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<titlestmt><amid type="aggitemid">rbfr-2040</amid>
<title>The Polish Jew /: a machine-readable transcription.</title>
<amcol><amcolname></amcolname><amcolid type="aggid">rbfr</amcolid></amcol>
<respstmt><resp>Selected and converted.</resp><name>American Memory, Library of Congress.</name>
</respstmt></titlestmt><publicationstmt>
<p>Washington, DC, 2007.</p>
<p>Preceding element provides place and date of transcription only.</p>
<p>For more information about this text and this American Memory collection, refer to accompanying matter.</p>
</publicationstmt><sourcedesc><lccn>  2006700097</lccn>
<sourcecol></sourcecol>
<copyright>Copyright status not determined; refer to accompanying matter.</copyright>
</sourcedesc></filedesc><encodingdesc><projectdesc>
<p>The National Digital Library Program at the Library of Congress makes digitized historical materials available for education and scholarship.</p>
</projectdesc><editorialdecl>
<p>This transcription captured with optical character recognition technology is not intended to reproduce the appearance of the original work. The accompanying images provide a facsimile of this work and represent the appearance of the original.</p></editorialdecl>
<encodingdate>2007/07/05</encodingdate><revdate></revdate></encodingdesc>
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<text type="publication">
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<div id="a0001">
<head>Front matter.</head>
<pageinfo>
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1
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</pageinfo>
<p>
This Number is Complete, Unchanged and Unabridged.  <lb>
Vol. ,XCV.      |.ffiîEE.S  <lb>
GEORGE MUNRO, PUBLISHER,  <lb>
Nos. IT to 27 Vandewater Street, New York.  <lb>
PRICE    ¦}  <lb>
IO CENTS.!»  <lb>
No. 1924  <lb>
The Seaside Library, Issued Daily. By Subscription, $36 per annum.  <lb>
Copyrighted 1884, by Gkorse Monuo.  Entered  at the Post Office at New York at Second Class Rates. January 5, 1885.  <lb>
Copyrighted 1884, by George Monro.  <lb>
THE   POLISH   JEW.  <lb>
By ERCKMANN-CHATRIAN.  <lb>
1*é34T^  <lb>
TRANSLATED FROM THE FRENCH BY CAROLINE A. MERIGHI.  <lb>
ERCKMANN-CHATRIAN&apos;S WORKS CONTAINED IN THE SEASIDE LIBRARY:  <lb>
212 Brigadier Frederick.  <lb>
PRICK.     I       NO.  <lb>
.    10c    1924 The Polish Jew  <lb>
PRICE.  <lb>
10c  <lb>
F. DU BOISGOBEY&apos;S WORKS CONTAINED IN THE SEASIDE LIBRARY:  <lb>
NO.                                                                                                                                                                 PRICE.  <lb>
709 Old Age of Monsieur Lecoq.    Part I.          .       20c  <lb>
709 Old Age of Monsieur Lecoq.    Part II.   .       .   20c  <lb>
1062 The Severed Hand (La Main Coupee)           .       20c  <lb>
1123 The Crime ofthe Opera House.    First half .   20c  <lb>
1123 The Crime of the Opera. House.    Second half 20c  <lb>
1142 The Golden Tress......20c  <lb>
1225 The Mystery of an Omnibus . . . 20c  <lb>
1241 The Matapan Affair. First half . &apos;. . 20c  <lb>
1241 The Matapan Affair. Second half . . 20c  <lb>
1307 The Robbery ofthe Orphans; or, Jean Tour-  <lb>
niol&apos;s Inheritance       .       .       .       .       .    20c  <lb>
1356 The Golden Pig (Le Cochon d&apos;Or).    Part I.       20c  <lb>
1356 The Golden Pig.    Part II.....20c  <lb>
1432 His Great Revenge. First half ... 20c  <lb>
1432 His Great Revenge. Second half . . . 20c  <lb>
1465 The Privateersman&apos;s Legacy. First half . 20c  <lb>
1465 The Privateersman&apos;s Legacy. Second half . 20c  <lb>
1481 The Ferry-boat (Le Bac) .... 20c  <lb>
1534 Satan&apos;s Coach (L&apos;Equipage du Diable).    First  <lb>
half........20c  <lb>
1534 Satan&apos;s Coach (L&apos;Equipage du Diable).    Second  <lb>
half........20c  <lb>
1550 The Ace of Hearts (L&apos;As de C ur). First half 20c  <lb>
1550 The Ace of Hearts (L&apos;As de C ur).    Second  <lb>
half......                .20c  <lb>
1602 Marie-Rose; or, The Mystery. First half . 20c  <lb>
1602 Marie-Rose; or, The Mystery.    Second half  .    20c  <lb>
1717 Sealed Lips.......20c  <lb>
1742 The Coral Pin......30c  <lb>
1793 Chevalier Casse-Cou. First half . . 20c  <lb>
1793 Chevalier Casse-Cou.    Second half       .        .    20c  <lb>
1799  The Steel Necklace.....20c  <lb>
1800   Bertha&apos;s Secret. First half . . . .20c  <lb>
1800 Bertha&apos;s Secret. Second half ... 20c  <lb>
1874 Piedod-che.  A French   Detective  (Le   Coup  <lb>
d&apos; il)    &apos;.......»20c  <lb>
1885 The Sculptor&apos;s Daughter (Margot la Balafrée)  <lb>
Firsthalf.......20c  <lb>
1885   The Sculptor&apos;s Daughter (Margot la Balafrée)  <lb>
Second half.......20c  <lb>
1886   Zenobie Capitaine. First half . . . 20c  <lb>
1886 Zenobie Capitaine.    Secoud half.        .       .        20c  <lb>
NEW YORK:  <lb>
GEORGE    MUNRO,    PUBLISHER,  <lb>
17 to 27 VANDEWATER STREET.<lb>
</p>
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<p>
THE HEW YORK FASHION BAZAR.-Adverbising Department.  <lb>
_0  <lb>
PS  <lb>
c  <lb>
M  <lb>
w  <lb>
w  <lb>
t=  <lb>
r.  <lb>
5C  <lb>
&lt;  <lb>
&gt;¦  <lb>
hi  <lb>
ac  <lb>
H  <lb>
S  <lb>
H  <lb>
6-  <lb>
f.  <lb>
h  <lb>
M  <lb>
oc  <lb>
x  <lb>
o  <lb>
3D  <lb>
K  <lb>
Ph  <lb>
&gt;-.  <lb>
ri  <lb>
&lt;  <lb>
Tiie ClrislmasJiisMon Bazar.  <lb>
LOVELT MMI8TKE HOYELTIES.  <lb>
NOW   READY.  <lb>
THE JANUARY NUMBER  <lb>
OF  <lb>
the iff^rsTv -^tozris:  <lb>
MONTHLY  <lb>
Fas  <lb>
zar,  <lb>
Prioe 25 Cents Per Copy.  <lb>
Subscription Price, $2.50 Per Year.  <lb>
IT CONTAINS  <lb>
RICHLAND BEAUTIFUL COSTUMES  <lb>
FOE THE  <lb>
Opera, Balls and Parties,  <lb>
Fashionable Winter Overgarments,  <lb>
EVENING  DRESSES  FOR  YOUNG   LADIES,  <lb>
Furs, Cloaks,  Dolmans,  Wraps,   Jackets,  <lb>
Newmarkets, Ulsters, and Sacques.  <lb>
Winter Wool an_d Cloth Suits.  <lb>
Velvet grows in favor as the winter advances The  <lb>
new brocades show gold and silver grounds with  <lb>
raised designs upon their surfaces of piush, aud  <lb>
velvet flowers in ricli contrasting shades of wine  <lb>
garnet, olive, gendarme blue, and royal cardinal  <lb>
Lyons velvets come in superb colorings, and beaded  <lb>
and embroidered.  <lb>
*,\77&quot;in.ter lEvEillinery.  <lb>
THE NEWEST SHAPES  <lb>
OF  <lb>
WINTER HATSAM BONNETS,  <lb>
Among the new millinery goods are French felt  <lb>
dotted with chenille and trimmed around the brims  <lb>
with puffings »f velvet to correspond. Felt bonnets  <lb>
are pretty and comfortable for general winter wear,  <lb>
and the new close, princess shapes are very becom-  <lb>
ing to most faces. The return to a comparative  <lb>
simplicity in hat and bounet shapes is to be hailed  <lb>
with the greatest satisfaction.  <lb>
WINTER FASHIONS FOR CHILDREN,  <lb>
Overgarments for Boys and Girls.  <lb>
The January number contains the commencement  <lb>
of an original, entirely new story, entitled  <lb>
Phyllis&apos; Probation.  <lb>
By the author of &quot; A Fatal Dower,&quot; &quot; A Great  <lb>
Mistake,&quot; etc.  <lb>
Also the continuation of  <lb>
Lester&apos;s Secret.  <lb>
By MARY CECIL HAY, author of &quot; Old Myd-  <lb>
delton&apos;s Money,&quot; etc.  <lb>
The conclusion of  <lb>
A WEEK IN KILLARNEY.  <lb>
By &quot;THE DUCHESS.&quot;  <lb>
It contains also the continuation of  <lb>
THE BELLE OF SARATOGA.  <lb>
And the conclusion of  <lb>
SWORN TO SILENCE;  <lb>
OR,  <lb>
Aline Rodney&apos;s Secret.  <lb>
By MRS. ALEX. McVEICJH MILLER.  <lb>
New Embroidery Patterns  and Novelties  <lb>
in Fancy Work.  <lb>
Six Extra Pages are devoted to new designs in Em-  <lb>
broidery and Fancy Work.  <lb>
__ CHOICE  SELECTION   OP   SKETCHES.  ESSAYS,  FASHION  <lb>
ITEMS,   PERSONALS,   HOME   INFORMATION,   HUMOR-  <lb>
OUS    MATTER,   POETRY   AND    BIOGRAPHY WILL  <lb>
BE FOUND IN EACH NUMBER.  <lb>
Munro&apos;s Bazar Pinned Paper Patterns.  <lb>
We are prepared to supply Munro&apos;s Bazar Pinned  <lb>
Paper Patterns, cut and pinned into the shape of gar-  <lb>
ments of all fashions published in this Magazine.  <lb>
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is for sale by all newsdealers. It will also be sent postage  <lb>
pi&apos;epaid, for 2n cents per single copy. The subscription  <lb>
price is $2.50 per year. Address GEORGE MUNRO. 17 to  <lb>
27 Vandewater Street. New York.           P. O. Box 3751.  <lb>
Monro&apos;s Bazar Pinned Paper Patterns.  <lb>
We are prepared to supply Munro&apos;s Bazar Pinned  <lb>
Paper Patterns of all the Costumes, Mantles, Jackets,  <lb>
etc., published in the Magazine. These patterns are far  <lb>
superior to any that have hitherto been sold in America.  <lb>
Ihey are cut on scientific principles by the First  <lb>
American Modistes, and are guaranteed &apos;for good fit  <lb>
and style. They will prove of very great advantage to  <lb>
all dressmakers, enabling them to make up, with the  <lb>
greatest ease, any costume represented in this favorite  <lb>
Magazine. These patterns, fashioned into shape, will  <lb>
likewise be of very great service to those ladies who  <lb>
have their dresses made up at home.  <lb>
PLEASE   REMEMBER  <lb>
that the patterns furuished by us are fashioned into  <lb>
shape; every seam is formed, each fold and plait is  <lb>
laid the pocket, collar, cuffs, etc., are all pinned in  <lb>
their proper places; in short, when one of Munro&apos;s  <lb>
Bazar Patterns is unfolded it shows just how the gar-  <lb>
ment will look when completed.  <lb>
