parts of Arkansas to this
day. Yet otherwise the mans attire
was whole, and cleaner than common.
The woman fell to unwinding the rags
with desperate haste. All at once she
straightened herself and pushed some-
thing at Ad ale, saying: Didnt you
tole me you was young Rutherford?
	Yes, madam, Fairfax interrupted,
I am Fairfax Rutherford.
	Then thars you paws money, said
she.
	Fairfax was at a loss for words. The
woman had thrown the package at him,
perforce he had caught it and held it,
dumbly.
	Caount hit, she said, sharply; thar
had orter be twenty-one thousan five
hundred dollars. Look if hits thar!
	More and more bewildered, Fairfax
assured himself that the roll of green-
backs contained the exact sum men-
tioned.
	Certainly, he said, gently, you are
right, but
	He offered Jim five hundred for to
go and get it, said the woman, dully,
an he got it. Gimme that ar five hun-
dred an git on you hoss and fly!
Them that killed him will be ayfter you.
Ye better make haste.
	The ambiguous wording of the note
grew plain to Fairfax. The writer knew
the secret and was trying guardedly
(for the paper might fall into hostile
hands) to help him to his fathers money.</PB>
<PB REF="IMG00068" SEQ="0068" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="60">EXPIA TION.

But the rest was as dark as ever; he
was oniy sure that he could not leave
the widow of the man who had been
murdered on his fathers errand in such
a plight. So he told her.
	Her tense mood had snapped the in-
stant her search ended, and she was sit-
ting on the bed now, stroking the dead
mans face and whispering in the deaf
ears pitiful broken sentences :  Ye
know I tole yetew great a risk, tew
great, tew greatwe cud of made out
without the money, Jim, if the stock be
gonebut whatll I do with the chil-
dren, Jim, without you? Oh, I caynt
bar it! I caynt! I caynt! And so
writhed herself down to the floor and
grovelled there.
	It was a most painful sight to see, but
not so painful as to see her, the next
moment, totter to her feet and clutch
l~oth Rutherfords arms, fairly shaking
him in her deadly vehemence, while her
voice rang through the room.
	Twas Dick Barnabas done it! He
fund aout an done it fur the money.
Ye kin keep ever cent er that ar five
hundred ef yell kill Dick Barnabas!
Kill him, kill him !
	Hush, Mrs. Fowler, the children will
hear, said Adele, quietly ; well kill him,
sure. She slipped her strong young
arm about the poor souls waist and
very gently pulled her away.
	Fairfax would have pushed the five
hundred dollars into her hands. I
will do all I can to bring the assassin to
justice, he murmured, feeling sure that
he was n~t saying the right thing, but
knowing nothing better.
	He saw her eyes glitter. I want em
Icilled! she screamed, killed and a
layin dead. I want t see it, myself!
	I will do all I can to give you that
pleasure, madam, replied Fairfax, dryly.
Dear me, what a Rob Roy Macgregors
wife sort of woman she seems to be!
he was thinking.
	An Ill holp you, mister, piped a
shrill little voice. It was the boy, who
had stolen back and was listening, un-
perceived.
	In this extraordinary country the
very babes seem to thirst for blood,
thought Fairfax.
	The boy was a sallow, white-haired
lathe of a youngster, such as one may
see by the dozen in the Arkansas River
bottoms, but his insignificant presence
dilated with passion. He went on:
Baby an Jims t sleep, an sis is a
gyardin of em. I tole er the big bear d
git her, ef she come outer the room. I
I know suthin she he looked at his
mother doan know.
	Tell us, Bud, honey, Ad~Ae said, lay-
ing a white hand on the sharp little
shoulder. So the boy told: Yestiddy
evenin,* ayfter you come, baout a hour,
I reckon; I ben aout in the patch
snatchin cotton; an I heerd two bosses
acomin. One on em was that thar big
black with a blazed face
	Dick Barnabas horse! cried Addle.
Yaas, maam, I ben sorter skeered
up, an I hid hind the cotton so they all
didnt see me, an they warnt nare critter
raoun, an Dick he got off his hoss an
projicked raoun the yeard wilst you all
ben in the haous, can I cudnt git tew
ye. Then he went back an they all rid
off agin. The poor wife of the mur-
dered man pushed her hair off her fore-
head, struggling to catch the meaning
of the boys words.
	How came ye didnt tole me? said
she, yed orter.
	I tole paw, right straight.
	What d he say?
	Nuthin ; jes whistled. That thar
aint all. Paw done suthin you uns
doan know. He came out fore he went
off; an he guy me a right nice sheet of
paper an a pencil. Sayd he taken em
frura Miss Della. An he axed me write
on it. I member whut I writ. Twa~
like thisjes goods I cud write. Deai
Cunnell, the money is gone, yestiddy, by
then he made me make some queer
raound tricks on the paper; sayd they
didnt mean nuthin, but they all would
reckon they didan the rest war Look
aout! an it ben signed by two big
crosses. Thats all.
	What did your paw do with the let-
ter, Bud? said Della.
	He put it insider the money belt he
got frum the Yankees when he ben pay-
roled.
	Addle stooped over the form on the
bed. The belt is gone, she said, quiet-
ly; I thought as much. Oh, its plain
	* There is no afternoon South. Morning, evening, and
night are the parts of day.</PB>
<PB REF="IMG00069" SEQ="0069" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="61">	EXPIATION.	61

enough. He didnt tell us of the dan-
ger, he only told us that he would put
on those old boots and rags instead of
stockings, because he might meet some
of those villains and they would be for
robbing him, and would find the money
stripping his clothes. But he knew all
the time, and he took that letter to
mislead them and save the money, what-
ever happened to him. Oh, while there
is a Rutherford living we will never for-
get how he laid down his life for us;
nor shall his wife and children want
while we have anything left.
	An you all will kill Dick Barnabas?
the wife cried, you will ?
	We will, said Ad~4e, between firm
lips, I swear it. She raised her right
hand.
	We all swar it! squeaked the
boys shrill, excited voice.
	Their hands were in the air, even
Fairfaxs, who felt the melodramatic
twang of it all as jarring.
	The picture remained with him his
life through: a bare room where the
unplastered walls and uncarpeted floor
were of the same rough boards; huge
logs crackling and spouting flame in
the great crooked fireplace; and the
fire-light, rather than the feeble glow of
the lamp, displaying the table spread
for supper; the split-bottom chairs,
the coarse, bright quilt that had been
half-wrapped about an indistinct and
distorted shape, the white pillows shin-
ing beneath a ghastly head, and, back
in the shadow, these dark figures with
their uplifted hands and glistening eye-
balls. Enough, also, of the atmosphere
of the studio (the elder Fairfax was an
artist) had affected young Rutherfords
sensibilities to cause a quick perception
of the grace of Dellas pose and the no-
ble lines of her neck and shoulders.
	We swear it, they said, together,
Fairfaxs lips moving with the others.
	Now, Cousin Fairfax, said Addle,
all emotion disappearing from her man-
ner, you must go.
	And leave you here alone with the
chance of those scoundrels returning,
cried Fairfax. No, thanks, Addle ; you
will have to submit to my society for to-
night.
	But you must go, Cousin Fair, said
she, quietly; there is almost no show
of Barnabas troubling us; we have no
money. He dont know of the five hun-
dred dollars you have left here. He
thinks it has gone to IJnk Ralph. Thats
why you must go, Cousin Fair, he may
need you the worst kind, and I dont
need you the least bit on earth.
	But if you should be attacked?
The young man was torn between two
motives. He must save his father, yet
how could he leave this delicate girl to
such unspeakable risks?
	I reckon we can make out, said
Adile; cant we, Bud?
	I reckon, said the solemn boy; she
killed a wild cat onct. I kin shoot too;
an we know a place in the woods to hide.
	Thats so, Cousin Fair, AdMe added;
dont wait here, fly back to Montaigne.
I dont need you, and Uncle Ralph does,
for I expect they will have gone straight
there. Oh, Im sending you into danger,
she said, choking, but its your place
to help him!
	An youll fotch a heap more danger
on we uns, mister, said the boy, bluntly,
	a bein here, than youll be holp.
Fur Dick 11 be ayfter you nex.
	That argument conquered. Five min-
utes later the bay mare was carrying
Fairfax swiftly through the night.


II.

	THE plantation of Montaigne is on the
Black River. High hills roll back from
one shore, the rich, flat, bottom land
darkens the other with its exhaustless
forest of gum and cypress. Long ago
the old house was burned; but in Colo-
nel Rutherfords day it was the great
house of all the country round. Where
the forest recededfor a mere breath-
ing space as it werestood the little
settlement, while from a knoll crowned
with sycamores the planters house
overlooked the plantation. A beetling
roof shaded the piazza, that is to say,
the upper story of the piazza, which was
in two stories in front of the house, hav-
ing a lattice below where honeysuckle
climbed and sent out floating tendrils
to grasp the rnde pillars above, and
being bisected by a wide, open hall
gallery, such a hall is named in Arkan-
sas. The gallery, when Colonel Ruther-
ford ruled at Montaigne, bore the sem</PB>
<PB REF="IMG00070" SEQ="0070" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="62">	62	EXPIATION.

blance of a museum of arms. There,
used to hang the shot-guns, rifles, re-
volvers, and powder-horns; there, were
Dat ar ben de mostis powerfullis mixtery dat ebber done
pass my lips.



stored hatchets, meat-saws, and axes
supposing them to be in their appointed
place, which, to be sure, was not the
most likely thing in the world on a
plantation; and, there, swung all the
finery of a Southern rider, in saddle,
spurs, and blankettruly a pretty sight.
Not so pretty, I dare say, were the heaps
of flour-sacks and meal-bags and the like
stores of provisions which Aunt Hizzie,
the cook, never would keep in any other
spot than the back gallery; or her
dingy and tousled bunches of yarbs de-
pending from the ceiling; and, certainly,
nothing pretty, only dark mystery, occu-
pied that corner shelf whereon, from a
time so far back that no memory of the
young Rutherfords ran to the contrary,
had rested Aunt Hizzies mixteries.
	Aunt Hizzie herself regularly swal-
lowed any drugs left by the family, to
sabe dem ; and there was a tradition
that she had been cured of a sorrowful
attack of de conjure sickness by the
half bottle of horse liniment which Rafe
Rutherford threw into the ash-barrel
	My word, she was overheard to
narrate, dat ar ben de mostis power-
fullis mixtery dat ebber done pass my
lips. Hit strike me so heavy Ise a
wrastlin wid it de enjurin night. But
it sho sen de sickness off a runnin.
Bress de Lawd, I aint got take no mo!
	Aunt Hizzie, in her white turban
(economically made out of a castaway
flour-sack), with a blue apron trying to
define a waist for her rotund shape, was
always a figure in the gallery when din-
ner was under way.
	On one side of the gallery was the
dining-room, unplastered, as were all
	the rooms, but painted, and having a
wainscoting put up by a clever carpen-
ter from the North, in the Rutherfords
palmy days. He it was who built the
tall sideboard in the wall, which made
the expensive black walnut sideboard
from Little Rock look like a dwarf cran-
ing its neck up at a giant. Before the
war the sideboards held a glittering
show of glass and silver. Hues of taw-
ny brown and amber and dusky reds
gleamed like jewels in old-fashioned de-
canters, welcome to every comer.
	All the rooms were on the same gener-
ous scale, high-studded, with wide win-
dows and deep-throated fireplaces, big
enough to hold half a forest; and relics
of the faded pomp of old Virginia days
were scattered among the primitive fur-
niture of a new country, suggesting gold
embroidery (a thought tarnished) on a
linsey-woolsey gown.
	There were signs of a womans pres-
ence also, fresh curtains draping the
windows (by this time darned with a
pathetic care), bunches of swamp hack-
berries and holly twigs in showy vases
bought on some of the Colonels trips
to New Orleans or Memphis, a little
flutter of feminine fancies in needle-
work over tables or chairs. And, on the
library walls, three expensive frames of
dingy gilt enclosed three landscapes in
oil, painted by the present Mrs. Ruth-
erford when young. They all had deep-
blue skies with cotton-wool clouds, and
a rolling green landscape and puffy dark
trees. In fact they were about as
dreadful as even a young ladys work
can be; but it was the custom of the</PB>
<PB REF="IMG00071" SEQ="0071" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="63">	EXPIATION.	63

Colonel to sit and smoke before them,
and contemplate them with innocent
pride. From thence most commonly
his eyes would go (after a seconds
pause before his father in his Mexican
war regimentals) to the row of the three
former mistresses of Montaigne.
	The first two were rosy and smiling
young matrons, wearing their hair
(black or yellow) in short round curls,
and shrugging their plump shoulders
out of their low-necked frocks; but the
third Mrs. Rutherford had been painted
by another hand. Fairfax Rutherford,
during their brief betrothal, had made
this picture. He had painted her, a
slender girl in a white frock, plucking
flowers in an arbor, and smiling over
her shoulder at some unseen comer.
Composition and handling were as
crude as the treatment was ambitious;
but perhaps because the artists heart
was in the work he had succeeded
where a more skilful hand might have
failed, and captured the evanescent and
pensive loveliness of his subject. Long
afterward, in a moment of expansion,
Fairfax said of his brothers wives:
Ralph was married by father to his
first, his second married him, but he
married poor Daisy.
	And the fourth Mrs. Rutherford?
asked the friend.
	Fairfax shrugged his shoulders. Oh,
she just happened, said he. My
brother is the most chivalrous of men,
and Mrs. Peyton Rutherford was his
second cousins widow without a penny.
He married her to take care of her;
and really it hasnt proved such a bad
arrangement ; she is a silly sort of creat-
ure, but she has done very well by
Ralph.
	Besides the pictures the library walls
were further adorned by what in ante-
bellum days was known as a land-
scape paper, representing iunumerable
castles on the Rhine. There was one
drawback, however, to the impressive
beauty of this paper; insomuch as the
plantation painter who hung it, being
new to the business, had misplaced
some of the rolls, a large proportion
of the castles were made to stand on
their heads. The library, like the other
rooms, had an enormous fireplace and a
cypress mantel painted black. Library
may seem rather a courtesy title for a
room containing only a single case of
books; but there had been a library in
his Virginia home, and a library the
Colonel would have in Arkansas. The
book-shelves held such books as Mon-
taignes Essays, the Waverley Nov-
els, the poems of Tom Moore and Lord
Byron (that was how the Colonel re-
ferred to him), Shakespeares works and
Miltons Paradise Lost, Macaulays
History of England, some old vol-
umes of Congressional Reports, present-
ed by friends in the House, Youatt
on the Horse,the Medical Encyclopt~e-
dia, and Niless Register.
	The Colonel (when he was ill or of a
rainy Sunday) would occasionally dip
into the other books; but Montaigne,
according to his wife, he read every
day in the world. And she was sure
she couldnt imagine why, because it
certainly was a scandalous book, and
the Colonel was the most moral of men;
he wouldnt even repeat any of those
wicked stories gentlemen are so fond of
telling among themselvesnot unless
they were very funny indeed. Doubt-
less the honest man, of his own motion,
had hardly discovered the Essays;
but he inherited Michel Montaigne, like
the family prejudices, his traditions of
honor, and his fathers sword. His
own edition (the English translation
of Coste, A.D. 1759) was bequeathed to
him by his grandfather, a man of scho-
larly tastes, for whom he always enter-
tained a tender affection, and who val-
ued the genial old wit and gossip, and
often would season his own conversa-
tion with Montaignes high flavors.
	At first Ralph Rutherford read for
the sake of the old man and his com-
ments, pencilled here and there. It was
a labor of reverence and gratitude. But
presently, from poring over the book
he began to admire it; at last, to love
it, as only the men of few books love
their favorite. Many was the doughty
battle that he had fought with his chief
crony, a Presbyterian minister, who
owned a farm hard by, concerning the
Essays. Parson Collins called them
a profligate book, and gave Montaigne
no quarter. It was a sly delight to
the Colonel to cull virtuous maxims or
worldly sense from his treasure, and</PB>
<PB REF="IMG00072" SEQ="0072" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="64">	64	EXPIA TION.

display them, unlabelled, until the par-
son was ensnared to praise them, when
he would remark: Yes, sir; Mon-
taigne usually is sound. Glad you ap-
prove of him! Tnt! tut! Ralph,
the parson used to answer warmly, of
course he has some decent sentiments,
but approve of that atheistical, unprin-
cipled old rake, no, sir, never! Id be
ashamed to read him!
	But as for the Colonel, he was vainer
of his knowledge of Montaigne than of his
shooting, which is a good deal to say in
the back woods. He liked to quote from
the Essays, though he seldom stuck
closely to tke text, and he told Mon-
taignes classical fables with a beautiful
faith. But his crowning proof of affec-
tion was to give the essayists name to
his plantation.
	A few of the books overflowed into the
combination book-case and writing-desk
which the Colonel called his secretary.
He was sitting before it on the morning
fo.llowing Fairfaxs ride. Mrs. Ruther-
ford had the rocking-chair opposite, her
back to the row of portraits; but this
attitude was from no design, she was
incapable of jealousy, and bestowed the
same painstaking dustings and yearly
washings and wrapping in pink mosqui-
to netting, which she did upon her own
pictures. She did not grudge the dead
ladies of Montaigne any posthumous af-
fection. He likes me better than eith-
er of you, you poor things, was the un-
spoken thought, as she sewed quietly be-
fore the painted faces, and I reckon he
cared more for Daisy than for all three
of us together. Well, I cant make him
quite like Peyton either.
	Perhaps the fourth Mrs. Rutherford
was hardly the fool Fairfax senior es-
teemed her, notwithstanding her silence,
herinability to understand epigrams, and
her awful landscapes. At any rate she
was pleasant to look upon, being a fair,
placid woman, whose hair was still a
lively brown, whose cheeks kept a pink-
ish tinge, and whose eyes were soft as
her voice. She was not talking much
this morning, but at intervals the Colonel
would look up from his book, and then
she would smile and make some remark
out of her thoughts.
	Near them was an open window, for
in October the Arkansas sun will for-
get, for days, that the season is not
summer.
	A belated bluebird twittered and
hopped on the window-sill. Then he
rose, spread his wings, and flew past the
big white store, over the black chimney
of the gin and the whitewashed negro
quarters, and grew into a black speck
above the cypress wall beyond.
	The Colonels eye followed the mite
and his brow contracted. Only a little
beyond the brake was the grassy field
where the white headstones stood guard
over his dead wives and the four little
children who had died; but the Colonel
was thinking that his two tall boys lay
ftw.from their kindred. The wife watch-
ing him could have echoed his sigh, be-
cause she, in her turn, thought how her
husband was changed. His hair is
right gray, she said to herself, sadly,
and he stoops; he never did stoop be-
fore.
	The Colonels massive head, with its
curly silver hair, thick as a boys, was
bent slightly, but not for better seeing;
no, Ralph Rutherfords brilliant black
eyes could catch the glint of a pos-
sums fur by moonlight still. The
eyes were gentle and kind as well as
brilliant, and held a twinkle of humor;
Colonel Rutherford being, in fact, the
famous story-teller of the country, and
loving a good joke better than bread.
He was a keen hunter also, and the best
rider in his regiment, which need not
disparage hundreds of good horsemen.
Rather below than above the common
stature, his figure inclined to heaviness,
but showed iron muscles in the deep
chest and long arms. His face, fringed
by a short gray beard, was a round oval;
the chin and jaws were square, but the
mouth was small, the nose delicate, and
the brows candid and beautiful. There
was about the whole air of the man an
extraordinarily winning expression of
frankness and humanity, though just
now the featQres were darkened into
sadness.
	He aint reading, hes studying,
thought Mrs. Rutherford, always
studying about the boys. Oh, dear, if
wed only had a child! Maybe it
wouldnt have been a boy, though, and
Dellas like his own daughter. But a
little boyhed be fifteen, now. Well,</PB>
<PB REF="IMG00073" SEQ="0073" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="65">	EXPIA TION.	66

theres Fair. She changed a sigh into
a smile, as women learn to do, and said
aloud: I reckon there was a crowd
round the mill this morning when they
heard about the meal.
	The Colonel nodded, his face brighten-
ing. You may say so. I didnt know
there were so many folks left in the
country. We havent enough left to
feed a chicken.
	Dear me, Colonel, I hope you left
enough for ourselves, cried Mrs. Ruth-
erford, all the housekeeper aroused.
	Oh, Aunt Hizzie took care of that,
answered the Colonel, laughing. She
had link Nels on hand with a wheelbar-
row plumb full of sacks. But those
folks, they did seem terrible pleased to
get the meal, and specially the flour. The
poor critters have been eating the wheat
in the dough.
	I hope you didnt take any of our
money, said Mrs. Rutherford.
	Greenbacks or gold, said her hus-
band. Then he laughed. What I
did take, added he.
	I expect you let them have it whether
they had money or not.
	Well, yes, maam; those that had a
little money wanted to get close to me
for the first show; but, says I, N-no,
p- poor folks get just as hungry as
rich!
	The Colonel always stuttered a little
when excited.
	We will all be as poor as the rest of
them, soon, if you go on that way,
Ralph.
	We are better off than most of them,
honey, answered the Colonel, easily;
theres that twenty
	But Mrs. Rutherford stopped him
with a frightened look, drawing her
chair nearer.
	There aint a wall with plaster on it
in the house, Colonel; do remember
that.
	Nor there aint a thief on this plan-
tation either, black or white, Hettie. Oh,
dont you worry; Dellas all right at
Fowlers, and she and Jim will be round
this evening, peart as peart.
	Well, I hope so, answered Mrs.
Rutherford, her voice lowered to a whis-
per. Has Dick been doing anything
lately?
	Deviling round about as usual, said
the Colonel; heard he hung a poor Jew
pedler down on Cash * tother day.
Hed sold his cotton, and Dick lowed
he had ought to have some money.
Twas told me they hung him up four
times, and ever time they let him down
he howled for mercy, but he wouldnt
tell a word about the money, and the
last time they let him down he was dead,
and they couldnt do no more with him.
Theyre fiends incarnate, those fellers,
and if it hadnt been for this cursed leg
Id have had Dick Barnabas swinging!
Look at it, we all sitting down at home
a-shaking, w-waiting for Dick to come
and murder us! I shant wait
	Oh, hush! cried the lady, implor-
ingly; if anybody was to hear and tell,
Dick would
	Hew-wouldnt do nothing more
than hes aiming to do now, my dear!
was the Colonels answer, with a chuckle;
hes as mad as he can be, anyhow, and
has been ever since he lit out of the
army to escape being shot. A b-bad
bargain for Arkansas he wasnt, too.
	Oh, dear, I wish he had been, sighed
Mrs. Rutherford.
	Theres a right smart of scoundrel
in the country to carry on the devils
trade besides Dick Barnabas ; but hes
got a heap of em with him, and once
hang his gang up we may have peace.
The others are just ornery scamps, not
sense enough to keep from stealing from
each other; but D-Dick has a head on
him. And Im not denying that Dick
has his good qualities.
	Dick Barnabas!
	Yes, maam, Dick Barnabas; they
aint very many, but theyre like old Aunt
Ter~nies teeth; she aint got but three,
you know, but theyre on opposite sides,
so she makes out to do a p-power of
eating with em. Thats the way with
Dicks good points, not many, but
theyre jest where theyll do the most
good. Hes brave as the devil, and hes
tolerable kind to beasts (knows a heap
about them, too), and hell stick to his
bargains. I dont think I ever knew
Dick to rue back. Not even his bad
trade with Parson Collins. Say, Hettie,
did I ever tell you about that trade?
	If you did I must have forgotten,
	* cash is a small river. They never say Tl~ Cash, but
Cash simply.</PB>
<PB REF="IMG00074" SEQ="0074" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="66">	66	EXPIA TIOM

said Mrs. Rutherford, who had heard the
story half a dozen times; but it was true
enough also that she did forget her hus-
bands stories; and true or not, the
good Christian soul could have found
warrant with her conscience for stretch-
ing a point if she might help him lose
his sorrows, even for a little while.
	He settled himself comfortably in his
chair, with a twinkle of the eye. Must
a been six or seven years ago that it
happened, said he. Yes, maam, I re-
member it was bout two years after
Parson lost his wife, and there was talk
of his marrying the Widow Bainbridge;
I dont believe he ever did think of her,
but you know the talk. Thats how I
fix the date. She married old man War-
ner in the spring, and this was the fall
beforenot that its any consequence on
earth.
	Dick, he was renting of me then, a
in-mean Jew Injun, same like he is
now, and getting most his livelihood
swapping horses. Parson had a big
white mule, they called her May Jane.
She wasnt none too young, but she was
terrible strong and spry, and the most
remarkable animal for in-intelligence
you ever saw. She wasnt exactly ill,*
as they call it down here, but she had
got a right smart of tricks like all those
old mulesonly, being so much cuter,
she had more.
	One of her monkey-shines was to al-
ways refuse to go past a fence corner.
I dont know why, but you couldnt get
her past a fence corner no way on earth.
If you pushed her too hard, shed begin
rearing and kicking, and finally lay
plumb down on the ground, her four
legs kicking away like boiling water.
The only way with her was to get off
and pat her and much her, and lead her
round the corner. Then she was all
right, and would step out right well un-
til the next corner. Another trick was,
shed take a notion into her head that
she had done travelling enough in one
direction, and if you didnt politely turn
round, shed likes not run you spang
up against a fence-rail and scrape your
leg. But the blamedest fool notion she
had was about the dinner-horn; when-
ever shed hear the Parsons horn go, no
	flill-tempered, cross. They say of a patient in Ar-
kansas, He must be getting better, he is so ill!
matter where the critter might bemid-
dle of the row ploughing, maybeoff
shed go, just the same, bullet line back
to the barn. All such like tricks made
her, in spite of her cuteness, a sorter un-
easy beast for to have on a fyarm. So,
Parson lowed hed sell her. He tried to
sell her to me, and for some reasons Id
have liked right well to buy the pesky
critter. Wed a screw press then, and
I never did see a mule on earth could
pull downs big a bale as May Jane but
Dad gum erb-begging your pardon
for the expression, my dearif you left
her by her lone a ininnit, shed break
the gears, and jest naturally split the
mud to the byarn. Thats May Jane!
So I wouldnt buy. Well, Parson he
didnt know quite how he could fix it.
Happened one day he was at the store
and praising of May Jane, as usual, and,
as his ill-luck would have itproviden-
tially, I daresay he would put itDick
Barnabas came along with a load of cot-
ton. He saw the mule, and Parson
looks out of the window, and theres
Master Dick studying of his mule. He
never let on. But he wags his finger at
Unk Nels and asks if we all didnt want
May Jane up to the press for a spell
that morning. Well, of course we did,
for she could work powerful well. And
just as IJnk Nels was going off Parson
says, carelessly, Oh, lIJnk Nels! If
Mr. Dick Barnabas should look round
to see how she can pull, I trust you all
wont putt her under a bad character.
You had ought to seen that niggers
teeth flash; he hopped onto the notion
in a second. All the niggers jest natu-
rally hated Dick always, he used to
knock em about so. Well, directly Dick
santers over to the gin, where he finds
May Jane pulling with all the power,
and every nigger praising her. He gits
her out and looks her overoh, we could
see him from the store, riding her round
and walking about her. Dick was of the
opinion nobody knew as much about a
horse or a mule as he did. In a little
while he goes back to the Parson, with
trade in his eye. Kinder old mule;
howll Parson swap? Well, Parson shook
his head, lowed he wouldnt tradeval-
uable mule, very intelligent, perfectly
sound, etc. Thats all right, Parson,
said Dick, growing eager; hows my</PB>
<PB REF="IMG00075" SEQ="0075" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="67">	EXPIATION.	67

clay back hoss? No, thank you, Mr.
Barnabas, says the Parson; looks like
we couldnt trade, and I must be going.
So Dick offered some
more, but Parson grew
cooler, the hotter he
grew. Ill tell you all
about that mule, Mr.
Barnabas, said the Par-
son, her good points
and her bad. Naw, ye
dont, says Dick, I kin
see fur myself, ye aint
no need to praise the
critter. He was so sus-
picious he lowed the
Parson meant to lie to
him, and he reckoned
himself to be smarter.
Well, so they had it
back and forth, till final-
ly Dick offered two year-
ling steers that the Par-
son had been trying to
get. Now, Parson knew
that was the biggest
kind of a trade, and the
rest of us was nearly choking with laugh
to see Dick getting stuck so neatly; but
Parson wasnt going to seem too eager,
so he wanted a calf thrown in; and
finally they compromised; trade even,
and Dick fetch over the steers. He
done it that very evening before sun-
down, he was so possessed to get the
mule. And when he discovered May
Janes little playful ways with fences and
dinner-horns, he was the maddest man
you ever saw. He was rarin and charg-
in. Accused the parson of swindling.
I assure you, my dear, I was within an
inch of pitching the scoundrel out of the
window. Would if IL hadnt wanted to
hear what Collins would say. He was
as cool as cool. Softly, softly, Mr.
Barnabas, says he, I told you the mule
was intelligentyou wont deny she is;
and perfectly soundwell, aint she?
And I offered to tell you her good and
her bad points, but you wouldnt listen.
Is it my fault you wouldnt? says Par-
son, while the whole storeful of men
laughed. But Ill tell you what, says
he, if you want to swap over again and
have it said that Dick Barnabas rued
back, you can. Naw, by  ; never
mind, Dick always did swear like a
steamboat captain; he swore a big oath
and said he never had rued back, and he
never would. The most comical pyart
of the story is, Parson had been eying
those steers for all summer, and want-
ing for Dick to trade for a horse he had
that was nearly bout a hundred years
old and a stump-sucker to the bargain,
and Dick wouldnt look at it; but he got
so terrible sick of May Janes deviltry
that he traded her off back to Parson
for that identical aged horse. It made
Dick most sick, that trade did. He
swore he would get even with Parson
Collins if it took him a hundred years.
	I wonder he hasnt done Mr. Collins
a meanness before now, said Mrs. Ruth-
erford.
	Oh, well, said the Colonel, gayly,
even graybacks have got to have some
excuse, and Collins is the most popu-
lar man in the country. Chaplain all
through the war and mighty kind to
our boys, and brave as they in-make
them. Then he knows more bout the
beastis than any man around. Hes
doctored most everybodys horse or colt
or cownever charge a cent; and hes
a mighty good, pious man, liberal and
stirring, free house to everybody. No,
maam, I dont guess even Dick could
get the boys to do him mean unless they
were to get a heap of money by itand
May Janes little playful waya with fences and dinner horns.</PB>
<PB REF="IMG00076" SEQ="0076" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="68">	68	EXPiATION.