DIRECTIONS FOR TAKING MEASURES,  <lb>
And Form of Writing them Down.  <lb>
Around                         Under  <lb>
chest.      Waist.        arm.        Front.      Back.      Hip  <lb>
42  <lb>
32  <lb>
21  <lb>
14  <lb>
16  <lb>
No. 1 is Measuring Around  the  Chest. See Cut.  <lb>
First. Take the tape measure in your right hand, and  <lb>
stand behind the person you are measuring, and place  <lb>
the tape measure high up across the chest (see cut),  <lb>
and close up under  <lb>
the arms and straight  <lb>
across the back, and  <lb>
draw the measure  <lb>
tight. Suppose that  <lb>
measure to be 32.  <lb>
No. 2 is Measuring  <lb>
AROUND THE WAIST,  <lb>
 See Cut.  <lb>
Second. Measure  <lb>
around waist. Stand  <lb>
in front of the person  <lb>
and pass the measure  <lb>
around the waist, and  <lb>
draw up just as tight  <lb>
as the lady wishes  <lb>
her dress to be. Sup-  <lb>
pose that to be 24.  <lb>
No. 3 is Measuring  <lb>
Length under Arm  <lb>
 See Cut.  <lb>
Third. Measure un-  <lb>
der arm. Place the  <lb>
tape close up under the arm, and straight down to the  <lb>
hip.   Suppose that to be 8.  <lb>
No. 4 and 2 is Measuring Length of Front. See Cut.  <lb>
Fourth. Measure down front. Place the end of the  <lb>
tape line as high up on the neck in front as the dress  <lb>
can be worn, and measure down straight to the waist  <lb>
Suppose that to be 14.  <lb>
No 5 and 6 is Measuring Length of Back. See Cut.  <lb>
Fifth. Measure down back. Place the end of tape  <lb>
ine as high up on the baek of the neck as the dress can  <lb>
be worn, .and measure down the full length to waist.  <lb>
Suppose that is 16.  <lb>
No. 7 is Measuring around the Hip. See Cut.  <lb>
Seventh.   Take the hip measure.    Place  the   tape  <lb>
measure around the hip, six inches below the waist,  <lb>
 UEOK.fi. E   IflUJXRO,  PI. ISLISllEIB,  <lb>
and draw the measure as tight as you want the dress to  <lb>
be when completed.   Suppose that to be 42 inches.  <lb>
Munro&apos;s Bazar Pinned Paper Patterns.  <lb>
We are prepared to supply Munro&apos;s Bazar Pinned Pa-  <lb>
per Patterns, cut and pinned into ihe shape of garments  <lb>
of all fashions illustrated in the New York. Monthly  <lb>
Fashion Bazar. Parties ordering patterns should be  <lb>
particular to state the. number of costume and date of  <lb>
Bazar containing the illustration or plate. The price»  <lb>
of patterns are as follows :  <lb>
Ss.  <lb>
a to  <lb>
Ss  <lb>
8 S  <lb>
ha  <lb>
Wrap.....................................$0.50.  <lb>
Cape..........................   .........      50.  <lb>
Jacket.....................................      50.  <lb>
Vest .......................................      50.  <lb>
Basque.....................................      50  <lb>
Over Skirt..................................      50.  <lb>
u      &quot;   double sided.....................      50.  <lb>
Eedingote..................................      50.  <lb>
Polonaise...................................      50.  <lb>
&quot;       double sided.....................      75.  <lb>
Trimmed Skirt.............................      75.  <lb>
Untrimmed Skirt...........................      75.  <lb>
Skirt, Double Sided, Trimmed.............      75.  <lb>
&quot;     Train,                       &quot;       ..............      75.  <lb>
..............      75.  <lb>
Adjustable Train, Trimmed..........      75.  <lb>
&quot;      Untrimmed.......      75.  <lb>
.......      75.  <lb>
Wrapper...................................      75.  <lb>
Tea Gown..................................      75.  <lb>
Ulster....................................      75.  <lb>
Ss~s  <lb>
lfg-1  <lb>
Riding Habit.  <lb>
&quot;           &quot;     with Petticoat..............  <lb>
&quot;       &quot;             &quot;        and Pants...  <lb>
Princess Dress.........................___  <lb>
Walking Costume.........................  <lb>
Indoor           &quot;        .........................  <lb>
Reception    &quot;        .........................  <lb>
Dinner           &quot;           .....................  <lb>
Ball                &quot;        .........................  <lb>
Whole           &quot;       Double Sided Dress____  <lb>
Chemise, Drawers or Night Dresses.  <lb>
1.00.  <lb>
1.00.  <lb>
1.00.  <lb>
1.50.  <lb>
1.50.  <lb>
1.50.  <lb>
2.00.  <lb>
50.  <lb>
(Princess)...............     50.  <lb>
Corset.....................................     50.  <lb>
CHILDREN&apos;S PATTERNS.  <lb>
Princess Dress, 2 to 9 yrs..................  <lb>
&quot;           &quot;      10 to 15 yrs................  <lb>
Polonaise, Double Sided, 10 to 15 yrs.......  <lb>
50  <lb>
50  <lb>
50  <lb>
50  <lb>
Wrap, Jacket, Basque, etc., each..........     50  <lb>
Overskirt...................................     50  <lb>
Trimmed Skirt.............................     50  <lb>
Ulster and Pelisse, each....................     50  <lb>
Pinafore and Apron........................     50  <lb>
Night Dress, Chemise, Drawers, etc., each.     50  <lb>
Boys&apos; Dress, 2 to 5 yrs......................  <lb>
&quot;     Suit, Coat, Vest and Pants...........  <lb>
Blouse.  <lb>
Shirt Waist.  <lb>
75  <lb>
75  <lb>
1.50  <lb>
1.00  <lb>
75  <lb>
75  <lb>
75  <lb>
The extra postage to residents in Canada can be  <lb>
calculated by adding 10 cents to the price named iu  <lb>
this list.  <lb>
50  <lb>
1.(1»  <lb>
75  <lb>
50  <lb>
50  <lb>
Overcoat............................     50  <lb>
Ora&apos;o,o  <lb>
o o-fl Ht  <lb>
PhB.1.   §  <lb>
$0.75  <lb>
75  <lb>
75  <lb>
75  <lb>
75  <lb>
75  <lb>
75  <lb>
75  <lb>
75  <lb>
1.00  <lb>
1.0»  <lb>
1.00  <lb>
1.00  <lb>
10»  <lb>
1.00  <lb>
1.0»  <lb>
1.00  <lb>
1.0»  <lb>
1.00  <lb>
1.00  <lb>
1.0»  <lb>
1.00  <lb>
1.0»  <lb>
1.00  <lb>
1.25  <lb>
1.25  <lb>
1.25  <lb>
2.00  <lb>
2.00  <lb>
2.00  <lb>
2.5»&apos;  <lb>
75  <lb>
75  <lb>
75  <lb>
75  <lb>
75  <lb>
75  <lb>
75  <lb>
75  <lb>
75  <lb>
75  <lb>
P.O. Box 3751.  <lb>
17 to 27 Vandewater Street, New York.  <lb>
MUNRO&apos;S DIALOGUES AND SPEAKERS,  <lb>
PRICE   TEI\-  CENTS  EACH.  <lb>
These books embrace a series of Dialogues and Speeches, all new and original, and are just what is needed  <lb>
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Amateur Theatricals, etc. They contain Irish, German, Negro, Yankee, and, in fact, all kinds of Dialogues and  <lb>
Speeches.   The following are the titles of the books:  <lb>
and  <lb>
No. 1.  <lb>
The Funny Fellow&apos;s Dialogues.  <lb>
No. 2.   The Clemenee and Donkey Dialogues.  <lb>
No. 3.   Mrs. Smith&apos;s Boarders&apos; Dialogues.  <lb>
No. 4.   Schoolboys&apos; Comic Dialogues.  <lb>
No. 1.   Vot I Know &apos;Bout Gruel Societies Speaker.  <lb>
No. 2.   The John B. Go-off Comic Speaker.  <lb>
No. 3.   My Boy Vilhelm&apos;s Speaker.  <lb>
The above titles express, in a slight degree, the contents of the books, which are conceded to be tho best  <lb>
series of mirth-provoking Speeches and Dialogues extant.  <lb>
P. O. Eox STNi,                                           C ABaE MUNRO. Publisher. 17 to 27 Vandewater Street. New York.<lb>
</p>
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<div id="a0003">
<head>Pages 3-12.</head>
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<p>
This Number is Complete, Unchanged and Unabridged.  <lb>
Vol       Yf*V            J   SINGLE T  <lb>
YUI.   AL; V .          JNUMBER. ;  <lb>
GEORGE MUNKO, PUBLISHER,  <lb>
Nos. 17 to 27 Vandewater Street, New York.  <lb>
.      PRICE  <lb>
(IO CENTS.  <lb>
No. 1924  <lb>
^««.^S,»»^»»^-,..,,.^,  <lb>
THE  POLISH   JEW.  <lb>
By ERCKMANN-CHATRIAN.  <lb>
TRANSLATED PROM THE FRENCH BY CAROLINE A. MERIGHI.  <lb>
PART FIRST.  <lb>
CHRISTMAS EVE.  <lb>
A room in an Alsatian inn. Tables, chairs, a cast-iron stove and  <lb>
large clock. At the back, doors and windows. A door on right  <lb>
communicating with interior. Kitchen-door on left. Near door,  <lb>
large oaken sideboard. Lighted candle on table. Catherine, wife of  <lb>
the burgomaster, discovered at her spinning-wheel. Heinrich, the  <lb>
forester, enters at the back; he is covered with snow.  <lb>
CATHERINE.     HEINRICH.  <lb>
Heinrich (stamping). Snow, Madame Mathias, nothing but snow.  <lb>
(Places his gun behind clock.)  <lb>
Catherine. The village again, Heinrich?  <lb>
Heinrich. Yes, yes; one must take a little pleasure on Christmas  <lb>
Eve.  <lb>
Catherine. Your corn-sack is ready at the mill, you know?  <lb>
Heinrich. All right, all right; I&apos;m in no hurry. Walter will put  <lb>
it in his cart presently.  <lb>
Catherine. Is the Anabaptist still here? 1 thought he went away  <lb>
long ago.  <lb>
Heinrich.  No, no! He&apos;s at the Golden Sheep, drinking away. I  <lb>
saw his cart just now in front of Harvig, the grocer&apos;s, with the  <lb>
&quot;¦ugar, coffee, and spices all covered with snow. Ha! ha! ha! He&apos;s  <lb>
a high liver. He likes good wine, and he&apos;s right. We&apos;re going oft  <lb>
together.  <lb>
Catherine.  Then you&apos;re not afraid of an upset?  <lb>
Heinrich. Bah! you&apos;ll lend us a lantern, won&apos;t you?   want a  <lb>
pint of white wine, that&apos;s all; you know the light Hiinevir wine?  <lb>
(He sits down with a laugh.)  <lb>
Catherine (calling out). Loïs!  <lb>
Lois (from kitchen). Madame?  <lb>
Catherine. Bring a pint of Hiinevir for Master Heinrich.  <lb>
Loïs. Right away.  <lb>
Heinrich. That wine warms one Up, and that&apos;s what 1 want in  <lb>
such weather as this.  <lb>
Catherine. Yes; but take care, it&apos;s heady.  <lb>
Heinrich. Don&apos;t be alarmed, it won&apos;t hurt me.    But tell me,  <lb>