Collins is poor as the next man, nowa-
days. Why, the feller toted his own
cotton to be burned when the order
came. Thats more than we did, honey,
hey?
	Well, I hope so, Colonel Rutherford,
answered the lady. You might have
made such a useless sacrifice, but Adele
said General Marmaduke and General
Shelby hadnt any right to burn our cot-
ton.
	They did it for the best, undoubt-
edly, my dear; still, it certainly was too
late, and it has only increased our hard-
ships without helping the Confederacy.
	I dont see, Colonel, why you didnt
wait and have the Federal colonel who
is coming this way bring ourit.
	The money? said the colonel, in
his jovial loud voice, and Mrs. Ruther-
ford actually had to lay her slim hand
over his mouth. He gallantly kissed the
fingers.
	I would, said he, if Id known
Id have smashed my leg and have to let
Della go for me. But it looked like it
was a good chance, the money coming
far as Crowders with the Yanks; and if
I and half a dozen men could have gone
outbut nobody will suspect Jim, no-
body knows the money is coming, any-
how. Oh, Jims safe enough. Dont
you reckon he had better go out after
Fair when he comes?
	When do you expect Fair?
	Thats the trouble. I caynt tell.
He writes he will start immediately, but
when will he get to St. Louis, and from
there on here? Dont s-see what we
all can do but wait.
	If Fair would only let us know in
time, said Mrs. Rutherford, theres a
heap of things he could fetch us from
St. Louislittle things he could bring in
his saddle-riders, like soda and needles
and pins; but I expect he wont think
to do that. Pins we do need the worst;
but, now, pepper and spices and thread
he wouldnt have a bit of trouble, if
we could only get him word. And va-
nilla extract, we have been out of such
things so long Ive nearly forgotten they
exist, and we used to call them necessa-
ries.
	Nothing is a necessary but salt, said
the Colonel; we have to get that, some
way, soon. If it wasnt for the Gray-
backs we could have a boat on the river
and supplies regular. My lord, were
licked, and every man who aint a c-crazy
fool knows it! What is the use of ram
and chargin round the country and
burning the cotton? These precious
jewels of Dick Barnabas are enough
sight worse than the Yankees. Half of
them d-deserters, too. Well, I wisht I
had another chance at D-Dick!
	There was silence for a little space, be-
cause Mrs. Rutherford was absorbed in
counting her stitches while the Colonel
revolved fresh plans for Barnabass de-
struction. From them he looked up
again at the picture on the wall, the
young girl in her white gown, with her
sweet face. Had he been her lover, find-
ing enough favor in her sight to win her
heart from his handsome brother, ten
years younger than he? Of all his life,
full as it had been of robust exhilaration
and ambition and emotion, what time
had matched that with its sweetness and
its pain? All the inarticulate poetry of
the mans nature groped backward to-
ward those years when she was with
him. Only three years; Fair was a
baby when she died; he could see the
little trick playing on the floor with his
fathers great boots, the sunshine on his
curls. The Colonel uttered a sigh like a
groan, not conscious that he sighed.
	I reckon Della and Jim will fetch a
letter from Fair, said Mrs. Rutherford,
quickly, dropping her count.
	He will be grown a young man,~~
said the Colonel; they tell me he is a
young man of very distinguished ap-
pearance and an elegant gentleman.
The Colonels diction, become slipshod
during years of careless living in the
wilderness, had fits of stiffening into
that dignity which pertained to a Vir-
ginia gentlemans speech when he was
young, and, long ago, Mrs. Rutherford
had noted that such occasions of fine
language were likely to accompany any
mention of Fairfax. In truth, the Colo-
nel was fonder and prouder (so Mrs.
Rutherford often thought) of this lad,
who had spent almost all his life away,
than of the dutiful sons who had never
left him, and who had fought and fallen
at his side. She knew that he always
carried Fairs letters in his pockets,
ready to come out for reading aloud to</PB>
<PB REF="IMG00077" SEQ="0077" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="69">






























We all swar It Iage lii.
0</PB>
<PB REF="IMG00078" SEQ="0078" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="70">	70	         EXPIA TION.
		And wound about the creaturea neck, a gleaming and hiaaing anake.

anyone who might be interested in
them, and in default of such listener
to be pored over and chuckled over by
the Colonel himself. If anything could
have irritated her placid amiability it
would have been her further knowledge
that the Colonel often had gone shabby
himself, in order to send money to
Fair.
	And he doesnt need it the least bit
on earth, was Mrs. Rutherfords silent
comment; Fairfax Rutherfords rich;
he gets enormous prices for his pict-
ures, and that rich old aunt left him
all her New York property; he has ten
times as much as poor Ralph. But she
admitted that the Colonel only stinted
himself for his Rachels boy, he never
took from the portion of Leahs sons.
	Ralph is right just and upright,
said Mrs. Rutherford, and I dont be-
lieve the boys ever suspected he didnt
love them just as much as Fair. They
thought Fair was the finest young gen-
tleman in the world, too. Dear boys,
they were so good!
	The poor lady felt the tears stinging
her eyelids, and rose up hastily on a pre-
text of hearing Aunt lizzie. She would
not have her husband see her wet eyes.
When two people have been through
deep sorrow and trouble together, often
each, for the others sake, clings to a
makeshift of cheerfulness. It is as if
they hung by a board balanced over a
precipice ; let one loosen his hold, the
safety-plank must fly up, and it will be
all over with the other.
	Theres Hizzie disputing with lIJnk
Nels again, cried Mrs. Rutherford.
Then her simulated interest grew real,
for she caught a few words.
	Bad news you reckons, does ye?
How come ye aint fotch im by tuh me?
	A mutter in a mans deeper tones was
indistinguishable. Aunt Hizzies voice
rose again:
	Naw, ye wm~nt go tell ole marse or
ole miss, needer. Pears like ye aint got
no sense. Whut ye sayin? Ye talk so
gross nobuddy on yearth kin foller you
wudsmummum  mumble mum!
Folkses got good sense caynt, let lone
igits. Lemme talk tuh im!
	Up went Hizzies voice, as if she were
talking to a foreigner or a deaf man.
Ye seekin Miss Della, Slick Mose?
Ole Miss? Ole Miss fo sho? Look at
7 ,/ ,j /7 //</PB>
<PB REF="IMG00079" SEQ="0079" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="71">	EXPIATION.	71

de critter, Nels. Well, sahl dars blood
all over im, shos you bawn, Nels.
	My Lord, is there more affliction
for this unhappy house? the Colonel
groaned, involuntarily struggling to rise.
	Oh, hush, said Mrs. Rutherford,
soothing him, although she was visibly
paler and trembled ; you stay stilL Its
only Slick Mose. Ill go out.
In the gallery the negro man and
woman were staring at a truly hideous
figure. It was the shape of a man,
ragged, soaked, with blood-stains on the
arms and on the tattered shirt; a crouch-
ing thin thing, bareheaded and bare-
footed; and wound about the creatures
neck, a gleaming and hissing snake.
The face, with its tangle of pale red hair,
its little vacant eyes and working mouth,
held the plain signs of Slick Moses un-
happy condition. He was an idiot lad
whom Mr. Collins had found chained to
a staple in his fathers yard, and had
given a good mule to rescue. He di-
vided his time between the plantation
and Mr. Collinss farm, and Addle Ruth-
erford was the only person, save the
minister, who had any control over him.
These two he would follow and obey like
a dog. They understood the gibberish
which passed for speech with him. The
creature had a mania for hiding things,
and so cunningly that it was the rarest
thing in the world for them to be found
unless Parson Collins or AdUe inter-
fered. Thanks to them his idiosyncrasy
did little mischief. Another trait was
his grewsome liking for snakes. Be-
tween him and all the brute creation
existed a strange sort of understanding,
such as sometimes does exist between
the lowest order of human kind and
animals; but Mose peculiarly affected
snakes. Half the terror the harmless,
timid fellow inspired (and it was exces-
sive) was due to this trait. For the
other half, came his extraordinary phys-
(To he continued.)
ical agility and his uncanny wood lore,
mocking the beasts calls so well that
they would, answer him; familiar with
every lead of timber * and every glade f
in the swag ; ~ climbing like a racoon
and diving like an eeL Mrs. Rutherford
shared the general shrinking, although
she had always been kind to Mose. Now
he ran to her, pulled at her gown, grov-
elled at her feet, and pointed toward the
door, all the while uttering a harsh,
inarticulate cry. Lada, he repeated
numberless times. Lada was his word
for AdZAe. It was supposed to be his
effort to say Lady. Then, gesticu-
lating wildly, he poured out a torrent of
incoherent sounds, of which the word
kill was the only one to be distin-
guished.
	Who is killed? cried Mrs. Ruther-
ford. Notnot Della? In her sud-
den agony of anxiety she grasped Moses
shoulder.
	He shook his head violently.
	Instantly Mrs. Rutherfords fears flew
to the money, the loss of which, indeed,
meant nearly ruin to them. Is it Jim
Fowler? she asked; try, Mose, try to
speak plain!
	Again the idiot shook his head, and
with a look of agony repeated  Parson,~~
kill, and Fair. He clasped his
hands together, shrieking, Oh, Fair!
oh, Fair! He extended his arms, the
most violent grief and horror depicted
on his countenance. Finally, he hurled
himself on his knees and appeared to be
straining to lift something from the
ground.
	Dat Slick Mose aimin tuh tell we
uns how somebuddy done! exclaimed
Aunt Hizzie.
	Lord send nothing has happened to
Fair, cried Mrs. Rutherford ; if
there has it will kill the Colonel. But
one thing is sure; he wants us to follow
him, and weve got to do it.

Timber grows in kinds on the Black River, here oaks, now ash, now gum; such a strip is called a lead.
t The old English word is retained for an open space in the wood.
~ Low, damp place.</PB>
<PB REF="IMG00080" SEQ="0080" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="72">The negro boy, arms whirling wide in sir, shot over the side of the cliff. Page 80.</PB>
<PB REF="IMG00081" SEQ="0081" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="73">IN THE VALLEY.
By Harold Frederic.

CHAPTER XV.

THE RUDE AWAKENING FROM MY DREAM.


LOOK back now
upon the week
which followed
this home-coming
as a season of much
dejection and un-
happiness. Per-
haps at the time
it was not all un-
There was a great
mixed tribulation.
deal to do, naturally, and occupation to
a healthful and vigorous young man is
of itself a sovereign barrier against un-
due gloom. Yet I think of it now as all
sadness.
	Mr. Stewart had really grown aged
and feeble. For the first time, too,
there was a petulant vein in his attitude
toward me. Heretofore he had treated
my failure to grow up into his precise
ideal of a gentleman with affectionate
philosophy, being at pains to conceal
from me whatever disappointment he
felt, and, indeed, I think, honestly try-
ing to persuade himself that it was all
for the best.
	But these five months had created a
certain change in the social conditions
of the Valley. For years the gulf had
been insensibly widening, here under
our noses, between the workers and the
idlers; during my absence there had
come, as it were, a land-slideand the
chasm was now manifest to us alL Some-
thing of this was true all over the Col-
onies: no doubt what I noticed was
but a phase of the general movement,
part social, part religious, part political,
now carrying us along with a percept-
ible glide toward the crisis of Revolu-
tion; but here in the Valley, more than
elsewhere, this broadening fissure of
division ran through farms, through
houses, ay, even through the group gath-
ered in front of the family fireplace
separating servants from employers,
sons from fathers, husbands from wives.
VOL. VIT.7
And, alas! when I realized now for the
first time the existence of this abyss, it
was to discover that my dearest friend,
the man to whom I most owed duty and
esteem and love, stood on one side of it
and I on the other.
	This was made clear to me by his
commentsand even more by his man-
nerwhen I told him next day of the
great offer which Mr. Cross had made.
Not unnaturally I expected that he
would be gratified by this proof of the
confidence I had inspired, even if he did
not favor my acceptance of the proffered
post. Instead, the whole matter seemed
to vex him. When I ventured to press
him for a decision, he spoke unjustly
and impatiently to me, for the first time.
	Oh, ay! that will serve as well as
anything else, I suppose! he said. If
you are resolute and stubborn to insist
upon leaving me, and tossing aside the
career it has been my pleasure to plan
for you, by all means go to Albany with
the other Dutchmen, and barter and
cheapen to your hearts content. You
know its no choice of mine, but please
yourself!
	This was so gratuitously unfair and
unlike him, and so utterly at variance
with the reception I had expected for
my tidings, that I stood astounded,
looking at him. He went on:
	What the need is for your going off,
and mixing yourself up with these peo-
ple, I fail for the life of me to see. I
suppose it is in the blood! Any other
young man but a Dutchman, reared and
educated as you have been, given the
society and friendship of gentlefolk
from boyhood, and placed, by heaven!
as you are here, with a home and an es-
tate to inherit, and people about you to
respect and loveI say nothing of obey-
ing themwould have appreciated his
fortune, and asked no more. But no!
You must, forsooth, pine and languish
to be off tricking drunken Indians out of
their peltry, and charging some other
Dutchman a shilling for fourpence worth
of goods !</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-10">
<BIBL>
<AUTHOR>Harold Frederic</AUTHOR>
<AUTHORIND>Frederic, Harold</AUTHORIND>
<TITLE TYPE="ART">In The Valley</TITLE>
<BIBLSCOPE TYPE="pg">73-87</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00081" SEQ="0081" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="73">IN THE VALLEY.
By Harold Frederic.

CHAPTER XV.

THE RUDE AWAKENING FROM MY DREAM.


LOOK back now
upon the week
which followed
this home-coming
as a season of much
dejection and un-
happiness. Per-
haps at the time
it was not all un-
There was a great
mixed tribulation.
deal to do, naturally, and occupation to
a healthful and vigorous young man is
of itself a sovereign barrier against un-
due gloom. Yet I think of it now as all
sadness.
	Mr. Stewart had really grown aged
and feeble. For the first time, too,
there was a petulant vein in his attitude
toward me. Heretofore he had treated
my failure to grow up into his precise
ideal of a gentleman with affectionate
philosophy, being at pains to conceal
from me whatever disappointment he
felt, and, indeed, I think, honestly try-
ing to persuade himself that it was all
for the best.
	But these five months had created a
certain change in the social conditions
of the Valley. For years the gulf had
been insensibly widening, here under
our noses, between the workers and the
idlers; during my absence there had
come, as it were, a land-slideand the
chasm was now manifest to us alL Some-
thing of this was true all over the Col-
onies: no doubt what I noticed was
but a phase of the general movement,
part social, part religious, part political,
now carrying us along with a percept-
ible glide toward the crisis of Revolu-
tion; but here in the Valley, more than
elsewhere, this broadening fissure of
division ran through farms, through
houses, ay, even through the group gath-
ered in front of the family fireplace
separating servants from employers,
sons from fathers, husbands from wives.
VOL. VIT.7
And, alas! when I realized now for the
first time the existence of this abyss, it
was to discover that my dearest friend,
the man to whom I most owed duty and
esteem and love, stood on one side of it
and I on the other.
	This was made clear to me by his
commentsand even more by his man-
nerwhen I told him next day of the
great offer which Mr. Cross had made.
Not unnaturally I expected that he
would be gratified by this proof of the
confidence I had inspired, even if he did
not favor my acceptance of the proffered
post. Instead, the whole matter seemed
to vex him. When I ventured to press
him for a decision, he spoke unjustly
and impatiently to me, for the first time.
	Oh, ay! that will serve as well as
anything else, I suppose! he said. If
you are resolute and stubborn to insist
upon leaving me, and tossing aside the
career it has been my pleasure to plan
for you, by all means go to Albany with
the other Dutchmen, and barter and
cheapen to your hearts content. You
know its no choice of mine, but please
yourself!
	This was so gratuitously unfair and
unlike him, and so utterly at variance
with the reception I had expected for
my tidings, that I stood astounded,
looking at him. He went on:
	What the need is for your going off,
and mixing yourself up with these peo-
ple, I fail for the life of me to see. I
suppose it is in the blood! Any other
young man but a Dutchman, reared and
educated as you have been, given the
society and friendship of gentlefolk
from boyhood, and placed, by heaven!
as you are here, with a home and an es-
tate to inherit, and people about you to
respect and loveI say nothing of obey-
ing themwould have appreciated his
fortune, and asked no more. But no!
You must, forsooth, pine and languish
to be off tricking drunken Indians out of
their peltry, and charging some other
Dutchman a shilling for fourpence worth
of goods !</PB>
<PB REF="IMG00082" SEQ="0082" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="74">	74	IN THE VALLEY.

	What could I say? What could I do
but go away sorrowfully, and with a
heavy heart take up farm affairs where
I had left them? It was very hard to
realize that these rough words, still
rasping my ears, had issued from Mr.
Stewarts lips. I said to myself that he
must have had causes for irritation of
which I knew nothing, and that he must
unconsciously have visited upon me the
peevishness which the actions of others
had engendered. All the same, it was
not easy to bear.
	Daily contact with Daisy showed
changes, too, in her which disturbed
me. Little shades of formalism had
crept here and there into her manner
even toward me. She was more dis-
tant, I fancied, and mistress-like, toward
my poor old aunt. She rose later, and
spent more of her leisure time upstairs
in her rooms alone. Her dress was no-
tably more careful and elegant, now,
and she habitually wore her hair twisted
upon the crown of her head, instead of
in a simple braid as of old.
	If she was not the Daisy I had so
learned to love in my months of ab-
sence, it seemed that my heart went out
in even greater measure to this new
Daisy. She was more beautiful than
ever, and she was very gentle and soft
with me. A sense of tender pity vague-
ly colored my devotion, for the dear
gin seemed to my watchful solicitude to
be secretly unhappy. Once or twice I
strove to so shape our conversation that
she would be impelled to confide in me
to throw herself upon my old broth-
erly fondness, if she suspected no deeper
passion. But she either saw through
my dumsy devices, or else in her inno-
cence evaded themfor she hugged the
sorrow closer to her heart, and was only
pensively pleasant with me.
	I may explain now, in advance of my
story, what I came to learn long after-
wardnamely: that the poor little
maiden was truly in sore distress at this
timetorn by the conflict between her
inclination and her judgmentbetween
her heart and her head. She was, in
fact, hesitating between the glamour
which the young Englishman and Lady
Berenicia, with their polished ways,
their glistening surfaces, and their at-
tractive, idlers views of existence, had
thrown over her, and her own innate,
womanly repugnance to the shallowness
and indulgence, not to say license, be-
neath it all. It was this battle the prog-
ress of which I unwittingly watched.
Had I but known what emotions were
fighting for mastery behind those sweet-
ly grave hazel eyeshad I but realized
how slight a pressure might have tipped
the scales my wayhow much would
have been different!
	But I, slow Frisian that I was, com-
prehended nothing of it all, and so
was by turns futilely compassionate
and sulky.
	For again, at intervals, she would be
as gay and bright as a June rose, trip-
ping up and down through the house
with a song on her lips, and the old
laugh rippling like sunbeams about her.
Then she would deftly perch herself on
the arm of Mr. Stewarts chair, and daz-
zle us both with the joyous merriment
of her talk, and the sparkle in her eyes
or sing for us of an evening, upstairs,
playing the while upon the lute (which
young Cross had given her) instead of
the discarded piano. Then she would
wear a bunch of flowersI never sus-
pecting whence they cameupon her
breast, and an extra ribbon in her hair.
And then I would be wretched, and
gloomily say to myself that I preferred
her unhappyand next morning, when
the cloud had gathered afresh upon her
face, would long again to see her cheer-
ful once more.
	And so the week went by, miserably,
and I did not tell my love.

	One morning, after breakfast, Mr.
Stewart asked Daisy to what conclusion
she had come about our accepting Philip
Crosss invitation to join a luncheon-
party on his estate that day. I had
heard this gathering mentioned several
times before, as a forthcoming event of
great promise, and I did not quite un-
derstand either the reluctance with
which Dais3~ seemed to regard the
thought of going or the old gentle-
mans mingled insistence and deference
to her wishes in the matter.
	To be sure, I had almost given up in
weary heart-sickness the attempt to un-
derstand his new moods. Since his
harsh words to me, I had had nothing</PB>
<PB REF="IMG00083" SEQ="0083" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="75">	IN THE VALLEY.	75

but amiable civility from himnow and
then coming very near to his old-time
fond cordiality  but it was none the
less grievously apparent to me that our
relations would never again be on the
same footing. I could no longer an-
ticipate his wishes, I found, or foresee
what he would think or say upon matters
as they came up. We two were wholly
out of chord, be the fault whose it might.
And so, I say, I was rather puzzled than
surprised to see how much stress was
laid between them upon the question
whether or not Daisy would go that
day to Cairucross, as the place was to
be called.
	Finally, without definitely having said
yes, she appeared dressed for the
walk, and put on a mock air of surprise
at not finding us also ready. She
blushed, I remember, as she did so.
There was no disposition on my part
to make one of the party, but when I
pleaded that I had not been invited, and
that there was occupation for me at
home, Mr. Stewart seemed so much an-
noyed that I hastened to join them.
	It was a perfect autumn day, with the
sweet scent of burning leaves in the air,
and the foliage above the forest-path
putting on its first pale changes toward
scarlet and gold. Here and there, when
the tortuous way approached half-clear-
ings, we caught glimpses of the round
sun, opaquely red through the smoky
haze.
	Our road was the old familiar trail
northward over which Mr. Stewart and
I, in the happy days, had so often walked
to reach our favorite haunt, the gulf.
The path was wider and more worn,
nowalmost a thoroughfare, in fact. It
came to the creek at the very head of the
chasm, skirting the mysterious circle of
sacred stones, then crossing the swift
water on a new bridge of logs, then
climbing the farther side of the ravine
by a steep zigzag course which hung
dangerously close to the precipitous
wall of dark rocks. I remarked at the
time, as we made our way up, that there
ought to be a chain, or outer guard of
some sort, for safety. Mr. Stewart said
he would speak to Philip about it, and
added the information that this side of
the gulf was Philips property.
	It is rough enough land, he went
on to say, and would never be worth
clearing. He has some plan of keeping
it in all its wildness, and building a
little summer-house, down below by the
bridge, within full sound of the water-
fall. No doubt we shall arrange to share
the enterprise together. You know I
have bought on the other side straight
to the creek.
	Once the road at the top was gained,
Cairncross was but a pleasant walking
measure, over paths well smoothed and
made. Of the mansion in process of
erection, which like Johnson Hall was
to be of wood, not much except the
skeleton framework met the eyebut
this promised a massive and imposing
edifice. A host of masons, carpenters,
and laborers, sufficient to have quite
depopulated Johnstown during the day-
light hours, were hammering, hewing, or
clinking the chimney-bricks with their
trowels, within and about the structure.
	At a sufficient distance from this
tumult of construction, and on a level,
high plot of lawn, was a pretty marquee
tent. Here the guests were assembled,
and thither we bent our steps.
	Young Cross came forth eagerly to
greet usor, rather, my companions
with outstretched hands and a glowing
face. He was bareheaded, and very
beautifully, though not garishly clad.
~In the reddish, dimmed sunlight, with
his yellow hair and his fresh, beaming
face, he certainly was handsome.
	He bowed ceremoniously to Mr.
Stewart, and then took him warmly by
the hand. Then with a frank gesture,
as if to gayly confess that the real de-
light was at hand, he bent low before
Daisy and touched her fingers with his
lips.
	You make me your slave, your very
happy slave, dear lady, by coming, he
murmured, loud enough for me to hear.
She blushed, and smiled with pleasure
at him.
	To me our young host was civil
enough. He called me Morrison, it
is true, without any Mr., but he
shook hands with me, and said affably
that he was glad to see me back safe
and sound. Thereafter he paid no at-
tention whatsoever to me, but hung by
Daisys side in the cheerful circle out-
side the tent.</PB>
<PB REF="IMG00084" SEQ="0084" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="76">	76	IN THE VALLEY.

	Sir William was there, and Lady
Berenicia, of course, and a dozen
others. By all I was welcomed home
with cordialityby all save the Lady,
who was distant, not to say supercilious
in her manner, and Sir John Johnson,
who took the trouble only to nod at
me.
	Inquiring after Mr. Jonathan Cross,
I learned that my late companion was
confined to the Hall, if not to his room,
by a sprained ankle. There being
nothing to attract me at the gathering,
save, indeed, the girl who was monopo-
lized by my host, and the spectacle of
this affording me more discomfort than
satisfaction, the condition of my friend
at the Hall occurred to me as a pretext
for absenting myself. I mentioned it
to Mr. Stewart, who had been this hour
or so in great spirits, and who now was
chuckling with the Lady and one or
two others over some tale she was tell-
ing.
	Quite right, he said, without turn-
ing his head, and so, beckoning to Tuip
to follow me, I started.
	It was a brisk hours walk to the
Hall, and I strode along at a pace which
forced my companion now and again
into a trot. I took rather a savage
comfort in this, as one likes to bite
hard on an aching tooth. For I had a
profound friendship for this poor black
boy, and to put a hardship upon him
was to suffer myself even more than he
did. Tulp had come up misshapen and
undersized from his long siege with the
small-pox, and with very rickety and
unstable legs. I could scarcely have
sold him for a hundred dollars, and
would not have parted with him for ten
thousand, if for no other reason than
his deep and dog-like devotion to me.
Hence when I made this poor fellow
run and pant, I must have been pos-
sessed of an unusually resolute desire
to be disagreeable to myself. And in
truth I was!

	Mr. Jonathan Cross made me very
welcome. His accident had befallen on
the very day following his return, and
he had seen nobody save the inmates
of the Hall since that time. We had
many things to talk about  among
others, of my going to Albany to take
the agency. I told him that this had
not been quite decided, as yet, but
avoided giving reasons. I could not
well tell this born-and-bred merchant
that my guardian thought I ought to
feel above trade. His calm eyes per-
initted themselves a solitary twinkle as
I stumbled over the subject; but he said
nothing.
	He did express some interest, how-
ever, when I told him whence I had
come, and what company I had quitted
to visit him.
	So Mistress Daisy is there with the
rest, is she? he said, with more vigor
in his voice than I had ever heard there
before. Soso! The apple has fallen
with less shaking than I thought for!
	I do not think that I made any re-
mark in reply. If I did, it must have
been inconsequential in the extreme, for
my impression is of a long, heartaching
silence, during which I stared at my
companion, and saw nothing.
	At last I know that he said to meI
recall the very tone to this day:
	You ought to be told, I think. Yes,
you ought to know. Philip Cross asked
her to be his wife a fortnight ago. She
gave no decided answer. From what
Philip and Lady Berenicia have said to
each other here, since, I know it was
understood that if she went to him to-
day it meant yes!
	This time I know I kept silence for a
long time.
	I found myself finally holding the
hand he had extended to me, and say-
ing, in a voice which sounded like a
strangers:
	I will go to Albany whenever you
like.
	I left the Hall somehow, kicking the
drunken Enoch Wade fiercely out of my
path, I remember, and walking straight
ahead as if blindfolded.


CHAPTER XYL

TULP GETS A BROKEN HEAD TO MATCH MY
HEART.

	WITHOUT heed as to the direction, I
started at a furious pace up the road
which I found myself uponTulp at
my heels. If he had not, from utter
weariness, cried out, after a time, I</PB>
<PB REF="IMG00085" SEQ="0085" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="77">	IN THE VALLEY.	77

should have followed the track straight,
unceasing, over the four leagues and
more to the Sacondaga. As it was, I
had presently to stop, and retrace my
steps to where he sat on a way-side stump,
dead-beat.
	Dont you wait for me, Mass Douw,
if youre bound to get there quick ! he
said, gasping for breath. Dont mind
me! Ill follow along the best I can.
	The phrase get there it was al-
most the only English which poor Tuip
had put into the polyglot sentence he
really utteredarrested my attention.
Get where? I had been headed for
the mountainsfor the black water
which dashed foaming down their de-
files, and eddied in sinister depths at
their bases. I could see the faint blue
peaks on the horizon from where I stood,
by the side of the tired slave. The sight
sobered me. To this day I cannot truly
say whether I had known where I was
going, and if there had not been in my
burning brain the latent impulse to
throw myself into the Sacondaga. But
I could still find the spotchanged be-
yond recollection as the face of the
country iswhere Tulps fatigue com-
pelled me to stop, and where I stood
gazing out of new eyes, as it were, upon
the pale Adirondack outlines.
	As I looked, the aspect of the day
had changed. The soft somnolent haze
had vanished from the air. Dark clouds
were lifting themselves in the West and
North beyond the mountains, and a
chill breeze was blowing from them
upon my brow. I took off my hat, and
held up my face to get all its cooling
touch. Tulp, between heavy breaths,
still begged that his infirmity might
not be allowed to delay me.
	Why, boy! I laughed bitterly at
him, I have no place to go to. Nobody
is waiting for menobody wants me.
	The black looked hopeless bewilder-
ment at me, and offered no comment.
Long afterward I learned that he at the
moment reached the reluctant conclu-
sion that I had taken too much drink
in the Hall.
	Or no! I went on, a thought com-
ing to the surface in the hurly-burly of
my mind. We are going to Albany!
Thats where were going!
	Tulps sooty face took on a more du
bious look, if that were possible. He
humbly suggested that I had chosen a
roundabout route; perhaps I was going
by the way of the Healing Springs.
But it must be a long, lonesome road,
and the rain was coming on.
	Sure enough, the sky was darkening:
a storm was in the air, and already the
distant mountain - tops were hidden
from view by the rain-mist.
	Without more words I put on my
hat, and we turned back toward the
settlements. The disposition to walk
swiftly, which before had been a con-
trolling thing, was gone. My pace was
slow enough now, descending the hill,
for even Tulp, who followed close upon
my heels. But my head was not much
clearer. It was not from inability to
think; to the contrary, the vividness
and swift succession of my thoughts, as
they raced through my brain, almost
frightened me.
	I had fancied myself miserable that
very morning, because Mr. Stewart had
spoken carelessly to me, and she had
been only ordinarily pleasant. Ah, fool!
My estate that morning had been that
of a king, of a god, in contrast to this
present wretchedness. Then I still had
a homestill nourished in my heart
a hopeand these were happiness! I
laughed aloud at my folly in having
deemed them less.
	She had put her hand in hisgiven
herself to him! She had with her eyes
open promised to marry this English-
manfop! du]lard! roysterer! insolent
cub !so the rough words tumbled to
my tongue. In a hundred ways I pict-
ured hercalled up her beauty, her
delicacy, her innocence, her grace, the
refined softness of her bearing, the
sweet purity of her smile, the high dig-
nity of her thoughtsand then ground
my teeth as I placed against them the
solitary image my mind consented to
limn of hima brawling dandy with
fashionable smirk and false blue eyes,
flushed with wine, and proud of no bet-
ter achievement than throwing a miller
in a drunken wrestling bout. It was a
sina desecration! Where were their
eyes, that they did not read this fellows
worthlessness, and bid him stand back,
when he sought to lay his coarse hands
upon her?</PB>
<PB REF="IMG00086" SEQ="0086" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="78">	78	IN THE VALLEY.

	Yet who were these that should have
saved her? Ah! were they not all of
his class, or of his pretence to class?
	Some of them had been my life-long
friends. To Mr. Stewartand I could
not feel bitterly toward him even now
I owed home, education, rearing, every-
thing; Sir William had been the earliest
and kindliest of my other friends, eager
and glad always to assist, instruct, en-
courage me; John Butler had given me
my first gun, and had petted me in his
rough way from boyhood. Ye~ now, at
a touch of that hateful, impalpable thing,
class, these all vanished away from
my support, and were to me as if they
had never been. I saw them over on
the other side, across the abyss from
me, grouped smiling about this new-
comer, praising his brute ability to
drink and race and wrestle, compli-
menting him upon his position among
the gentrysave the mark !of Tryon
County, and proud that they had by
never so little aided him to secure for a
wife this poor trembling, timid, fasci-
nated girL Doubtless they felt that a
great honor had been done her; it
might be that even she dreamed this,
too, as she heard their congratulations.
	And these men, honest, fair-minded
gentlemen as they were in other affairs,
would toss me aside like a broken pipe
if I ventured to challenge their sympa-
thy as against this empty-headed, sat-
ined, and powdered stranger. They had
known and watched me all my life. ~y
smallest action, my most trivial habit,
was familiar to them. They had seen
me grow before their eyesdutiful,
obedient, diligent, honest, sober, truth-
ful. In their hearts they knew that I
deserved all these epithets. They them-
selves time out of mind had applied
them to me. I stood now, at my early
age, and on my own account, on the
threshold of a career of honorable trade,
surely as worthy now as it was when Sir
William began at it far more humbly.
Yet with all these creditable things
known to them, I could not stand for a
moment in their estimation against this
eharacterless new-coiner!
	Why? He was a gentleman, and I
was not.
	Not that he was better borna thou-
sand times no! But I had drawn from
the sell-sacrificing, modest, devoted man
of God, my father, and the resolute,
tireless, hard-working, sternly honest
housewife, my motherthe fatal notion
that it was not beneath the dignity of a
Mauverensen or a Van Hoorn to be of
use in the world. My ancestors had
fought for their little country, nobly
and through whole generations, to free
it from the accursed rule of that nest of
aristocrats, Spain; but they had not
been ashamed also to work, in either the
old world or the new. This other, this
EnglishmanI found myself calling
him that as the most comprehensive ex-
pletive I could usethe son of a pro-
fessional butcher and of an intriguing
woman, was my superior here, in truth,
where I had lived all my life and he had
but shown his nosebecause he pre-
ferred idleness to employment!
	It was a mistake, then, was it, to be
temperate and industrious? It was
more honorable to ride at races, to play
high stakes and drain three bottles at
dinner than to study, and to do ones
duty? To be a gentleman was a matter
of silk breeches and perukes and late
hours? Out upon the blundering play-
wright who made Bassanio win with the
leaden casket! Portia was a woman,
and would have wrapped her picture
nay, herselfin tinsel gilt, the gaudier
the better!
	But why strive to trace further my
wrathful meditations? There is noth-
ing pleasant or profitable in the con-
templation of anger, even when reason
runs abreast of it. And I especially
have no pride in this three hours wild
fury. There were moments in it, I fear,
when my rage was wellnigh murderous
in its fierceness.
	The storm camea cold, thin, driving
rain, with faint mutterings of thunder
far behind. I did not care to quicken
my pace, or fasten my coat. The in-
clemency fitted and echoed my mood.
	On the road we came suddenly upon
the Hall party, returning in haste from
the interrupted picnic. The baronets
carriage, with the hood drawn, rumbled
past without a sign of recognition from
driver or inmates. A half-dozen horse-
men cantered behind, their chins buried
in their collars, and their hats pulled
down over their eyes. One of the last</PB>
<PB REF="IMG00087" SEQ="0087" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="79">IN THE VALLEY.

of theseit was Bryan Leffertyreined
up long enough to inform me that Mr.
Stewart and Daisy had long before
started by the forest-path for their
home, and that young Cross had made
short work of his other guests in order
to accompany them.
	Were not after complaining,
though, said the jovial Irishman;
its human nature to desert ordinary
mortals like us when youth and beauty
beckon the other way.
	I made some indifferent answer, and
he rode away after his companions.
We resumed our tramp over the muddy
track, with the rain and wind gloomily
pelting upon our backs.
	When we turned off into the woods,
to descend the steep side-hill to the
water.fall, it was no easy matter to keep
our footing. The narrow trail was
slippery with wet leaves and moss.
Looking over the dizzy edge, you could
see the tops of tall trees far below.
The depths were an indistinct mass of
dripping foliage, dark green and russet.
We made our way gingerly and with
extreme care, with the distant clamor
of the falls in our ears, and the peril
of tumbling headlong keeping all our
senses painfully alert.
	At a turn in the path, I came sharply
upon Philip Cross!
	He was returning from The Cedars:
he carried a broken bough to use as a
walking-stick in the difficult ascent, and
was panting with the exertion; yet the
lightness of his heart impelled him to
hum broken snatches of a song as he
climbed. The wet verdure under foot
had so deadened sound that neither
suspected the presence of the other till
we suddenly stood, on this slightly
widened, overhanging platform, face to
face!
	He seemed to observe an unusual
something on my face, but it did not
interest him enough to affect his cus-
tomary cool, off-hand civility toward me.
	Oh, Morrison, is that you? he
said, nonchalantly. Youre drenched,
I see, like the rest of us. Odd, that so
fine a day sirould end like this ; and
made as if to pass me on the inner side.
	I blocked his way and said, with an
involuntary shake in my voice which I
could only hope he failed to note:
79
	You have miscalled me twice to-day.
I will teach you my true name, if you
likehere! now!
	He looked at me curiously for an in-
stantthen with a frown. You are
drunk! he cried, angrily. Out of
my way!
	No, you are again wrong, I said,
keeping my voice down, and looking
him square in the eye. Im not of
the drunken set in the Valley. No man
was ever soberer. But I am going to
spell my name out for you, in such
manner that you will be in no danger
of forgetting it to your dying day.
	The young Englishman threw a swift
glance about him, to measure his sur-
roandings. Then he laid down his
cudgel, and proceeded to unbutton his
great-coat which by some strange
freak of irony happened to be one of
mine that they had loaned him at The
Cedars for his homeward journey.
	If the words may be coupled, I
watched him with an enraged admira-
tion. There was no sign of fear mani-
fest in his face or bearing. With all
his knowledge of wrestling, he could
not but have felt that, against my su-
perior size and weight, and long famil-
iarity with woodland footing, there were
not many chances of his escaping with
his life: if I went over, he certainly
would go tooand he might go alone.
Yet he unfastened his coats with a fine
air of unconcern, and turned back his
ruffles carefu]ly. I could not maintain
the same calm in throwing off my hat
and coat, and was vexed with myself
for it.
	We faced each other thus in our
waistcoats in the drizzling rain for a
final moment, exchanging a cross-fire
sweep of glances which took in not only
antagonist, but every varying foot of
the treacherous ground we stood upon,
and God knows what else besidewhen
I was conscious of a swift movement
past me from behind.
	I had so completely forgotten Tulps
presence that for the second that fol-
lowed I scarcely realized what was hap-
pening. Probably the faithful slave
had no other thought, as he glided in
front of me, than to thus place himself
between me and what he believed to be
certain death.</PB>
<PB REF="IMG00088" SEQ="0088" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="80">	80	IN THE VALLEY.

	To the Englishman the sudden move-
ment may easily have seemed an attack.
	There was an instants waving to
and fro of a light and a dark body close
before my startled eyes. Then, with a
scream which froze the very marrow in
my bones, the negro boy, arms whirling
wide in air, shot over the side of the
cliff!
	Friends of mine in later years, when
they heard this story from my lips over
a pipe and bowl, used to express sur-
prise that I did not that very moment
throw myself upon Cross, and fiercely
bring the quarrel to an end, one way or
the other. I remember that when Gen-
eral Arnold came up the Valley, five
years after, and I recounted to him this
incident, which recent events had re-
called, he did not conceal his opinion
that I had chosen the timid part. By
God!~ he cried, striking the camp-table
till the candlesticks rattled, I would
have killed him or he would have killed
me, before the nigger struck bottom!~
Very likely he would have done as he
said. I have never seen a man with a
swifter temper and resolution than poor,
brave, choleric, handsome Arnold had
and into a hideously hopeless morass of
infamy they landed him, too! No doubt
it will seem to my readers, as well, that
in nature I ought upon the instant to
have grappled the Englishman.
	The fact was, however, that this un-
foreseen event took every atom of fight
out of both of us as completely as if
we had been struck by lightning.
	With a cry of horror, I knelt and
hung over the shelving edge as far as
possible, striving to discover some trace
of my boy through the misty masses of
foliage below. I could see nothing
could hear nothing but the far-off dash-
ing of the waters, which had now in my
ears an unspeakably sinister sound. It
was only when I rose to my feet again
that I caught sight of Tulp, slowly mak-
ing his way up the other side of the
ravine, limping and holding one hand
to his head. He had evidently been
hurt, but it was a great deal to know
that he was alive. I turned to my an-
tagonistit seemed that a long time
had passed since I last looked at him.
	The same idea that the struggle was
postponed had come to him, evidently,
for he had put on his coats again, and
had folded his arms. He too had been
alarmed for the fate of the boy, but he
affected now not to see him.
	I drew back to the rock now, and
Cross passed me in silence, with his
chin defiantly in the air. He turned
when he had gained the path above, and
stood for a moment frowning down at
me.
	Jam going to marry Miss Stewart,
he called out. The sooner you find a
new master, and take yourself off, the
better. I dont want to see you again.
	When you do see me again, I made
answer, be sure that I will break every
bone in your body!
	With this not very heroic interchange
of compliments we parted. I continued
the descent, and crossed the creek to
where the unfortunate Tulp was waiting
for me.

CHAPTER XVII.

I PERFORCE 5AY FAREWELL TO MY OLD
HOME.

	THE slave sat upon one of the bowlders
in the old Indian circle, holding his jaw
with his hand, and rocking himself like
a child with the colic.
	He could give me no account what-
ever of the marvellous escape he had had
from instant deathand I was forced to
conclude that his fall had been more
than once broken by the interposition
of branches or clumps of vines. He
seemed to have fortunately landed on
his head. His jaw was broken, and
some of his teeth loosened, but none of
his limbs were fractured, though all
were bruised. I bound up his chin with
my handkerchief, and put my neckcloth
over one of his eyes, which was scratched
and swollen shut, as by some poisonous
thing. Thus bandaged, he hobbled
along behind me over the short remain-
ing distance. The rain and cold in-
creased as nightfall came on, and, no
longer sustained by my anger, I found
the walk a very wet and miserable affair.
	When I reached The Cedars, and had
sent Tulp to his parents with a promise
to look in upon him later, I was still
without any definite plan of what to say
or do upon entering. The immensity of</PB>
<PB REF="IMG00089" SEQ="0089" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="81">	IN THE VALLEY.	81

the crisis which had overtaken me had
not shut my mind to the fact that the
others, so far from being similarly over-
whelmed, did not even suspect any
reason on my part for revolt or sorrow.
I had given neither of them any cause,
by word or sign, to regard me as a rival
to Crossat least, of late years. So far
as they were concerned, I had no ground
to stand upon in making a protest. Yet
when did this consideration restrain an
angry lover? I had a savage feeling
that they ought to have known, if they
didnt. And reflection upon the late
scene on the gulf-sideupon the alter-
cation, upon the abortive way in which
I had allowed mastery of the situation
to slip through my fingers, and upon
poor Tulps sufferingsonly served to
swell my mortification and rage.
	When I enteredafter a momentary
temptation to make a stranger of myself
by knocking at the doorDaisy was
sitting by the fire beside Mr. Stewart;
both were looking medi~tively into the
fire, which gave the only light in the
room, and she was holding his hand.
My heart melted for a second as this
pretty, home-like picture met my eyes,
and a sob came into my throat at the
thought that I was no longer a part of
this dear home-circle. Then sulkiness
rose to the top again. I muttered some-
thing about the weather, lighted a can-
die at the fire, and moved past them to
the door of my room.
	Why, Douw, asked Daisy, half-
rising as she spoke; what has hap-
pened? Theres blood on your ruffles!
Where is your neckcloth ?
	I made answer, standing with my
hand upon the latch, and glowering at
her:
	The blood comes from my Tulps
broken head; I used my neckcloth to
tie it up. He was thrown over the side
of Kayaderosseros gulf, an hour ago, by
the gentleman whom it is announced
you are going to marry!
	Without waiting to note the effect of
these words, I went into my room, clos-
ing the door behind me sharply. I
spent a wretched hour or so, sorting
over my clothes and possessions, trinkets
and the like, and packing them for a
journey. Nothing was very clear in my
mind, between bitter repining at the
misery which had come upon me and
the growing repulsion I felt for making
these two unhappy, but it was at least
obvious that I must as soon as possible
leave The Cedars.
	When at last I re-entered the outer
room, the table was spread for supper.
Only Mr. Stewart was in the room, and
he stood in his favorite attitude, with his
back to the fire and his hands behind
him. He preserved a complete silence,
not even looking at me, until my aunt
had brought in the simple evening meaL
To her he said briefly that Mistress
Daisy had gone to her room, weary and
with a headache, and would take no
supper. I felt the smart of reproof to
me in every word he utteredand even
more in his curt tone. I stood at the
window, with my back to him, looking
through the dripping little panes at the
scattered lights across the river, and
not ceasing for an instant to think fore-
bodingly of the scene which was im-
pendent.
	Dame Kronk had been out of the
room some moments when he said, test-
ily:
	Well, sir! will you do me the honor
to come to the table, or is it your wish
that I should fetch your supper to you?
The least trace of softness in his voice
would, I think, have broken down my
temper. If he had been only grieved
at my behavior, and had shown to me
sorrow instead of truculent rebuke, I
would have been ready, I believe, to fall
at his feet. But his scornful sternness
hardened me.
	Thank you, sir, I replied, I have
no wish for supper.
	More seconds of silence ensued. The
streaming windows and blurred frag-
ments of light, against the blackness
outside, seemed to mirror the chaotic
state of my mind. I ought to turn to
hima thousand times over, I knew I
oughtand yet for my life I could not.
At last he spoke again:
	Perhaps, then, you will have the po-
liteness to face me. My association has
chiefly been with gentlemen, and I
should mayhap be embarrassed by want
of experience if I essayed to address
you to your back.
	I had wheeled around before half
his first sentence was out, thoroughly</PB>
<PB REF="IMG00090" SEQ="0090" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="82">	82	IN THE VALLEY.

ashamed of myself. hi my contrition I
had put forth my hand as I moved to-
ward him. He did not deign to notice
or rather to respond tothe apolo-
getic overture, and I dropped the hand
and halted. He looked me over now,
searchingly and with a glance of ruin-
gled curiosity and anger. He seemed
to be searching for words sufficiently
formal and harsh meanwhile, and he was
some time in finding them.
	hi the days when I wore a sword for
use, young man, and moved among my
equals, he began, deliberately, it was
not held to be a safe or small matter to
offer me affront. Other times, other
manners. The treatment which then I
would not have brooked from Cardinal
York himself, I find myself forced to sub-
mit to, under my own roof, at the hands
of a person who, to state it most lightly,
should for decencys sake put on the ap-
pearance of respect for my gray hairs.
	He paused here, and I would have
spoken, but he held up his slender, ruf-
fled hand with a peremptory, Pray, al-
low me! and presently went on:
	hi speaking to you as I ought to
speak, I am at the disadvantage of being
wholly unable to comprehend the strange
and malevolent change which has come
over you. Through nearly twenty years
of close, and even daily observation,
rendered at once keen and kindly by an
affection to which I will not now refer,
you had produced upon me the impres-
sion of a dutiful, respectful, honorable,
and polite young man. If, as was the
case, you developed some of the to me
less attractive and less generous virtues
of your race, I still did not fail to see
that they were, in their way, virtues, and
that they inured both to my material
profit and to your credit among your
neighbors. I had said to myself, after
much consideration, that if you had not
come up wholly the sort of gentleman I
had looked for, still you were a gentle-
man, and had qualities which, taken al-
together, would make you a creditable
successor to me on the portions of my
estate which it was my purpose to entail
upon you and yours.
	Believe me, Mr. Stewart, I inter-
posed here, with a broken voice, as he
paused again. I am deeply  very
deeply grateful to you.
	He went on as if I had not spoken:
	Judge, then, my amazement and grief
to find you returning from your voyage
to the West intent upon leaving me,
upon casting aside the position and du-
ties for which I had trained you, and
upon going down to Albany to dicker
for pence and hapence with the other
Dutchmen there. I did not forbid your
going. I contented myself by making
known to you my disappointment at
your selection of a career so much in-
ferior to your education and position in
life. Whereupon you have no better
conception of what is due to me and to
yourself than to begin a season of sulky
pouting and sullenness, culminating in
the incredible rudeness of open insults
to me, and, what is worse, to my daugh-
ter in my presence! She has gone to
her chamber sick in head and heart
alike from your boorish behavior. I
would fain have retired also, in equal
sorrow and disgust, had it not seemed
my duty to demand an explanation from
you before the night passed.
	The blowthe whole crushing series
of blowshad fallen! How I suffered
under them, how each separate lash tore
savagely through heart and soul and
flesh, it would be vain to attempt to tell.
	Yet with the anguish there came no
weakening. I had been wrong and fool-
ish, and clearly enough I saw it, but this
was not the way to correct or chastise
me. A solitary sad word would have
unmanned me; this long, stately, satiri-
cal speech, this ironically elaborate trav-
esty of my actions and motives, had an
opposite effect. I suffered, but I stub-
bornly stood my ground.
	If I have disappointed you, sir, I am
more grieved than you can possibly be,
I replied. If what I said was in fact
an affront to you, and toherthen I
would tear out my tongue to recall the
words. But how can the simple truth
affront?
	What was this you called out so
rudely about the gulfabout Tulps be-
ing thrown over byby the gentleman
my daughter is to marry? since you
choose to describe him thus.
	I spoke the literal truth, sir. It was
fairly by a miracle that the poor devil
escaped with his life.
	How did it happen? What was the</PB>
<PB REF="IMG00091" SEQ="0091" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="83">IN THE VALLEY.

provocation? Even in Caligulas days
slaves were not thrown over cliffs with-
out some reason.~~
	Tuip suffered for the folly of being
faithful to mefor not understanding
that it was the fashion to desert me, F
replied, with rising temerity. He
threw himself between me and this Cross
of yours, as we faced each other on the
ledgewhere we spoke this morning of
the need for a chainand the English-
man flung him off!
	Threw himself between you! Were
you quarrelling, you two, then?
	I dare say it would be described as
a quarreL I think I should have killed
him, or he killed me, if the calamity of
poor Tulps tumble had not put other
things in our heads.
	My faith! was Mr. Stewarts only
comment. He stared at me for a time,
then seated himself before the fire, and
looked at the blaze and smoke in appar-
ent meditation. Finally he said, in a
somewhat milder voice than before:
Draw a chair up here and sit down.
Doubtless there is more in this than I
thought. Explain it to me.
	I felt less at my ease, seated now for
a more or less moderate conference, than
I had been on my feet, bearing my part
in	a quarrel
What am I to explain? I asked.
	Why were you quarrelling with
Philip?
	Because I felt like itbecause I
hate him!
	Tnt! tut! That is a childs answer.
What is the trouble between you two?
I demand to know!
	If you will have it and all my re-
sentment and sense of loss burst forth
in the explanation because he has
destroyed my home for me: because he
has ousted me from the place I used to
have, and strove so hard to be worthy
of, in your affections; because, alter a
few months here, with his fine clothes
and his dashing, wasteful ways, he is
more regarded by you and your friends
than I am, who have tried faithfully all
my life to deserve your regard; because
he has taken but I broke down
here. My throat choked the sound in
sobs, and I turned my face away that
he might not see the tears which I felt
scalding my eyes.
83
	My companion kept silent, but he
poked the damp, smudging sticks about
in the fireplace vigorously, took his
spectacles out of their case, nibbed them,
and put them back in his pocket, and in
other ways long since familiar to me be-
trayed his uneasy interest. These slight
signs of growing sympathyor, at least,
comprehensionencouraged me to pro-
ceed, and my voice came back to me.
	If you could know, I went mourn-
fully on, the joy I felt when I first
looked on the Valleyour Valleyagain
at Fort Stanwix; if you could only real-
ize how I counted the hours and minutes
which separated me from this home,
from you and her, and how I cried out
at their slowness; if you could guess
how my heart beat when I walked up
the path out there that evening, and
opened that door, and looked to see you
two welcome meah! then you could
feel the bitterness I have felt since! I
came home burning with eagerness,
homesickness, to be in my old place
again near you and herand the place
was filled by another! If I have seemed
rude and sullenthat is the reason! If
I had set less store upon your love, and
upon herherliking for me, then
doubtless I should have borne the dis-
placement with better grace. But it
put me on the rack. Believe me, if I
have behaved to your displeasure, and
hers, it has been from very excess of
tenderness trampled underfoot!
	At least the misunderstanding had
been cleared up, and for a time, at all
events, the heart of my life-long friend
had warmed again to me as of old. He
put his hand paternally upon my knee,
and patted it softly.
	My poor boy, he said, with a sym-
pathetic half-smile, and in his old-time
gravely gentle voice. Even in your
tribulation you must be Dutch! Why
not have said this to meor what then
occurred to you of itat the outset, the
first day after you came? Why, then
it could all have been put right in a
twinkling. But no! in your secretive,
Dutch fashion you must needs go aloof,
and worry your heart sore by all sorts
of suspicions and jealousies and fears
that you have been supplanteduntil,
see for yourself what a melancholy pass
you have brought us all to! suppose</PB>
<PB REF="IMG00092" SEQ="0092" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="84">	84	IN THE VALLEY.

by chance, while these sullen devils
were driving you to despair, you had
done injurY to Philip  perhaps even
killed him! Think what your feelings,
and ours, would be now! And all
might have been cleared up, set right,
by a word at the beginning!
	I looked hard into the fire, and
clinched my teeth.
	Would a word have given me
Daisy? I asked from between them.
	He withdrew his hand from my knee,
and pushed one of the logs petulantly
with his foot. What do you mean?
he demanded.
	I mean that for five years I have de-
siredfor the past six months have,
waking or sleeping, thought of nothing
else but this desire of my heartto
have Daisy fcr my wife.
	As he did not speak, I went on with
an impassioned volubility altogether
strange to my custom, recalling to him
the tender intimacy in which she and
I had grown up from babyhood; the
early tacit understanding that we were
to inherit The Cedars and all its be-
longingsand his own not infrequent
allusions in those days to the vision of
our sharing it, and all else in life, to-
gether. Then I pictured to him the
brotherly fondness of my later years,
blossoming suddenly, luxuriantly into
the fei-vor of a lovers devotion while
I was far away in the wilds, with no
gracious, civilizing presence (save al-
ways Mr. Cross) near me except the
dear image of her which I carried in my
heart of hearts. I told him, too, of the
delicious excitement with which, day by
day, I drew nearer to the home that
held her, trembling now with nervous-
ness at my slow progress; now with
timidity lest, grasping this vast happi-
ness too swiftly, I should crush it from
very ecstasy of possession. I made
clear to him, moreover, that I had come
without ever dreaming of the possibility
of a rivalas innocently, serenely confi-
dent of right as would be a little child
approaching to kiss its mother.
	Fancy this child struck violently in
the face by this mother, from whom it
had never before received so much as a
frown! I concluded; then you will
understand something of the blow
which has sent me reeling.
	His answering words, when finally he
spoke, were sympathetic and friendly
enough, but not very much to the
point. This was, doubtless, due to no
fault of his: consolation at such times
is not within the power of the very
wisest to bestow.
	He pointed out to me that these were
a class of disappointments exceedingly
common to the lot of young men ; it
was the way of the world. In the pro-
cess of pairing off a generation, prob-
ably ninety-nine out of every hundred
couples would secretly have preferred
some other distribution; yet they
made the best of it, and the world
wagged on just the same as before.
With all these, and many other jarring
commonplaces, he essayed to soothe
meto the inevitable increase of my
bitter discontent. He added, I remem-
ber, a personal parallel:
	I have never spoken of it to you, or
to any other, but I too had my grievous
disappointment. I was in love with the
mother of this young Philip Cross. I
worshipped her reverently from afar; I
had no other thought or aim in life but
to win her favor, to gain a position
worthy of her; I would have crossed
the Chaunel, and marched into St.
Jamess, and hacked off the Hanoveri-
ans heavy head with my fathers broad-
sword, I verily believe, to have had one
smile from her lips. Yet I had to
pocket this all, and stand smilingly by
and see her wedded to my tent-mate,
Tony Cross. I thought the world had
come to an endbut it hadnt. Women
are kittle cattle, my boy. They must
have their head, or their blood turns
sour. Come! where is the genuineness
of your affection for our girl, if you
would deny her the gallant of her
choice?
	If I believed, I blurted out, that
it was her own free choice!
	Whose else, then, pray?
	If I felt that she truly, deliberately
preferred himthat she had not been
decoyed and misled by that Lady
Ber
	Fie upon such talk! said the old
gentleman, with a shade of returning
testiness in his tone. Do you com-
prehend our Daisy so slightly, after all
these years? Is she a girl not to know</PB>
<PB REF="IMG00093" SEQ="0093" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="85">






































Ii








The blowthe whole crushing series of blowohad fallen Page 82.




VOL. V 11.S</PB>
<PB REF="IMG00094" SEQ="0094" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="86">	86	IN THE VALLEY.

her own mind? Tut! she loves the
youngster; she has chosen him. If
you had stopped at home, if you had
spoken earlier instead of mooning,
Dutch fashion, in your own mind, it
might have been different. Who can
say? But it may not be altered now.
We who are left must still plan to pro-
mote her happiness. A hundred bride-
grooms could not make her less our
Daisy than she was. There must be no
more quarrels between you boys, re-
member! I forbid it, your own judg-
ment will forbid it. He will make a
good husband to the girl, and I mistake
much if he does not make a great man
of himself in the Colony. Perhaps
who knows?he may bring her a title,
or even a coronet some of these days.
The crown will have need of all its
loyal gentlemen here, soon enough, too,
as the current runs now, and rewards
and honors will flow freely. Philip will
lose no chance to turn the stream Cairn-
cross way.
	My aunt came in to take away the
untouched dishesMr. Stewart could
never abide negroes in their capacity as
domestics, and soon thereafter we went
to bedI, for one, to lie sleepless and
disconsolate till twilight came.

	The next morning we two again had
the table to ourselves, for Daisy sent
down word that her head was still ach-
ing, and we must not wait the meal for
her. It was a silent and constrained
affair, this breakfast, and we hurried
through it as one speeds a distasteful
task.
	It was afterward, as we walked forth
together into the garden, where the wet
earth already steamed under the warm
downpour of sunlight, that I told Mr.
Stewart of my resolution to go as soon
as possible to Albany, and take up the
proffered agency.
	He seemed to have prepared himself
for this, and offered no strong opposi-
tion. We had both, indeed, reached the
conclusion that it was the best way out
of the embarrassment which hung over
us. He still clungor made a show of
clingingto his regret that I had not
been satisfied with my position at The
Cedars. But in his heart, I am sure, he
was relieved by my perseverance in the
project.
	Two or three days were consumed in
preparations at home and in conferences
with Jonathan Cross either at Johnson
Hall, or at our place, whither he was
twice able to drive. He furnished me
with several letters, and with volumi-
nous suggestions and advice. Sir Will-
iam, too, gave me letters, and much val-
uable information as to Albany ways
and prejudices. I had, among others
from him, I remember, a letter of pres-
entation to Governor Tryon, who with
his lady had visited the baronet during
my absence, but which I never pre-
sented, and another to the uncle of the
boy-Patroon, which was of more utility.
	In the hurry and occupation of mak-
ing ready for so rapid and momentous
a departure, I had not many opportu-
nities of seeing Daisy. During the few
times that we were alone together, no
allusion was made to the scene of that
night, or to my words, or to her be-
trothal. How much she knew of the in-
cident on the gulf-side, or of my later
explanation and confession to Mr. Stew-
art, I could not guess. She was some-
what reserved in her manner, I fancied,
and she seemed to quietly avoid being
alone in the room with me. At the
final parting, too, she proffered me only
her cheek to touch with my lips. Yet I
could not honestly say that, deep in her
heart, she was not sorry for me and
tender toward me, and grieved to have
me go.
	It was on the morning of the last day
of September, 1772, that I began life
alone, for myself, by starting on the
journey to Albany. If I carried with
me a sad heart, there yet were already
visible the dawnings of compensation.
At least I had not quarrelled with the
dear twain of The Cedars.
	As for Philip Cross, I strove not to
think of him at all.

(To be continued.)</PB>
<PB REF="IMG00095" SEQ="0095" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="87">



























THE BEAUTY OF SPANISH WOMEN.
By Hc;i;jy T. F/nc/i.

THE beaut~ of Spanish women has
lono been proverbial, an(l no ques-
tion is so frequently asked of a tour-
ist returning from Spain as, Did von
really find the women as pretty as they
are said to 1)e ~ The writers of travel-
sketches, and even the guide-books to
Spain, instead of continino themselvcs,
as in other countries, to such stal)le top-
ics as railroads, hotels, l)alaces, l)arks,
promenades, theatres, and galleries, sel-
doin describe a province or a city without
specially noting the characteristics of the
women, an ci dwelling on their beauty.
To give only a few instances: Ford, who
perhaps knew Spain as thoroughly as
any foreigner or native ever knew it,
says, in speaking of Galicia, that  many
of the maidens of from fifteen to twenty
are strikingly handsome. In Anda-
lusia  the female, worthy of her mate,
often presents a form of matchless sym-
metry, to which is added a I)eeuliar and
most fascinating air and action.  The
Valencian women, especially the middle
audi better classes in the capital, are by
no means so dark-complexioned as their
niates sinoularly well fo are
rmed, ~
among the prettiest and most fascinating
iii all Spain. Schmidt-Weissenfels, in
his  Charakterbilder aus Spanien, cle
votes a whole chapter to the women of
Spain, in which lie notes the disappoint-
ment which he, in common with many
tourists, felt, because he had fancied
that all the wonien of Spain must be
beautiful but ultimfiately he joins the
(horlis of (liscriminatimig worshippers.
Another Gerninan, Dr. Moritz Willkomm,
in his elaborate three-volume treatise on
Die Pvreniiische Hall )insel, never loses
an ol)J)ortunity to discourse on the phys
A Belle of Tarragona.</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-11">
<BIBL>
<AUTHOR>Henry T. Finck</AUTHOR>
<AUTHORIND>Finck, Henry T.</AUTHORIND>
<TITLE TYPE="ART">The Beauty Of Spanish Women</TITLE>
<BIBLSCOPE TYPE="pg">87-102</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00095" SEQ="0095" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="87">



























THE BEAUTY OF SPANISH WOMEN.
By Hc;i;jy T. F/nc/i.

THE beaut~ of Spanish women has
lono been proverbial, an(l no ques-
tion is so frequently asked of a tour-
ist returning from Spain as, Did von
really find the women as pretty as they
are said to 1)e ~ The writers of travel-
sketches, and even the guide-books to
Spain, instead of continino themselvcs,
as in other countries, to such stal)le top-
ics as railroads, hotels, l)alaces, l)arks,
promenades, theatres, and galleries, sel-
doin describe a province or a city without
specially noting the characteristics of the
women, an ci dwelling on their beauty.
To give only a few instances: Ford, who
perhaps knew Spain as thoroughly as
any foreigner or native ever knew it,
says, in speaking of Galicia, that  many
of the maidens of from fifteen to twenty
are strikingly handsome. In Anda-
lusia  the female, worthy of her mate,
often presents a form of matchless sym-
metry, to which is added a I)eeuliar and
most fascinating air and action.  The
Valencian women, especially the middle
audi better classes in the capital, are by
no means so dark-complexioned as their
niates sinoularly well fo are
rmed, ~
among the prettiest and most fascinating
iii all Spain. Schmidt-Weissenfels, in
his  Charakterbilder aus Spanien, cle
votes a whole chapter to the women of
Spain, in which lie notes the disappoint-
ment which he, in common with many
tourists, felt, because he had fancied
that all the wonien of Spain must be
beautiful but ultimfiately he joins the
(horlis of (liscriminatimig worshippers.
Another Gerninan, Dr. Moritz Willkomm,
in his elaborate three-volume treatise on
Die Pvreniiische Hall )insel, never loses
an ol)J)ortunity to discourse on the phys
A Belle of Tarragona.</PB>
<PB REF="IMG00096" SEQ="0096" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="88">88	THE BEAUTY OF SPANISH WOMEN.


ical and mental peculiarities and charms
of the seiioritas of each province.  The
women of Malaga are liote(l for their
beauty and grace as are those of San
Roque, Almeria, Baza, etc.; while to the
maidens of Cadiz is accorded the rare
distinction of being the most graceful
of all Andalusians. The most cosmo-
politan of French writers, Th(ophile
Gautier, in his delightful Voyage en
Espagne, records on every other page
the impression made on his poetic mind
by the black-eyed belles of Spain ; and
even Signor Dc Amic~s, though lie hails
from a country in which beautiful wom-
en are much more abmnlant than in
France, gives vent in every chapter to his
ral)turons a(lmirationso that, in com-
ing across a book like the Rev. E. F.
Hales  Seven Spanish Cities, in which
no reference is anywhere made to Span-
ish women and their appearance, one
feels as if one had rea(1 a (lescription
of California in which no mention was
Tne Moorish TypeGranada.</PB>
<PB REF="IMG00097" SEQ="0097" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="89">	THE BEAUTY OF SPANISH WOMEN.	89

made of the Yosemite Yalley or Lake
Tahoe.
	The opinion seems to prevail that the
women of northern Spain are less attrac-
tive than those of Anda-
lusia, but my own obser-
vation did not bear out
this belief. The Andain-
sian maiden is more am
mated a 11 Cl coquettish,
an(l a shade more grace-
tnt although the Castilian
is by no means deficient
in grace; bat, on the other
haul, regular, finely ellis-
elled features are more
common in Madri(l than
in Seville. Yet the mix-
ture of types is so great
everywhere that it is dif-
ficult to make general as-
~ertions with a satisfac-
tory degree of accuracy ; and in Spain
the dlifllcultv is increased by the climatic
conditions which induce women to seek
the seclusion of their cool and shady
rooms and patios and avoid the streets,
so that it is not easy to collect data un-
less one is familiar with all their haunts
and habits. Formerly the bull-ring was
a good place to study feminine types,
and Gautiers happy sketch of the Mala-
gue7ia was made in the Plaza de Toros;
but at present, I am happy to say, the
number of women who go to witness
this vulgar spectacle is comparatively
small. I attended only one fight, but I
often made it a point to be outside the
ring when the sport was over, and I es-
timated that not more than two or three
per cent. of the spectators who passe(l
oat were women. Formerly, too, pic-
turesque groups of women could al-
ways be found in the cathedrals, not
too much absorbed in their devotions to
shun the admiring gaze of strangers.
But Spain is at present in a period of
indifference, if not antagonism, to relig-
ion, and the consequence is that one
may visit the most famous cathedrals at
any hour and find only a small group of
worshippers, except on the principal ho-
lidays. Walking along the streets in
the evening one may catch a glimpse of
a family group having their tcrtulia, or
reception, in the patio or central court
of their house; or, in the afternoon, see
here and there on a shady balcony a
couple of dark-eyed (lamusels not averse
to fan-and-eve flirtations at a safe dis-
tance, when the duenna is out of sight.
But these are only scat-
teredi cases, an(1 if one
wishes to see a multitude
of women together in a
Spanish city, the only
place where omme can feel
certain of finding them is
in the alameda, or public
pro1mmem~adle, g e n e r a Ii y
framnedi in with fine trees
ami(l adlornedi with semi
trol)ical flowers, which
every city, town, audi vil-
lage possesses. Busy audi
cosmnd)politan Nil a dl r i Cl
alone (perhaps I should
adid Barcelomma) affords
an opportunity to review
its women in the streets, namely, in the
Puerta dcl Sol, the principal square of
the city, imito which half a diozemi streets
from every point of the compass con-
verge, amid which therefore receives
from time differemit quarters of the city
constant streams of all classes of the
population, from the aristocratic young
lady out shm opping with her mamma
or chaperon, to tIme factorygirl, or
the peasant-woman on a visit to the
capital. Among the most
interesting types to be
seen here are the maoo-
las, who corresl)ondl to
the Parisian grisette,
though they are in-
finitely more grace-
ful and i~retty.
True, it is saidl
that the maco-
las have pass-
ed away, but
it is only
their pictu-
resque cos-
tumes which
have disap-
pearedl ; time
girls them-
selves are there, as fresh and lively, and
plump and saucy, and black-eyed as ever.
	But to see the women of the well-to-
do classes (with a good sprinkling of
the others), time best place in Madrid,
From	A Spanish Marriage, by Fortuny.
From	At the Ball, by Madrazo.</PB>
<PB REF="IMG00098" SEQ="0098" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="90">90	THE BEAUTY OF SPANISH WOMEN.

as elsewhere, is the public promenade, or
the Prado. Every aft eruoou, wheu the
suu a~)proaches the horizon and the air
becomes cooler, they come out ill swarms
from their shuttered houses and form
~ piocession in the alameda, which
soou becomes
as crow(led as
upper F if t Ii
Avenue on
	Sunday	after-
	noon.	The
stranger may
join the pro-
cession, or for
a peim~ occu-
py one of the
thousands of
seats which line
the pi~)1uei1a(le,
and observe
the crowd at
ease. Occa-
sionally a car-
riage of aristo-
cratic apl)ear-
ance passes by,
holding among
its occul)ants a
strikino beau
	Corner of the Garden by	1L
From In a	Casanova.	tv	ou, as a

	rule, it is not
among the degenerate nobility, but in
the more democratic pe(lestriail throng,
that the finest gems are to be found.
The first thing that strikes a foreigner
is that, except in the case of some fain-
ily groups. the sexes are separated, the
women and girls walking apart from the
men, in couples or groups. This seems
the stranoer in view of the fact that
this daily promenade is indulged in by
Spanish society less from the hygienic
motive of oettiiio exercise and fresh
air than as a sort of public reunion
or recel)tioii  an openau salon. But
though the hdies (10 not walk or talk
with the men, they know that they are
the observed of all observers, and that
none of their beauty is wasted on the
tiesert air. Nor are they afraid to look
at the men in returnfor Spanish girls
have none of the bashful timidity and
coy hesitation which distinguish French
and German, and most Enohish oirls
0

Rather do they resemble American girls
in their frank natural gaze and uncon
straine(l bearing a trait which has the
same cause in both countriesthe polite
an(l chivalrous treatment of the women
by the men. American women, on first
arriving in Spain, may feel inchinedl to
(loubt this, because the men stare at
them so unblushingly on the street and
in public vehicles. But it must be re-
menmbere(l that in Spain it is not consid
eredl rudle to stare at a woman. On the
contrary, it is taken by the women as a
compliment, and a just tribute to their
beauty. And, within limits, there is
something to be saidi for this view. The
Spanish women, half a century ago, ap-
l)earedl even in their promenades in low
diress, audi Th(ophile Gautier wrote tbat
at first he had some dhifhculty in accus-
tomimig himself to  seeing women, d~
co/laKes as at a ball, with 1)are aims,
satin shoes on their feet., flowers in the
hair, amid a fan iii hand, promenadling
without an escort in a public place.
If we may believe Augustus Hare, the
Sevillanas appearedi in low diress in tIme
alameda as late as twenty years ago
but to-(la these shapely arms and grace-
fully curvedi neck tui(l shoulders are no
longer to be seen out - doors, and the
mortality from l)mmeumlionia has doubt-
less diecreasedi considerably among the
women since the fashion changed.