Madame Mathias, where&apos;s the burgomaster?   Is he ill?  <lb>
Catherine.  He went to Ribeauville three days ago.  <lb>
II.  <lb>
THE  SAME.     LOÏS.  <lb>
Loïs (coming from kitchen). Here&apos;s your bottle and  a  <lb>
Master Heinrich.  <lb>
Heinrich. All right. (Pours out a glassful.) So the burgomas-  <lb>
ter&apos;s at Ribeauville, is he?  <lb>
Catherine. Yes; we&apos;re expecting him to-night; but there&apos;s no  <lb>
use counting upon a man when he&apos;s once ofi and away.  <lb>
Heinrich. Did he go to buy wine?  <lb>
Catherine. Yes.  <lb>
Heinrich. Your Cousin Both will be sure to keep him. Now  <lb>
that&apos;s a thing that I should like, to go every now and then to travel  <lb>
in a vine-growing country. I had rather do lhat than be a forester.  <lb>
Your good health, Madame Mathias.  <lb>
Catherine (to Loïs). What are you listening there for, Loïs?  <lb>
Have you nothing to do? (Loïs starts to go without replying.) Put  <lb>
some oil in the little lanlern tor Heinrich to take with him.  <lb>
111.  <lb>
THE  SAME,  EXCEPTING  LOÏS.  <lb>
Catherine. Servants always must know whatever is going on.  <lb>
Heinrich. I&apos;ll wager that the burgomaster has gone to buy wine  <lb>
for the wedding-feast.  <lb>
Catherine (laughing). 1 dare say.  <lb>
Heinrich. Just now, at the Golden Sheep, they were saying that  <lb>
Mademoiselle Mathias and Quartermaster Christian were going to  <lb>
make a match of it. I could scarcely believe it, however. Chris-  <lb>
tian is a good, honest man, and a handsome fellow, too; no one can  <lb>
deny that; but he has nothing but his pay, and Mademoiselle An-  <lb>
nette is the richest girl in the village.<lb>
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THE POLISH JEW.  <lb>
Catherine. Then it&apos;s your opinion, Heinrich, that money&apos;s every-  <lb>
thing?  <lb>
Heinrich.--No, ho; on the contrary. But 1 think that the  <lb>
burgomaster   <lb>
Catherine. That&apos;s where you&apos;re mistaken; Mathias did not even  <lb>
ask, &quot; What are you worth?&quot; He said at once, &quot; If Annette is will-  <lb>
ing 1 am.&quot;  <lb>
Heinrich. And is Mademoiselle Annette willing?  <lb>
Catherine. Yes, she loves Christian. And, as the happiness of  <lb>
our child is our only wish, we do not care for money.  <lb>
Heinrich. lt you are all of you satisfied, I&apos;m sure I am. 1 think  <lb>
that Christian&apos;s a lucky man, and 1 should like to be In his place.  <lb>
IV.  <lb>
THE SAME.    NICKEL.  <lb>
Nickel (entering with a corn-sack on his head). Here&apos;s your bag  <lb>
of corn, Master Heinrich, and a heavy one it is, too!  <lb>
Heinrich. All right. Nickel; put it in a corner somewhere.  <lb>
Catherine (going lo kitchen-door). Loïs, you may give Nickel his  <lb>
soup.  <lb>
Heinrich (rising). Ah! let me see if Ihave all 1 want to take with  <lb>
me. (Opens his game-bag.) Here&apos;s the corn, here&apos;s the tobacco,  <lb>
and the spice, and the small shot, and two pounds ot soap. There&apos;s  <lb>
something wanting. Ah! the salt! I&apos;ve left the salt on old Har-  <lb>
vig&apos;s counter.   How vexed my wife would have been!   (Exit.)  <lb>
V.  <lb>
.    CATHERINE,  NICKEL,   THEN  HEINRICH.  <lb>
Nickel. You must know, madame, that the river is frozen so that  <lb>
if the mill is stopped, the ice will soon reach the sluice, and if it goes  <lb>
on grinding the big wheel may be broken, as it was once before.  <lb>
The sleet is still falling.    I don&apos;t know what to do about it.  <lb>
Catherine. Wait till Mathias comes. We have not much more to  <lb>
grind this week.  <lb>
Nickel. No; the Christmas work is all done twenly sacks.  <lb>
Catherine.  Well, then, go to supper. Mathias will soon be here.  <lb>
(Heinrich appears at back, with a package in his hand.)  <lb>
Heinrich. I&apos;ve got it! I&apos;ve everything 1 want now. (Puts pack-  <lb>
age in game-bag.)  <lb>
Nickel. Then 1 may stop the mill, may 1, Madame Mathias?  <lb>
Catherine. Yes; and then get your supper. (Nickel goes out by  <lb>
kitchen-door.   Annette enters by door on right.)  <lb>
VI.  <lb>
CATHERINE.     HEINRICH.     ANNETTE.  <lb>
Annette.  Good-morning, Master Heinrich.  <lb>
Heinrich (turning round). Ah! it&apos;s you, is it, Mademoiselle  <lb>
Annette? Good-evening, good-evening We were talking about  <lb>
you jusl now.  <lb>
Annette. About me?  <lb>
Heinrich  Yes, yes. (He puts down his game-bag; then, with a  <lb>
look of admiration:) Oh! how well you look, and how becoming  <lb>
your dress is! Anybody would Ihink that you were going to a  <lb>
wedding.  <lb>
Annette.   You must be joking, Master Heinrich.  <lb>
Heinrich.  No, no; I&apos;m not. I say what 1 think; you know that  <lb>
very well. Those rosy, round cheeks of yours, that pretty cap, and  <lb>
neat dress, and those little shoes are not lo please an old forester like  <lb>
me. They&apos;re tor some one else to see (winking), and 1 know who it  <lb>
is.    Ha! ha! ha!  <lb>
Annette. Ohl how you talk!  <lb>
Heinrieh. Yes, yes; I will talk about your being a pretty girl,  <lb>
with a fine figure of your own, a charming girl, and the tall man  <lb>
with brown mustache and high boots is not at all to be pitied. I  <lb>
don&apos;t pity him in the least. (Walter partly opens the door at back,  <lb>
and puts iu his head.    Annette looks at him.)  <lb>
VII.  <lb>
THE  SAME.     WALTER.  <lb>
Walter (laughing). Ah! she tuins round!   It, cannot be he it is  <lb>
not he!   (Enters.)  <lb>
Annette. Who, Father Walter?  <lb>
Entered according to Act of Congress, in the year 1884,  <lb>
Walter (laughing loudly). Ha! ha! ha! that&apos;s the way young  <lb>
girls are.    Up to the last moment, they keep up the pretense.  <lb>
Annette (in a tone of simplicity).--! don&apos;t understand you at all.  <lb>
I don&apos;t know what you mean.  <lb>
Walter (shaking his finger at her). Ah! is that so, Annette?  <lb>
Well, then, listen, as you pretend to deny, and will not tell me any-  <lb>
thing, and take me for an old fool, with no eyes in my head, it shall  <lb>
be me, Daniel Walter, who will have the fastening on ot your garter.  <lb>
Heinrich. No; it shall be me.  <lb>
Catherine (laughing). You two old fellows are crazy!  <lb>
Walter. We&apos;re not so crazy as we seem. I say that 1 will fasten  <lb>
the bride&apos;s garter, and meantime we must take a good drink in  <lb>
honor of Christian. We shall see whether Annette will dare re-  <lb>
fuse.    I say that, if she refuses, she don&apos;t love Christian.  <lb>
Annette. Oh, 1 like good wine, and when it is offered to me 1  <lb>
take it, that&apos;s all!  <lb>
All (laughing). Ah! now we know what we wanted to find out,  <lb>
ha! ha! ha!  <lb>
Walter. Bring the bottle, bring it here and let us drink with  <lb>
Annette. It will be the first time, but 1 don&apos;t believe that it will be  <lb>
the last, for we shall touch glasses at every christening.  <lb>
Catherine (calling out). Loïs! Loïs! go to the cellar. Take a  <lb>
bottle from the small vault. (Loïs enters and sels a lighted lantern  <lb>
upon the table, then goes out).  <lb>
Walter. What&apos;s that lantern for?  <lb>
Heinrich. To tie to the cart.  <lb>
Annette (laughing). You&apos;ll start by moonlight. (Blows out the  <lb>
lantern.)  <lb>
Walter (laughing).  Yes, yes, by moonlight, so he will. (Loïs  <lb>
brings a bottle and glasses, then returns to kitchen. Heinrich  <lb>
pours out the wine.) To the health of the quartermaster and the  <lb>
pretty A.nnette!   (They touch glasses and drink.)  <lb>
Heinrich (setting down his glass). It&apos;s fine, very fine, but no  <lb>
matter, things did not go on in this way in my time.  <lb>
Catherine. What things do you mean?  <lb>
Heinrich. I mean being married. (Rises, assumes a military  <lb>
position and stamps his foot.) lt was necessary then to fall into  <lb>
file. (Reseats himself.) Yes, if by ill luck a stranger had come to  <lb>
take the prettiest girl in the country, the most captivating and the  <lb>
richest a thousand thunder-bolts! why Heinrich Schmitt would  <lb>
have cried out: &quot; Halt! we&apos;d like to see you do it!&quot;  <lb>
Walter. And 1 would have picked up my pitchlork and made a  <lb>
run at him.  <lb>
Heinrich. Yes, but the young men nowadays have no spirit in  <lb>
them; they think of nothing but drinking and smoking. What a  <lb>
pitv! 1 haven&apos;t a word to say against Christian. No; 1 respect  <lb>
and honor him ; but 1 maintain that such a match is a disgrace to  <lb>
the young men hereabouts.  <lb>
Annette. But what if 1 would not marry any one else?  <lb>
Heinrich (laughing). There ought to be a struggle, any way.  <lb>
Annette. Yes, but 1 should fight, and the man of my choice  <lb>
would help me.                                                                       ,  <lb>
Heinrich. Ah! if that&apos;s the way of it, I&apos;ve nothing more to say.  <lb>
1 had rather drink Christian&apos;s health than fight with Annette.  <lb>
(They laugh and touch glasses.)  <lb>
Heinrich (gravely). Listen, Annette, I&apos;ll tell you something to  <lb>
please you.  <lb>
Annette. What is it, Father Walter?  <lb>
Walter. As 1 was coming along, just now, 1 saw the quarter-  <lb>
master returning with two gendarmes. He is taking off his high  <lb>
boots, I&apos;m sure, and in a few minutes   <lb>
Annette. Listen!  <lb>
Catherine. It is the wind rising. 1 hope that Mathias is not out  <lb>
upon the road.  <lb>
Annette. No, no it is he!   (Christian appears at the back.)  <lb>
Vlll.  <lb>
THE  SAME. CHRISTIAN.  <lb>