From  Toe Spanrab Maiden, by Soon.</PB>
<PB REF="IMG00099" SEQ="0099" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="91">	THE BEAUTY OF SPANISH WOMEN.	91



























	With few exceptions the Madrilefias
are neatly and tastefully dressed, so far
as this is possible with the Parisian
dresses which have almost entirely
taken the place of the picturescue na-
tional costumes, except among the peas-
ants. Unless a reaction sets iu it will
soon be difficult to (listinguisli a Span-
ish from a French lady by her dress.
But it seemed to me as if a reaction
had already set in at Madrid. I had
read in several books that French hats
and bonnets were worn by most of the
Madrilefias, and that the mantilla was
rapidly disappearing; but I found that,
although the fashionable women in the
carriages all wore hats, of those in the
promenade the niaj ority wore mantillas,
while about ten in a hundred went bare-
headed.
	How any one can frequent the Prado
of Madrid and say that feminine beau-
tv is rare in that city, as some have
done, iS to me a mystery which can only
be solved by supposing that in the eyes
of those who passed this judgment the
i(leal of feminine beauty is a tall, state-
ly blonde. With such an ideal a man
must necessarily be disappointed in Ma-
(iridi, where tall blondes are as rare as
l)runettes are in Sweden. The wom-
en of Madrid are in most cases petite
or medium - sized brunettes, and those
that specially attract the attention have
plump, symmetrical figures, full busts,
small hands an(i feet, and a complex-
ion sometimes dark, sometimes as lioht
0
as a l)lon(les but blue or gray eyes
anti gol(len hair are far to seek. True,
Tln3ophile Gautier remarks, in his chap-
ter on Madri(l, that you cannot walk
down the Prado twice without meeting
seven or eight blondes of all shades, to
glaring red cc rocx 1)a7bc (IC (Jhcrlc.s
Qciut. It is a mistake to suppose that
there are ito blondes in Spain. Blue
eyes abound there, but they are not so
much admired as black eyes. This was
fifty years ago, aiid the fact that I saw
very few blue eyes and blondes in Ma-
A Peasant Girl of Maragata.</PB>
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drid seemed to me a striking confir-
mation of the theory which I have en-
deavored to establish in mx work on
Romantic Love and Personal Beauty,
that in every country the blondes have
diminished and the brunettes gained in
numbers during the last few gener-
ations. The circumstance noted by
Gautier, that blue eves are less prized
in Spain than black eyes, helps to ex-
plain this.
	To gain further light on this subject,
I spent several hours in the magnificent
galleries of Madrid, Seville, etc., study-
ing the heads of female portraits and
fancy paintings. In the canvases of
Velasquez the hair, like the eyes, is
generally dark, but in the portraits of
royal personages occasionally light, and
even flaxen, which may be accounted
for, however, by the fact that female
royalty is very apt to be an imported
article. Female portraits are remarka-
bly rare in Spanish galleries, owing, per-
haps, to the jealousy of husbands, and
one has to content himself, therefore,
with Madonnas and other fancy types.
An examination of the Murillos might
lead to the inference that two or three
centuries ago blondes were the typical
women of Spain, for the hair of his
Madonnas (as of his angels) is generally
yellowish, or brown with a yellowish
streak, and rarely black; although the
Jewish nationality of the Virgin sug-
gests a special reason why realistic art
should have given her raven locks. But
this inference would go too far, inas
-rem rerun Ivs Immaculate Conception in the Louvre.</PB>
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much as there are other ways of ac-
counting for Murillos predilection for
golden hair. It was one of the rules of
his predecessor, Pacheco, that the Vir-
gin should have light hair, and perhaps
Murillo found the golden hue more fas-
cinating to paint. Moreover, it is pos-
sible that the Italian fashion, which in
those days favored blond hair, may
have extended to Spain, and influenced
Murillo. The Madrid gallery is full of
master-works by Titian, Tintoretto, Ye-
ronese, Guido Reni, and other Italians,
in all of which the hair of the women is
blond, although their eyes are black,
while the men have black hair as well as
eyes. Now we all know how extreme-
ly rare is the combination of black eyes
with yellow hair. Black-haired women
very often have the eyes of blondes
gray, violet, or bluebut black-eyed
women are almost always brunette in
hair and complexion too. Hence we may
suspect that the Italian women of that
period dyed their hair; a suspicion
which is confirmed by historic informa-
tion. Taking all these facts into con-
sideration, we can see that Murillos Ma-
donnas do not throw any light on the
relative number of blondes and bru-
nettes in his day. But they are interest-
ing in a hundred other ways. Though
a realist in his sketches of contempo-
rary life, Murillo was not a realist in the
historic sense, and there is no more of
the typical Jewish nose in his Virgins
than of the Jewish hair, and of the
Oriental eye only so mQch as has found
its way into that most glorious product
of natures workmanship, the Andalu-
sian eye. These Madounas are simply
faithful portraits of young Andalusian
girls of his time, and it is astonishing
to see how little the type has changed
in almost three centuries, for to-day you
can see these self - same girls walking
about in Seville and other Andalusian
cities, and even as far east as Murcia.
Spain has lost the finest of the Murillos,
and the hundred and twenty thousand
dollars of French money she received in
return seems but a poor compensation
for it. The Immaculate Conception in
the Louvre is the most perfect Madonna
ever put on canvas, not only on account
of the general arrangement of the pict-
ure and the marvellous beauty of the
VOL. VIJ.9
features, but because of the natural, un-
affected expression, so different from
the simpering, pathologic facial contor-
sions of many Italian Madonnas, which
seem like portraits of hysterical nuns.
	Although Murillo makes no special
concessions to the Semitic type in his
Virgins, a trained eye can find plentiful
evidence that there are some drops of
Jewish blood in the interuational com-
pound of Spanish beauty. This is more
obvious in some cities than in others,
and especially so in Toledo, which har-
bored a large number of Israelites be-
fore the time of their expulsion from
Spain. As a German writer with a
French name, G. von Beaulien, remarks:
To-day we still find, in the narrow
faces, the dark, almond - shaped eyes,
and the clear - cut, almost contiguous
eyebrows, traces of Arabic and Semitic
blood. Few of the Jews, however, have
ever returued from their exile, and to
find their descendants one has to go to
Morocco, where Jewesses may be seen
of such rare beauty that one cannot but
congratulate the Spanish women of to-
day that some drops of Semitic blood
were contributed to their veins by the
ancestors of these African Jews, who
still preserve the Spanish language and
Spanish usages.
	Cordova generally follows Toledo on
the tourists programme, and here he
enters Andalusia, that wonderfully in-
teresting province which includes five
cities so widely known yet so diverse
as Cordova, Seville, Cadiz, Malaga, and
Granada, and famed more than any
other part of Spain for the grace, beauty,
and vivacity of its women. When I said,
in a preceding page, that the alameda,
in the evening, was the only place where
one could get a good view of the women
of Spain, I should have added, excepting
on holidays or fairs. On these occasions
the peasants and other payesas, or coun-
try - folks, flock into the cities by the
thousand, and mingle with the burghers
in the streets at all hours till long after
midnight. I happened to be in Cordova
on a holiday, but among the numbers
that crowded the streets and the brill-
iantly illuminated alameda in the even-
ing I saw far fewer beauties than in simi-
lar crowds at Madrid. The average face
had features less regular, an expression</PB>
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less bright and quick, than in the capi-
tal. Evidently I had not yet reached
the head-quarters of Andalusian beauty,
and the city which, during the darkest
periods of European barbarism, was the
Athens of the West, the seat of arts and
science, had obviously degenerated.
Still, there were many faces and figures
that arrested the admiring attention;
but I was disgusted to notice the en-
croachments of the French hat on the
mantilla. The women in the two- and
four-horse carriages of course wore hats,
and of those in the promenade a much
larger proportion than in Madrid; so
that, if there really was a reaction against
French hats at the capital, as I fancied,
it had not yet reached Cordova, noras
I discovered laterthe other cities of
Andalusia. Now, if there is one a~sthetic
opinion that I would defend with my
last drop of ink, it is that the Spanish
mantilla is infinitely more becoming to
all women, and especially to brunettes,
than the French hat or bonnet. Nor
have I ever met a man who did not
cordially agree with me on this subject.
I have spoken with Spaniards of all
classes, who regretted the disappearance
of the mantilla; and of all the English,
French, Italian, and German books on
Spain that I have read, there is not one
which does not go into raptures over
the effects of the mantilla, and lament
its displacement by the hideous, unbe-
coming Parisian hats.
	There is little space for quotation in
a magazine article, but I cannot refrain
from citing two or three corroborative
sentences. Mr. J. S. Campion, in his
On Foot in Spain, speaks of the man-
tilla as a fashion giving even to the
plainest a certain air of refinement;
and of the bonnet - wearing belles at
Saragossa he says that their appear-
ance is not, as they fondly fancy, im-
proved by their Paris coiffure  quite
the contrary. Among the elegant head-
dresses of lace veils and mantillas, the
bonnets, though as pretty ones as the
centre of French taste ever sent forth,
look flaunting, vulgar, almost barbar-
ous. But as French testimony against
French fashions is no doubt more valu-
able than that of an Englishman, let us
hear what two competent French judges
have to say. M. Germond de Lavigne,
who wrote the valuable Hachette guide
to Spain, and who is a member of the
Acad6mie Espagnole, exclaims: As for
the mantilla, may it please heaven to
make its reign eternal, and that it may
come out victorious in this war of bad
taste and ridicule audace which is waged
against it by French fashion, and the hat
trimmed with ribbons and feathers.
And how Th~ophile Gautiers artistic
sensibilities were wounded by being
pursued, even in Spain, by the products
of Parisian civilization, which, like
Rousseau, he detested with all his soul,
is indicated by several passages in his
book. The Spanish coiffure, he ex-
claims in one place, is the most charm-
ing that could be imagined. With a
mantilla a woman must be ugly as the
three vertus th~ologales not to seem
pretty. And when he arrived at Gi-
braltar, after tarrying in Andalusia for
several months, he broke out into the
following tirade: For a long time I
had not seen on the heads of wom-
en these horrible galettes, these odious
paste-board caps, covered over with a
piece of cloth, which go by the name of
hat, and within which the beautiful sex
shroud themselves in these so - called
civilized countries. I cannot describe
the disagreeable sensation I felt at sight
of the first Englishwoman I met, a hat
with a green veil on her head, marching
along like a grenadier, on her large feet
shod in big boots. Not that she was
uglyon the contrary; but I had be-
come accustomed to the purity of race,
the delicacy of the Arab horse, the ex-
quisite grace of gait, the Andalusian del-
icacy and grace, and this rectangular
figure, with its regard &#38; am~, lifeless
physiognomy, angular gestures, with her
prim and precise bearing, her flavor of
cant, and the absence of all naturalness,
produced on me a comically disagree-
able impression.
	The essence of Andalusian feminine
charms could not be better described,
positively and negatively, than in this
sentence. Heaven knows, the stiff,
clumsy hat looks ungraceful enough on
the head of our women, who are used to
be thus caged; but on the dark Anda-
lusian head, hitherto entirely free, or
but lightly covered by a silk veil, it
seems like a saddle or harness thrown</PB>
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over a wild colt of the pampas. Fortu-
nately, there are still some national fes-
tive occasions when all Spanish women
wear the mantilla, so that there is hope
that the opportunity for comparison
may aid the survival of the fittest head-
dress. In Spanish cathedrals, too, none
but foreigners ever wear a hat, and at
the bull-fights the audience does not al-
low anything but mantillasa custom
which almost reconciles one to this bar-
barous sport; and which makes one
wish that our audiences would follow the
example. Why should not American
women wear mantillas at the theatre, and
thus end the reign of the odious and im-
pertinent big hat? The peculiar value
of the mantilla lies in this, that it can be
adapted to the style of each individual
face, like the hair itself; indeed, it may
be looked upon as an addition to the
hair; and everyone knows how much
a fine crop of hair adds to a womans
beauty and apparent youth.
	Even if the Parisian hats did not de-
tract so much from ~he beauty of the
women of Cordova, it would be hardly
worth while to spend much time in
studying the Andalusian type of beauty
in this city, whose million inhabitants
(in the days of Mohammedan rule) have
dwindled down to 48,000, when Seville,
with its 135,000 typical Andalusians, is
only five hours distant by rail. Oddly
enough, in Seville, so renowned for the
charms of its majas, cigareras, and other
classes of girls, a tourist unacquainted
with the habits of Spanish women might
walk about for days and only see a few
hundred. For Seville is the warmest
city in Spain, and more than elsewhere
the women love the cool seclusion of
their rooms, where they can lounge in
deshabille, gossip, read, sing, and eat
sweetmeats at their ease. Moreover,
they have a slice ~f nature with the blue
sky and plenty of fresh air right in the
centre of their houses, in their patios
adori~ed with flowers, statuary, and foun-
tains, so that they do not feel tempted
to go out except for the social five-oclock
promenade in the alameda. A glance
at this promenade suffices to show that
no reaction in favor of the mantilla has
yet reached Seville. Still there are not
a few who cling to that becoming gar-
ment, and it is they who chiefly attract
the admiring gaze of strangersto which,
by the way, they are by no means indif-
ferent. Indeed it is amusing to observe
how quick Spanish girls are in noticing
that they are observed. The eyes of these
Andalusians, in which Oriental sensuous-
ness is blended with European refine-
ment, are the chief glory of Spain, and
fortunately as abundant as blackberries
in Oregon. Even young men and boys
here often have eyes that would be the
pride and the fortune of belles in other
countries, and Murillo surely did not
have to seek five minutes for the models
of his lovely beggar-boys. Blue eyes,
southern skies and oceans, and northern
glacier centres, are deep and fascinating,
but not so mysterious and unfathomable
as these dark eyes behind the long, black-
fringed curtain of their amorous lashes.
No wonder the Spaniards care naught
for blue eyes, though they have the ad-
vantage of rarity and novelty; for no
blue eye can ever rival the color of the
Spanish sky or the Mediterranean, but
what is there in nature to match the
black eyes of Seville? Hazel, horse-
chestnut, ebony, even the lustrous coal-
black stem of maidenhair fernhow dull
and lifeless they all seem in compari-
son! One may tire of the eternal blue
sky and the unshaded ocean, and long
for a few clouds; but never of the An-
dalusian eyes; they are never monoto-
nous; they have their passing clouds,
their storms, and heaveuly frowns.
Gautier, indeed, seems to object that
they are not sufficiently discriminating;
that they smile on all and everything
alike: An Andalusian girl will fix her
passionate eyes on a passing cart, a dog
that runs round after its tail, children
who play bull-fight. The eyes of north-
ern people are dull and empty by the
side of these; the sun has never left
its reflection in them. But I am con-
vinced that when this girl turns her eyes
on her favored caballero, they are still
more passionate and intense, and that
this explains all the incredible stories of
Spanish jealousy and dagger episodes.
	Every nation seems to have a special
~esthetic mission. England stands in
the front line in literary and poetic de-
velopment. Italy has achieved the high-
est in painting, and Germany in music.
The mission of Spain has been to evolve</PB>
<PB REF="IMG00104" SEQ="0104" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="96">96	THE BEAUTY OF SPANISH WOMEN.

the most perfect type of personal beauty
and grace, the petite brunette, and to
transmit to Europe what is best in Ori-
ental and African physiognomy, espe-
cially the large black eyes and the long
dark lashes, and arched black brows,
without which no eyes, whatever their
color, can be perfect. But the eyes are
by no means the only features in which
Andalusian brunettes are pre-eminent.
In symmetry of figure they have no
rivals in Spain or out of Spain. The
complexion, though sometimes too dark
and swarthy, is in most cases remark-
ably free from blemish, and the dark
hair is luxuriant, long, and always neatly
done up. In the market-place of Seville
you will wonder at the long rows of
flower-stands, mostly with red pinks
and roses, the favorite Spanish flowers.
Most of the girls wear one of these
flowers in the hair; and a red pink or
rose in the dark tresses of an Andalu-
sian maiden is more beautiful than a
cluster of rubies or diamonds. This
simple device enhances the beauty of a
girl more than the artifices of a dozen
French milliners, and I have often won-
dered why the women of other coun-
tries so rarely follow this example. But
it is with the art of personal adornment
as with all other artssimplicity of
style is the test of perfection, and the
most difficult to acquire.
	The part of the Andalusian face which
is least apt to be perfect is the nose,
which often has a pronounced convex
curvature of the bridge, so that in this
feature the average Sevillana is inferior
to the Madrilelia and Valenciana. This,
however, is only one type of the Sevil-
lana; others have straight noses, while
snub noses appear to be rare here as
in other parts of Spain. It is true of
Spain, as of every other country in
Europe, that the lower part of the face
is less apt to be good than the upper.
Among the lowcr classes in Andalusia
the chin is very apt to be fat and clum-
sy and the mouth large and vulgar,
this being the unfavorable aspect of the
~sthetic bequest from Africa. In the
upper classes the mouth is smaller and
more refined, and the lips less African.
Their teeth, irreproachable as their eyes
and hair, are as dainty as a mouses,
their foreheads more apt to be too low
than too high; but the forehead is of
secondary importance in the estimation
of personal beauty, because its short-
coming can be so easily remedied by
the arrangement of the hair and man-
tilla.
	As regards her stature and mould,
the Andalusian girl is almost invariably
a petite brunette, and although not all
are plump, and many are too stout, the
majority have exquisitely symmetrical
tapering limbs, well - developed busts
(flat-chested women are almost unknown
in Spain), and the most dainty and re-
fined hands and feet. Regarding these
feet Gautier makes the most astound-
ing assertion, that without any poetic
exaggeration it would be easy here in
Seville to find women whose feet an in-
fant might hold in its hands. A French
girl of seven or eight could not wear
the shoes of an Andalusian of twenty.
I am glad to attest that, if the feet of
Sevillian women really were so mon-
strously small fifty years ago, they are
so no longer. It is discouraging to
see a man like Gautier fall into the vul-
gar error of fancying that, because a
small foot is a thing of beauty, therefore
the smaller the foot the more beautiful
it must be. Beauty of feet, hands, and
waists is a matter of proportion, not of
absolute size, and too small feet, hands,
and waists are not beautiful, but ugly.
We might as well argue that since a
mans foot ought to be larger than a
womans, therefore the larger his foot
the more he has of manly beauty. If
Andalusian women really had feet so
small that a baby might hold them in
its hands, they would not be able to
walk at all, or, at least, not gracefully.
But it is precisely their graceful gait
and carriage for which they are most
famed and admired. All Spanish women
are graceful as compared with the wom-
en of other nations, but among them
all the Andalusians are pre-eminent in
the poetry of motion, and this is prob-
ably the reason that, although regular
facial beauty is perhaps commoner in
Madrid than in Seville, I found that
you cannot pay a greater compliment
to a girl in northern Spain than by
asking her if she is an Andalusian. It
would be useless to seek among land-
animals for a gait comparable to that of</PB>
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the women of Seville, Cadiz, Malaga,
and Granada and when von compare
it to the motion of a swan on the water,
a fish in the water, a bird in the air, it
is the birds and the fishes thot mnst
feel eoinphmented. There is an easy,
elastic nioveinent of the neck, trunk,
and limbs, with nO more sense of con
scions effort than in the drooping
branches of a weeping-willow swaying
ai)ont in the wind. In these two things,
the avoi(lancc of angularity and jerki
11C55, and the absence of COnSCiOUS pose
111(1 effort, lies the essence of grace, and
it is noteworthy that all classes in Spain
have their share of it, even the I)casallts.
Lest I be accused of exaggeration, let
me cite tile testimony of Mr. Campion,
who, in speaking of a imeasailts (lance at
Saragossa, says: Yalses, 1molkas, ma-
A Peasant Girl of Tarrapona.</PB>
<PB REF="IMG00106" SEQ="0106" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="98">98	THE BEAUTY OF SPANISH WOMEN.

zurkas, were danced with an agility,
grace, and precision far superior to any-
thing of the kind I have seeil in France.
Indeed, the worst dancing of these coni-
mon peasants was better than the best
English ball - room
performances.

	One of the sights
of Seville which no
tourist misses is the
cigar factory, in
which the Govern-
ment employs about
five thousand wom-
en and girls. The
showing about of
visitors is accord-
ingly looked upon
as a regular source
of income by the
porter and the mat-
rons. After getting
permission to enter,
you are placed in
charge of a matron
who shows you through her own depart-
ment, and then passes you on to another,
and so on, until your stock of pesetas
and half-pesetas put aside for fees is ex-
hausted. These matrons accompany the
visitors, not in order to prevent the girls
from flirting with them (nothing could
do that), but to see that no tobacco or
bundles of cigarettes may disappear.
Before entering each room a bell is rung
to warn the girls, who are in great d~s-
habill~ on account of the heat, to put on
their wrappers, and as the door opens
scores of round arms and pretty shoul-
ders are seen disappearing, while sev-
eral hundred pairs of coal - black eyes
are fastened on you. The passages are
lined with cradles, and the poor young
girl-mothers to whom they belong mi-
plore us with eyes and hands for a penny
for the iVIurillos of the future lying in
them. These girls are more frank than
subtle in their flirtations. There is not
one in the crowd who will not be imme-
diately conscious of a mans gaze fixed
on her, nor will she be the first to turn
her eyes away. Some will wink, and
even throw a kiss from a distant corner
at the rich Inglese (all foreigners are
supposed to be wealthy Englishmen).
They are a merry lot, on the whole,
these poor girls, the cleverest of whom
make only two pesetas, or forty cents a
day, for which they have to toil twelve
or fourteen hours in a tobacco-reeking
atmosphere. Not that they object to
the tobacco at all. They are allowed to
smoke if they wish, and many make use
of this privilege. They are remarkably
deft at rolling the cigarettes, but not all
seem eager to make as many as possi-
ble; for some are idling, and others are
asleep; but no one cares, as each is paid
according to the number she rolls.
	Cadiz, like Seville, has a cigar factory,
which harbors about two thousand wom-
en. But as it is not mentioned in the
guide-books as one of the sights, it is
rarely visited, and the porter and ma-
trons have not yet taken to exploiting
tourists. The lot of these girls is hap-
pier than that of the Sevilhian (Jarm ens,
for their factory is built right by the
bay, so that they have a fresh sea-breeze
all day long through the open windows.
Possibly the superior hygienic condi-
tions of Cadiz are responsible for the
fact that the average of beauty seemed
higher here, and there were certainly
fewer of those hideous old crones and
vulgar-mouthed young women who low-
ered the average in the Seville factory.
Among the most striking beauties was
one of the matrons, over forty years of
age a proof that not all Spanish work-
ing women lose their charms with the
first bloom of youth.
	The Malaguehias, like the Gaditanas,
seemed to me somewhat less petite and.
coquettish than the Sevillanas, and to
approach in regularity of physiognomy
somewhat nearer to the Madrilefias,
though with a few more drops of Afri-
can blood in their veins. Here I found
n~yself thoroughly of a mind with Gan-
tier when he wrote that lie saw admir-
able heads, superb types of which the
painters of the Spanish school have not
sufficiently availed themselves, and which
would yield to a talented artist a series
of valuable and entirely new studies.
I may add in this connection that it is
extraordinarily difficult in Spain to get
satisfactory typical portraits or photo-
graphs of the abundant beauties. Even
in Laurents famous photographs, which
are otherwise so good, attention appears
to have been rarely paid to the faces,
From A Spanish Marriage, by
Fortuny.</PB>
<PB REF="IMG00107" SEQ="0107" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="99">	THE BEAUTY OF SPANISH WOMEN.	99

the costumes alone being considered.
In these respects Italian women have
been much more fortunate.
	Owing to its world-wide commercial
relations, and its fame as a winter re-
sort, Malaga has a large foreign popula-
tion, many of whom have intermarried
with natives. One evening I was sitting
on a bench in the alameda, wondering
whether these foreigners exerted any
perceptible influence on the manners
and customs of the Spaniards, when an
incident occurred which seemed to an-
swer the question in the affirmative.
Two young ladies, evidently of good
family and breeding, were walking along,
when an officer met them, bowed politely,
faced about, and joined them. His offi-
cious gallantry toward both indicated
that he was not a relative, and for a mere
acquaintance or friend to join ladies in
the alameda is entirely contrary to Span-
ish etiquette. The next day my suspi-
cions regarding foreign influences were
confirmed by the story of an American
merchant whom I met at a club. He
said he had lived in Malaga more than
twenty years, and had married a Span-
ish girl. Spanish methods of courtship,
however, did not meet his approval, and
so he made up his mind to do his love-
making in his own fashion. Accordingly
he intimated to the parents, whom he
knew to be favorably disposed toward
him, that he had no desire to spend his
evenings eating iron, but wished to
woo the maiden in the American style.
The parents, who had travelled and seen
the New World, agreed to his request,
and allowed him to meet their daughter
in the parlor, unchaperoned. Tourists
who get their information out of old
books will tell you that the Spanish lover
courts his girl by planting himself under
her window and serenading her with
voice and guitar or mandolin. This was
true a century ago; but even in Wash-
ington Irvings day it was a rare sight,
as he tells us, and to - day you would
have to go to regions very remote from
railways to see it. And it seems as if
even the Orientalish custom of eating
the iron, with its insulting insinuations
against masculine honor and feminine
discretion, were fast becoming obsolete;
for although I spent many hours in the
evening walking about the streets in
search of such scenes, I came across only
one. It was at Cordova, and the young
lady was sitting on a chair in her iron
cage, engaged in languorous conversa-
tion with her adorer outside.
	The opinion prevails that Spanish
girls are as restricted in their opportu-
nities for meeting young men, and as
little considered in the choice of a hus-
band, as French girls; but this belief is
utterly erroneous. In Spain, it is true,
young girls of the best families are
not allowed to go across the street with-
out a chaperon, nor do they walk with
the men in the alameda; but in other
respects they have almost as many op-
portunities to meet the men as German
and English girls. Instead of being de-
liberately secluded from the masculine
eyes, as in France, they are placed on
daily exhibition, as it were, in the ala-
meda. In the evening a young man, if
a relative, or if he has been once invited
by a family, may meet all its members
at the tertalia, or reception in the patio,
and while the elders discourse politics
or play cards, the young folks talk and
flirt and sing and dance ad libiturn.
Should he be a total stranger he may
even thus seek to win her favor by eat-
ing the iron. He has perhaps repeat-
edly seen her on the alameda, and her
eyes may have told him that she cer-
tainly does not abhor him. So he fol-
lows at a respectful distance, notes where
she lives, and in the evening seeks a
stolen interview at the barred window.
If he finds her agreeable he calls again,
and after he has been there half a dozen
From a painting by Worms.</PB>
<PB REF="IMG00108" SEQ="0108" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="100">100	THE BEAUTY OF SPANISH WOMEN.

times he becomes known as a novio,
which is something half-way between an
admirer and an accepted lover. A girl
may have as many novios as she chooses
to encourage, and if one of them tires of
her he simply stays away, and no harm
is done nor breach-of-promise suit in-
stituted. There is no formal and public
engagement, as in some European coun-
tries, but after the young man has come
to an understanding with the parents he
is permitted to see her inside of the iron
bars. The Spaniards are a conservative
nation, and their iron bars have been ex-
ported to their American colonies, where
the young lovers likewise are compelled
to play the bear before them before
being admitted into the house. But ul-
timately these bars will rust away, and
the tertulia become more and more ac-
cessible as a preamble to courtship. The
modern Spanish novelists are gradually
enlightening their countrymen regard-
ing the march of civilization and the
manners and customs of other countries,
and in due time, without doubt, the
American method of courtship will come
into vogue in Spain, as it is now grad-
ually gaining ground in England and
Germany.

	At Granada I was struck by seeing a
larger number of blue and gray eyes
than in other Andalusian cities, though
this may have been accidental; for, on
the other hand, it seemed as if there
were an extra drop of African blood in
the veins, darkening the complexion and
intensifying the mysterious lustre of the
large black eyes. History repeats itself
in Granada, for, just as this city was the
last stronghold of the Moors, four cen-
turies ago, so to-day it has become the
head-quarters of another vanishing race,
the Spanish gypsies, whose number is
now estimated at forty thousand. It
is probable that, as the best authority
on the subject, George Borrow, sug-
gests, there is a sprinkling of gypsy
blood in Andalusian veins; and if he is
rioht in holding that the race of the
Romany is perhaps the most beautiful
in the world, it would be an unpardon-
able oversight to omit reference to the
Gitanas in an essay on Spanish wom-
en. The Granadan gypsies dwell, like
animals, in caves dug into the hill-side
opposite the Alhambra. It is a street
where all are beggars, and the visitor
soon finds himself surrounded by a mob
of men, women, and children, all howling
for coppers, and crowding him imper-
tinently with uplifted palms. Their
clothes are filthy rags, and the first man
who accosted me had on nothing but
a pair of trousers. The young women
are plump, petite, and cast in symmetri-
cal moulds, and if they wore the mantilla
(which they never do) it would be diffi-
cult in some cases to distinguish them
from Andalusians. Those that I saw
agreed with the generalization in which
Borrow summed up his wide experience,
that their forms, their features, the ex-
pression of their countenances are ever
wild and sibylline, frequently beautiful,
but never vulgar ; for even the ugliest
had cbaracteristic lines and gestures
which made them interesting. One girl
of sixteen, noticing that I was study-
ing her face with an admiring glance,
immediately saw her opportunity, and
based her claims for a copper on the
fact that she was so pretty. She had
regular features, but her nose and lips
were a trifle too thick. Her eyeball,
mirroring a smile in its dark - brown
iris, was beautiful, but the upper lid was
somewhat irregularly shaped, and nei-
ther the brows nor the lashes so long
and graceful as the Andalusian. Yet
she was the prettiest of the group, with
the exception of one sitting in front of
a cave and having her hair done up by
her mother. This one was of striking
beauty, but the majority were plain,
and the oldest ones positively hideous.
I had a notion that all gypsies were
black-eyed, but several of those ~n the
Albaicin had gray eyes. They are of
medium size, and have none of the Ori-
ental features of the Andalusian eye,
and the expression, too, is utterly dif-
ferent. Of the generality of gypsy
eyes I should say that their chief pe-
culiarity was the absence of a definite
expression, possibly owing to an im-
perfect mobility of the upper lid, or to
the fact that the pupil seems not clearly
defined, causing a vacant gaze like that
of a cat, which never seems to look di-
rectly at you but to squint, as it were.
Borrow describes it as a strange star-
ing expression, which to be understood</PB>
<PB REF="IMG00109" SEQ="0109" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="101">	THE BEAUTY OF SPANISH WOMEN.	101

must be seen, and a thin glaze, which
steals over it when in repose, and seems
to emit phosphoric light.

	Catalonia, the last Spanish province
b3fore reaching French soil, is already
half-French in the aspect of the cities
as well as the inhabitants. The Cat-
alonians are a solemn, industrial peo-
ple, with little of the animation and ar-
tistic impulses of the Andalusians. In
regard to the beauty of the women
the doctors once more disagree; for
while one pronounces them superbly
beautiful, another denies them both
the classic beauty of the Yalencian pro-
file and the poetic gracAf the Audalu-
sian. The truth, as usual, lies midway,
and may be most pregnantly expressed
by saying that if you come to Barcelona
directly from France you will find the
women more beautiful than you will if
you come via Granada and Valencia.
Contrast and comparison have much to
do with our general estimate of beauty;
and when I left Spain, and spent a few
days in Marseilles and Geneva, I could
not see any beauty or grace at all in
French and Swiss women, though under
other circumstances I would, perhaps,
have been less fastidious. Yet, although
I came to Catalonia direct from Valen-
cia, I noted many striking beauties, not
only in Barcelona but also in the coun-
try districts, especially during an excur-
sion to Montserrat. Among the pilgrims
to that elevated shrine were some of the
handsomest and loveliest country-girls
it had ever been my good luck to see;
girls with sparkling black eyes, rosy
cheeks, regular noses and mouths, and
superb figures  the very embodiment
of exuberant health.
	What was, perhaps, most noticeable
in these country - girls was their clear
soft skin and delicate complexion. Yet
these were by no means exceptional, for
I had found that almost all Spanish
women, except those who still persist in
the nasty and suicidal use of paint and
powder, had charming complexions. No-
where in the world is there so much
sunshine and so little shade as in tree-
less Spain, where you will constantly
see crowds of country-women standing
in the broiling sun without any head-
dress, fan, or parasol to shade them;
yet in no country will you find the
women so free from freckles and other
skin blemishes. This affords most con-
vincing proof of the theory, which I have
elsewhere advocated, that the sun is not
the cause of freckles, but is in reality a
beautifier of the skin, which needs it as
much for its healthy action and proper
coloring as does a plant. And lest it be
supposed that my faculties of observa-
tion were obscured by a preconceived
theory, let me quote the remarks of Mr.
Campion, who on his foot-tour through
Spain had the best of opportunities for
observation, and who had no theory:
The personal appearance of the females
of the peasantry is a daily source of as-
tonishment to me. They are continu-
ally exposed to the weather, wear noth-
ing to protect their faces, their head-
dress is but a parti - colored kerchief,
bound round their back hair; yet the
majority of them have really beautiful
complexions, not swarthy, not rough,
but fair and quite delicate, with a rosy
tinge and very smooth skin.
	The Spanish complexion, in a word,
is almost as sure to be fine as are Span-
ish eyes and teeth and hair. If I were
asked to state in one sentence where-
in lies the chief advantage of Spanish
women over those of other countries, and
to what they chiefly owe their fame for
beauty, I should say that if a Spanish
girl has round cheeks, and a medium-
sized, delicately cut nose and mouth,
she is almost certain to be a complete
beauty; whereas, if an American or
English girl has a good nose, mouth,
and cheeks, the chances are still against
her having a beautiful complexion and
fine eyes, hair, and teeth, which Span-
ish girls ar~ always endowed with, as a
matter of course. But over and above
everything else, it is the unique grace
and the exquisite femininity, unalloyed
by any trace of masculine assumption
or caricature, that constitute the eternal
charm of Spanish women.
VOL. VII.11</PB>
<PB REF="IMG00110" SEQ="0110" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="102">ELECTRICITY iN THE HOUSEHOLD.
By A. E. Kenne/ly.

iT would be strange, indeed, if so
readily controlled an agent as elec.-
tricity, an Arid before whom time and
space seem to vanish, did not cross the
threshold of our homes and enter into
our household life. We find, in fact,
that the adoption of electrical household
appliances is daily becoming more wide-
spread, here adding a utility, and there
an ornament, until in the near future we
may anticipate a period when its pres-
ence in the homestead will be indispen-
sable.
	The first application of electricity to
household purposes was presented by
the electric bell, early in the century,
and annunciators of various kinds soon
followed. For many years this was the
only convenience it afforded, but the
discoveries of the teleph~e, the elec-
tric light, and the electric transmission
of power within the last thirteen years,
have given it a tremendous impetus
whose ultimate consequences are not
yet within view. Even if, as seems un-
likely, these brilliant achievements are
destined to stand alone, not succeeded
by further discoveries, many years must
elapse before their full use shall have
been reached; just as in the case of the
pianoforte, which took more than a hun-
dred years from its first invention to be-
come the common guest we find it in
the household of to-day.
	In the electric bell, the pressure of
the linger on a button brings two
strips of metal into contact and com-
pletes a circuit, forming as it were an
electrical endless chain from the bat-
tery through the wires, bell, and an-
nunciator. lie whole circuit instantly
gives passage to a current of electricity,
and in consequence becomes endowed
with magnetic properties throughout.
By means of an accumulation of wire, as
a coil round a horseshoe bar of iron, the
magnetism is locally intensified to an
extent necessary for the attraction of
the iron hammer bar, and by a simple
automatic device the blow on the bell
is reduplicated. A similar electro-mag-
net in the annunciator releases by its
pull a shutter, indicating the room
whence the call has come. No system
can be imagined more simple, and in
spite of many an overtasked battery or
dust-invaded indicator, it everywhere
holds its own. To put mechanical pull-
bells into a modern dwelling, is an an-
achronism.
	The same principle is the basis of
every annunciator system, with such
modifications as improvement in the
particular direction of the design may
have suggested. Even those complex-
looking annunciators to be met with in
large hotels, which by means of a dial
in every chamber enable its inmate to
call for almost any common requirement,
from a newspaper to a complicated
beverage, differ from the general plan
only in their power to signify a particu-
lar summons by the aid of a definite
number of successive contacts and cor-
responding electro-mechanical impulses.
A good example is afforded by the burg-
lar alarm apparatus. Every door and
window through which entrance could
be forced is fitted with a simple clip, ad-
justed to make, on the least opening, a
metallic contact which sets an alam~
An Electrical Call.</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-12">
<BIBL>
<AUTHOR>A. E. Kennelly</AUTHOR>
<AUTHORIND>Kennelly, A. E.</AUTHORIND>
<TITLE TYPE="ART">Electricity In The Household</TITLE>
<BIBLSCOPE TYPE="pg">102-115</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00110" SEQ="0110" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="102">ELECTRICITY iN THE HOUSEHOLD.
By A. E. Kenne/ly.

iT would be strange, indeed, if so
readily controlled an agent as elec.-
tricity, an Arid before whom time and
space seem to vanish, did not cross the
threshold of our homes and enter into
our household life. We find, in fact,
that the adoption of electrical household
appliances is daily becoming more wide-
spread, here adding a utility, and there
an ornament, until in the near future we
may anticipate a period when its pres-
ence in the homestead will be indispen-
sable.
	The first application of electricity to
household purposes was presented by
the electric bell, early in the century,
and annunciators of various kinds soon
followed. For many years this was the
only convenience it afforded, but the
discoveries of the teleph~e, the elec-
tric light, and the electric transmission
of power within the last thirteen years,
have given it a tremendous impetus
whose ultimate consequences are not
yet within view. Even if, as seems un-
likely, these brilliant achievements are
destined to stand alone, not succeeded
by further discoveries, many years must
elapse before their full use shall have
been reached; just as in the case of the
pianoforte, which took more than a hun-
dred years from its first invention to be-
come the common guest we find it in
the household of to-day.
	In the electric bell, the pressure of
the linger on a button brings two
strips of metal into contact and com-
pletes a circuit, forming as it were an
electrical endless chain from the bat-
tery through the wires, bell, and an-
nunciator. lie whole circuit instantly
gives passage to a current of electricity,
and in consequence becomes endowed
with magnetic properties throughout.
By means of an accumulation of wire, as
a coil round a horseshoe bar of iron, the
magnetism is locally intensified to an
extent necessary for the attraction of
the iron hammer bar, and by a simple
automatic device the blow on the bell
is reduplicated. A similar electro-mag-
net in the annunciator releases by its
pull a shutter, indicating the room
whence the call has come. No system
can be imagined more simple, and in
spite of many an overtasked battery or
dust-invaded indicator, it everywhere
holds its own. To put mechanical pull-
bells into a modern dwelling, is an an-
achronism.
	The same principle is the basis of
every annunciator system, with such
modifications as improvement in the
particular direction of the design may
have suggested. Even those complex-
looking annunciators to be met with in
large hotels, which by means of a dial
in every chamber enable its inmate to
call for almost any common requirement,
from a newspaper to a complicated
beverage, differ from the general plan
only in their power to signify a particu-
lar summons by the aid of a definite
number of successive contacts and cor-
responding electro-mechanical impulses.
A good example is afforded by the burg-
lar alarm apparatus. Every door and
window through which entrance could
be forced is fitted with a simple clip, ad-
justed to make, on the least opening, a
metallic contact which sets an alam~
An Electrical Call.</PB>
<PB REF="IMG00111" SEQ="0111" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="103">	ELECTRICITY IN THE HOUSEHOLD.	103

bell in operation, and at the same time
indicates the room where the invasion is
being made. By means of a small key,
or switch, the battery is cut off
during the day. Such a system adds
greatly to the security of a house-
hold, and only needs occasional regular
supervision, since all the contacts are
necessarily somewhat exposed to dust
and moisture. A trial once a week is a
matter of a few minutes only, and is am-
ply repaid by the greater sense of se-
curity it gives. It has been said that a
burglar would soon ascertain whether a
house were so guarded, and that before
opening a window he could, by remov-
ing a pane, find means to cut the electri-
cal wire connection at the sash. This ob-
jection is, however, invalid, for the sys-
tem can be easily arranged to give the
alarm equally well for any disconnection
so made.
	Another most useful system, on the
same plan, controls the automatic regu-
lation of temperature. How much dis-
comfort and indisposition would be
saved in many a household if the tem-
perature were constantly maintained in
every apartment at the desired point,
both in sammer and winter, indepen-
dent of irregularities of the season! So
far as concerns our winters this is quite
within practicable limits, while in sum-
mer the temperature can always be mod-
erated, if not actually kept uniform, by
utilizing the controlling power of elec-
tricity. Thus in winter time, whether a
house be warmed by water, hot air, or
steam, it is only necessary to place in
each room an automatic thermometer
which makes a contact as soon as the
tempcrature reaches the desired point,
and to arrange that the contact so made
shall electro - magnetically cut off the
supply of heat from that chamber. The
subsequent cooling of the room below
the limiting temperature causes the
thermometer to break the circuit and
readmit the heat, and it is only neces-
sary to keep an abundant supply in re-
serve in order to obtain a practically
equable temperature. Such a thermom-
eter, generally called a thermostat, is
made by riveting side by side two strips
of different materialsgenerally brass
and rubberwhich expand differently at
the same degree of heat. The compos
ite strip so formed is warped by changes
of temperature which unequally affect
the lengths of the components; and be-
ing free at one extremity while firmly
fixed at the other, the effect of this
warping is magnified into an apprecia-
ble range of movement at the free end.
This enables a contact to be made at
any point within that range, while a
screw adjustment and dial arrange for
the contact to take place at any tempera-
ture within desirable limits. The parlor
thermostat can therefore be set at 700
while that in the hall is fixed for 600.
It is generally claimed by those who
have adopted the system that a decided
saving in fuel is effected, in addition to
the comfort gained through the abso-
lute prevention of overheating in any
part of the house. The thermostats are
so sensitive as to respond to the change
of a single degree in temperature. The
maintenance of the equilibrium, then,
depends on the supply of heat and the
facility for its distribution through each
room when once admitted.
	In the same way, during the summer
months, this thermostat can, by an ad-
ditional contact, control the supply of
fresh or, if possible, ice-cooled air, so
as to maintain a pleasant temperature
within doors. Such a system has for
two years been in successful operation
at a large country house near Green-
wich, Conn. In winter-time it is warm-
ed by fresh air drawn in through an
underground pipe, and heated by pass-
ing through a reservoir in which a
long steam-pipe circulates. Thence it is
fanned into the different rooms through
dampers, each controlled electro-mag-
netically by a separate thermostat. In
summer the water-supply of the house,
as it comes from deep wells, takes the
place of the steam in the circulating
pipe of the reservoir, and so cools the
incoming air; the same thermostats
adjusting the distribution. In this way
the temperature is maintained through-
out the house at 70~ in winter, and does
not exceed 750 in summer; while the ven-
tilation is controlled by the same appar-
atus.
	The fire-alarm system depends upon
a similar thermostat set for higher tem-
peratures, usually from 120~ to 160~.
The contact in this case rings an alarm</PB>
<PB REF="IMG00112" SEQ="0112" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="104">	104	ELECTRICITY IN THE HOUSEHOLD.

bell and indicates the room where there
is danger. It is hardly possible to over-
estimate the utility of a well arranged
fire - alarm household - system, which
makes it possible to extinguish a fire in
its beginning. Statistics certainly show
a marked decrease, by the use of elec-
trical fire-alarm systems, upon the num-
ber of serious fires in towns; but the
conflagrations that have been saved by
the timely local warning of domestic ap-
paratus, report can never tell.
	In some town-houses fire is not the
only rebellious element over which con-
stant watch has to be maintained, water
overflow from tanks and bursting pipes
being almost as much to be dreaded.
The Journal of the Fran/din Institute
called attention, six months since, to an
electrical device which is set in operation
by a float, the contact so established
cutting off the water - supply or indi-
cating the danger as soon as a definite
level is reached. An electric door-open-
er has also been lately designed by which
visitors can be admitted without delay.
The closing of the door compresses a
powerful spiral spring, which is then
held in check by a lever until the lat-
ter is released by an electro-magnetic
impulse. The spring forces open the
door, the latch at the same moment be-
ing withdrawn.

	Of inferior importance to these sys-
tems, which guard the safety of the
household, but yet of great interest and
utility, is the clock system. Apprecia-
tion of time and its value is said to be
the test of a nations activity; and it is
surely a luxury to see all the clocks in
a house keeping an even pace. There
are several methods in use for this pur-
pose, and they form two distinct classes,
one adopting centralized government,
the other local administration. In the
former a single clock as standard drives
all the others electro-magnetically, their
operation depending entirely on the
electricity supplied during its periodic
contacts. In the latter, each clock is a
free and independent timekeeper whose
rate, however, is under regular electrical
control from the standard. This con-
trol may be exerted continuously on the
pendulums, but perhaps the simplest
and most satisfactory household system
yet tried is that in which the control is
effected once in each hour. Exactly at
the hour the standard clock makes a
contact completing a circuit through all
the controlled timepieces, and electri-
cally exciting a magnet in each. In
obedience to this impulse, a pair of
arms spring from the dial at the fig-
ure XII, and meet swiftly in the centre
with the minute hand tight in their
embrace, and vanish the next instant
behind the dial, where they await the
next hourly summons. Each clock is
thus mechanically corrected every hour,
as the arms sweep over three minutes
space on each side of the true vertical,
and the clock that fails to keep time by
three minutes in the hour may well be
submitted to internal examination.
	Another convenience which is some-
times added to a system of time regula-
tion is an arrangement for electrically
winding up the clocks at regular inter-
vals. So long as the electrical supply
is maintained, and the clockwork con-
tinues in proper working order, such a
system forms as near an approach to
perpetual motion as the conditions of
our planet give us the right to expect.

	The electric time-detector is an in-
strument much used in large buildings
over which continual supervision is
needed. It serves to register the time
at which visits are paid to any particu-
lar part of the premises, and, in fact,
successfully solves the problem of keep-
ing watch upon the custodian. A dial,
rotating by clock-work once in twelve
hours, carries round a paper disk over a
perforated metal plate. Each push but-
ton in the house controls, by its own pair
of wires, one electro-magnet, the arma-
ture of which, on attraction, punches
a hole in the paper disk through a
particular aperture in the plate. This
hole is always in a certain ring marked
for the purpose. The watchman going
round the building pushes the various
buttons on his way, thus registering his
progress on the paper disk by punched
holes; the rings marking the buttons
and the angular position indicating the
time.

	The discovery and introduction of the
electric telephone has marked an era in</PB>
<PB REF="IMG00113" SEQ="0113" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="105">	ELECTRICITY IN THE HOUSEHOLD.	105


the annals of household affairs, as the
existeiice of four hundred thousand in
the United States to-day amply attests.
The economy of time its use has effected
is incalculable. Its greatest fault is per-
haps an occasional tendency to mingle
the speech of one interlocutor with the
couversatioii of less interested iieighl)ors.
Within the limits of a residence, no bet-
ter interior communication can generally
be had than by the ordinary speaking
tube ; but in connection with outbuild-
mugs on aim estate, the telephone is a
VOL. VII.12
oTeat a(lvaiitage. Wh en several such
0

houses are (onnecteti by telephone with
the main building, it is possible to ar-
range that any two can communicate
with each other on the same wire with-
out calling the attention of the rest, a
sv stem saving much time and trouble.
As many as eight telephones are some
tunes worked in this way on the same
wire, and although only two can employ
the line at one time, the calling of any
puticulam person is not heard by the
others.
Sewing Machine Run by Electricity the entire motor concealed in the wheel-cane at the ott,</PB>
<PB REF="IMG00114" SEQ="0114" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="106">




II
















A Conservatory Lighted with Incandescent Lamps.</PB>
<PB REF="IMG00115" SEQ="0115" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="107">	ELECTRICITY IN THE HOUSEHOLD.	107






S






The Electrical Fan.

	Among the greatest gifts that elec-
tricity has bestowed on domestic life, is
the incandescent electric light. There
can be little doubt that, when experience
shall have given confidence in its trust-
worthiness, while time shall have ren-
derel its many excellences familiar, it
will be adopted in all households. It
neither consumes nor pollutes the air in
which it shines, whereas the ordinary
sixteen candle-po wer gas-burner vitiates
the atmosphere with its products of
combustion to the same extent as the
respiration of five persons. Besides,
those products ultimately injure books,
paintings, and ceilings continually cx-
posed to their influence. As the gas-jet
develops some fifteen times as much
heat as the electric lamp of equivalent
power, the latter adds greatly to the
comfort of a house in warm weather.
In the nursery it is particularly wel-
come, for it requires no matches, can-
not set fire to anything, even if deliber-
ately broken while lit, and effectually
checks the youthful tendency to experi-
ment with fire.
	In addition to this, its complete
amenability to control, and submission
to all change of position or equilibrium,
render it everywhere admirably adapted
to the purposes of adornment. Some of
~K~fr ~o\(2r</PB>
<PB REF="IMG00116" SEQ="0116" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="108">The Edison Phonograph.</PB>
<PB REF="IMG00117" SEQ="0117" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="109">	ELECTRICITY IN THE HOUSEHOLD.	109

the most charming effects can be pro-
duced by good taste in the choice of
centres of illumination, together with
appropriate surroundings. In the par-
lor an illuminated painted vase, lighted
from within, may vie in attractiveness
with the pictures on the walls, whose
colors are almost as readily appreciated
by incandescent as by day light; while
opalescent globes of varied shade tone
the brightness everywhere into subdued
harmony. In the billiard-room the table
is brilliantly lit, without danger of soot
or oil marring the baize, and on the ve-
randa the lamps shine heedless of the
wind. A very pretty effect can be also
produced in conservatories, by suspend-
ed lamps of different colors half-hidden
in the foliage.
	The electric light can also be made to
give a very beautiful effect in illuminat-
ing garden fountains. For this purpose
a chamber has to be excavated beneath
them, and immediately under the jet a
thi2k plate of glass is inserted, water-
ticvht An arc-lamp directs its light di-
rectly through this plate into the column
of water rising vertically above it, and the
enclosed air, together with the broken
surfaces of the jet, scatters this light in
all directions, thus giving the liquid the
appearance of being sell-luminous. The
color of the illumination is varied by
means of tinted slides passed horizontal-
ly beneath the glass plate in the roof of
the vault. A very handsome display of
this description was made at the Paris
Exhibition this year.
	The steps in the development of an
incandescent lamp during manufacture
have been traced in the article on
Electricity in Lighting, in the issue of
this Magazine for August, 1889. When
the completed lamp is placed in circuit,
the carbon filament conducts electricity
but only imperfectly, and the latter thus
requires a certain pressure to force it
through the lamp. The work done in
overcoming the resistance so offered is
developed into heat proportional to the
square of the velocity of flow. The
frictional opposition of a pipe to the
passage of water it conveys, generates
heat at greater rate than the square of
the velocity; but these two cases of mo-
tion present many analogies, although
the pipe deals with the transmission of
VoL. VII.13
matter itself, while the filament deals
with the transmission of a condition of
matter only.
	At a certain electrical pressure on the
filament the right quantity of electric-
ity flows through it to bring its tem-
perature to the incandescent point of
due candle power. At this pressure
the lamp will last probably two thou-
sand five hundred working hours. If
our best microscopes had a magnify-
ing power perhaps ten thousand times
greater than that they now reach, and
it were possible to subject the glow-
ing filament to their examination, we
might expect to find the ultimate parti-
cles or molecules of carbon vibrating
and colliding with an intensity that now
baffles the imagination. We can fancy
that at the surface of the filament an
occasional molecule, projected outward
with more than usual force, would bound
beyond the range of retractive influence,
and be hurled past recall (like the cel-
ebrated projectile of M. Jules Verne)
against the distant inner surface of the
glass globe. Gradually the latter would
be darkened by the thickening meteoric
accumulation, while the filament would
weaken, as its dwindling substance (en-
during such tremendous internal com-
motion) suffered structural decay, until
at some point disruption would ensue,
followed immediately by loss of conduc-
tion and extinction of the light.
	The greater the electrical pressure
brought to bear upon the lamp, the
higher the incandescence attained. The
lifetime of a lamp, endowed at the outset
with average v.itality, thus depends en-
tirely on its treatment, and can be made
almost what we please, from a few mo-
ments to even many years, according to
the degree of incandescence it is called
upon to produce.
	In fitting up a house with the electric
light, a little consideration is required
to obtain the greatest convenience. The
switches by which the lamps are turned
on and off should usually be placed just
inside the door, where they can be
reached on entering or leaving the
apartment. In the bedrooms, howevei,
they should be suspended from the ceil-
ing in such a mauner as to be accessible
on first entry, over a bracket by the
door, and then movable to within easy</PB>
<PB REF="IMG00118" SEQ="0118" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="110">110	ELECTRICITY IN THE HOUSEHOLD.

reach of the bedside; or, better still,
there may be two alternative switches
one at the door and the other by the
bedstead. One test of a well-designed
installation is that the householder
should be able to visit the entire build-
ing, commencing with the hall door,
from attic to cellar and back, without
once being left in the dark, or leaving
lamps burning on any floor behind him
as he makes the journey. A good plan,
that has been carried out in more than
one instance, is to have a spare lamp in
each room under sole and direct control
of the burglar- and fire-alarm systems,
in such a way that the forcing of any
window, or any dangerous excess of tem-
perature, may not only ring the alarm,
but also light up the whole house.

	In many cases where electricity is not
itself the illuminant, the electric spark
is often adopted for the purpose of
lighting the gas. In theatres, for exam-
ple, a frictional electrical machine is em-
ployed which, when rotated by hand, is
connected in succession to the various
wires leading to different jets or clus-
ters, and the sparks, passing between
two metallic points set close to the
burner, ignite the gas. Similar arrange-
ments on a smaller scale are in house-
hold use. The pull on a pendant chain
or the pressure on a button allows the
current to pass from a battery through
a small induction coil, the spark of which
flashes at the burner.
	The most ingenious apparatus of all,
however, is the hand gas-igniter, which,
without any battery, pro~luces a spark
between two points in its tip on the
simple pressure of a button on its side.
This compact instrument is, in fact, an
electrical rotating influeuce machine
(acting on similar principles to some of
the most powerful generators of high-
tension electricity), and it is difficult to
realize that this safe and simple appa-
ratus can produce sufficient electricity
to light the gas, when the electrical
pressure between the points at the mo-
ment of emitting a spark must be many
times greater than that exerted upon an
incandescent lamp. Its operation de-
pends upon the rotation of an internal
cylinder which causes the initial charge
to be augmented at a rapid and increas
ing rate until the tension is sufficient
to create a spark between the opposed
points.

	The transmission of power is anoth-
er application of electricity which has
practically been evolved only within the
last decade, and which is still in its in-
fancy. Its usefulness in the household
is second only to that of illumination.
Ignorant as we still are of the real nat-
ure of this marvellous agent, we know
at least that electricity implies power; all
the evidences by which we are rendered
sensible of its presence are manifesta-
tions of energy.
	The electric motor is the machine by
which electrical power is rendered me-
chanically available. Its principle is en-
tirely magnetic; the pull that a wire con-
veying an electric current is seen to exert
upon a compass needle in its vicinity
being here enormously intensified by
having a large horseshoe electro-magnet
for the compass needle, and many turns
of wire close up within its grasp instead
of the single conductor. The revolving
cylinder of separated copper segments
on which the brushes rest, called the
commutator, is nothing more than an
electric treadmill, by which the current
is cut off each wire in turn as it reaches
the point of most powerful atti~action, so
that the current is always kept advanc-
ing toward the magnetic pole, butnever
reaches it [see p. 654, June, and p. 182,
Aug., 1889.
	The qualifications which peculiarly
fit the electric motor for household use
are its compactness, perfect control, si-
lence, and cleanliness. It is a wonder-
fully compact piece of mechanism, for,
in domestic sizes it weighs under one
hundred pounds per horse-power, and
its amenability to control is evident
from the fact that the turning of a
switch will stop or start it. One great
secret of this compactness lies in the
fact that the motion is rotary, and not
oscillatory like that of a piston; hence
the great speed it can attain, as also the
absence of jar and noise in its work. A
small motor may thus become an orna-
ment, as well as a useful instrument. The
illustration on page 105 shows aDiehl mo-
tor attached to a sewing-machine spindle.
In any house supplied with the electric</PB>
<PB REF="IMG00119" SEQ="0119" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="111">	ELECTRICITY IN THE HOUSEHOLD.	111

light it is only necessary to connect the
motor with the electric mains, like a
lamp, and turning the switch sets the
machine at work, thereby saving the
hundredth part of a horse-power, which
is the usual amount of energy needed to
drive it by treadle, not to mention the
comfort gained and nerve - force con-
served.
	As another example of use and orna-
ment united, circular fans driven by
motors are not uncommon, and are
luxuries in hot weather, when even the
exertion of waving a fan counteracts the
comfort so produced [p. 107].
	The electric motor is destined to enter
largely into the operation of elevators
in town-houses, all its good qualities
being in this case shown to advantage.
In dwellings supplied with the electric
light it is only necessary to fix in posi-
tion a motor fitted with the requisite
gearing, and connect the same to the
elevator with wire ropes, the power
being taken direct from the electric
mains. In this respect, also, electricity,
as a power-distributor, contrasts favor-
ably with other sources in the reach of
modern engineering. For, if elevators
were to be operated from a central sta-
tion by hydraulic power supplied to
each house through pipes, then an ele-
vator in motion would take as much
energy from the station when empty, as
when fully occupied by passengers 
unless, indeed, complicated devices were
introduced to avert this waste. The
electric motor, on the contrary, would,
if properly selected, only draw from the
mains the proportional amount of power
required for the load to which it was
subjected, in addition to what little it
expended in overcoming the friction of
its own mechanism, and consequently,
so far as the supply of power was con-
cerned, would be much more economi-
cal.
	Another suitable task for the electric
motor in country-houses is pumping.
Where water has to be elevated from
wells or cisterns to the attic level
for household distribution, art and
science lend the means, while electricity
supplies the power. By the use of the
rotary pump, the plant, which may be
placed in the cellar, can be made won-
derfully compact and quiet in its per-
formance. How vivid is the contrast
between this simple apparatus and the
blindfolded horse, that, for the same
purpose, has so often been condemned
to describe endless circles, with a long
trail-beam as radius and a well as cen-
tre. A float in the reservoir above
breaks a contact as soon as the level of
water there has reached the desired lim-
it, and so automatically stops the motor
until further supply is demanded.
	In the same way motors have been
applied to lawn - mowers, to carpet -
sweepers, to shoe-polishers; and, in fact,
there is no household operation capa-
ble of being mechanically performed, of
which, through the motor, electricity
cannot become the drudge and willing
slave. It has even been applied to serv-
ing at table. A miniature railroad track
runs round the table within easy reach
of each guest, and thence, by ornamented
trestlework, to the wall, disappearing
through a shutter. The dishes, as elec-
trically signalled for by the hostess, are
laid on little trucks fitted with tiny
motors, and are started out from the
pantry to the dinner-table. They stop
automatically before each guest, who,
after assisting himself, presses a button
at his side and so gives the car the im-
petus and right of way to his next
neighbor. The whole journey having
been performed, the cars return silently~
to their point of departure.
	The electric motor is also perhaps the
most nearly perfect means known of ob-
taining steady, smooth, and continuous
mechanical motion, and largely, with this
object in view, it has been introduced
into the Edison phonograph, an instru-
ment destined to play the very impor-
tant parts of music preserver, recorder,
and amanuensis in the household of the
future. On the surface of its cylinder
the delicate wavelets that the voice has
impressed sometimes cannot exceed the
fifteen-thousandth part of an inch, and
on their due representation in vibrations
of the air the reproduction of the stored-
up sound has to depend. The electric
motor enables all these to be repro-
duced in a manner that would not be
possible if there was any unsteadiness
or tremor in the movement of the work-
ing parts [p. 108].
	The motor also supplies parlor organs
S</PB>
<PB REF="IMG00120" SEQ="0120" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="112">	112	ELECTRICITY IN THE HOUSEHOLD.

with air, and has been applied to auto-
matic pianos. A bright prospect also
opens for the application of electricity
in country-houses, in the direction of ar-
tificial horticulture. Among the condi-
tions that differentiate vegetable and an-
imal life there seems to be this remark-
able fact, that plants do not essentially
require sleep or periods of intermit-
tence in growth and activity. This is
evidenced by the continuous and rapid
growth of plants in the far North during
that brief but happy summer in which
the sun never sets. The electric arc
lamp has been found, by the late Sir
William Siemens and others, to practi-
cally replace the sun in its effects on
plant life, over a somewhat contracted
range, so that an extensive conservatory
lit by powerful arc lamps would be effi-
ciently supplied for night growth by
some two candle-power per square foot
of area. A hot-house in reality artifi-
cially produces latitude in all respects
save sunlight, which the electric light is
ready, in part at least, to replace.

	Public attention has latterly been
drawn to the question of electric heat-
supply to houses, and it has been fre-
quently supposed that the apparent nov-
elty of the plan favored its commercial
success. The fact is, however, that of
all the practical applications of electric-
ity, there are none whose limits and
possibilities are more clearly defined
and better understood than heat distri-
bution, for the simple reason that it has
been attentively studied for the last ten
years. This is apparent from the fact
that the problem and task of electric
lighting is, primarily and essentially,
electric heating. Almost all the energy
supplied electrically for the purposes of
illumination is dispensed in the form of
heat, and this heat is expended with the
maximum economy that the engineering
of the day permits in maintaining our
carbon filaments at incandescent tem-
perature. Despite the high economy
in the consumption of power that the
electric lamp possesses in comparison
with combustible sources of illumina-
tion, it has lately been shown, by experi-
ments at Cornell University, that only
some five per cent. of this heat is yielded
in rays of light, the remainder (at pies
ent essential to securing this result) be~
ing spent in raising the temperature of
the air and surrounding objects. Con-
sequently, whatever improvements the
art of electric lighting may effect in
economizing this large heat expenditure,
and raising it into visible radiance, sci-
ence appears to have determined that
a given supply of electrical power can
only yield the same amount of heat that
it now develops in passing through our
lamps. One form of electric heater
operating within narrow limits might
bring a piece of metal to melting-point,
while another only slightly raised the
temperature of a large volume of water;
still, the total quantity of heat developed
in each for a given supply of electrical
energy would be precisely the same.
The only economy that can be looked
for in the distribution of heat lies,
therefore, in saving the waste incurred
by forcing electricity through the mains,
and this is a margin that modern engin-
eering has already rendered compara-
tively narrow.
	Heat being already distributed elec-
trically on a large scale to houses for
the operation of incandescent lamps,
can be, and already has been, applied
for heating purposes exclusively. The
difficulty of carrying out this plan on a
large scale, in order to replace house-
hold stoves and furnaces, is a purely
economical one. The question ulti-
mately reached is, whether labor can be
saved to a community if all the coal
necessary for their heat-supply through
the medium of electricity be burned in
one central station, and the electrical
power so obtained distributed gener-
ally, instead of continuing the usual
custom of burning the coal in each
house locally. On the one hand, the lo-
cal process of combustion is at present
a wasteful, as well as a dirty one, most
of the heat escaping by the chimneys;
while, on the other hand, the steam-en-
gine is necessary in the central station
to convert the furnace heat into elec-
tricity, and the best modern engines
are only capable of utilizing ten per
cent. of the heat developed from the
combustion of coal under their boilers;
so that, when the machinery and con-
ducting system of n ius~re taken into
account, the verdict (notwithstanding</PB>
<PB REF="IMG00121" SEQ="0121" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="113">	ELECTRICITY IN THE HOUSEHOLD.	113

household smoke and waste) has been
hitherto against the economic possibil-
ity of the electrical distribution of heat
on a large scale. But every improve-
ment effected in the machinery for the
conversion of furnace heat into electric-
ity, every advance made in the progress
of electrical engineering, modifies in
proportion the balance of advantages in
this great social problem, and it is well
within the reach of possibility that
electric heating may be as successful at
some future date as electric lighting it-
self. Even now there are many occa-
sions where heat is required to be ap-
plied very locally, in culinary purposes,
for instance, and where the cleanliness
and convenience of the electrical method
might outweigh the objection of slight
extra expense. The advantage to a man
whose duties call him out during the
night, of being able, from his bedroom,
to set an electric coffee-heater at work
in his dining-room, so that by the time
he is ready to leave the house he finds
hot coffee awaiting him, and all without
arousing any person in the house, far
outweighs the three or four cents for
electrical power that the beverage has
probably cost him. Similarly, there are
times when a foot-warmer is worth
many times over the expense of elec-
trically preparing it at a few minutes
notice.
	Both of these commodities are in act-
ual use. The stove is an ornamental
case enclosing a coffee-pot, or, in another
form, it may be a kettle in an asbestos
lining, round which circulate coils of
wire, the passage of the electric current
through these coils generating the heat.
In one convenient form the current that
would feed fifteen ordinary incandescent
lamps will produce hot coffee in ten
minutes.
	For the working of all the electrical
household appliances that have been
mentioned, some source of electrical sup-
ply is, of course, required, and the best
to adopt must depend upon the posi-
tion of the house, its size, and the pre-
cise amount of duty that electricity will
perform in it. The different bell-an-
nunciator and alarm systems generally
require surprisingly little power to
operate them, and no difficulty will be
found in supplying each system from a
battery; or it may even be possible to
let one battery suffice for all. Three
or four cells of the Leclanch6 type will
sometimes work a bell system continu-
ously for two years without any atten-
tion, but it is always well to replenish
a battery in time before its activily is
exhausted, lest at some important m6-
ment it fail in its duty.
	When, however, it is desired to supply
a house with electric light, heat, or mo-
tive power, batteries for these purposes,
unless on a very small scale, are hardly
to be recommended. In the first place
they would necessarily be troublesome
to maintain, and in the second they
would, in the present state of the art, be
very costly. Power is obtained from a
battery by the slow combustion of the
zinc in its plates, and as metallic zinc is
not found like coal, ready prepared in
nature, the process for obtaining it is
by comparison expensive. Probably no
battery in existence can furnish elec-
trical power at theoretically less than
twenty - five cents per horse- power per
hour in material alone, while actually
the best cost, as a rule, fifty cents; and
a horse -power is well applied locally if
it gives illumination equivalent to two
hundred candles. The only prospect
that seems open to the extended success-
ful application of the primary battery to
light and power is in the possibility of
its chemicallyproducing, during its work,
compounds which have directly or indi-
rectly a commercial value. If this end,
which has long been striven for, could
Je successfully attained, and a sufficient-
ly large market found for the produce,
the battery might come forward as the
most advantageous source of electrical
supply.
	At present, however, recourse is had
to mechanical sources of electricity
dynamo-machines driven by steam-en-
gmesand it is no exaggeration to say
that the practical success of electric
lighting is due to the dynamo-machine
as a source of electric supply.
	In towns electric lighting from cen-
tral stations is developing so rapidly
that it is now very generally possible
to obtain electricity from street mains
like gas or water a plan that will al-
ways be more economical and convenient
than local production. Large buildings,
0</PB>
<PB REF="IMG00122" SEQ="0122" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="114">114	ELECTRICITY IN THE HOUSEHOLD.

or groups of buildings, may sometimes
be lighted advantageously by a local
plant, but for a town dwelling a sepa-
rate engine and dynamo is generally out
of the question. The great convenience
attending electrical supply from street
mains is the absence of all batteries and
their attendant requirements. The ar-
rangement of the different interior sys-
tems on this plan is illustrated in the
accompanying diagram.
Plan of Wiring a Houae for ita Varioua Electrical Appliancea.

	It will be seen that the honse mains are connected through an elec-
tricity meter direct with the street mains; that the lamps, heaters, and
motors, wherever they may be situated, are operated directly from the
house mains or their ultimate ramifications; while the annunciator, clock,
and alarm systems are all o p erated from submains connected to the central
mains through simple regulating coils of wire, termed resistances. Their
object is to reduce the electrical pressure on these subsystems to the
desired limit for their effective operation, since the whole electrical sup-
ply they need probably does not exceed that given to one incandescent
lamp hu~ng continuonsly. In this way electrical economy is obtained
and the safety of the more delicate apparatus insured.


	The diagram shows that the house
mains receive their supply through a
meter which keeps a register of all the
electricity traversing it. The electric-
ity on entering the meter has two
paths open to it, one by wavy metal
strips above, and the other through
coils of wire and bottles beneath. The
proportions of these are so arranged
that the strips conduct, let us say, one
thousand times better than the coils
and bottles, and, as electricity always
divides between two paths in the exact
ratio of their conductivity, the quantity
which passes through the strips will be
just one thousand times as great as
that passing though the bottles. These
latter are filled with a weak solution of
	zinc sulphate, and each con-
tains two zinc plates about
one inch square. In obedi-
ence to laws discovered by
Michael Faraday, fifty-five
years ago, the electricity
which passes through this
bottle from one zinc plate
across to the other through
the solution, causes a cer-
tain quantity of zinc to be
dissolved from the plate it
leaves, and the same quan-
tity to be deposited on the
plate it reachesthe quan-
tity of metal so transferred
bearing an invariable known
ratio to the electricity that
has passed. These bottles
are removed and replaced
every month, and the change
of weight in the dried plates
compared after the lapse of
that term. The amount of
zinc found to have been
transferred then determines
the quantity of electricity
that has passed through the
bottle, and one thousand
times this quantity has en-
tered the house through the
metal strips during that
time. There is thus no ma-
chinery to get out of order,
no moving parts to clog, or
friction to overcome, and
with the bottles exchanged
every month the meter itself
is almost imperishable.
	For country-houses beyond the lim-
its of central station distribution, elec-
tricity must be locally produced to fur-
nish light and power. For installations
not exceeding fifty lamps, the gas-en-
gine advantageously replaces steam when
coal gas is obtainable at a moderate</PB>
<PB REF="IMG00123" SEQ="0123" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="115">	THE LOST PLANT.	116

rate, as there is then no boiler, and less
attention is also required. A gas-en-
gine and dynamo in a barn or neigh-
boring outhouse form a very convenient
electrical supply, and, as a matter of
fact, a given quantity of gas so burned
in a good engine, not only expends its
vitiating products of combustion out of
doors, but will also yield from twenty-
five to thirty per cent. more illumination
through the medium of electricity than
when furnishing light directly. That
is to say, the electric lamp is so much
more economical in energy that it gives
this excess notwithstanding the neces-
sary loss in the engine and dynamo In-
herent to the conversion of heat into
electrical power.
	The mistake is sometimes committed
of sealing up wires in the plastering of
walls, as though they were not liable to
a mortality from which even the elec-
tricity they convey does not render them
exempt. It is certainly best to have
wires placed out of sight, but where ac-
cess to them can always be had if
needed; and generally, if an electric
system is worth introducing into a
household, it is worth carrying out, not
lavishly, but thoroughly and well. It is
also unfair to suppose that an appliance
needs no supervision or repair because
it is electrical. Every such instrument is
essentially of mechanical nature and in-
evitably subject to the requirements our
knowledge of mechanism leads us to
expect. On the other hand, when prop-
er care and judgment have been exer-
cised upon the introduction of these ap-
pliances, the superiority of electricity
for domestic purposes over every other
known power (even in the matter of in-
dependence from supervision) is incon-
testibly exemplified.
	Nor is it to be supposed that any of
the applications above alluded to are
visionary, for all are in actual use. Some
are still regarded in the light of luxu-
ries, it is true, but almost all necessaries
were once in that favored class. Even
tobacco is regarded to-day as a neces-
sity of existence, and if history tells
truly, table knives and forks were lux-
uries of the most extravagant type two
hundred years ago.
	Considering, then, that the household
is in itself the condensed history of a
nations past, the centre of its pres-
ent, and the cradle of its future, it is
doubtful whether, among the many
triumphs of the age that electricity may
claim, any can be quoted of brighter re-
nown than the rapid progress it has al-
ready made in the cultivation of the arts
of life, and its adaptation to the needs
and graces of the household.