All (laughing). It is he! it is he!  <lb>
Christian (shaking the snow from his hat and stamping). What  <lb>
weather! Good-evening, Madame Mathias; good evening, Made-  <lb>
moiselle Annette.    (He takes her hand.)  <lb>
Walter. She was right.  <lb>
Christian (surprised, as the others laugh). Well, what&apos;s new?  <lb>
Heinrich. We&apos;re laughing, quartermaster, because Mademoiselle  <lb>
Annette said before you came in: &quot; It is he!&quot;  <lb>
Christian. So much the better; that shows that she was thinking  <lb>
of me.  <lb>
George Munro, in the office of the Librarian of Congress, Washington, D. C.<lb>
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THE POLISH JEW.  <lb>
&apos;  <lb>
Walter.-   should say it did; she turned her head every time the  <lb>
door opened.  <lb>
Christian. Is that true, Mademoiselle Annette?  <lb>
Annette. Yes, it is true.  <lb>
Christian.  That&apos;s right now ! that&apos;s plain speaking. 1 am very  <lb>
glad to hear Mademoiselle Annette talk like that. (He hangs up  <lb>
his hat and places his sword in a corner.) It warms me up and I  <lb>
need warming.  <lb>
Catherine. You have been to some distance, have you not, Mon-  <lb>
sieur Christian?  <lb>
Christian. To Howald, Madame Mathias, to Howald. What a  <lb>
snow-storm! I have seen storms in Auvergne and in the Pyrenees,  <lb>
but 1 never saw anything like this. (Seals himself and warms his  <lb>
hands at the »&lt;itove and shivers. Annette, who has gone out in  <lb>
haste, returns from the kitchen with a jug of wine, which she places  <lb>
upon the stove.)  <lb>
Annette. Let the wine warm, it will be all the better.  <lb>
Walter (laughing, and to Heinrich).  What care she takes of him!  <lb>
She would not have gone to look for sugar and spice for us.  <lb>
Christian. Ah! but you don&apos;t pass your days inthe snow; you  <lb>
don&apos;t need to be warmed up.  <lb>
Wiilter (laughing). No, we don&apos;t need warming up, thank  <lb>
Heaven! We don&apos;t shiver like the quartermaster. It&apos;s a sad  <lb>
thing I o see a quartermaster shivering alongside of a pretty girl  <lb>
who is giving him sugar and spice.  <lb>
Annette. Hold your tongue, Father Walter; you ought to be  <lb>
ashamed to say such things.  <lb>
Christian (smiling). Defend me, Mademoiselle Annette, do not  <lb>
let Father Walter abuse me. It is all very well to laugh at the wind  <lb>
and snow when by a good fire. I should like to see how he would  <lb>
look after being for five hours outside, like me.  <lb>
Catherine. Did you pass five hours in Howald, Christian? That  <lb>
must have been terrible hard work.  <lb>
Christian. One must submit. At two o&apos;clock they camé to tell  <lb>
us that the smugglers from Banc de la Roche would cross the river  <lb>
at nightfall with tobacco and gunpowder; we had to mount our  <lb>
horses.  <lb>
Heinrich. Then the smugglers appeared?  <lb>
Christian. No, the rascals! They had been warned; they went  <lb>
another way. I could scarcely feel my hands, they were so numb.  <lb>
(Annette pours out some of the wine into a glass and hands it to  <lb>
him.)   Annette. Here, Monsieur Christian, this will warm you.  <lb>
Christian. Thanks, Mademoiselle Annette. (Drinks.) That does  <lb>
me good.  <lb>
Walter.  The quartermaster is not hard to please.  <lb>
Catherine. Bring the decanter, Annette. There&apos;s nothing in my  <lb>
water-can. (Annette goes to take the decanter from the sideboaid  <lb>
on the left. To Christian.) Never mind, Christian, you&apos;re lucky,  <lb>
for the wind is still higher now than then.  <lb>
Christian. Y&apos;es, it was rising when we met Doctor Frantz.  <lb>
(Laughs.) Just fancy that old dunce coming back from Sclmee-  <lb>
berg with a great big stone that he had found among the ruins !  <lb>
The wind was blowing and the snow had almost buried him in his  <lb>
sleigh.  <lb>
Catherine (to Annette, who is pouring water into the can).   <lb>
Thanks, that is enough. (Annette goes to replace the decanter  <lb>
upon the sideboard, then takes her work-basket and seats herselt  <lb>
beside Catherine.)  <lb>
Heinrich (laughing). People may well say that men of learning  <lb>
are all crazy. How often I&apos;ve seen the old doctor go miles and  <lb>
miles out ot his way to look at stones covered with moss and of  <lb>
no use to any one!   Must he not be crazy to do that?  <lb>
Walter. Yes, he&apos;s an original ; he likes everything that belongs to  <lb>
the past; old ways and old stones; but that does not prevent him  <lb>
from being the best doctor in these parts.  <lb>
Christian (filling his pipe). Certainly not, certainly not.  <lb>
Catherine. What a blast! 1 hope that Mathias has had the good  <lb>
sense to stop somewhere. (To Walter and Heinrich.) If you had  <lb>
started you would be comfortable at home by this time.  <lb>
Heinrich (laughing). It is alt Mademoiselle Annette&apos;s fault. She  <lb>
ought not to have blown out the lantern.  <lb>
Annette. Oh, you were very glad to stay.-  <lb>
Walter. Madame Mathias was right, all the same: we should have  <lb>
done better to go then.  <lb>
Christian. Tlie winter is terribly cold in these parts.  <lb>
Walter. Not every year, quartermaster; we&apos;ve had nothing like  <lb>
this for fifteen yeais.  <lb>
Heinrich. No, not since the &quot; Pole&apos;s winter.&quot; I do not remem-  <lb>
ber such snowr since then. But that year Schneeberg was white in  <lb>
the early part of November and the cold lasted till the end of March.  <lb>
When the thaw came all the rivers overflowed and the fields were  <lb>
full of drowned moles and mice.  <lb>
Christian. Is that why it was called thc &quot; Pole&apos;s winter?&quot;  <lb>
Walter. No, it&apos;s on acount of something else, something very  <lb>
terrible that the people here will always remember. Madame Mathi-  <lb>
as remembers it, I am sure.  <lb>
Catherine. 1 do indeed, Walter; it made a great stir at the time,  <lb>
that affair did.  <lb>
Heinrich. There was the chance for you to win the cross, quarter-  <lb>
master.  <lb>
Christian. What was it? (The wind howls outside.)  <lb>
Annette.  The wind howls more loudly still.  <lb>
Catherine. Yes, my child. I trust that your father has not  <lb>
started for home.  <lb>
Walter (lo Christian). ! can tell you the whole story, for 1 was a  <lb>
witness to it. lt is exactly fifteen years to-day since I sat at this very  <lb>
table with Mathias, who had bought his mill just five or six months  <lb>
before, and with Diedirich Omacht, Johann Roeber, who was called  <lb>
the &quot; little shoemaker,&quot; and several others who are now sleeping be-  <lb>
side the tall yew tree, on the hill-side. We shall all go the same  <lb>
way, sooner or later, and happy is he who has nothing on his con-  <lb>
science! (A.t this moment, Christian stoops, takes up an ember,  <lb>
holds it in the hollow of his hand and lights his pipe.) We were  <lb>
playing cards and there were still many persons in the room, when,  <lb>
just as it struck ten, the sounds of bells were heard and a sleigh  <lb>
stopped at the door, and almost immediately a Pole entered. He  <lb>
was a Polish Jew, a man between forty-five and fifty, and robust  <lb>
and well built. 1 can see him now as he looked when he entered,  <lb>
with his green cloak bordered with fur, his sable cap, his thick  <lb>
brown beard and high boots topped with rabbit-skin. He was a  <lb>
corn-dealer. He said as he came in: &quot; Peace be with you!&quot; Every-  <lb>
body turned round and we all thought: &quot; Where did lhat man come  <lb>
from? What does he want?&quot; for the Polish Jews who deal in grain  <lb>
do not usually come here till February. Mathias said to him, &quot; What  <lb>
can 1 do for you?&quot; but he, instead of replying, began to unfasten  <lb>
his cloak and a broad belt which was buckled about his waist. He  <lb>
put the belt upon the table and the clink of gold was heard, and he  <lb>
said: &quot; The snow is deep, the road is bad, put my horse into the  <lb>
stable; 1 shall start again in an hour.&quot; He then took a bottle of  <lb>
wine, without further words to any one, for he seemed sad and  <lb>
preoccupied. At eleven o&apos;clock Yeri, the watchman, came in, every-  <lb>
body went away and the Pole remained alone. (Loud blast of wind  <lb>
without and noise of breaking window-panes.)  <lb>
Catherine. Good heavens! what is that?  <lb>
Heinrich. It is nothing, Madame Mathias, a broken window-pane,  <lb>
that&apos;s all ; some one must have left a window open.  <lb>
Catherine (rising). I must go and see.    (Goes out.)  <lb>
Annette (calling out). Y&apos;ou must not go outside.  <lb>
Catherine (from the kitchen). Don&apos;t be afraid, I&apos;ll come back  <lb>
at once.  <lb>
IX.  <lb>
THE SAME,   EXCEPTING   CATHERINE.  <lb>
Christian. I do not see as yet how 1 could have won the cross,  <lb>
Father Waller.  <lb>
Walter. Wait, Monsieur Christian, wait: on the morrow, the Pole&apos;s  <lb>
horse was tound under the great bridge at Wechem, and a hundred  <lb>
paces from it the green cloak and cap, soaked with blood, near the  <lb>
stream.    As for the man, no one ever knew what became of him.  <lb>
Heinrich. All this is strictly true. The police from Rothau came  <lb>
next day, in spite of the snow, and it is since then that some of  <lb>
them have been stationed here.  <lb>
Christian. And was no inquiry made?  <lb>
Heinrich. Inquiry? well, I should say so! The old quartermaster,  <lb>
Kelz, look pains enough about it! How he ran about, and brought  <lb>
up witnesses, and wrote out reports! To say nothing of the pains  <lb>
taken by Bénédum, the justice of peace, and Richter, the procurator,  <lb>
and old Doctor Hornus, who examined the cloak, the cap, and the  <lb>
staff.  <lb>
Christian.  Was no one suspected?  <lb>
Heinrich. Of course, somebody is always suspected; but proof is  <lb>
what is wanting. At that time, you see, the two Kasper brothers  <lb>
and Yokel Hierthès, who live at the other end of Ihe village, kept an  <lb>
old bear with his muzzle and ears all torn, a jackass, and three big  <lb>
dogs which they took to the fairs to fight. This gave them a great  <lb>
deal ot money and they drank plenty of brandy. When the Pole  <lb>
disappeared they were at Wechem, and it was said that they had  <lb>
made their animals tear him to pieces, and that the reason why only  <lb>
the cloak and cap had been found was that the beat and the dogs  <lb>
had had enough without them. The rascals were arrested, of course,<lb>
</p>
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6  <lb>
THE POLISH JEW.  <lb>
and were kept in prison tor fifteen months; but in the end, nothing  <lb>
could be proved against the Ilierthès, and in spite of all, they had  <lb>
to be released. Their bear and dogs and jackass were all dead.  <lb>
They set to work as repairers of tin ware and Monsieur Mathias  <lb>
rented his hut at the corner of the Chenevierès to them. They live  <lb>
there and nevei pay a farthing of rent.  <lb>
Walter. Mathias is too kind to those scamps. He ought to have  <lb>
sent them off long ago.  <lb>
Christian. I am astonished at all (his story; 1 never heard a word  <lb>
of it before.  <lb>
Heinrich. There was no chance. I should have thought that you  <lb>
knew it better than we did.  <lb>
Christian. No, this is the first 1 have heard of it. (Re-enter  <lb>
Catherine).  <lb>
X.  <lb>
THE  SAME,   AND  CATHERINE.  <lb>
Catherine. 1 was sure that Loïs had left the kitchen window  <lb>
open, lt is in vain that 1 tell her to close the windows, that girl  <lb>
never minds.    And now every pane is broken !  <lb>
Walter. The girl&apos;s young yet, Madame Mathias; at her age, girls  <lb>
have their heads full of all sorts of nonsense.  <lb>
Catherine (reseating herself). Fritz is outside, Christian, he  <lb>
wishes to speak to you.  <lb>
Christian. Fritz, the policeman?  <lb>
Catherine. Yes, 1 told him to come in, but he would not. He  <lb>
says it is something concerning the service.  <lb>
Christian. Ah! very well. 1 know what it is. (Rises, takes his  <lb>
hat, and goes toward the door.)  <lb>
Annette. You&apos;ll come back, won&apos;t you, Christian?  <lb>
Christian (at the door). Yes in an instant.    (Exit.)  <lb>
XL  <lb>
THE  SAME,   EXCEPT  CHRISTIAN.  <lb>
Walter. That&apos;s what I call a good man, a mild man, but one  <lb>
who does not let rascals trifle with him.  <lb>
Heinrich. Yes, Monsieur Mathias is lucky in finding such a son-  <lb>
in-law as he; everything has gone well with him ever since I first  <lb>
knew him. First, he bought this inn where Georges Hoûte ruined  <lb>
himself. Everybody thought that he would nevei be able to pay ior  <lb>
it, and all at once good custom comes along; he kept on making  <lb>
_money, and paid up, and then bought the great meadows at La  <lb>
Bruche, the hemp-field at Houx, twelve acres at Finckmath, and  <lb>
the saw-mill at Trois-Chênes. Then his mill, then his wood-yard.  <lb>
Mademoiselle Annette grew up he put his money out at good in-  <lb>
terest, and was made burgomaster. All he wanted was a son-in-  <lb>
law, an honest man, careful and steady, who did not squander his  <lb>
money, and would please his daughter, and be respected by one and  <lb>
all. Well, Christian Bême comes along, a reliable man, ol whom  <lb>
nothing but good can be said. The only thing that one can think is  <lb>
that Monsieur Mathias was born under a lucky star. While others  <lb>
are toiling painfully to make both ends meet at the end of the year,  <lb>
he is always adding to his wealjh and prosperity. Am 1 right or  <lb>
not, Madame Mathias?  <lb>
Catherine. We don&apos;t complain, Heinrich; on the contraiy.  <lb>
Heinrich. And the. best thing about it all is that you both deserve  <lb>
it, no one is envious of yoa; everybody thinks They are worthy  <lb>
people, aud have won their wealth by toil. And everybody rejoices  <lb>
for Mademoiselle Annette&apos;s sake.  <lb>
Walter. Yes, it&apos;s a good match.  <lb>
Catherine (listening).  That&apos;s Christian coming back.  <lb>
Annette. Yes. (The door opens and Mathias appears, wrapped  <lb>
in a long cloak, white with snow, a seal-skin cap upon his head, a  <lb>
long riding-whip in his hand and spurs upon his boots.)  <lb>
XII.  <lb>
THE  SAME.     MATHIAS.  <lb>
Mathias (in a cheerful tone), Aha! it is 1, it is I!  <lb>
Catherine (rising).  Maihias !  <lb>
Heinrich The burgomaster!  <lb>
Annette (running up to kiss him). You&apos;ve come home!  <lb>
Mathas. Yes, yes thank heaven! 1 am here. What a snow-  <lb>
storm! what a snow-storm! I left the wagon at Bichem in Johann&apos;s  <lb>
care; he&apos;ll biing it to-morrow.  <lb>
Catherine (going to kiss him and take off his cloak). Let me take  <lb>
It. We are very glad that you came back to-night. How anxious  <lb>
we have been !  <lb>
Mathias. I thought of that, Catherine, and that is why 1 returned.  <lb>
(Looking round the room.) Aha! Father Walter and Heinrich.  <lb>
You will have nice weather going back !  <lb>
Catherine (calling out at kitchen-door). Loïs! Loïs! bring the  <lb>
warm shoes for Monsieur Mathias. Tell Nickel to take the horse to  <lb>
the stable.  <lb>
Loïs (at the door). Yes, madame, right away. (Looks round with  <lb>
a laugh, then disappears.)  <lb>
Heinrich (laughing). Mademoiselle Annette wants us to leave by  <lb>
moonlight.  <lb>
Mathias (laughing). Ha! ha! ha!   Much moonlight you&apos;ll have!  <lb>
Annette (taking oft his muffler).-We thought that Cousin Both  <lb>
would not let you start.  <lb>
Mathias. My business was all done this morning, and 1 wished  <lb>
to start; but Both kept me to see the play!  <lb>
Annette. Is Hanswurst the clown at Ribeauville?  <lb>
Mathias.  lt was not Hanswurst, it wras&quot;a man from Paris, who  <lb>
magneti/.es people, and puts them to sleep.  <lb>
Annette. Puts them to sleep?  <lb>
Mathias. Yes.  <lb>
Cathcrine.  Does he make them swallow something, Mathias?  <lb>
Mathias. No, he looks at them, and makes gestures, and they  <lb>
sleep.    It is astonishing; it I had not seen it, 1 could not believe it.  <lb>
Heinrich. Corporal Stenger was telling me about it the other day ;  <lb>
he saw thc same thing at Severn. The Parisian puts people to sleep,  <lb>
aud makes them do anything he wishes.  <lb>
Mathias (seating himself, and beginning to pull off his boots). So  <lb>
he does.    (To his daughter.)   Annette!  <lb>
Annette. What is it, father?  <lb>
Mathias. Look in the large pocket of my overcoat.  <lb>
Walter. People are getting to know too much the world will  <lb>
soon come to an end.    (Loïs comes in with the burgomaster&apos;s shoes.)  <lb>
Xlll.  <lb>
THE   SAME.     LOÏS.  <lb>
Loïs. Here are your shoes, burgomaster.  <lb>
Mathias. Thank you, thank you! Here, Loïs, take my boots;  <lb>
remove the spurs, aud hang them in the stable with the harness.  <lb>
Loïs. Yes, burgomaster. (Goes out. Anette, who has taken a  <lb>
box from the pocket of the coat, goes up to her father.)  <lb>
Annette. What is it?  <lb>
Mathias (patting on his shoes.) Open the box. (She opens the box  <lb>
and takes out an Alsatian head-dress with gold and silver spangles  <lb>
upon it.  <lb>
Annette. Oh, heavens! how lovely!  <lb>
Mathias. Well, what do you think of that?  <lb>
Annette. Oh! is it for me?  <lb>
Mathias. Whom do you think it is for? Not tor Loïs, 1 presume?  <lb>
(All draw near to look at the head-dress. Annette puts it on, and  <lb>
looks at herself in the glass.)  <lb>
Heinrich. That&apos;s as handsome as anything can be. Mademoiselle  <lb>
Annette.  <lb>
Walter. And it becomes you as well as if it had been made on  <lb>
purpose for you.  <lb>
Annette. What in the world will Christian think when he sees  <lb>
me?  <lb>
Mathias. He&apos;ll think that you are the prettiest girl in the whole  <lb>
country.    (Annette goes up to kiss him.)  <lb>
Mathias. That is my wedding-present, Annette. You must put  <lb>
that head-dress on upon your wedding-day, and always keep it. In  <lb>
fifteen or twenty years from now, you will remember that it was  <lb>
your father who gave it to you.  <lb>
Annette (with emotion). Yes, father.  <lb>
Mathias. All I ask is that you may be happy with Christian.  <lb>
Now, bring me something to eat, and a bottle of wine. (Catherine  <lb>
goes into the kitchen. To Walter and Heinrich.) You&apos;ll take.a  <lb>
glass of wine with me, won&apos;t you?  <lb>
Heinrich. With pleasure, burgomaster.  <lb>
Walter (laughing). Yes, we&apos;ll make that little effort for your sake.  <lb>
(Catherine brings in a ham from the kitchen; she is followed by  <lb>
Loïs, with a glass and a bottle.)  <lb>
Catherine (laughing). Didn&apos;t you bring anything for me, Mathias?  <lb>
Bee what men are! When he was courting me, he always came  <lb>
with his hands full of ribbons; but in those days   <lb>
Mathias (merrily). Hold your tongue, Catherine, hold your tongue.  <lb>
I wanted to surprise you, but now you force me to tell you that the  <lb>
shawl, the head-dress, and all the rest are in my big trunk on the  <lb>
wagon.  <lb>
Catherine.  Ah, if the rest is in the wagon, I&apos;ve nothing more to  <lb>
</p>