THE LOST PLANT.
(A CONSULAR EXPERIENCE.)

By John Pierson.

THAT evening we were playing whist
at the Governors house, as we had
the habit of doing two or three
times a week. I had as partner my
French colleague, NI. Dorat, still a young
man, who had arrived in the island as
consul two or three months before. I
had not seen very much of him, for it
was the season of the year when we old
fellows feel disinclined to much move-
ment; with the exception of an occa-
sional outing in a boat, or on a donkey,
I had confined myself chiefly to my
books and my garden. With most of
us our gardens were great sources of
amusement and delight. There was
always a pleasurable excitement when a
new package of seeds arrived from Eu-
ropefor everything grew so .well and
fast; and many were the tin-boxes of
bulbs and plants imported in the gen-
erally vain hope that something new
might possibly be found. No one was
contented with the productions of the
island; we all wanted something differ-
ent. Each had his own little fad, and
mine was to reproduce in this tropical
country an old-fashioned English gar-
den, with its hollyhocks and larkspurs,
its columbines and daffodils, its lavender</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-13">
<BIBL>
<AUTHOR>John Pierson</AUTHOR>
<AUTHORIND>Pierson, John</AUTHORIND>
<TITLE TYPE="ART">The Lost Plant - A Consular Experience</TITLE>
<BIBLSCOPE TYPE="pg">115-123</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00123" SEQ="0123" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="115">	THE LOST PLANT.	116

rate, as there is then no boiler, and less
attention is also required. A gas-en-
gine and dynamo in a barn or neigh-
boring outhouse form a very convenient
electrical supply, and, as a matter of
fact, a given quantity of gas so burned
in a good engine, not only expends its
vitiating products of combustion out of
doors, but will also yield from twenty-
five to thirty per cent. more illumination
through the medium of electricity than
when furnishing light directly. That
is to say, the electric lamp is so much
more economical in energy that it gives
this excess notwithstanding the neces-
sary loss in the engine and dynamo In-
herent to the conversion of heat into
electrical power.
	The mistake is sometimes committed
of sealing up wires in the plastering of
walls, as though they were not liable to
a mortality from which even the elec-
tricity they convey does not render them
exempt. It is certainly best to have
wires placed out of sight, but where ac-
cess to them can always be had if
needed; and generally, if an electric
system is worth introducing into a
household, it is worth carrying out, not
lavishly, but thoroughly and well. It is
also unfair to suppose that an appliance
needs no supervision or repair because
it is electrical. Every such instrument is
essentially of mechanical nature and in-
evitably subject to the requirements our
knowledge of mechanism leads us to
expect. On the other hand, when prop-
er care and judgment have been exer-
cised upon the introduction of these ap-
pliances, the superiority of electricity
for domestic purposes over every other
known power (even in the matter of in-
dependence from supervision) is incon-
testibly exemplified.
	Nor is it to be supposed that any of
the applications above alluded to are
visionary, for all are in actual use. Some
are still regarded in the light of luxu-
ries, it is true, but almost all necessaries
were once in that favored class. Even
tobacco is regarded to-day as a neces-
sity of existence, and if history tells
truly, table knives and forks were lux-
uries of the most extravagant type two
hundred years ago.
	Considering, then, that the household
is in itself the condensed history of a
nations past, the centre of its pres-
ent, and the cradle of its future, it is
doubtful whether, among the many
triumphs of the age that electricity may
claim, any can be quoted of brighter re-
nown than the rapid progress it has al-
ready made in the cultivation of the arts
of life, and its adaptation to the needs
and graces of the household.


THE LOST PLANT.
(A CONSULAR EXPERIENCE.)

By John Pierson.

THAT evening we were playing whist
at the Governors house, as we had
the habit of doing two or three
times a week. I had as partner my
French colleague, NI. Dorat, still a young
man, who had arrived in the island as
consul two or three months before. I
had not seen very much of him, for it
was the season of the year when we old
fellows feel disinclined to much move-
ment; with the exception of an occa-
sional outing in a boat, or on a donkey,
I had confined myself chiefly to my
books and my garden. With most of
us our gardens were great sources of
amusement and delight. There was
always a pleasurable excitement when a
new package of seeds arrived from Eu-
ropefor everything grew so .well and
fast; and many were the tin-boxes of
bulbs and plants imported in the gen-
erally vain hope that something new
might possibly be found. No one was
contented with the productions of the
island; we all wanted something differ-
ent. Each had his own little fad, and
mine was to reproduce in this tropical
country an old-fashioned English gar-
den, with its hollyhocks and larkspurs,
its columbines and daffodils, its lavender</PB>
<PB REF="IMG00124" SEQ="0124" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="116">	116	THE LOST PLANT.

and rosemary and sweet-scented shrubs
and herbs. Dorat had not been there
long enough, we thought, to catch the
prevailing taste; his garden, which was
large, and in the time of his predecessor
had been very fine, was now neglected
and had gone to waste; and if he occa-
sionally put into it some wild plant
which he had found, it was only for his
experiments on the food and ways of
life of the insects which he was always
collecting and studying. He had also a
pronounced taste for ornithology, and
for natural history of every kind; and,
in pursuit of specimens, accompanied by
an old native whom he had somewhere
picked up, made constant excursions
often for days at a timeinto the swampy
andlittle known interior of the island.
	Just behind my chair was standing a
young English officer, named Furniss,
apparently a family connection of the
Governorat all events, a member of
his official and personal householdwho
had arrived by the last steamer. He was
waiting for the end of the rubber to
take a hand, and while the cards were
being dealt was asking some questions
about the methods of travelling and an-
nouncing his intention of making some
botanical excursions. One or two things
struck me in what he said, and, looking
over my shoulder, I jestingly remarked,
So you are going to look for Humms
Simwa. As I turned back I inter-
cepted such a look, seemingly of hatred,
from beneath the dark brows and lashes
of my partner that I almost dropped the
cards I was dealing. There was some-
thing which made me feel thoroughly
uneasy. Furniss had started a topic
to which my chance remark had given
more interest; and, after we had begun
to play, the conversation still went on
behind my back. Although my partner
kept control of his game, and made no
mistakes, I could see that he was lis-
tening to every word that Furniss said,
and closely watching every movement
that he made. I grew more and more
nervous, till at last I could stand it no
longer, and called out, rather abruptly,
as others thought: My dear Furniss, if
you keep on looking at my cards and
talking of botany at the same time I
shall think each trick a new and rare
species and shall lose all the points.
Furniss, somewhat offended at my tone,
walked away from the table.
	When the rubber was over Dorat
withdrew, by rights, and I refused to
play longer, which was misinterpreted
by some of the party, as was also a whis-
pered remark of mine to Furniss in
passing, which was overheard by some-
one, that I would see him again later.
I went into the other room, to a balcony
overlooking the sea, and lighted a ci-
gar, while reflecting on what course I
ought to pursue. The fact is that a
German botanist named Humin had
discovered in this island a plant which
possessed singular curative virtues,
used among the natives, but the exist-
ence of which they carefully concealed.
Medicallyas Humm had shown by ex-
perimentsit was as important as cin-
chona or condurango, or the more re-
cently introduced coca. Humm had
brought away a sufficient amount of the
drug for it to be thoroughly tested in
European laboratories and hospitals;
but the plant had never been found
again. One academy after another had
offered prizes for its discovery, which in
the aggregate then amounted to a large
suma sum sufficient to encourage an
enterprising man to encounter great
risks in its search. It was evident from
what Furniss said that he had come out
to look for it; hoping that his connec-
tions and his official position would en-
able him to conduct his explorations
more easily and more thoroughly than
those who had gone before him. Sev-
eral had already visited the island for
this purpose; but they had either fallen
victims to the climate, or had given up
the quest in despair, in consequence of
the difficulties put in their way by the
natives. It was equally plain to me,
from his conduct at the card-table, that
Dorat had come out for the same pur-
pose; although he had so far concealed
his plans and his interest in plants, in
order to blind the eyes of the English.
He had the advantage of being in bet-
ter relations with the natives, because
French prestige and French influence
are persistent in any place which has
once been under French rule; and the
only foreign words which the natives
used were also French. Although the
English have held the island for a long</PB>
<PB REF="IMG00125" SEQ="0125" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="117">	THE LOST PLANT.	117

time they hold it simply as conquerors,
and have never succeeded in identify-
ing themselves with the people.
	I had not been smoking long before I
was joined by Dorat, who was evidently
looking for me. With great politeness
and delicacy he offered me his services
as to a colleague in difficulties; and,
when he saw my look of astonishment,
in answer to my questions told me that
everybody believed that I was to have a
duel with Furniss. English customs,
we seeespecially on such pointswere
not yet predominant in the island;
and duels were not yet uncommon,
although they were generally innocu-
ous. I of course thanked him for his
kindness, and promised to call on him
if I stood in need of a friend; but ex-
plained that between an old, irritable
fellow like myself, and a young man like
Furniss, there would probably be no
difficulty which could not be settled with
an explanation, or, if need be, with an
apology. The talk passed on to other
things, when suddenly Dorat asked,
How did you come to mention the
Simcea Ilurnmii?
	Oh! I said, that is an old idea of
mine; I thought of looking for it when
I first came; so that I naturally suspect
every fresh man of the same desire.
	And you never did look for it?
	No, I was always naturally indolent;
I broke my ankle a week after I ar-
rived; that and the heat and malaria,
and the bother of travelling in the in-
terior have kept me quiet. But I have
never lost a Platonic interest in it, and
if you find it I shall congratulate you
heartily.
	But why should I look for it?
	In the first place, my dear colleague,
why should you mention it at all, if it
were of no interest to you? And, sec-
ondly, you must know as well as I do
that very large rewards are offered for
finding it, with which will follow a wide
scientific fame. Why shouldnt you
find it? You are young and vigorous;
being French, you have influence with
the natives; you already, if I mistake
not, speak something of their language;
you make frequent shooting excursions
into the interior; and you can perfect-
ly well make botanical experiments in
your neglected garden at the consulate.
The spirit of old Hume would, I am
sure, be delighted if you should carry
out his beneficent intentions.~~
	You call him Hume; do you mean
Humm?
	Yes, the last was his German name;
but when he got naturalized in America
he was so laughed at on account of his
name that he changed it to Hume.
	You knew him, then?
	Yes, I met him first when I was quite
a boy, when I joined a scientific party
to the Rocky Mountains, and, as I had
been a comrade of Eaton and Brewer,
was much interested in botany. We
got to be very good friends then; but
I had almost forgotten about him until
I met him again when I was vice-consul
at Tripoli. He had come there to study
assafcetida and laserpitium and other
precious plants which the ancients ob-
tained from that region. I was able to
lodge him in my house, and we renewed
our old acquaintance; you know he died
there, or, rather, in the interior; but he
left me his papers, andwell, come and
breakfast with me to - morrow, about
twelve, and I will show you something
that will interest you.
	Throwing away the end of my cigar
I went back to the drawing-room, and
finally found Furnissto whom I at
once apologized for my brusque lan-
guageand asked him, if he did not
mind my limp, to walk home with me, as
I had something to tell him. He readily
consented, and as soon as we could get
away we walked down the quiet tree-
lined street until we reached my garden.
Then I persuaded him to sit awhile
with me in the veranda, where I knew
that we could not be overheard. My
faithful servant brought us out narghi-
lehs, for this souvenir of my life in Asia
and Africa still clings to me; the broad-
leaved plants looked fantastic in the
moonlight, and we were glad to neutral-
ize the strong, heavy odors with the
smoke of our pipes. The outlook on
the garden gradually brought us to the
subject of plants, and, after we had got
warmed up on this topic, with the help
of a glass or two of good old Madeira,
I told him that I had overheard enough
of his conversation to make me under-
stand that he had come out expressly to
find the lost plant. He frankly admit-</PB>
<PB REF="IMG00126" SEQ="0126" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="118">	118	THE LOST PLANT.

ted his purpose, without the slightest
hesitation; and gradually was led on to
talk of his past life, of the influences
which had moulded it, and of his hopes
for the future.
	Wdll,I said, Iwill do all I can
-for you; and perhaps I can give you
certain information which you do not
possess. But I must be fair all round.
Dorat is a colleague of mine, with whom
I am on the best possible terms; and
whatever information I give you I must
give him.
	Dorat, he said, the French consul,
who was your partner to-night? Has
he come here, too, for this purpose?
	Yes; I never suspected it till this
evening; now I know it. He is coming
to tiffin with me to-morrow; and the
best way to manage the thing will be
for you to meet him. But, as I want a
witness or two, bring the Governor with
you. Ill send him a little note early in
the morning, and I will try to find one
or two others also.
	Oh, I think there will be no diffi-
culty about that, as the Governor has
already told me of your breakfasts; be-
sides, to-morrow is Sunday, and he will
have no engagement after church. But
youre as solemn and mysterious as
though some great event were impend-
ing. What is the matter?
	The matter, my dear fellow, is sim-
ply this, that you must entirely forget
all that I tell you, and act entirely on
your own judgment. Be on your guard
against your rival. Never trust your-
self alone with him, if you meet him in
the interior. From what I saw to-night
I believe him quite capable of killing
you, if need be, to prevent your succeed-
ing to his detriment.
	Not so bad as that, I hope.
	Not a word more ever on this sub-
ject. You know all that I fear. Take
your own course. We shall see you to-
morrow at noon.


Ii

	Gun breakfast was unusually pleasant,
for I had succeeded in getting hold of
NI. Blancsub6, one of the richest and
most hospitable planters of the island,
a man universally liked for his wit and
his good company, and respected for
his intelligence and probity. The Gov-
ernor was in better form than I had ever
seen him, gave us amusing stories of his
experiences in other coloniesand he
seemed to have lived in some capacity
in nearly every part of the globeand
by great good luck assisted me by ap-
pearing in an entirely new and unex-
pected character. Apropos of some of
the fruit, he launched out in a discourse
on the vegetable productions of the dif-
ferent places where he had been which
would have done credit to Grant Duff
himself.
	When we began to smoke I brought
out a portfolio and showed some of the
very curious things that I had been able
to retain in my wandering lifeauto-
graph letters of Bruce and Burckhardt;
a sketch-map of Humboldt; a relic of
Connolly and Stoddart from Bokhara
which had not been found by Dr. Wolff;
photographs of Con vol vulus Sabbatius
and (Jampanula Sabbatia which I had
myself taken from living plants at Capo
di Noli, the only place in the world where
they grow; and a few similar things.
	You are an amateur photographer,
then? said NI. Blancsub6.
	Dont be alarmed for yourself, mon-
sieur, there are no instantanepus came-
ras concealed in the walls to take you
in an unguarded moment; I photograph
only plants. And I could show our
friends here, if they were not already
too learned to need them, photographs
of nearly every plant growing on the
island, except of the one we all want most
to see, the Simcea Ilurnmii. I can, how-
ever, show you something about that;
but before I open this envelope I must
make a bargain with them. What I
want is the drug. At one time I should
have been glad of the fame of the dis-
covery, but now I am too old to care
much about that, as well as of the great
reward offered for the plant; but, while
money is always an object, I have luckily
a few weeks ago received a legacy large
enough to enable me to live wherever I
please in tolerable comfort. Therefore
if I show now what I have carefully pre-
served, in the hope that I might myself
some day be fortunate enough to come
across the plant, I must ask both Dorat
and Furniss, or whoever is the discov-
erer, to furnish me with one living root,</PB>
<PB REF="IMG00127" SEQ="0127" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="119">	THE LOST PLANT.	119

after he has taken proper measures to
secure his priority of discovery.
	To this they both agreed, and after
telling them in detail of my acquaintance
with Humm or Hume; of his tragic
death in the desert, on the eve of another
voyage to our island; and of how he
came to make me the heir of his secret,
I showed them, first, a careful water-col-
ored drawing of the plant, and then a
dried specimen of it just as it was com-
ing into bloom. Finally, I unfolded a
leaf of paper on which Humm had
drawn from memory a sketch of the lo-
cality where the plant was found, and
of the route which he had taken from
the coast. Unfortunately the paper
had got worn out at the folds, from be-
ing carried in the old botanists pocket-
book; and the chart was so illegible and
confused as to be of comparatively lit-
tle value. The astonishment and inter-
est with which my revelations were re-
ceived by all present, although Blancsu-
b6 needed a few words of explanation in
order further to understand the matter,
were so great as to justify me to myself
for the little coup de thUUre which I had
prepared. When one gets old, ones
vanity is pleased with even such little
harmless successes.
	While the map was being carefully
examined by the Governor, who was
trying to identify localities, Blancsub6
suggested  what, strangely, never oc-
curred to methat it might be photo-
graphed. This I offered to do at once
and to give both Dorat and Furniss
copies, as well as to allow them the use
of the little herbarium I possessed and
of all my photographs of plants.
	But, I said, you will notice from
Humms note that the plant was found
just coming into bloom on October 6th,
and to-day is September 20th. If either
of you intend to look for it in earnest
you must lose no time. You will, of
course, take your own ways of announc-
ing the discovery so as to secure the
priority; although I believe that, accord-
ing to the conditions of most of the re-
wards offered, the plant must be brought
back in a living condition and planted
in a botanical garden. The Governor
has one here under his charge, though
I am surprised to learn to-day that he
takes such a personal interest in it. I
must tell you, also, that I have still de-
posited in a safe place a bit of the drug,
which, however, is not unknown to others,
and which will serve for the identifica-
tion of the plant; and I shall be greatly
pleased if, when you find it, you will send
a messenger to let me know. When
you come back I hope to be able to show
you a fairly good specimen of it grow-
ing in my own garden.
	They all laughed at my last remark,
which they thought a mere bit of 4~haff;
but, in very truth, I had a few days be-
fore planted in an out-of-the-way place
a tuber which I had every reason to be-
lieve was that of the Sirna?a.


m.
	WITHIN the week both Furniss and Do-
rat started on the quest, the former tak-
ingthe route whichhe had combined with
the Governors from Humms sketch-
map; and the latter preferring, on hints
received from the natives, to begin with
the other end of the island, whither he
went by sea. For some days we heard
nothing. At last one afternoon a negro
brought me a laconic note from Furniss,
saying simply: I have found it, and,
with due ingratitude, I hope that I am
ahead even of you. I immediately went
out and looked again at my precious
plant; for the tuber had sprouted, and
the rapidly unfolding leaves were begin-
ning (at all events to my imagination)
to present a strong resemblance to the
dried specimen given me by Humm. I
am ashamed to tell how many times that
day I had already looked at the plant;
and, indeed, I was beginning to grow
nervous, anxious, envious, and jealous of
my rivals; and to think that I had made
a precious old fool of myself in being
so generous with my information. After
all, what difference did it make to me if
they did kill each otherpeople whom
I hardly knew? But as the cool fresh-
ness of evening approached my amiabil-
ity returned; and I resolved to go to
the Governors and invite myself to din-
ner, and find out what informationhe had
received; for I felt sure that he knew
something more. Sir Thomas was in
very good spirits, but could tell me noth-
ing that I did not know. He was glad
to see me, and, for a wonder, we were</PB>
<PB REF="IMG00128" SEQ="0128" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="120">	120	THE LOST PLANT.

quite alone. We concluded that piquet
would be better than the usual double-
dummy; the card-tables were brought
out, the lights were being arranged, and
the soda-water and glasses exposed on
the side-table, when a clatter of hoofs
was heard coming down the road, and
in a moment more a message was
brought to us from a coffee-planter that
the body of a man had been found at
the bottom of a precipice, in a place
about twenty miles away, but hard to
reach. It was thought to be that of an
Englishman, apparently a scientific man,
as he had been collecting plants; and
the request was made for the despatch
of someone to identify, if possible, the
corpse, with instructions as to its burial.
We had no question but that it was Cap-
tain Furniss, as we knew of no one else
corresponding to the description. From
what I knew, or rather suspected, it
flashed through me at once that there
had been foul play. But I considered
it best, for the moment at least, to keep
my suspicions to myself, as they might
be entirely unfounded. After a hurried
consultation with me as to the best
course to pursue, Sir Thomas decided
that two or three men from the hospital
should go on at once with extra horses,
and that he and the doctor would leave
before daybreak, driving as far as the
road was practicable, so as to reach the
field of the accident at the earliest pos-
sible moment in the morning. I readily
acceded to his suggestion to accompany
him.
	We had little time for sleep, as we
started very early, and the sun was just
rising when we had to leave the high-
road and mount our horses. Had it not
been for the errand on which we were
bent and our desire to hasten, I should
have greatly enjoyed this early ride on
one of our delightful Southern spring
mornings. As we descended the ridge
we had opposite a hill-side, which we
had to cross later, covered with planta-
tions of coffee and pepper, while the
valley below was green with the sugar-
cane. Flowers of all kinds grew in
profusion along the roadside, and I
could not help observing them carefully
and mentally repeating their names.
But the detour was long, and it was a
toilsome march.
	That the body was that of Captain
Furniss there could be no doubt.
There were no signs of stabs or shots,
but it was so bruised and cut by the
rocks that, although it had been care-
fully covered with leafy boughs~ decom-
position had already begun, and it was
necessary to bury it as soon as possible.
Due note, however, was taken of its po-
sition and of various apparently petty
details. One circumstance I could not
help noticing at once, and I naturally
called the Governors attention to it.
The botanical specimen-box lay at a lit-
tle distance from the body; it had evi-
dently been opened and a search had
been made among the plants it had con-
tained; for they were lying in a con-
fused heap, not as if they had been
accidentally shaken out. This certainly
looked strange. The plant that was
sought for was not among them. The
pressing-boards were missing, and as I
felt sure that he or one of his men would
carry them, that also seemed strange.
Those, however, we afterward discov-
ered, caught on a ledge of rock above.
One of the men climbed up with difficulty
and threw them down to us; they were
still strapped together, but the drying-
paper contained no plants of any kind,
and in all probability they had not been
used in that last days excursion. Out
of pardonable curiosity I looked care-
fully at every sheet, even holding them
up to the light; and it seemed to me as
if on one I detected the outline of the
Simcea.
	With the consent of the planter who
owned the land, a grave was dug for
poor Furniss close to the spot where he
fell, and his body was tenderly and rev-
erently placed in it, Sir Thomas read-
ing, in a broken voice, the English bu-
rial service, with only myself to make
the responses. We resolved to place a
tablet or cut an inscription upon the
nearest rock in commemoration of this
martyr to science. I could not help
thinking of a similar tablet I had once
seen in the old quarries near Syracuse
where the Athenians had been impris-
oned and starved. But that was to an Am-
erican midshipman, named Nicholson,
who had fallen in a duel with a British
officer, in maintaining the honor of his
flag, in the opening years of the century.</PB>
<PB REF="IMG00129" SEQ="0129" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="121">	THE LOST PLANT.	121

	It needed no hint of mine as to my
private suspicion to induce Sir Thomas
to proceed to a minute investigation of
the rock from which Furniss had fallen.
For that it was necessary to return to
the high road, proceed along it some
distance farther, and then turn to the
left over a difficult bridle-path, and then
a foot-path among the rocks. I did not
feel equal to this, and stayed in the little
hut on the roadside where we had left
the carriage; while Sir Thomas, who
had kept up wonderfully, went on with
the others to the scene of the accident.
	The report which they brought back
was, in one sense, very satisfactory. The
place from which Furniss had fallen was
identified, close to a splendid clump of
that lovely, fragrant flower which the
natives call narunathe botanical name
of which escapes me nowwhich was
somewhat rare, and was the finest Sir
Thomas had ever seen. The marks
were seen where Furnisss foot had
slipped, and there were no traces of a
struggle or of the presence of anyone
else. He had apparently been engaged
in securing fine specimens of the naruna,
when a treacherous branch or twig broke
and down he went Nevertheless it was
impossible entirely to exclude the hy-
pothesis that he might have been pushed
off by some barefooted native coming
up in silence behind him.
	We had wondered what had become of
Furnisss servants; but while we were
resting from the fatigue and emotion of
the day, we were joined by them. They
did not yet know of his death. Two
mornings before, owing to the illness of
the special man who carried his traps
and assisted him in placing the speci-
mens between the drying - papers, the
captain had insisted on starting out
alone, with the expectation of returning
in the course of a couple of hours. It
was ouly, however, toward night that
his absence caused any apprehension.
They looked for him in vain that night,
and had been searching for him with-
out result ever since. So far their evi-
dence all agreed. They utterly denied
having met any other white man for
several days before that, and had seen
no suspicious character either on tl~e
day of Furnisss disappearance or since.
They had not seen Dorat. But when
they tried to explain why they had not
brought away the whole of their mas-
ters collections, or even all of his kit,
there were strange and suspicions hesita-
tions and contradictions. They professed
to know nothing of any living plants,
planted, or otherwise preserved by Fur-
niss. As the place which had been the
captains last headquarters was a long
way off and difficult to reach, Sir Thomas
decided not to go himself, but to send
one of the men from the hospital, on
whom he thought he could thoroughiy
depend, back there with one of Furniss s
black followers, in order to make a thor-
ough investigation of the camp, and
bring away everything, explaining to
him the importance of the matter.
	It seemed to us quite plain that some-
one  whether a rival or a native herb-
doctor, or, rather, herb-charmer, or, per-
haps, one of the plantation-hands who
had discovered the bodyhad searched
the botanical case found near the corpse;
and that someone had probably also
searched his tent; at the same time we
had no actual proof that Furniss had
yet attempted to dig up and remove
any specimens of the plant, even if he
had found it. He had perhaps waited
to do that until the instant of starting
on his return, when it would be in the
more developed state. Nor did we find
out anything subsequently to make us
change that opinion.
	We were just taking a hasty bite be-
fore starting on our return to town,
when there suddenly came on one of
those torrential showers which are not
unusual in tropical countries. Fortu-
nately the hut in which we were stood
on high ground, or we should have run
the risk of being swept away. Rain fell
in sheets. The continued thunder and
vivid flashes of lightning frightened the
horses, while the poor natives cowered
on the floor of the hut from fear. It
seemed as if the storm would never
end; but just when the thatehed roof
was becoming like a sieve, and we were
beginning to be wet by the drizzle, the
storm passed away as suddenly as it had
begun.
	It was, however, impossible to move.
The ground was water-soaked and the
road too heavy for our vehicles; more
than that, the dry bed of the little</PB>
<PB REF="IMG00130" SEQ="0130" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="122">	122	THE LOST PLANT.

stream we had crossed in the morning
was now filled with a rapid, raging
river. There was nothing to do but to
wait.
	By sunrise the stream had fallen suf-
ficiently to allow us to proceed, and we
reached the town without any serious
difficulty, but through what a scene of
desolation! Everywhere the lowlands
were covered with gravel and mud;
good land had been temporarily ruined,
and the sugar-canes were broken down
and destroyed. We heard afterward
that in other places serious damage had
been done to the coffee and spice plan-
tations.
	My servant, as he opened the door for
me, had a careworn and dejected look,
as if reproaching me for having stayed
out all night; and when, while waiting
for a cup of tea, I started down the
garden-path, he warned me to be care-
ful as the ground was undermined and
treacherous, or something of that sort.
A fear passed through my mind, which,
alas! was only too well founded. The
consulate was not far from the edge of
a little stream, which, in swelling so
suddenly, had cut for itself another tem-
porary channel and had swept away a
part of my gardena part which had
contained many plants which were dear
to me, and, more than all, that precious
plant which I before believed and now
felt sure was the Sirncea.


IV.

	DAYS passed, and there was no news
from Dorat. The accident to Furniss,
the destruction of my garden, and the
silence oL Dorat, worked so strongly upon
my nerves that I became disgusted with
the island and everything in it, and I
had serious thoughts of resigning. My
work had not been hard at this post, for
the trade with the United States was not
great, and American ships came so in-
frequently that the quarrels and com-
plaints of the crews were rather a diver-
sion than a burden. But a few busy
days happened to come just then, and
made me feel how wretched my life
would be were I deprived of just that
kind of work to which I had been accus-
tomed from my youth up. I was too old
to engage in another occupationeven
had I needed so to doand could not
bear the thought of absolute idleness.
Besides, the position itself is a pleasant
one to a man old in the service, who
neither overrates its advantages nor
neglects its opportunities. Some of my
friends used to think me unpatriotic
because I had lived so many years abroad.
But they forgot that I was all this time
in the Government service; and I am sure
that, if anything will make a man patri-
otic, it is to feel that it is his sole duty
in life to guard and advance the inter-
ests of his country without other cares
or occupations. He is not, like people
who remain at home, distracted by the
struggle for existence, and thinking of
the duty he owes to his country only
when drawn on the jury, or dunned by
the tax-collector, or inspirited by par-
ty enthusiasm just before an election.
Abroad, his consular or diplomatic du-
ties form the chief object of his life;
and distance and time make him love
and cherish more some manifestations
of our national life which, it is true,
might after a long absence in other
lands prove irksome to him were he liv-
ing at home.
	I therefore thought better of this, and
sent by steamerto be telegraphed from
Sueza request for a leave of absence,
to be taken at once. Before resigning,
I thought I would go home on leave,
and see whether I could not obtain pro-
motion or a change of post; but, as I
had no intention of ever returning to the
island, I proceeded to pack up or oth-
erwise dispose of my goods and chattels.
	At last, one morning I received a mes-
sage from the g~rant of the French
consulate saying that Dorat was ill with
malarial fever at the other end of the
island. He had been very low for sev-
eral days, but had finally roused suffi-
ciently to send word, and hoped to see
me before he died. Much as I could
have wished to go to him, the journey
was at that time beyond my strength.
We decided to send a good doctor, who
agreed that, if Dorat were in a state
that he could be moved, he should be
brought down to the nearest point on
the coast, and from thence, if possible,
to Port Philip by sea. I even gave the
doctor the bit of the precious drug that
I had preserved so long, explaining its</PB>
<PB REF="IMG00131" SEQ="0131" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="123">	THE TODD VILLE RAFFLE.	123

qualities, with the idea that it might
possibly be of use.
	In a few days Dorat was brought to
town, very weak, pale, and emaciated;
but the doctor seemed to think that he
had passed the crisis, and that if care-
fully nursed he would slowly recover.
Although I was expecting to sail in the
next steamerfor I had received a fa-
vorable reply to my telegramI felt that
I could not under the circumstances
leave Dorat in this condition, andto
make a long story shortI threw up
my passage, stayed on, and devoted my-
self to looking after him, making him
comfortable, and cheering the hours of
his convalescence until he was strong
enough to be sent home, when we
came to Europe in the same steamer.
It was impossible not to be impressed
with his patience, his gentleness, his
strong will, and his devotion to science.
His character appeared to me in an en-
tirely new light, and all my foolish sus-
picions and prejudices speedily vanished.
It was a long time, however, before I
dared tell him of the accident to Fur-
niss, and of my own personal disap-
pointment. To this he seemed to pay
no attention, and I said nothing more.
It was only some days afterward that he
seemed suddenly to remember the in-
cidents just preceding his journey to
the interior, and inquired how Furniss
had fared. He was evidently sincerely
shocked and astonished at the story I
had to tell him. Indeed, at first, all
memory of recent events seemed to have
passed away from him, leaving his mind
a blank. When he had recovered his
memory he felt sure that just at the
time when he was fighting with the
fever he had seen and handled the
Simcea, and made preparations for its
transport; intending to start on his
return on the very day when he was
stricken powerless. But these may
have been delusions of his fevered
brain. From that time his most ardent
desire was to get well quickly in order
to visit again that locality where he was
sure the Sirncec&#38; grew. For my part, I
tried to persuade him that we had prob-
ably all been victims of a delusion, and
that the quest was hopeless.
	I should perhaps have succeeded in
this had not the incoming steamer
brought, with introductions to me, a
small scientific party organized and sent
out by Cornell University with the in-
tention of making a careful exploration
of that and the neighboring islands,
which had been never really explored
since the time of Bougainville, and then
only superficially. Among the special
objects of the expedition was that of
discovering the Simcea, as well as the
finding of some traces of the dodo. My
part of the play was ended; and I there-
fore not only gave all the information
that I couldtelling these enthusiastic
young men the outward story of the
most recent events; but I also made
over to them for the museum of the
university all my collections and special
books, about the disposal of which I had
been somewhat in a quandary. I have
not yet heard, however, that the expedi-
tion has discovered either the lost bird
or the lost plant.


THE TODDVILLE RAFFLE.
By Edgar Mayhew Bacon.

THE day of the big raffle had ar-
rived. All the sporting men of the
township, and that included about
two-thirds of the male population, gath-
ered in the bar-room of Jacksons tavern
and prepared for the annual event by
deep potations of crude whiskey and the
unsavory combustion of alleged Havanas.
	Toddville had a custom, all its own,
which was sufficiently unique to merit
a prefatory word of explanation. All
property forfeit to the town through
non-payment of taxes, as well as unre-
deemed securities or such chattels as
had been accepted for debt or fine,
were appraised by a committee, who
took their aggregate values as a basis
and prepared a certain number of lot-
tery tickets which were sold at a uni-
form price to all comers. In purchasing</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-14">
<BIBL>
<AUTHOR>Edgar Mayhew Bacon</AUTHOR>
<AUTHORIND>Bacon, Edgar Mayhew</AUTHORIND>
<TITLE TYPE="ART">The Toddville Raffle</TITLE>
<BIBLSCOPE TYPE="pg">123-129</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00131" SEQ="0131" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="123">	THE TODD VILLE RAFFLE.	123

qualities, with the idea that it might
possibly be of use.
	In a few days Dorat was brought to
town, very weak, pale, and emaciated;
but the doctor seemed to think that he
had passed the crisis, and that if care-
fully nursed he would slowly recover.
Although I was expecting to sail in the
next steamerfor I had received a fa-
vorable reply to my telegramI felt that
I could not under the circumstances
leave Dorat in this condition, andto
make a long story shortI threw up
my passage, stayed on, and devoted my-
self to looking after him, making him
comfortable, and cheering the hours of
his convalescence until he was strong
enough to be sent home, when we
came to Europe in the same steamer.
It was impossible not to be impressed
with his patience, his gentleness, his
strong will, and his devotion to science.
His character appeared to me in an en-
tirely new light, and all my foolish sus-
picions and prejudices speedily vanished.
It was a long time, however, before I
dared tell him of the accident to Fur-
niss, and of my own personal disap-
pointment. To this he seemed to pay
no attention, and I said nothing more.
It was only some days afterward that he
seemed suddenly to remember the in-
cidents just preceding his journey to
the interior, and inquired how Furniss
had fared. He was evidently sincerely
shocked and astonished at the story I
had to tell him. Indeed, at first, all
memory of recent events seemed to have
passed away from him, leaving his mind
a blank. When he had recovered his
memory he felt sure that just at the
time when he was fighting with the
fever he had seen and handled the
Simcea, and made preparations for its
transport; intending to start on his
return on the very day when he was
stricken powerless. But these may
have been delusions of his fevered
brain. From that time his most ardent
desire was to get well quickly in order
to visit again that locality where he was
sure the Sirncec&#38; grew. For my part, I
tried to persuade him that we had prob-
ably all been victims of a delusion, and
that the quest was hopeless.
	I should perhaps have succeeded in
this had not the incoming steamer
brought, with introductions to me, a
small scientific party organized and sent
out by Cornell University with the in-
tention of making a careful exploration
of that and the neighboring islands,
which had been never really explored
since the time of Bougainville, and then
only superficially. Among the special
objects of the expedition was that of
discovering the Simcea, as well as the
finding of some traces of the dodo. My
part of the play was ended; and I there-
fore not only gave all the information
that I couldtelling these enthusiastic
young men the outward story of the
most recent events; but I also made
over to them for the museum of the
university all my collections and special
books, about the disposal of which I had
been somewhat in a quandary. I have
not yet heard, however, that the expedi-
tion has discovered either the lost bird
or the lost plant.