<pageinfo>
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</controlpgno>
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0007
</printpgno>
</pageinfo>
<p>
THE POLISH JEW.  <lb>

</p>
<p>
<lb>
say. (Sits down and spins. Loïs spreads the cloth and puts a  <lb>
plate, bottle and glass on table. Mathias seats himself and begins  <lb>
to eat hungrily.    Walter and Heinrich drink.    Loïs goes out.)  <lb>
Mathias. Cold gives one a good appetite.    To your good health!  <lb>
Walter. -To yours, Mathias.  <lb>
Heinrich. To yours, burgomaster.  <lb>
Mathias. Has not Christian been here to-night?  <lb>
Annette. Yes, father.    Some one came for him; he will return.  <lb>
Mathias. Ah! very good!  <lb>
Catherine. He came late, on account of being on duty near Ho-  <lb>
wald, on the lookout for smugglers.  <lb>
Mathias (eating). It&apos;s the very deuce to be on duty in such  <lb>
weather as this.    There were five feet of snow on the river-side.  <lb>
Walter. Yes, we were talking about that; we were saying to the  <lb>
quartermaster that since the &quot; Pole&apos;s winter &quot; the like had never  <lb>
been seen. (Mathias, who had taken up his glass, sets it down with-  <lb>
out drinking.)  <lb>
Mathias. Ah! were you talking about that?  <lb>
Heinrich. You must remember, Monsieur Mathias, how the  <lb>
whole valley below the great bridge was filled up with snow that  <lb>
winter. The Pole&apos;s horse, under the bridge, had only its head out,  <lb>
and Kelz came to the lodge in the forest for help.  <lb>
Mathias (in a tone of indifference). That may be. But that is an  <lb>
old story; it&apos;s like an old granny&apos;s stories, no one pays any attention  <lb>
to it.  <lb>
Walter.  But it is very strange that no one could ever fiud out  <lb>
what was done with the body.  <lb>
Mathias. They were too cunning! No one will ever know any-  <lb>
thing about it. (Drinks. At this moment, the sound of bells is  <lb>
heard in the street, then the noise of horse&apos;s feet, which ceases in  <lb>
front of the inn. Everybody turns round. The door at the back  <lb>
opens and a Polish Jew appears on the threshold. He wears a green  <lb>
coat trimmed with fur and a sealskin cap. High boots coming up  <lb>
to the knees.    He looks around gloomily.    Profound silence.)  <lb>
XIV.  <lb>
THE  SAME.     TIIE  POLE,   THEN CHRISTIAN.  <lb>
The Pole (entering). Peace be with you!  <lb>
Catherine (rising). What can 1 do for you, sir?  <lb>
The Pole. The snow is deep the road is bad. Put my horse  <lb>
Into the stable, 1 shall start again in an hour. (He opens his cloak,  <lb>
unbuckles his belt and throws it upon the table. Mathias rises with  <lb>
both hands resting upon the arms of his chair; the Pole looks at  <lb>
him, he totters, puts out his arm and falls with a terrible cry. All  <lb>
are terrified.)  <lb>
Catherine (rushing toward him). Mathias! Mathias!  <lb>
Annette (hurrying up to him). Father! (Walter and Heinrich  <lb>
raise Mathias, Christian appears at the dooi at back.)  <lb>
Christian (on threshold). What is the matter?  <lb>
Heinrich (pulling off Mathias&apos;s cravat in haste). The doctor go  <lb>
for a doctor as fast as you can!  <lb>
PART SECOND  <lb>
THE BELLS.  <lb>
Mathias&apos; bedroom. Door on left opening into the main room of  <lb>
the inn. A staircase on right. Windows at back opening upon the  <lb>
street. A desk of old oak with brass inlay between windows. A  <lb>
bed with a canopy, a large closet, tables and chairs. An earthen-  <lb>
ware stove in middle of room. Mathias is seated in an arm-chair  <lb>
near the stove. Catherine, in gala-dress, and Dr. Frantz, with a  <lb>
holiday coat, a ied waistcoat, breeches, high boots and a wide-  <lb>
brimmed Alsatian hat ot felt, are standing near him.  <lb>
1.  <lb>
MATHIAS.     CATHERINE.     DR.   FRANTZ.  <lb>
Doctor. Are you better, burgomaster?  <lb>
Mathias. 1 am very well.  <lb>
Doctor.  Does your head ache now?  <lb>
Mathias. No.  <lb>
Doctor. -Have you any ringing in your ears?  <lb>
Mathias. I am very well, I tell you, as well as ever that&apos;s clear  <lb>
enough, I should think.  <lb>
Catherine. He has been having bad dreams tor some time and  <lb>
rtalks in his sleep and gets up to find cold water.  <lb>
Mathias. Anybody may be thirsty in the night.  <lb>
Doctor. Certainly but you must take care of yourself. You  <lb>
drink too much white wine, burgomaster; white wine brings on  <lb>
gout and causes pain in the back of the neck: two fine maladies,  <lb>
but very dangerous for all that. Our old landgraves, margraves and  <lb>
rhinegraves, lords ot Sandgau and Brisgau, and of Upper and  <lb>
Lower Alsatia, almost always died of rising gout or of apoplexy.  <lb>
Now, these noble maladies attack burgomasters, notaries and rich  <lb>
citizens. They are honorable very honorable, but very fatal. Your  <lb>
accident of night before last came from that. You drank too much  <lb>
Rikewir with your cousin Both, and the extreme cold affected you  <lb>
because all the blood had gone to your head.  <lb>
Mathias. My feet were cold, that is true; but you need not go so  <lb>
far to look tor the cause: the Polish Jew is the cause of it all.  <lb>
Doctor. How is that?  <lb>
Mathias. Long ago 1 saw the poor devil&apos;s cloak that the quarter-  <lb>
master, old Kelz, brought, back with the cap; the sight upset me,  <lb>
because the Jew harl been at our house the night before. I had for-  <lb>
gotten all about it, when last night the corn-merchant came in and  <lb>
said the very same words that the other man uttered. He seemed  <lb>
like a ghost to me. I know very well that there are no such things  <lb>
as ghosts and that the dead are dead indeed; but still one does not  <lb>
always remember that. (Turning to Catherine.) &apos;Did you send for  <lb>
the notary?  <lb>
Catherine. Yes -be easy!  <lb>
Mathias. lam so; but the wedding must come oft as soon as  <lb>
possible. When a healthy man of sound mind and body can have  <lb>
such attacks, everything ought to be settled beforehand and nothing  <lb>
put off till the morrow. What happened tome night before last  <lb>
may happen again to-night; I may die and I must first see my chil-  <lb>
dren happy. That is what I wish. And now, let me have no more  <lb>
explanalions. Let it be the white wine or the cold or the Pole that  <lb>
gave me Ihe attack, it all comes to the same thing. My mind is as  <lb>
clear as anybody&apos;s and the rest does not matter.  <lb>
Doctor. But it may be better, burgomaster, to put off the sign-  <lb>
ing of Ihe contract till later you understand the excitement of  <lb>
affairs relating to money.  <lb>
Mathias (putting up his hands impatiently). Good heavens! let  <lb>
every one mind his own business! With all your if s and and&apos;s, one  <lb>
don&apos;t know which way to turn. Let doctors attend to doctoring,  <lb>
and let others do as they please. You have bled me, well and good !  <lb>
I am cured so much the better! Let the notary be sent for and the  <lb>
witnesses, and let it all be ended at once.  <lb>
Doctor (to Catherine, in a low tone). His nerves are still un-  <lb>
strung; the best way to do is to let him have his fancy. (Walter  <lb>
and Heinrich came in, left, in gala dress.)  <lb>
11.  <lb>
THE  SAME.     WALTER.     HEINRICH.  <lb>
Walter. Well, we heard that you were better.  <lb>
Mathias (turning toward them). Ah! it is you! Well and good;  <lb>
1 am happy to see you.    (Shakes hands with them.)  <lb>
Walter (smiling). You are quite recovered, then, my good Mathias?  <lb>
Mathias (laughing). Yes, it&apos;s all over. What a strange thing it  <lb>
was, though! It is Heinrich, with his old story about the Jew that  <lb>
brought that upon me.    Ha! ha! ha!  <lb>
Heinrich. Who could have foreseen such a thing?  <lb>
Mathias. Nobody. Then that man coming in just at that mo-  <lb>
ment! What a strange chance! What a strange chance! Did it  <lb>
not seem as though he came on purpose?  <lb>
Walter.  Upon my word, doctor, you may believe it or not, but I  <lb>
myself, when the Pole came in, felt my hair stand on end.  <lb>
Catherine. How can sensible men have such fancies as these?  <lb>
Mathias. As 1 escaped, after all, thanks to heaven, you must  <lb>
know, Walter and Heinrich, that we are going to arrange the matter  <lb>
of Annette and Christian&apos;s marriage. This may be a warning to  <lb>
make haste about it.  <lb>
Heinrich. Oh, no, burgomaster, there&apos;s no danger.  <lb>
Walter. It is nothing it is all over, now, Mathias.  <lb>
Mathias. No, no. 1 always profit by a good lesson, that is my  <lb>
way. 1 choose you, Walter and Heinrich, for my witnesses. The  <lb>
contract will be signed here at eleven o&apos;clock, after mass; every one  <lb>
has been informed.  <lb>
Walter. Well, as you insist upon it   <lb>
Mathias. 1 do insist upon it.    (To Catherine.)   Catherine!  <lb>
Catherine. What is it?  <lb>
Mathias. Is tho Pole still here?  <lb>
Catherine. No, he left yesterday. He was very sorry for all this  <lb>
trouble.  <lb>
Mathias.  Gone! so much the worse!   1 would have liked to see  <lb>
</p>
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<p>
8  <lb>
THE POLISH JEW.  <lb>
him and shaken hands with him, and invited him to the wedding.  <lb>
1 have no grudge against the man; it is not his fault that all Polish  <lb>
Jews are alike, and wear the same kind of cap, the same beard and  <lb>
the same cloak.    He was not the cause of anything that happened.  <lb>
Heinrich,  No, he cannot be blamed for it.  <lb>
Walter.  lt is understood, then, that we are to be here at eleven.  <lb>
Mathias. -Yes. (To the doctor.) 1 take this opportunity to invite  <lb>
you too, Monsieur Frantz. If you will come to the wedding, we  <lb>
shall be glad to see you.  <lb>
Doctor. I accept your invitation with pleasure, burgomaster,  <lb>
with pleasure.  <lb>
Heinrich. That&apos;s the bell again. We&apos;ll see you soon again, Mon-  <lb>
sieur Mathias.  <lb>
Mathias. Yes, soon again. (Shakes hands with them. Walter,  <lb>
Heinrich, and the doctor go out.)  <lb>
111.  <lb>
MATHIAS.     CATHERINE.  <lb>
Catherine (calling out on staircase). Annette!   Annette!  <lb>
Annette (from her room).  I&apos;m coining down.  <lb>
Catherine. Come down, the bells have rung twice.  <lb>
Annette (as before). I&apos;m coming!  <lb>
Catherine (to Mathias). She. will never get through.  <lb>
Mathias. Let the child alone; you know very well that she is  <lb>
dressing herself.  <lb>
Catherine. lt does not take me two hours to dress.  <lb>
Mathias. But (hat&apos;s not the same thing, li you are a little late,  <lb>
the seat will be there all the same, no one will take it.  <lb>
Catherine. She is waiting tor Christian.  <lb>
Mathias. Well, is not that quite natural? He ought to have been  <lb>
here this morning, and he must have been detained. (Annette  <lb>
comes in, radiant with smiles, and wearing her fine Alsatian head-  <lb>
dress and gold-embroidered waist.)  <lb>
IV.  <lb>
THE SAME.     ANNETTE.  <lb>
Catherine. You got through at last, did you?  <lb>
Annette. Yes, 1 am ready now.  <lb>
Mathias (looking at her with emotion). Oh, how lovely you look,  <lb>
Annette!  <lb>
Annette. I put on the head-dress.  <lb>
Mathias. That was right.    (.Annette looks at herselt in the glass.)  <lb>
Catherine. Good heavens! we shall never be there in time.  <lb>
Come,&quot; Annette, come! (She takes up her prayer-book, which, is on  <lb>
the table.)  <lb>
Annette (looking out of the window). Christian has not come yet.  <lb>
Mathias. No, he must certainly have been called away.  <lb>
Catherine. Come he can see you by and by. (Goes out, fol-  <lb>
lowed by Annette.)  <lb>
Mathias (calling out). Annette! Annette! have you nothing to say  <lb>
to me?  <lb>
Annette (returning to kiss him). You know very well that 1 love  <lb>
you.  <lb>
Mathias. Yes yes. Go, now, my child, your mother cannot  <lb>
keep quiet.  <lb>
Catherine (calling from oui side). There&apos;s the third bell! (An-  <lb>
nette goes out.)  <lb>
Mathias (in a surly tone). The third bell! the third bell! Would  <lb>
not any one think that the curate was waiting for them to begin?  <lb>
(The outside door is heard lo close. The village church bells ring;  <lb>
people in holiday clothes pass by the windows, and all is then still).  <lb>
V.  <lb>
MATHIAS,  ALONE.  <lb>
Mathias  They are outside now. (Listens, then rises and looks  <lb>
out of the window.) Yes, everybody is at the church. (Walks  <lb>
about, then takes a pinch of snuff fiom his snuff-box and inhales it  <lb>
noisily.) All is going on well. Everything is as it should be. What  <lb>
a lesson, Mathias, what a lesson! A mere nothing, and the Jew  <lb>
would be talked about again and everything would go to the devil.  <lb>
1 might as well say that you would be taken out to be hung. (Re-  <lb>
flects, then, with indignation.) 1 cannot imagine what becomes of  <lb>
my brains sometimes. I must be crazy! A corn-merchant comes  <lb>
in to say good-evening, just as though all Polish corn merchants  <lb>
were not alike! (Shrugs his shoulders, then becomes suddenly  <lb>
calm.) It 1 should talk till the crack ot doom, it would not alter any-  <lb>
thing. Fortunately, people are so stupid that they do not undeistand  <lb>
anything. (Winks, then resumes his seat in the arm-chaii.) Yes   <lb>
yes people are stupid. (Pokes the fire.) It is that man from Paris  <lb>
who caused it all he annoyed me. The rascal wanted to put mc to  <lb>
sleep, too, but 1 thought at once: Stop! stop! Take care, Mathias  <lb>
 this way of putting people to sleep is a snare of Satan you might  <lb>
begin to talk. (Smiling.) One must be cunning. I must not run  <lb>
my head into the noose. (Laughs mockingly.) You will live to be  <lb>
an old man, Mathias, and the best man in the country; you will see  <lb>
your children and grandchildren happy, and on your grave there will  <lb>
be a fine tombstone with an inscription in gold letters that will  <lb>
run from top to bottom. (A silence.) Come! come! everything is  <lb>
going on well! But, if 1 sleep and Catherine chatters like a mag-  <lb>
pie to the doctor, 1 must sleep upstairs, and lock my door; the walls  <lb>
have ears sometimes. (Rises.) Now, let me count the money for  <lb>
my son-in-law, my son-in-law who is fond of me. (Laughs.) And  <lb>
take care that he upholds his father-in-law, it his father-in-law  <lb>
should happen to say anything foolish after drinking a drop too  <lb>
much. Ha! ha! ha! Christian&apos;s a cunning fellow, not like Kelz,  <lb>
who is half blind and half deaf, and makes reports half a yard long  <lb>
with nothing in them; no, he is very likely to find a good scent.  <lb>
The first time 1 saw him, 1 said to myself: You shall be my son-in-  <lb>
law, and if the Pole undertakes to rise from the grave, you will send  <lb>
him back to the other world again. (Becomes serious, and goes toward  <lb>
the writing-desk, which he opens. Then seats himself, takes out a  <lb>
large bag of gold, which he empties upon the desk, and begins to  <lb>
count slowly, piling it up with care. This occupation makes him  <lb>
look solemn. From time to time he stops, looks at a coin, and after  <lb>
weighing it upon the tip of his finger, goes on counting out the  <lb>
money. In a low tone.) Heie are thirty thousand. (Counting the  <lb>
piles.) Yes, thirty thousand livres a fine supply for Annette. Ha!  <lb>
ha! ha! it is good to hear it click, the quartermaster will be pleased,  <lb>
(Goes on, then examines a coin more attentively than the rest.) Old  <lb>
gold. (Turns it toward the light.) Ah! that one, too, came out of  <lb>
the belt. The belt did us a great deal of good. (Thoughtfully.)  <lb>
Yes yes without it the inn would have been a failure. It was  <lb>
high time. Eight days more and Ott, the bailifl, would have come  <lb>
in his pleasure-car. But it was ail right, we had the money it was  <lb>
supposed to be an inheritance from Uncle Martine. (Ile puts the  <lb>
coin upon a pile, wliich he goes over again.) The belt took a bad  <lb>
thorn out of our flesh. Poor Catherine! (Looking at the piles.)  <lb>
Thirty thousand livres. (The sound of a bell is heard. Listens.) lt  <lb>
is the bell at the mill. (Calling.) Nickel! Nickel! (The door  <lb>
opens. Nickel appears on the threshold with an almanac in his  <lb>
hand.)  <lb>
VI.  <lb>
MATHIAS.     NICKEL.  <lb>
Nickel. Did you call me, burgomaster?  <lb>
Mathias. Is there any one at the mill?  <lb>
Nickel. No, sir; all our men are at the church. The wheel fe  <lb>
stopped.  <lb>
Mathias. 1 heard the bell.    Were you in the lower room?  <lb>
Nickel.  Yres, sir.    1 did not hear anything.  <lb>
Mathias. That is very strange. 1 thought (Puts his little finger  <lb>
into his ear.) That ringing in the ears must be coming back again.  <lb>
(To Nickel.)   What were you doing in there?  <lb>
Nickel. 1 was reading the newspaper.  <lb>
Mathias. It has ghost stories in it, 1 suppose?  <lb>
Nickel. No, burgomaster, but there&apos;s a strange story in it.  <lb>
People living in a little Bavarian village and who were robbers, were  <lb>
found out after twenty-three years through an old blade that was  <lb>
discovered at a blacksmith&apos;s shop, in a pile of old iron. They were  <lb>
all arrested together, like a pack of wolves, the mother, the two sons,  <lb>
and the grandfather. They were hung in a row. Look. (Hands  <lb>
the almanac to him.)  <lb>
Mathias (curtly). No matter  take it away! You had better  <lb>
be reading your prayer-book.   (Nickel goes out).  <lb>
VII.  <lb>
MATHIAS  ALONE,   THEN  CHRISTIAN.  <lb>
Mathias (shrugging his shoulders). People hung after twenty-  <lb>
three years, on account of an old knife-blade! Fools they must  <lb>
have been fools they should have done as 1 did left no proof any-  <lb>
where. (Begins to count again.) I said thirty thousandlivres yes  <lb>
 that is right one two three.    (His words finally become io-  <lb>
</p>
<pageinfo>
<controlpgno entity="p0009">
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</printpgno>
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<p>
THE POLISH JEW.  <lb>
9  <lb>

</p>
<p>
<lb>
«distinct. He takes up the piles of gold and lets them drop into the  <lb>
.bag, which he ties up with care.) How lucky they are! I get no  <lb>
such presents. _ 1 had to earn it all, little by little. But that is the  <lb>
way it is some are lucky and others have to make their way them-  <lb>
selves. (Rises.) Everything is arranged now. (A tap on the win-  <lb>
&gt;dow-pane. He looks out. In a low tone.) It is Christian.  <lb>
(Raising his voice.) Come in, Christian, come in! (Goes toward  <lb>
the door.    Enter Christian.)  <lb>
Christian (shaking hands with ^him). Well, Monsieur Mathias,  <lb>
.aïe you better?  <lb>
Mathias. Yes, 1 am well. You see, Christian, Ihave just been  <lb>
counting out Annette&apos;s dowry fine clinking louis good gold! It&apos;s  <lb>
a pleasure to look al it, even though one has to give it away. It  <lb>
jeminds one of work and steadiness and lucky days. 1 can see all  <lb>