THE TODDVILLE RAFFLE.
By Edgar Mayhew Bacon.

THE day of the big raffle had ar-
rived. All the sporting men of the
township, and that included about
two-thirds of the male population, gath-
ered in the bar-room of Jacksons tavern
and prepared for the annual event by
deep potations of crude whiskey and the
unsavory combustion of alleged Havanas.
	Toddville had a custom, all its own,
which was sufficiently unique to merit
a prefatory word of explanation. All
property forfeit to the town through
non-payment of taxes, as well as unre-
deemed securities or such chattels as
had been accepted for debt or fine,
were appraised by a committee, who
took their aggregate values as a basis
and prepared a certain number of lot-
tery tickets which were sold at a uni-
form price to all comers. In purchasing</PB>
<PB REF="IMG00132" SEQ="0132" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="124">	124	THE TODDVILLE RAFFLE.

these tickets it had long been custom-
aryto throw dice for choice of numbers,
and as such a selection could be noth-
ing more than guesswork the result of
every drawing was watched with great
interest.
	Among the prominent loungers at
Jacksons, upon the day in question,
was Jerry Winkle. He had but little
money, and that little he had invested
in a single chance for a ticket; but the
very wealthiest capitalist of them all,
even old Major Gumble, who had paid
for ten goes with the air of a man
who could afford ten more if he wished,
did not support a loftier mien. Winkles
broad-brimmed felt hat, worn at a rak-
ish angle, suggested a challenge. Over
the frayed front of a shirt of question-
able purity an unbuttoned waistcoat
disclosed the flowing ends of a necktie.
To wear a necktie was in itself a dis-
tinction in a town where most men
were content to go collarless. Jerrys
hands were thrust into his pockets, and
his trousers into his boots. The fact
that these boots were red as to tops
and foxy about the heels, did not at all
interfere with the impression that they
were intended as a groundwork for
spurs.
	Newbury King rested one elbow on
the bar, shook the dice-box and threw.
Ace, three, four, and six spots were
the result. Six n fours ten, n fours
fourteen, chanted Jackson. Next!,
Major Gumble took the box. He peer-
ed into its depths with an air of great
authority and rattled the cubes as one
who has but to command fortune. He
cast; six chances: sixteen, eleven, four-
teen, twenty-two, thirteen, tenhe look-
ed annoyed and called for a whiskey;
then, with glass in one hand and box in
the other, he smiled once more on the
attentive crowd and threw again: eleven,
nine, twenty, twenty-three. Twenty-
three is hard to beat, he said serenely.
	From Major Gumble the box passed
to Jerry Winkle. After a little flourish
he rolled out four sixes. That beats
it, Major! he laughed.
	The number of those who ventured
was so large that the afternoon was
nearly spent before the last one had
tried his luck. Once the cast of four
sixes was equalled and Jerry was called
in from the porch to match his rival.
Again he won, and drank at his oppo-
nents expense. He had been drinking
during the day at almost everybodys
expense, so that it was no wonder that
his gait was becoming unsteady and
his speech more rapid than coherent.
Shame, aint it? commented John
Bulow, one of the village trustees.
Jerry didnt never have no head onto
him: anyway not for licker.
	When the sunset had faded and the
deep shadows began to rest in the valley
the poor drunkard lay on a wooden set-
tee on the tavern porch. The noise of
carousing, the excitement of the raffle,
had subsided. Something curious had
happened, and from the manner of those
who surrounded the prostrate, slumber-
ing man in the growing dusk it was
difficult to tell whether that something
was a joke or a tragedy.
	Hi, Jerry! wake up, shake yourself.
The prizes has been named. The sleep-
er growled something but refused to be
awakened.
	Who beat? asked a late-coiner,
stepping in from the road at that mo-
ment.
	Jerry Winkle, here, drawed first cut
and got the biggest card.
	Whatd he draw?
	Why, you see, the spokesman looked
around as though he suspected that the
matter might have a humorous side to
it, and waited to catch anyone laughing;
you see hes ben an drawedOh,
blast it, I cant tell ye, its too redeek-
bus; and here he began to laugh, the
others joining in. The absurd incon-
sistency of what they knew to be coming
captured the imagination of that audi-
ence, and the more they guffawed and
shouted over it the funnier it seemed.
At last the noise they made partially
aroused the sleeper. Whaish th
mat ?. he mumbled, feebly. Why,
Jerry, gasped the Major; Jerry, you
drunken reperbate you, youve ben an
drawed the church.
	Toddville had had a church once.
but its organization lapsed, and the
building, long mortgaged, had gone to
the hammer and sold for a song. This
was the prize that Jerry Winkle had
gambled for, sworn over, got drank
about, and won. There it stood, down</PB>
<PB REF="IMG00133" SEQ="0133" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="125">	THE TODD VILLE RAFFLE.	125

in the valley, its white clapboarded sides
gleaming dully in the twilight. Will
Dorset, the last-corner, did not join in
the general mirth as he looked first at
the unconscious owner and then at the
newly acquired property.
	The news of the raffle and its result
spread like wildfire. Country places
have no need for newspapers. News
travels across lots and up lanes and over
fences with a celerity that nothing but
its growth can equal for marvelousness.
Anent Jerry and his church. It was
a shame. The Squire, to whom Will
had reported the matter, said so, and the
sentiment was echoed by the best people
in that little community. But neither
the verdict of the more conservative
towns-people, neither the dictum of those
who had lost their right to conduct the
churchs affairs, nor the scoffing of the
stranger within the village gates could
alter the incongruous fact.
	On the Sunday following the raffle
Jerry was on his way to witness a ball
match which was to take place in a lot
two miles down the valley. He paused
in passing the church, and looked at his
big possession with a feeling that was
part pride and part shame.
	That there church is mine, he
thought. But I aint no sort to own
a church neither. He went around and
inspected the sheds. Good sheds,
too, he soliloquized. He tried the
basement door. It was locked. Won-
der who in creation has got the key?
Kinder funny, too, not to know where
the key to a mans own church is. Next
he essayed to open a window. The nail
which had fastened the sash down fell
out and it yielded to his vigorous push.
With somewhat the feeling of a burglar
he clambered in and surveyed his prop-
erty. There was the pulpit, with well-
worn cushion, where old Dominie iRees
had long ago pounded and expounded.
Jerry could well remember how, when
he was a little boy, he had used to sit
in one of the pews and dangle his short
legs as he squirmed under that ponder-
ous eloquence. That pew on the north
aisle, just under the window, was the
one that had belonged to his people.
He seated himself there, where his father
had sat, and reaching out his hand to
the book-rack took therefrom the old
VOL. VIL14
hymn-book. It had Jacob Winkle,
Esqr. written in bold characters across
the fly-leaf. Jerry had worn his hat
during these first moments of occupancy.
He now took it off and placed it on the
seat in front of him. As he did so the
whimsical aspect of the proceeding
struck him so that he laughed aloud.
Then, hushed in spite of himself by the
cold echo of his own mirth, he looked
nervously around. At the moment he
could almost have sworn that the old
audience-room was full of the old wor-
shippers looking at him, the intruder,
in condemnation.
	It was broad daylight, and the empty
place, even with its shutters closed, af-
forded no suggestive shadows where a
ghost might lurk, yet in its Sabbath
stillness it was populous. Across the
aisle was where the ministers family
used to sit. Up yonder by the pulpit,
still stood the chair once occupied by
the gray-haired precentor. It was easy
to picture his tall form, clad in the claw-
hammer coat and voluminous stock of
an older time, as he rose, book in hand,
to raise the tune. Over the whole
room was that pervading, peculiar at-
mosphere that long-disused apartments
often have; not mouldy, nor close, nor
damp; but obsolete. There was a dis-
tinct flavor of antiquity about it, as
though the last sexton, when he shut the
big door for the last time, had shut in a
fragment of that year.
	Beside the new proprietor, stuck be-
tween the cushion and pew-back, was a
large palm-leaf fan. It had his mothers
name written in faint pencil lines upon
one of its radial divisions.
	Yesterday Jerry had thought to sell
the building as old lumber, if nothing
better offered; perhaps put up a shanty
of some sort for himself upon the site.
But to-day the matter took a different
aspect. He might almost as readily re-
solve to sell the modest tombstone that
marked the last resting-place of his par-
ents out there in the little graveyard.
	He rose with a start, intending to
leave the building. There were people
coming up the road; so he waited till
they had passed before climbing out
again. Off in the distance he could hear
the shouts that encouraged some bats-
man to make a home run. The game</PB>
<PB REF="IMG00134" SEQ="0134" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="126">	126	THE TODD VILLE RAFFLE.

was in progress. For him to be absent
would excite more comment than he
cared to face just then.
	Reaching the field he lounged up to
that angle of the snake fence where a
group of rustic sportsmen had congre-
gated, and received a running fire of
greeting and comment. Hello, Jerry!
es got up? Jerry, hows the church?
When you goin to begin preachin?
	The poor fellows new relation to the
big building up the valley had at last
been generally accepted as ludicrous.
	Jerry wouldnt jine the church, so
the church had to jine Jerry. This
from one of the wits. Another add-
ed: Like the ole man in the tale
that wanted the mountain. Mountain
wouldnt come to the ole man, so the
ole man had to mosey along to the
mountain, as the feller sez.
	The subject of these remarks did not
enjoy them. The influence of his re-
cent quiet half-hour in the church was
still strong upon him. He could not
summon his usual ready wit to answer
jibe with jibe; so he turned his atten-
tion to the game and was soon among
the loudest of those who encouraged
the players.
	Should think youd be ashamed of
yourself, Jerry, a-spendin your Sunday
this way when youve got a hull meetin-
house of your own! said one, joking
him. Jerry swung half round, support-
ing himself on the arm of one of his com-
panions. You shet up, he responded.
I had nuf of that. Some folks have got
neither church nor releegion. Those
who laughed most heartily at this re-
tort were careful to keep farthest away
from an arm that they knew was still
powerful; but after his outburst Jerry
became sullen and silent.

	As time passed people began to no-
tice and comment upon a change in this
man. It was not that he was better
than before, only less companionable
and enjoyable. If anything he was
drunk ofteneronly he drank in a mo-
rose, unsociable way that his friends
could not understand. He did not
swear less than he had always done, but
his conversation between whiles was
less entertaining. His very hat lost the
jolly, aggressive air which had distin
guished it and sat soddenly on the back
of his head. Men act so when they are
in love or in debt, and sometimes when
they are in arrears to conscience.
	One thing he would not do if it was
possible to avoid itto pass the church
alone after nightfall. In daytime it
was bad enough. Since his visit it had
seemed more and more the harboring
place for a band of reproachful spirits
who saw his character and course in its
naked uglinessas he was beginning to
see it himself.
	No doubt the special direction of his
imagination was due rather to whiskey
than sober conscience. The effect was
not less real. He made, in his walks,
long detours, crossing fields and sneak-
ing along fences till the dreaded spot
was avoided.
	Yet wherever he went he could not
get rid of the sight of the white box that
stood in lieu of a spire, and which always
seemed to be saying to him, What a dis-
grace to me you are. He tried to sell
it, but, partly no doubt because he hated
so to talk about it, he failed to find a
purchaser who wanted a meeting-house
anyhow. If it had been a cow or a
horse, or even a good bull-dog of fight-
ing stock, he might have done better.
But a church! As long as it stood there
it was impossible to get even the worth
of the little piece of ground it stood
upon. People do not attach much
value to a few feet of soil in a country
where farms are measured by the hun-
dred acres. It became, with its mem-
ories, its traditions, its sanctity, a
Nemesis always watching his unsteady
footsteps.
	At last he resolved to put an end to
his torment. He would destroy the
church.
	One starlight night, having brooded
long over this purpose, Winkle start-
ed out to put it in execution. Making
a wide circuit, to avoid meeting anyone
who might be travelling upon the high-
way, he stole cautiously across the mead-
ow toward his property. He had pro-
vided himself with a bundle of straw
well saturated with oil, and this he car-
ried in his arms, so that it was with
difficulty he could pick his way. He
stumbled across a ploughed field to the
fence row of elms, and kept well in their</PB>
<PB REF="IMG00135" SEQ="0135" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="127">	THE TODDVILLE RAFFLE.	127

shadow till he had gained the brook
with its bordering wall of moving wil-
lows. This he skirted, approaching the
burying-ground. That had not entered
into his calculations. There lay the
very people the recollection of whom
had made the building unbearable to
him. For a long time he crouched
there in the shade, hugging his bundle
of inflammable stuff close, and staring at
the few white, irregular stones that
seemed to do sentry duty for the great,
square, vacant house beyond them.
That is where my father and my
grandfather lie, was the thought that
forced itself in on his mind. There is
where I shall be, too, some day, in the
old churchyard. And quickly followed
the reflection that when the church was
gone the churchyard would be naught.
	In haste now, perhaps because the
night air or some other chill was mak-
ing it difficult to keep his teeth from
chattering, or perhaps because he doubt-
ed the strength of his resolution, he
piled the straw against one corner and
placed a lighted match under it.
	An opportune gust of wind fanned
the flame into instant blaze, lighting for
a moment the white clapboards upon
which the paint was beginning to crack
and peel in places, illuminating the
sheds and even casting a glory upon the
faces of the carven marble cherubs on
the graveyard stones. But had any
other spectator been there he would
have been most struck with the look
upon the incendiarys face. Swift re-
pentance, self-hate, condemnation of, his
own evil deed, lined it with an expression
of lively remorse that the dancing light
served to intensify.
	Then with a spring he threw himself
upon the blazing heap and tore it away,
trampling it under foot, scorching and
scarring himself (as we most of us have
done) in the effort to undo the mischief
he had begun.
	One Monday morning Mrs. Busbee
was standing by her clothes-lines, basket
at foot, learning the latest news from
Liza Jane Green, who had just run over
with her budget.
	An its the queerest thing. They aint
no sense into some men. What d you
spose ever led him to go away that fash-
ion, thout ever sayin ay, yes, or no to
any of his folks? I ben down at his
aunts house an she say shes satisfied
t s bout the bes thing and the sensi-
bles thing he ever did.
	They do say he aint ben quite right
in his upper story sense he drawed the
church in that there raffle, which I claim
was about the rediclousest thing a body
ever hear tell about.
	Right er wrong, hes gone clean
away out o this place, an I dno but
what his aunts mor n half right. He
aint but small loss.
	At the tavern, at the store, down by
the blacksmiths forge the same topic
was variously discussed. Before the
raffle Jerry had been a popular man with
a certain class of people, and his sudden
departure consequently created a wider
ripple of excitement than yours or mine,
dear reader, might cause in our com~nu-
nity. For a few days his memory was
kept green, then his name was occa-
sionally mentioned in a reminiscent way,
and at last his old-time cronies found it
necessary to preface any story in which
he figured with the formula, You re-
member Jerry Winkle what used to live
here; the same one that drawed the
church?
	At length the place that had known
him well, and knew little good of him,
seemed to know him no more. Once, in-
deed, a statement was made by a sales-
man who came in his yearly round to the
place, that he had seen Jerry running a
wheel at a countyfair; but that may
have been error, or malice, or simple
mendacity. He had faded out of the vil-
lage life completely. But the church re-
mained and our story henceforth has to
do with it.
	What had become of its owner no one
knew; that is to say, no one but Squire
Dorset, and he laid out money for the
necessary paint and repairs, and paid
the taxes when they were due, without
ever betraying his principal; for no one
doubted that he was simply acting as an
agent in the matter. There was not the
slightest suspicion that the Squire had
purchased the property. He had been
an intimate friend of our reprobates
father, and he had, perhaps, on that ac-
count exerted himself to find a purcha-
ser for the son.
	But if such was the case the Squire</PB>
<PB REF="IMG00136" SEQ="0136" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="128">	128	THE TODDVILLE RAFFLE.

was certainly a most exemplary agent.
He not only kept the exterior of the
edifice in good condition, but he bus-
ied himself as well with the interior, so
that the broken benches were repaired,
the pulpit furniture furbished up, and
even the wails whitewashed. In fact, as
though having faith in the dawn of a
better day for Toddville, the Squire
or rather, that unknown someone whom
the Squire representedkept the Lords
house ready for occupancy.
	Once in a while, it is true, his neigh-
bors shook their heads and whispered
strange things about the Squire. He
was getting to be an old man, and it
was more than intimated that he was
not without the childishness of age.
The church had been the cause of one
mans unaccountable behavior, and now
it really seemed as thoughwell, at any
rate, there was no sense in spending
good money for such an object. Some
very zealous friends, after thoroughly
canvassing the matter among them-
selves, actually summoned courage to
advise young Dorset, the Squires son,
to put the old man under restraint.
Young Dorset rather surprised his ad-
visers by the readiness with which he
listened to the suggestion.
	I only see one way to do that, he
replied, quietly, and that is to employ
a keeper to go around with him.
	It is wonderful the interest that we
take in our neighbors misfortunes. In
twenty-four hours all Toddville knew
that Will Dorset thought his father
ought to have a keeper. The ole man
must be a heap sight wuss n we any of
us caclated, observed Jackson.
	Not long after this a buggy drove up
to the Squires door and a quiet-look-
ing, rather powerfully built man alight-
ed. He was met by Will Dorset. They
went quickly into the house together.
	For a day or two no one had a chance
to interview the Squires son, but at last
Major Gumble jes took the bull by
t other horn, sir, and stopped him on
the road.
	Hows your father, Will?
	Oh, hes pretty well, considering.
	I wanted to ask you, Will, whether
that there was thehmthe pusson
you was speakin about.
	Oh, yes, said the young man.
You may call him a sort of keeper, I
guess. He is a sort of a keeper.
	The new keeper seemed to humor his
charge in every possible way. It is a
trick that these skilled persons have of
keeping their patients from actual out-
break. And of course everybody was
mightily interested. Really the old gen-
tleman seemed harmless enough, only
some of his acts were amusing. For
instance, on the Saturday following the
advent of his attendant he was seen
busily tacking up notices on the trees
at every prominent point and cross-
road within a radius of three miles
from the church. These notices read:
	There will be Divine service to-mor-
row (Sunday, June 12th) in the church
at Toddville, at half-past ten oclock.
	People read, grinned, and passed on.
	But, supposing that the notices might
indicate some new phase of mania which
nobody wanted to miss, when ten oclock
drew near there was a large crowd gath-
ered on the road in front of the church.
Nor was their coming bootless. Just
before the hour arrived the writer of
the notices appeared, attended as usual
by his keeper. Together they entered
the church, after a brief whispered dia-
logue during which the stranger seemed
to expostulate and the Squire to insist
upon some point he was urging. The
crowd followed.
	Squire Dorset walked steadily to his
old pew and reverently bowed his head
there. The keeper made directly for
the pulpit, stood for a moment waiting
for the rustle and bustle of the incom-
ing congregation to subside, as, with
the force of old custom, all found seats,
and then gave out the opening hymn:

God moves in a mysterious way.

	Fairly trapped, the people of Todd-
yule joined in the singing, bowed their
heads in at Least the semblance of wor-
ship, and listened to the sermon.
	When they finally dispersed light on
more than one subject began to break
upon their understandings. Has the
reader also guessed the conclusion?
	The Rev. Jeremiah Winkle had come
home to his church.</PB>
<PB REF="IMG00137" SEQ="0137" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="129">


THE POINT OF VIEW.

B ARYES place in the history of art is
more nearly unique, perhaps, than
that of any of the great artists. He
was certainly one of the greatest of sculptors,
and he had either the good luck or the mis-
chance to do his work ma field almost wholly
unexploited before him. He has in his way
no rivals, and in his way he is so admirable
that the scope of his work does not even hint
at his exclusion from rivalry with the very
greatest of his predecessors. A perception
of the truth of this apparent paradox is the
best result anyone can carry away with him
after a visit to the exhibition of Baryes
works now being held in this city. No mat-
ter what you do, if you do it well enough,
that is, with enough elevation, enough spir-
itual distinction, enough transmutation of
the elementary necessity of technical perfec-
tion into true significance you succeed.
And this is not the sense in which motive
in art is currently belittled. It is rather
the suggestion of Mrs. Brownings lines:
Better far
Pursue a frivolous trade by serious means
Than a sublime art frivolously.

The exhibition is nominally in aid of a fund
to erect a monument to Barye in Parisin
aid, thus, of a most worthy project, and of
American self-esteem in ~sthetic matters;
the Barye Monument Association is perhaps
counting on making the Parisians blush a
little. But there are already many Parisians
who appreciate Barye. The exhibitions
real function is an educational one, and a
wider-spread comprehension of the heroic
character of Baryes work, in spite of its ap-
parently narrow scope, will be its best out-
come.
	Nothing could be more misleading than
to fancy Baryc a kind of modern Cellini.
Less than any sculptor of modern times is
he a decorative artist. The small scale of
his works is in great part due to his lack of
opportunity to produce larger ones. Nowa-
days one does what one can, even the great-
est artists; and Barye had no Lorenzo de
Medici for a patron, but, instead, a frowning
Institute, which confined him to such work
as, in the main, he did. He did it con
amore, it need not be added, and thus lifted
it at once out of the customary category of
such work. His bronzes were never articles
de Paris, and their excellence transcends
the function of teaching our sculptors and
amateurs the lesson that  household is as
dignified a province as monumental, art.
His groups are not essentially clock-tops,
and the work of perhaps the greatest artist,
in the line from Jean Goujon to Carpeaux,
can hardly be used to point the moral that
clock-tops ought to be good. Cellinis
Perseus is really more of a parlor orna-
ment than Baryes smallest figure.
	Why is he so obviously great as well as
so obviously extraordinary? one constantly
asks himself in the presence of the bronzes
now on exhibition. Perhaps because he ex-
presses with such concreteness, such defi-
niteness and vigor, a motive so ~urcly an
abstraction. The illustration in intimate
elaboration of elemental force, strength,
passion, seems to have been his aim, and in
everyone of his wonderfully varied groups he
attains it superblynot giving the behold-
er a symbol of it merely, in no degree de-
pending upon association or convention, but
exhibiting its very essence with a combined
Vor.. VI1.15</PB></P>
</DIV1>
<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-15">
<BIBL>
<TITLE TYPE="ART">The Point Of View</TITLE>
<TITLE TYPE="SECTION">The Point Of View</TITLE>
<BIBLSCOPE TYPE="pg">129-134</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00137" SEQ="0137" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="129">


THE POINT OF VIEW.

B ARYES place in the history of art is
more nearly unique, perhaps, than
that of any of the great artists. He
was certainly one of the greatest of sculptors,
and he had either the good luck or the mis-
chance to do his work ma field almost wholly
unexploited before him. He has in his way
no rivals, and in his way he is so admirable
that the scope of his work does not even hint
at his exclusion from rivalry with the very
greatest of his predecessors. A perception
of the truth of this apparent paradox is the
best result anyone can carry away with him
after a visit to the exhibition of Baryes
works now being held in this city. No mat-
ter what you do, if you do it well enough,
that is, with enough elevation, enough spir-
itual distinction, enough transmutation of
the elementary necessity of technical perfec-
tion into true significance you succeed.
And this is not the sense in which motive
in art is currently belittled. It is rather
the suggestion of Mrs. Brownings lines:
Better far
Pursue a frivolous trade by serious means
Than a sublime art frivolously.

The exhibition is nominally in aid of a fund
to erect a monument to Barye in Parisin
aid, thus, of a most worthy project, and of
American self-esteem in ~sthetic matters;
the Barye Monument Association is perhaps
counting on making the Parisians blush a
little. But there are already many Parisians
who appreciate Barye. The exhibitions
real function is an educational one, and a
wider-spread comprehension of the heroic
character of Baryes work, in spite of its ap-
parently narrow scope, will be its best out-
come.
	Nothing could be more misleading than
to fancy Baryc a kind of modern Cellini.
Less than any sculptor of modern times is
he a decorative artist. The small scale of
his works is in great part due to his lack of
opportunity to produce larger ones. Nowa-
days one does what one can, even the great-
est artists; and Barye had no Lorenzo de
Medici for a patron, but, instead, a frowning
Institute, which confined him to such work
as, in the main, he did. He did it con
amore, it need not be added, and thus lifted
it at once out of the customary category of
such work. His bronzes were never articles
de Paris, and their excellence transcends
the function of teaching our sculptors and
amateurs the lesson that  household is as
dignified a province as monumental, art.
His groups are not essentially clock-tops,
and the work of perhaps the greatest artist,
in the line from Jean Goujon to Carpeaux,
can hardly be used to point the moral that
clock-tops ought to be good. Cellinis
Perseus is really more of a parlor orna-
ment than Baryes smallest figure.
	Why is he so obviously great as well as
so obviously extraordinary? one constantly
asks himself in the presence of the bronzes
now on exhibition. Perhaps because he ex-
presses with such concreteness, such defi-
niteness and vigor, a motive so ~urcly an
abstraction. The illustration in intimate
elaboration of elemental force, strength,
passion, seems to have been his aim, and in
everyone of his wonderfully varied groups he
attains it superblynot giving the behold-
er a symbol of it merely, in no degree de-
pending upon association or convention, but
exhibiting its very essence with a combined
Vor.. VI1.15</PB>
<PB REF="IMG00138" SEQ="0138" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="130">	130	THE POINT OP VIEW.

scientific explicitness and poetic energy to
which antique art alone furnishes any par-
alleL For this fauna served him as well
as the human figure, though, could he
have studied man with the facility which
the Jardin des Plantes afforded him of ob-
serving the lower animals, he might have
used the medium of the human figure
more frequently than he did. When he did,
he was hardly less successful; and it is a
great pity that reproductions of the four
splendid groups which decorate the Pavil-
ions Denon and Richelieu of the Louvre are
not shown in the current exhibition. They
are in the very front rank of the sculpture of
the modern world. It is a pity, too, from
the point of view of popularizing Baryc, that
the inevitably more popular part of the ex-
hibition should be composed of one of the
most remarkable collections of the pictures
of the men of 1830 that have ever been
assembled.


	So much of Thackerays private life is
still unfamiliar that not many people were
aware that he ever allowed himself the lux-
ury of a private secretary. It seems that
he did, and there is a holding up of hands
more or less general over the intelligence
that a certain Mr. Langley, who served him
in that capacity for a year or two along
about 1860, kept a diary during the term of
his employment wherein he set down many
sayings and notes of interest about his em-
ployer, and that this diary is very shortly
to be offered to the world. Whether this
Mr. Langley is living or not, and to whom
or under what conditions his notes are to be
sold, has not transpired at this writing; but
there have appeared divers intimations, the
nature of which can be accurately gathered
from a paragraph of the Tribune, which
runs:

	Reminiscences of a writer so great, and a man
so wise and witty and so loved, would be very de-
lightf ci no doubt; but what are we to think of one
who could record for the public such intimate de-
tails of a hero so reserved? If Mr. Langley be
publishing them himself, it must be said that he is
an ungrateful cur; if he be dead and this is the work
of sordid survivors, not much less can be said of
them. Thackerays feelings on this matter were
so strong that honorable people have regarded his
expressed wish with something of the same respect
inspired by the legend on Shakespeares grave-
stone.
	That Thackeray should have wished that
his private life should remain hid was nat-
ural enough. A great many persons now
living have similar feelings, and are quite
as indisposed as ever he was to be ripped
up, as Baron DEyncourt would say, and
have their personal concerns published to
the world. That his personal wishes in the
matter should have bound his daughters
and near friends was to be expected, but
that they are binding on all men for all
time is by no means so clear.
	For convenience sake a man is permitted,
within certain limitations which vary in
various countries, to say whoshall have his
property when he dies. He can bequeath
his houses and lands, his stocks, bonds,
money, books, cattle, and bric-a-brac. But
he cannot bequeath his wife or his grown
children, for they belong not to him but to
themselves. No more can he bequeath the
story of his life to anyones exclusive use, or
to disuse, for that is not his either. That
is part of history, and belongs to any son of
Adam who cares to investigate and use it.
The notion that the worlds acquaintance
with the man Thackeray is to be only so
intimate as Thackeray might have chosen
to permit, is not sound. What is told or
said of a man while he is alive he is per-
mitted to resent, if he doesnt like it; but if
he tries to bind posterity not to explore his
record after he is dead, he tries to control
what is no longer his. What he did in the
world he left in the world, and it belongs to
the world ; and, if it is worth while exploring,
the world is perfectly at liberty to look it
up at its convenience. History is the record
of human lives and their results. Consider-
ing what Thackeray got out of history, he
was the last man who should have objected
that history should get its own from him.
	The truth is that there are few things in
the world so valuable as the records of the
lives of great men, and particularly of great
men who were good. The more complete
such records arethe more they include
those matters of daily private life which
mark the growth of characterthe greater
is their value. It is not alone the story of
a strong mans strength or a great mans
greatness that the world needs. The weak-
nesses he overcame, the adversities he
struggled through, the thousand mistakes
that he survivedthose are what mankind</PB>
<PB REF="IMG00139" SEQ="0139" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="131">	THE POINT OF VIEW.	131

has most need of for its encouragement
and help.
	A great deal of information has come out
about Lincoln lately that must be rather
painful reading for his children, and dis-
tasteful to people who want to canonize
him, but not a line of it can be spared.
He was one of the men about whom the
world has a right to know the whole truth
and to strengthen itself with every fact that
tells how man can suffer and grow strong.
And another man of whom the same is true,
though in a less measure, was Thackeray:
a great man, a great-hearted gentleman,
who loved the truth and struggled toward
it all his life long, and whose heart was so
tender, and his pity and love for humanity
so gentle and constant, that hosts of readers
who never saw his face have learned to love
him with an intimate personal regard.
That the personal history of such a man
shall never become known is altogether too
much to expect. It is much too valuable
to be lost. There are fitnesses of time that
may properly be respected, but in due sea-
son Thackerays life must be written, if not
adequately, at least as fully as possible.
Let us hope that these notes of Mr. Langley
may add something of value to the existing
materials for such a work.



	A PERSON whose identity it is unnecessary
to publish here, but a very important person,
was grumbling the other day about those
ambitious paragraphs in the untrammelled
press which record from December to May
that Mrs. Thompson Jones had a party, and
Mr. and Mrs. Brown Robinson and Mr.
and Mrs. Rogers Smith were there, ex-
pressed himself as fatigued with the rec-
ord of these events, and with the constant
repetition of the same names in connec-
tion with them. Why these names and no
others, he wanted to know, and argued
that the apparent recognition of their worth
conveyed in this exclusive notice was one
thing that lulled these people in the delu-
sion that they were the folks, and made
them feel above other persons whose move-
ments gained less notoriety. He wanted
something done about it.
	This, to tell him that he is fretting over
something that ought not to disturb him.
When he goes to the theatre does he com-
plain because his name and yours and mine
are not on the play-bill, but all the space
there is given up to identifying a lot of actors
who are not a bit more worthy, when it comes
down to real worth, than we are? Let him
take rich New York society from the same
point of view. The persons whose social
achievements get so much more notice than
ours may not be really more admirable than
we, but they are occupying the stage. So far
from being vexed at them, he ought to
regard them from afar off with grateful
emotions, as persons who are employed to
perform social feats at their own expense
for his diversion, and whose operations are
kindly set forth in the public press so that
he can easily inform himself about them
when personal observation is not convenient.
Not the books in the Astor Library, not the
pictures in the Metropolitan Museum, nor
Cleopatra, her needle in the Park, are
more distinctly ours to use and to profit by
than these Brown Robinsons and Rogers
Smiths. When their splendor has its set-
backs it is for us spectators to draw moral
lessons therefrom for our use. When young
Thompson Smith elopes with a ballet-
dancer we can wag our heads as we read
about it and be thankful that our sons are
not exposed to the demoralizing influences
of large means; and the same when Be-
nita Brown Robinson marries some scare-
crow prince, or Lawrence Perry the Young-
ers difficulties with the governors of the
Union Club are advertised to the world.
Be sure the recording angel takes regular
note of the advantage it is to us to have
these rich always with us, and that we shall
be held to strict accountability for all the
profit we ought to have received from our
newspaper familiarity with their ingoings
and outcomings, and all their vicissitudes
of experience.


	ADMITTING all the moral degradation of
the lively Gaul, let us for one brief moment
try to keep our excelling virtue from the
question: Why is it that our educated peo-
ple read novels still of style so bad, of text-
ure so light, of meaning so vacant that no
Palais-Royal book-stall would venture to
imprint them? Or, rather, why are they of
France such artists, and yet such wicked</PB>
<PB REF="IMG00140" SEQ="0140" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="132">	132	THE POINT OF VIEW.

ones? Why do they still care for excel-
lence in art, if in nothing else? Incompar-
able in the calm pursuits of peace, they
throw together a few thousand oils, a few
hundred aquarelles, a few million bits of
fused sand or baked clay, and all their
mighty neighbors flock to Paris and step
gingerly, admiring, through the show-
shelves of this beaten people. Such artists
are they! so delicately, so consummately
do they work, each in his quiet little shop,
or field, or study! And all the time one
has the consciousness of Germany, like
some healthy, burly boy, beating noisily
for mischief on the outer gates.
	Yet three things more impressed one than
the Exposition, there, abroad, last sum-
mer. In one corner of the Place of Peace
stands a statue, the typical figure of Stras-
burg, of Alsace-Lorraineone of the nine
or ten figures that personify the old prov-
inces of France. I do not mean such cow-
ardly abstractions of convenient government
as Indre-et-Loire, Seine Infirieure, Oise-
et-Cher, and the like, but Gascony, Bur-
gundy, Brittany, Touraineentities, per-
sons, that were flesh and blood, and faith,
and wine, and fire; things that had a being,
and a spirit-of-body, as we say, when France
seemed like to have some further history;
and hence grew inconvenient, as a heroine
in a manage de convenance. The other
statues stand naked; but Alsace-Lorraine
is buried in a pyre of wreaths and flowers
funeral flowers, immortelles; with faded
roses, lilies, violets, now a brownish dust,
the sentimental offerings of nigh twenty
years of Frenchmen. And, over all, a canvas
legendwritten on the gates of Stras-
burg
	Qui vrvx9	LA FRANCE!
	1871	18
	Hardly a Frenchman in all Paris thought
that an overweening phrase, when put there
first; and now scarce ten years remain;
and yet, not yet, has once the German sen
tinel at Strasburg, roused at night, called,
Who goes there? to the Western fields, and
heard the answer, France.
	And then, one day last August, all the
master-singers of the French nation were
called together in the Trocad~ro to sing the
Marseillaise. Four thousand of them sang
it through, and they sang it well and sweet-
ly; and the audience was orderly, and ap-
plauded with discrimination. And their
harmonies seemed to me to give a gentle
answer to that unanswered question of the
Alsace statue. For whereas, in the hun-
dred years last past you could not get three
Frenchmen in a cellar, and let them sing
the Marseillaise, under their breaths for
fear of the law and the Imperial guards,
with safety to the roofbut here, with
those four thousand Frenchmen singing, the
criticism was of lack of force; aux armes!
was sung like aux amours.
	The d~icadence, it is, they tell us there in
Paris; and they have a school of writers
who affect the name. Perhaps it is so; and
with the arts come the vices. Yet surely
there may be, as there has been, a greater lit-
eratureElizabethan, Greekthat breathes
of the sea and the free field, that springs
from commerce, not the factory, that be-
seems a rising people and a doing world,
and yet is built for men and women,
not commercial travellers and girls. And
then you went to that Rhine no longer
French, and there, on the first backward
bend of the river, you find the answer
again; the huge figure of Germania, plant-
ed on the Niederwald, her back to Germany,
guarded by the Hohenzollern eagles, and
facing to the French frontier. Barbarian
it may be; like some nightmare of the
dark ages it may seem to enlightened Paris;
but it stands there, in the German forest,
counter to that recumbent Alsace-Lorraine at
the streets corner, to remind a dainty age
that strength, after all, must underlie craft,
and that hearts do more of this worlds work
than heads, to-day.</PB>
<PB REF="IMG00141" SEQ="0141" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="133"></PB>
<PB REF="IMG00142" SEQ="0142" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="134">IN A HUNGARIAN VILLAGE,
V</PB></P>
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<TITLE TYPE="MAIN">Scribner's magazine. / Volume 7, Issue 2</TITLE>
<TITLE TYPE="OTHER">Commentator</TITLE>
<TITLE TYPE="OTHER">Scribner's commentator</TITLE>
<PUBLISHER>Charles Scribner's Sons</PUBLISHER>
<PUBPLACE>New York </PUBPLACE>
<DATE>February, 1890</DATE>
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<DIV1 TYPE="article" DECLS="/moa/scri/scri0007/" ID="AFR7379-0007-16">
<BIBL>
<AUTHOR>Herbert Ward</AUTHOR>
<AUTHORIND>Ward, Herbert</AUTHORIND>
<TITLE TYPE="ART">Life Among The Congo Savages</TITLE>
<BIBLSCOPE TYPE="pg">135-157</BIBLSCOPE>
</BIBL>
<P><PB REF="IMG00143" SEQ="0143" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="135">VoL VII.
SCRIBNERS MAGAZINE.
FEBRUARY, 1890.




LIFE AMONG THE CONGO SAVAGES.
By Herbert Ward.
No. 2.

	BOUT noon on March
A bronzed, meagre,
12, 1877, Stanley,
		and with blanched hair,
		leaning forward in his
		canoe, and shading his eyes
	~	from the fierce tropical sun,

gazed upon the vast ex-
panse of water since known
	II	as Stanley Pool. In his
~	/	flotilla of native canoes he
		had with him his sole sur
 -	viving w hi t e companion,
Upoto War Knife.	Frank Pocock, and his gal-
	lant band of Waugwanas,
natives of Zanzibar. For more than two
years and a half they had travelled ever
onward, undergoing the keenest priva-
tions, frequently escaping only by that
happy tact and judgment which are
among Stanleys principal characteris-
tics.
	It will be forever fresh in our minds
how, after circumnavigating the central
African lakes, he pushed his way to Ny-
angwe, where he augmented his forces
by engaging some Arabs and their fol-
lowing to accompany him down the Lu-
alaba River for sixty marches. A por-
tion of the caravan floated down the
river in canoes, and the remainder forced
their way along the banks through the
dense and deadly forests, after frightful
hardships and large loss of life. The
Arabs refused to accompany Mr. Stan-
ley any farther, on account of the rav-
ages which sickness had made among
their numbers, and also on account of
the extremely hazardous character of
the enterprise, in which they had but
little faith.
	Stanley, undaunted by this desertion,
and accompanied by his sole remaining
white man (the plucky young English-
man Frank Pocock), and his faithful
but discontented handful of Wangwana
followers, determined to push on at all
hazards in canoes. They embarked near
the Seventh Cataract, since popularly
known as Stanley Falls. Very soon they
encountered serious hostility from the
natives. At the mouth of the Aruimi
River thousands of savages came out in
their enormous war-canoes to attack
him, crying, Nyama! nyama! (Meat,
meat) for in these regions the people
are cannilhals, and the significance of
their cry was obvious.
	By dint of hard fighting, indefatigable
energy, combined with masterly diplo-
macy, he forced his way down the Con-
go River to the Atlantic Ocean, thus
clearly solving the course and connection
of the Lualaba with the Congo. There
is, even to this date, no more thrilling
book of travel than Stanleys Through
the iDark Continent, in which the great
explorer has narrated to the world the
interesting record of this memorable ex-
pedition.
	When Stanley reached Europe, the
keenest public interest was directed tow-
ard this vast country, never before vis-
ited by a white man, and His Majesty
King Leopold II. of Belgium commis-
sioned Stanley to return again to the
Congo country, and post stations at the
most advantageous points, in order that
copyright, 1890. by charles Scribners Sons. All rights reserved.</PB>
<PB REF="IMG00144" SEQ="0144" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="136">136	LIFE AMONG THE CONGO SAVAGES.

these benighted savages in the heart of
Africa might receive the benefits of civ-
ilization. For four years Stanley tray-
elled about the country negotiating
treaties for concessions of territory with
the native chiefs, which were to form the
basis of the creation of the Congo Free
State.
	It was while transporting his boats
and small steam-launches through the
cataract region of the Congo, in order to
put them together on Stanley Pool for
the navigation of the Upper Congo, that
Stanley was christened by the natives
Bula Matadi (The Stone-breaker), from
his having blasted rocks which obstruct-
ed his road. The name Bula Matadi is
uttered with respect and awe by the al-
most numberless inhabitants to the ut-
most limits of the Congo Free State.

	In the beginning of 1884 I reached
England, suffering from malarial fever
contracted while travelling in the far in-
terior of North Borneo. As I regained
my health my desire to travel in new
countries revived, for the fascination of
being the first white man to view a new
countryto be the first white to visit
strange savage tribes, who live in far-
away wilds, which have hitherto proved
inaccessible to civilizationwas at that
time strong within me. I could not do
better than to become connected with
an enterprise such as Mr. Stanleys
consequently, upon receiving an appoint-
ment from Brussels, through Mr. Stan-
leys influence, I proceeded in 1884 to
the Congo.
	Landing at the mouth of the Congo
River, and embarking on a small steam-
launch, we steamed an entire day past
mangrove swamps, until we reached
Boma, now the seat and the principal de-
pot of the Government of the Congo
Free State. Here are now several large
factories belonging to French, Dutch,
Portuguese, and English trading com-
panies, who exchange Manchester and
Birmingham goods for native produce.
	From Boma, steaming another entire
day, we reached Vivi, a station estab-
lished by Mr. Stanley at the farthest
point of navigation. Vivi Station was
at that time the base of administration.
There were here about fifteen white
men of different nationalities, living in
houses made, some of planks, others
of mud and grass, and a few, of higher
pretensions, were roofed with corru-
gated iron. After remaining in Vivi
for a few days, in order to receive my
instructions, and to prepare my loads
for the overland march into the interior,
I started with native carriers of the Ba-
kongo tribe. For four days I marched
on the north bank of the Congo, over
rugged hills, through dense patches of
forest, ever and anon catching glimpses
of the Cataracts of the Congo River,
eddying and whirling among enormous
rocks and cliffs; while on the south
side most picturesque glimpses of the
far country beyond were plainly visible.
It was the rainy season. Wet weather,
deep muddy swamps, long grass, and
mosquitoes, were prominent features of
this journey.
	At Isanghila a station had been es-
tablished as a depot for the boat service
between Isaughila and Manyanga, a
stretch of wild, swift water, navigable
only with great caution and local knowl-
edge. The natives are lazy and indo-
lent. The influence of trade-rum here
has its demoralizing effect ; their only
ambition seems to be to scrape together
a few ground-nuts and palm-kernels,
which they carry to the European trad-
ers at Boma, to sell for trade-rum, a fiery,
spirituous poison prepared in Europe
solely for the African trade.
	The Bakongo of this region are in-
tensely superstitious. For instance, one
of their superstitions is the belief that
certain individuals are in league with
the elements. Upon one occasion the
Type of Sangala.
(Drawn by the author.)</PB>
<PB REF="IMG00145" SEQ="0145" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="137">LIFE AMONG THE CONGO SAVAGES.	137





































missionaries desired to build a little
iron church on the summit of a hill,
near the mouth of the Congo. The
natives, however, indignantly refused to
allow them. Bribes and persuasions
were of no avail, but eventually they ex-
plained to the missionaries the reason
of their objections. They said, If you
build a great, ugly house of iron like
that, we shall have no rain. Never has
such a house as that been in this coun-
try. Such a thing would surely frighten
away the rain. Even to this day, in
certain parts of the lower Congo, when
there is a drought, they attribute it to
the white man, For, they say, be-
fore the white men came these things
always went on regularly. Our dry sea-
son was so many days, and our rainy
season lasted so many days, but now the
elements are demoralized. It was very
weak of us to let the white men pass
into the country. They have a playful
little habit, also, of kidnapping people,
and keeping them bound, hand and foot,
close prisoners, until the rain comes.
A Bangala Native and hia W,fe.</PB>
<PB REF="IMG00146" SEQ="0146" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="138">138	LIFE AMONG THE CONGO SAVAGES.

Women are, of course, the cause of the
majority of the native wars. But the ec-
centricities of the elements are the cause
of a great deal of trouble and blood-
shed. One chief will threaten a neigh-
boring chief, in a moment
of anger, that he will tie
up the rain. Consequent-
ly, should the rain be late,
the reason is attributed to
the threat of this chief, and
bloodshed follows.
Manyanga h a s a com-
manding position on the
north bank of the Congo,
being built on the crest of
a hill, about eighty miles
from Isaughila. But it has
proved fatal to the health
of white men. The rows of
rough stone-heap graves at
the foot of the hill tell their
own sad tale. It might be
reasonably supposed that a
site so high above the sea-
level would be sufficiently
elevated to escape the malarial fogs; but
the contrary is found to be the case, as
at the station on the opposite side of the
river, situated on a sand-bank just above
the river-level, there is hardly any sick-
ness. Hilly sites are constantly under-
going changes of temperature; after
the blazing heat of the tropical sun
comes a cold withering wind, which too
frequently is the forerunner of chills
which prove so fatal in that country;
whereas the low-lying and sheltered sit-
uations are not subject to such sudden
changes.
	From Manyanga to Stanley Pool, a
distance of about seventy miles, the
country becomes more park-like, with
long plateaus and picturesque land-
scapes. It is a remarkable feature that
this portion of the country should be
utterly devoid of game. It is, doubtless,
on account of the nature of the soil.
From the coast to this point the inhab-
itants are Bakongo, whose language
is soft and rich in expression, and is
rendered particularly harmonious by
its alliterative concord. Stanley Pool
marks the commencement of the Ba-
teke tribe, whose language is of a mono-
syllabic order, and they have a pecul-
iar sing-song mode of speaking. They
Type of Bopoto.
(Drawn by the author.)
are traders, acting as middle - men in
the ivory trade between the Babangis
of the upper Congo, who come down
in their large canoes with tusks of
ivory, and the Bakongos, who dispose
of the ivory to the Euro-
pean traders on the coast.
The Batekes are indolent,
cunning, and utterly de-
void of the elements of civ-
ilization.
	Leaving Stanley Pool, the
scenery up to Kwamouth is
remarkably picturesque, be-
ing thickly wooded country,
with bald patches on the
summits of the hills, the
action of the rain having
washed down the rich soil.
One is immediately im-
pressed by the superiority
of this country, when com-
pared with that lying be-
tween here and the coast.
There the hills are more
abrupt, more rocky and
arid, especially after the grass fires,
which occur at the end of each dry sea-
son. The first village of importance
after leaving Stanley Pool is situated
on the south bank. Mr. Stanley estab-
lished a small post here, in 1882, leav-
ing in command Lieutenant Jannsen,
who was known to the natives as Nsusu
Mpembe (White Fowl). He was unfortu-
nately drowned in tbe autumn of 1883,
while crossing the river, his canoe being
capsized in a tornado.
	The country now becomes more culti-
vated, and one catches passing glimpses
of little villages snugly stowed away in
the dense forests which fringe the river.
The undulating country at the back is
here and there cultivated with patches
of cassava, planted in rows. It is here
that the Kasai River empties itself into
the Congo. There is a marked contrast
in the color of the waters, the Kasai
being of a thick clayey color, while the
Congo is black and muddy. Captain
Wissman, the German traveller, was the
first to explore the course of this great
Kasai River. Previous to his descent,
in 1885, its course was purely a matter
of conjecture. At the time of his arri-
val there was a State station at its con-
fluence with the Congo. Wissman had</PB>
<PB REF="IMG00147" SEQ="0147" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="139">Village Scene at Bangala
f
I</PB>
<PB REF="IMG00148" SEQ="0148" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="140">140	LIFE AMONG THE CONGO SAVAGES.

been travelling down the Kasai River for
many months in canoes. Upon reaching
the Congo he could hardly realize where
he was, and his
anxiety got so
much the better
of him that, be-
fore he had time to
get his canoes prop-
erly beached, he
had plunged into
the water, and wad-
ing ashore eagerly
asked, What river
is this?
	Since that time
other expeditions
have ascended the
Kasai and its tribu-
taries, and its whole
course is nowknown
to the world. The
Congo State has
now a post at the
far-away headquar-
ters of this river,
and for many years
past Portuguese ad-
venturers have been
in the habit of vis-
iting these districts,
engaged in the slave
and ivory trade.
They are even to
this day carrying
on their nefarious
traffic.
	The next village of importance on
the Congo is Chumbiri. Palm - trees
abound, planted in avenues, and under
their friendly shade are the huts of
the natives, built in streets and open
squares. These palm-forests, combined
with graceful banana-trees of different
hues, and occasional fan and borassus
palms, form a beautiful picture in the
strong, tropical sunlight. Kwamouth is
the division of the Batekes and Ba-
bangi tribes. The Babangi are a much
more enterprising tribe, and of a more
open disposition than the indolent, ava-
ricious Bateke. There is a great variety
of food in this villagepumpkins, sweet
potatoes, egg-fruit, bananas, plantains,
palm - nuts, palm - wine, maize, peanuts,
manioc; also many plants used by the
natives as vegetables, most of them re
Knife and Sheath, Kassongo,
Central Africa.
sembling spinach in flavor. Portions
of old canoes turned upside down, and
placed at right angles, with a grass roof
over them, form seats and are used for
native palavers, palm - wine drinking,
and general places of assembly.
	The chief, Thinda, is an old man,
generally to be seen lying back upon a
log, smoking a long Bateke pipe, with a
bent metal stem, the bowl resting on
the ground; his son, a bright-eyed, mis-
chievous boy of about ten years, sitting
beside him. The old chiefs face is
generally adorned with paint and with
white chalk on his eyelids, and yellow
and red stripes and spots down his arms
and on his breast ; his mustache is shaved
from the upper lip, with the exception
of two ends over the corner of the
mouth, standing out like bristles; his
beard is plaited into a string about six
inches long; and hanging over him from
a bough of the beautiful, soft - leaved,
shady tree under which he reclines, is
his staff of state, an old spear, orna-
mented with strips of wild - cat skin,
and the knob covered with some yellow
stuff resembling the bread-crumbs on a
fish-ball.
	During the founding of the Congo
State it was decided to establish a sta-
tion at Bolobo, on account of the vast
population. But it was not until 1883
that a white man was found competent
to deal with the natives. Twice the sta-
tion had been burnt down, and several
fights had occurred, when Lieutenant
Liebrechts, a Belgian artillery officer,
was placed in command and established
order. At Bolobo the natives have
great trading interests, and act as
middlemen between the up-country
ivory traders and the Bateke of Stanley
Pool. There are, here, two separate
tribes, the Bayansi and the Bamoc.
The Bayansi of Bolobo are essentially
traders, but the Bamo6 cultivate on an
extensive scale
and are great
fishermen.
There is an _____
abundance of ~	-
fish, from small
white-bait to
fish weighing
one hundred and fifty pounds; and the
natives have various modes of fishing.
Tippo Tiba Sandal, with hia compli-
menta to Herbert Ward.</PB>
<PB REF="IMG00149" SEQ="0149" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="141">Hamad ben Mohammed Tippo Tib.</PB>
<PB REF="IMG00150" SEQ="0150" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="142">142	LIFE AMONG THE CONGO SAVAGES.

For instance, in order to catch the fish fowl, red-legged partridges, and wild-.
that frequent the shallow parts around duck in abundance.
the sand-banks they use lengths of cane It was in a large plain, just below the
trellis about six feet high. They ap- village of Bolobo, that my friend and
proach stealthily by night, as a rule, companion, E. J. Glave, once had a very
and surround a narrow escape from a charging buffalo.
large portion of He had come upon a large herd, con-
the shallow water sisting of about two hundred buffalo,
by means of the but unfortunately only managed to
c an e - w o r k, so wound a bull in the shoulder. The re-
that no fish can mainder of the herd stampeded off, but
e s c a p e. They the wounded animal trotted into a neigh-
then c o n t r a c t boring patch of scrub. As Glave ap-
t h e i r circular proached, the infuriated brute rushed
wall until the into the open and stood dazed for an
circumference is instant, then, with neck extended, he
small enough to stuck back his ears, stamped with his
admit of their us- foot, and sniffing the air and with an
ing their barbed ominous twitch of his tail charged
spears. straight for Glave, who was about fifty
To the fish who yards off. Glave was armed with a Mar-
Cannibal Trophy at Upoto. are inclined to tini rifle, and at the pace tbe wounded
(Drawn by the author.)	bask in sluggish buffalo was charging lie had to depend
water the natives on the one shot. Waiting coolly until
are accommodating. They arrange a the brute had approached within a few
stockade projecting into the current feet of him, his head close to the ground,
about twenty yards, at right angles to bellowing with rage, Glave raised his
the river bank. Upon this they attach rifle and shot the infuriated animal in
small bushes, the whole forming a break- the heart. So sudden was the shock
water, in the lee of which the indolent and so great the impulse that the brute
fish can resort, sheltered from the cur- turned a complete somersault, and Glave
rent. In the most advantageous position had only time to jump aside to avoid
are placed artfully contrived traps, made being crushed. The two Zanzibaris
on the principle of our lobster pots, and who accompanied him remained in the
baited with manioc root. They are well background, and as they realized the
acquainted with the art of curing fish. danger keenly when they saw the dead
Upon a platform, built about two feet buffalo, they uttered fervently the Mo-
from the ground, across which are laid hammedan prayer, Hemd Ii Allah!
small sticks, the fresh fish are arranged, While stalking the herd, Glave had
and then thoroughly dried and smoked given a native his helmet to carry, but
by means of a fire placed underneath, in the excitement the native had ran
During the hot, dry weather they are off into a neighboring bush, where he
able to cure fish in the sun, but the was safely perched in a high tree. So
climate being generally damp, this pro- thoroughly scared was he by the charg-
cess is only occasionally practicable. A ing buffalo that he could not be per-
great trade results, in the exchange of suaded to come down with the hat.
fish for vegetable food, between the na- They shouted to him that the danger
tives who reside on the river banks and was past, but he would not believe it.
the inland tribes. In the district of At last another man had to go up the
Bolobo is to be found everything that tree and bring down the helmet. In
this portion of central Africa produces consequence of the exposure without a
 large plantations of maize, peanut, hat, Glave was attacked with a very se-
sugar-cane, plenty of goats, fowl, ducks, vere fever. That night he became de-
and sheep; and the surrounding forests lirious, and it required the united ef-
and plains harbor numberless herds of forts of his blacks to control him.
elephants and buffalo. In the planta- A station was established at Lukolela
tions are always to be found guinea- in 1883 byMr. Stanley, and left in charge</PB>
<PB REF="IMG00151" SEQ="0151" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="143">7/

1.

Herbert Ward and Follawers at Bangala Central Africa.
~j

r~ 77
I,</PB>
<PB REF="IMG00152" SEQ="0152" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="144">144	LIFE AMONG THE CONGO SAVAGES.

of my friend Glave. It is an important
post, from its strategic position, as here
the Congo narrows very considerably, so
that everything that passes up and down
the river at this point can be clearly
seen. It is situated in a dense forest,
probably the thickest in
the whole country, and
which contains a great
variety of timber. The
natives are a peaceable
and good - natured peo-
ple. Lakolela is also the
centre of a large game
district, many species
being found in that vi-
cinity.
	In the country at the
back of Lukolela there
are some powerful but
peaceable tribes, at the
head of whom is a chief
who has rather a unique
superstition, w h i c h is
that he must not see the river Congo.
He is now an old man, close on to sev-
enty years; but neither himself nor his
father before him has ever seen the
river. He has the impression that the
day he sees the river will decide the
date of his funeral. He will go down
within a few miles of it, but never
rims the slightest risk of catching a
glimpse. Among these peoples there
is a custom that a big chief in a dis-
trict, on having proved to the satisfac-
tion of the assembled chiefs that he is
the wealthiest, and, physically speak-
ing, the strongest, is invested with the
order of the Tall Hat. This resembles
very much the stove-pipe hat of civilized
life, only with the brim at the top, and
is made of plaited fibre.
	Nearly opposite Lukolela Station is
situated the mouth of the Alima, a river
very important in connection with Dc
Brazzas enterprise, as this water-way
completes his transport service through
the French Congo territory. The head-
quarters of the French Congo posses-
sions are at Gaboon, situated on the
southwest coast of Africa, one degree
south. They convey their transports up
the river Oguwe, the mouth of which is
at Gaboon. The French ascend this
river to the limit of its navigable waters,
when they march overland for seven or
eight days, and again embarking at the
head-waters of the Alima enter the Con-
go near Lukolela. This is a very danger-
ous route, on account of the many rapids
and the rocky nature of the water-way.
	Many of the villages on the upper
Congo consist merely of
fifty to sixty log-huts,
two-thirds of the popu-
lation being generally
women. In many dis-
tricts women are consid-
ered as currency, their
value increasing as they
attain a greater degree
of corpulency. Each
woman has as many
metal ornaments as she
can wear, some compos-
ed of iron, others brass
and copper. These met-
als are the money of the
country, so that the more
a woman can heap upon
herself the greater becomes her value.
Each chief has as many wives as he can
afford to buy or marry, which is only
another form of purchase. Early in the
morning few of these women are to be
found in the villages, as they start off at
daybreak to work in their plantations,
and do not return until about noon.
However, a few always have to remain to
attend to the necessary domestic items
of life, such as cooking and their toilet.
These central Africans are very partic-
ular in all items in connection with their
toilet, which consists of plaiting their
hair, shaving off the eyebrows, pulling
out the eyelashes, cutting their nails
right down to the quick, and besmear-
ing their bodies with a mixture of palm-
oil and camwood.
	In another part of the village are seen
some of the villagers engaged in making
fishing nets and basket-work, and being
helped by the young boys of the village,
who become initiated into these crafts
at a very early age. Again, under some
shady tree, in another corner of the vil-
lage, some natives will be engaged in
the manufacture of pottery. In this
they display a great knowledge of their
work, mixing the different clays so as to
stand firing. They have no moulds
nothing but the practised eye and hand
to assist them, and it is really wonderful
Type of Aruimi Native.

(Drawn by the author.)</PB>
<PB REF="IMG00153" SEQ="0153" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="145">LIFE AMONG THE CONGO SAVAGES.	145

Balolo Type.
(Drawn by the author.)
to see a lump of clay, in the hands of an
African savage, moulded, in the space of a
few minutes, into a useful article of pot-
tery, rendered really artistic by its neat-
ness and tasteful design.
	A busy nook in a
village is always the
blacksmiths shop,
generally merely a
grass roof support-
ed on bare poles.
Like the corre-
sponding institution
of civilized life, it is
the resort of local
gossipers. In the
centre are the rough bellows, composed
of wood and skin. The smelting of
the ore is done by means of charcoal
fires made in ant-hills. As a rule, the
whole kit of the blacksmiths tools in-
cludes three or four different kinds of
hammers, resembling doctors pestles
some pointed, some fiat, and others
square. For an anvil, a block of iron about
four inches square, and some native cups,
made of special clay, for melting metals.
The rough iron ore, as provided by nat-
ure to man, enters this rough African
savages hands, and leaves it either in the
shape of a knife, arrow-head, or spear, so
deftly and artistically worked as to be
universally admired. Lou g practice has
given them a very wide knowledge of the
nature of metals, and they know exactly
how to temper them. A good deal of
brass passes through the hands of the
village blacksmith, because for means of
intertribal trade the brass anklet is in
great demand. This metal is introduced
into Africa by the
white traders, who
have penetrated into
that country. Before
the natives can use
this metal they must
render it malleable.
To effect this they
melt into it native
lead. One strange
thing about all their
work is that they
make no measure-
ments. They rely
solely upon their eye and hand, and a
glance at a collection of central African
weapons shows that they are very seldom
Knife and Sheath Mobangi
River Upper Congo.
deceived. Some of the more intelligent
have even found out the simple points in
the mechanism of a gnu. It must always
be borne in mind that these people are
totally unassisted by the benefits such as
the white mechanic has in his aid. The
native must commence from the very
bottom of the tree. He has the iron in
the rough, and every tool he needs he
must make himself. It is so that they
have been compelled to have such a wide
grasp of their industries.
	Some of the villagers are occupied in
catering for the thirsty nature which
seems to belong to mankind, whether
black or white, and which must, at times,
be satisfied by something stronger than
water. This is provided by pounding
up sugar-cane, and, having obtained the
juice, allowing it to ferment a day or two,
when one of their favorite beverages is
formed. The young people of a native
village are always in high spirits, amus-
ing themselves by games, mimic warfare,
and bird - trapping and hunting on a
miniature scale; but it is not all play
with them. Their parents or masters
compel them to take
part in work in which
they themselves may be
engaged. It is a mis-
take to imagine that
these people are incor-
rigibly indolent when
we come to consider
the enormous amount
of time and patience
they bestow upon all
t h e i r industries. In
the morning, when peo-
ple are at work, a native
village strikes one as a
very busy place indeed. Idola of Lower Congo.

	The next important districts, about
fifty miles up river, are Busindi and
Irebu, which are thickly populated by
native traders. They are middle-men,
taking the produceof ivory, camwood,
and slavesdown to the lower river
markets of Bolobo and Stanley Pool.
There is an arrangement between the
Busindi and Irebu to the following ef-
fect: Busindi has very large plantations
of its own, and is situated altogether in
an agricultural district, being surround-
ed by the large inland villages of Lusa</PB>
<PB REF="IMG00154" SEQ="0154" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="146">Tippo Tibs Camp at Stanley Falls, with an accumulation of ivory.</PB>
<PB REF="IMG00155" SEQ="0155" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="147">LIFE AMONG THE CONGO SAVAGES.	147

kani, a very powerful tribe, who at times
wage war on the surrounding, but small,
villages and thoroughly clear them out.
Irebu does not practise agriculture, but
has an extensive industry in native pot-
tery, as they have in their territory suit-
able clay. They do not engage in agri-
culture, and the Busindi people do not
make pots, so that an extensive exchange
is always taking place between the Bu-
sindi and Irebupots against agricul-
tural products. Just above Irebu is
Lake Mantumba, which, in conjunction
with Lake Leopold, forms a sort of chan-
nel between the river Kasai and the
main river Congo, rendering the land en-
closed by them geographically an island.

Large herds of elephants are to be found
almost throughout the whole territory
of the Congo Free State. Away in the
deadly swamps and impenetrable for-
ests of this portion of central Africa
they are secure from hunters of any
kind. They frequently devastate the
plantations of an entire district, and
they seem to be instinctively aware of
the comparatively inoffensive weapons
of the natives. The thundering noise of
a herd of elephants stampeding through
the forest is indescribable. The shrill-
ness of their screaming and trumpeting,
and the crashing of trees as they plough
their way through the dense, matted
undergrowth, is an experience never to
be forgotten. As a rule, elephants do
not lie down to rest. They stand in
a dreamy kind of way, swaying their
great bodies backward and forward,
and making a peculiar gurgling sound
in the throat. Occasionally baby ele-
phants will skip playfully about like
young lambs, being rebuked with a push
from the trunk of an old tusker. The
elephants lack of eyesight is amply com-
pensated for by its acute powers of scent
and hearing.
	The next place of importance is the dis-
trict of Bukute, commonly known from
the geographical position as the Equator
Station. Its site is one of Mr. Stanleys
most happy selection, being situated in
the centre of an important river-system
and in the midst of several tribes. Here
are found the Babangi and Bankundu.
The Bankundu are the rightful posses-
sors of the country, the Babangi being
immigrants who have settled there for
the purpose of trading. The formation
of the land is low. Indeed, the only
portions of the land which are dry at
high water are thickly populated. The
most important tribe in this district is
the Monsok~, who acknowledge but one
chief, Euelu. E. J. Glave, who is fre-
quently mentioned in Mr. Stanleys last
great work, The Founding of the Con-
go State, was the first white man to
visit these people and to be a blood
brother of Euelu. This chief is short,
with strongly knit limbs, and with
strong lines of determination in his
savage face. He has attained his posi-
tion simply by his prowess as a warrior.
Over his left eye he has the deep scar
of an arrow-wound, while all parts of
his body are more or less marked from
spear and knife wounds.
	Close by, Glave discovered a settlement
of Barumbe, a tribe of nomadic hunters,
until then entirely unknown by white
men. Formerly they were in the habit
of going about from place to place, stay-
ing only a few days to hunt the wild pig
and other small animals. Their sole
arm was the bow and arrow, with which
they were very expert. They were timid,
and of a lower class than the ordinary
equator Bankundu, and were content to
admit their own inferiority. Intermar-
riage with the Bankundu was not per-
mitted, so much lower were they con-
sidered. He found these people to be
most keen sportsmen, and when track











~
State Axe from the Dwarf
Country Watwa Con-
go River.
	ing an elephant want-
ed no better compan-
ion than a Barumbe hunter. Enelu
was intelligent enough to see that it was
to his advantage to have such people
about him; so while they were on one
of their expeditions in his country he
prevailed on them to give up their no-</PB>
<PB REF="IMG00156" SEQ="0156" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="148">Scene at Stanley Falls.</PB>
<PB REF="IMG00157" SEQ="0157" RES="600dpi" FMT="TIFF5.0" FTR="UNSPEC" N="149">LIFE AMONG THE CONGO SAVAGES.	149

madic life and settle down near the Mon-
sol&#38; With regard to the river people
at the Equator, they cannot be passed
without paying a tribute to the Ban-
kundu for their pluck and faithfulness.

	There are three large rivers, besides
the several small ones, which enter the
Congo within a radius of ten miles of
the Equator Station: first the Ouban-
gi, which enters on the opposite right
bank of the Congoa river possessing
four hundred miles of navigable water
before coming to rapids. Its banks, as
a rule, are dense forest, with the most
lux~uriant vegetation  immense trees
with foliage of varied tints, draped from
the topmost bough with brilliant-flow-
ered creepers, and vines hanging in fes-
toons down to the waters edge, forming
at times most gorgeous pictures, ani-
mated by the gay chattering of numer-
ous species of monkeys, and at times
impressing you with an awful silence,
broken only by the weird calling, and
its accompanying echo, of some strange
bird. These forests literally swarm with
herds of elephants. Here and there are
some large grass plains, the home of the
buffalo, antelope, and smaller animals.
The natives of the lower reaches are
Balui, a branch of the Bangala. They
are well-known pirates and cannibals,
and are men of fine physique, and are
brave when fighting among themselves.
This river is identical, no doubt, with
Schweinfurths Onelle, as the weapons,
utensils, and general habits of these
people are the same. In some places
are to be seen bunches of twenty or
thirty skulls hung up together; at other
places the skulls would be arranged
around a mound; then again they are
frequently arranged on a small plat-
form around the house. These are skulls
of cannibal victims. Asking a young
chief, Do you eat human flesh? I
should think so, said he in his own
language; dont you? These people
fight among themselves simply to pro-
vide meat, and accordingly have to be
always on the alert, as they may be in
the midst of their family circles this
morning, and form a savory dish for
their enemies at mid-day.
The way they fortify their villages
shows that they are of no mean inteffi-
VOL. VII.17
gence. Around nearly every village
there is found a heavy stockade, twelve
feet high, made of poles four inches in
diameter, being of different lengths so
as to form a ragged and uneven top.
These poles are sharpened and lashed
together horizontally by cross-sticks,
forming a most effective and solid bar-
ricade. Then, lashed along at every
four or five yards of the stockade are
bunches of twelve and fifteen lances, made
of wood sharpened at the end and burnt
to harden them. These are always kept
in readiness for an attack, which may
happen at any moment, and without the
slightest warning. Besides this, they
dig a deep dike around their villages,
and leave only one small stick across it
as a drawbridge. At night and in time
of war this drawbridge is drawn in, ren-
dering the village almost impregnable,
so that these people do most of their
fighting on the water. They are clever
fishermen, and display great ingenuity
in making nets and 