my young lite before me, and I think how much good it will do to  <lb>
my children; it goes to my very heart!  <lb>
Christian. 1 believe you, Monsieur Mathias. Money earned by  <lb>
honest toil is the only money (hat brings good luck:; it is like good  <lb>
.seed, that always comes up well and brings a fine crop.  <lb>
Mathias. That is exactly what I was saying to. myself. Iwas  <lb>
thinking that is very fortunate when the good seed falls into good  <lb>
soil.  <lb>
Christian. Do you wish that the contract should be signed to-day?  <lb>
Mathias. Yes, as soon as possible; that will be all the better. I  <lb>
never like to put things off. 1 cannot endure people who never  <lb>
make up their minds. When we are once agreed, th«e is no reason  <lb>
for putting things off from week to week ; it shows a want of firmness,  <lb>
and men ought to know what they really intend to do.  <lb>
Christian. Ah! Monsieur Mathias, I ask nothing better; but 1  <lb>
thought that perhaps Mademoiselle Annette   <lb>
Mai bias. Annette loves you so does my wife everybody is  <lb>
fond of you.    (He closes the desk.)  <lb>
Christian. Well, then, we will sign today.  <lb>
Mathias. Yes; and when the contract is signed, we will have the  <lb>
wedding.  <lb>
Christian. Monsieur Mathias, you could not say anything that  <lb>
would please me more.  <lb>
Mathias (smiling). One can be young but once and youth  <lb>
must be made the most of. Now the dowry is ready, and 1 hope  <lb>
that you will be satisfied with it.  <lb>
Christian. You know, Monsieur Mathias, that 1 have but little  <lb>
myself to add to it 1 have only   <lb>
Mathias. You have your energy, your steadiness, and your pay;  <lb>
as for the rest, 1 will take care of that : 1 wish you to have money.  <lb>
But, Christian, you must promise me one thing.  <lb>
Cnristian. What is it?  <lb>
Mathias. Young men are ambitious; they want to get on, that&apos;s  <lb>
natural. 1 ask you to remain in this village, whatever happens, so  <lb>
long as Catherine and I live. You see, we have but one child, we  <lb>
idolize her, and if she went away, it would break our hearts.  <lb>
Christian. I assure you, Monsieur Mathias, that 1 could never be  <lb>
.so happy as with Annette&apos;s family, and   <lb>
Mathias. Do you promise me to remain, even though you are  <lb>
-offered a higher position elsewhere?  <lb>
Christian. Yes.  <lb>
Mathias. Do you give me your word of honor?  <lb>
Christian. I give it to you with pleasure.  <lb>
Mathias. That is enough. 1 am satisfied. (Aside.) I had to  <lb>
«sk it. (Aloud.) Now let us speak of something else. You were  <lb>
late this morning, were you detained? Annette waited for you, but  <lb>
at last   <lb>
Christian. Ah! it was an astonishing thing, such athing as never  <lb>
happened to me before. Just fancy my reading reports from five  <lb>
o&apos;clock until ten ! The time slipped away, and the more 1 read the  <lb>
more 1 wanted to read.  <lb>
Mathias. What reports were they?  <lb>
Christian. They related to the affair of the Polish Jew who was  <lb>
killed on the great bridge. Heinrich told me all about it night be-  <lb>
fore last, and it was running in my head, lt is very surprising,  <lb>
Monsieur Mathias, that nothing was ever found out about it.  <lb>
Mathias.  Yes yes.  <lb>
Christian (with admiration). Do you know that the fellow who  <lb>
did the deed must have been a cunning rascal, all the same? Why,  <lb>
do you know, everybody was upset by it ; the police, the court, and  <lb>
the mounted brigade ; everybody was looking for the criminal, but  <lb>
nobody found the least proof. I read it all, and 1 cannot get over  <lb>
.my surprise.  <lb>
Mathias. Yes, he was no fool.  <lb>
Christian. No fool! he must have been a very cunning man; a  <lb>
man who might have become the best police-officer in the depart-  <lb>
ment.  <lb>
Mathias. Do you think so?  <lb>
&quot; Christian. 1 am sure of it.   There are so many ways, you see, of  <lb>
finding people out in the most trifling affairs, and so few are able lo  <lb>
escape, that in such a case as this, extraordinary talent must have  <lb>
been displayed.  <lb>
Mathias. Do you know, Christian, that what you say shows your  <lb>
good sense? 1 have always thought that it required a thousand  <lb>
times more cunning, bad cunning, you understand, and evil trickery  <lb>
to escape the police, than to discover criminals, because everybody  <lb>
is against you.  <lb>
Christian. Of course.  <lb>
Mathias. It is so and besides, the man who hasdonea bad deed,  <lb>
when he has succeeded, is tempted to do so again and again, as gam-  <lb>
blers aie tempted to play. He finds it very convenient to have  <lb>
money without working for it; he almost always tries his hand again  <lb>
and is caught at last. I think that it must require courage to resist,  <lb>
after the first deed has been done.  <lb>
Christian. You are right, Monsieur Mathias; and the man of  <lb>
whom we are speaking must have been tempted for a long time.  <lb>
But the most surprising thing is that no trace of the Pole&apos;s body  <lb>
should ever have been found; do you know what 1 think about it?  <lb>
Mathias.  What do you think?  <lb>
Christian. At that time there were several lime-kilns near the  <lb>
Wechem coast. I think that the bod}7 must have been consumed in  <lb>
one of those furnaces; and that is why nothing was found but the  <lb>
cloak and cap. Old Kelz, who went to work in the old way, never  <lb>
thought of that.  <lb>
Mathias. It may be. I never thought of that. You are the first  <lb>
who    <lb>
Christian. Yes, Monsieur Mathias, 1 would slake my life upon  <lb>
it! And that idea leads to man}&apos;other things. If one could but  <lb>
find out who had the lime-kilns at that time   <lb>
Mathias. Take care, Christian. 1 owned some myself ; I had one  <lb>
at the time that the mishap occurred.  <lb>
Christian (laughing). Oh, you, Monsieur Mathias. (They both  <lb>
laugh.    Annette and Catherine appear at back.)  <lb>
Annette (without). He is here! (Christian and Mathias turn  <lb>
round.    The door opens.    Catherine appears, then Annette.)  <lb>
V11I.  <lb>
THE  SAME.     CATHERINE.     ANNETTE.  <lb>
Mathias. Well, Catherine, have the rest come?  <lb>
Catherine. They are all below already; the notary is reading the  <lb>
contract to them.  <lb>
Mathias. Good! good! (Annette and Christian meet and talk in  <lb>
a low tone.)  <lb>
Christian (holding Annette&apos;s hands). Oh, Mademoiselle Annette,  <lb>
how lovely you look with lhat pretty head-dress!  <lb>
Annette. Father brought it to me from Ribeauville!  <lb>
Christian. That&apos;s the right kind of a father!  <lb>
Mathias (looking at himself in the glass). A man ought to shave  <lb>
on such an occasion as this. (Turning round with a pleasant look.)  <lb>
Aha! Master Quartermaster, this is the decisive moment.  <lb>
Christian (without turning). Yes, Monsieur Mathias.  <lb>
Mathias. Well, then, do you know what you should do, now  <lb>
that everybody is of the same mind, father, mother, and daughter?  <lb>
Christian. What should 1 do?  <lb>
Mathias. You should greet your future wife; give hera kiss, you  <lb>
know.   Ha! hal ha!  <lb>
Christian. May I, Mademoiselle Annette?  <lb>
Annette (giving him her hand). Oh, I don&apos;t know, Monsieur  <lb>
Christian.   (Christian kisses her.)  <lb>
Mathias. You must become acquainted. (Annette and Christian  <lb>
look at one another with emotion. A silence. Catherine, who is  <lb>
seated near the stove, covers her face with her apron ; she seems to be  <lb>
weeping.  <lb>
Mathias (taking Catherine&apos;s hand). Catherine, look at those good  <lb>
children how happy they are! When 1 think that we were like  <lb>
them (Catherine says nothing. Mathias, aside, and thoughtfully:)  <lb>
It is indeed so, I was once like him. (Aloud.) Come! come! all is  <lb>
well! (Taking Catherine&apos;s arm and drawing her after him.) Come,  <lb>
we must leave these children to themselves. I am sure that they  <lb>
have a great deal to say to one another. Why are you crying? Are  <lb>
you vexed?  <lb>
Catherine. No.  <lb>
Mathias. Well, then, as it had to come some day, we could not  <lb>
have hoped tor anything better.   (They go out.)<lb>
</p>
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10  <lb>
THE POLISH JEW.  <lb>
{                                               IX.  <lb>
CHRISTIAN.     ANNETTE.  <lb>
Christian. Is it really true, Annette, that we are to be married?  <lb>
Can it be true?  <lb>
Annette (smiling). The notary is here, if you wish to see him.  <lb>
Christian. No; but I can scarcely believe in my own happiness.  <lb>
1, Christian Bême, a mere quartermaster, am to marry the prettiest,  <lb>
girl in the whole country, the daughter of Monsieur Mathias, the  <lb>
burgomaster, and the most respected, as well as the richest man  <lb>
here! do you know that it seems like a dream to me? But can it  <lb>
really be true, Annette?  <lb>
Annette. Y&apos;es, indeed, it is really true.  <lb>
Christian. How strangely things happen! The good Lord must  <lb>
smile upon me, it must be so. As long as 1 live, Annette, 1 shall  <lb>
remember the first time that I saw you. It was last spring, in front  <lb>
of the fountain, among thc young village girls; you were laughing  <lb>
together and washing linen. Iwas coming from Wasselon on horse-  <lb>
hack with old Fritz; we were bringing a dispatch. 1 can see you  <lb>
now, with your little scarlet pett icoat, your white arms, and your  <lb>
red cheeks; you turned your head and looked at me as 1 rode up.  <lb>
Annette. It was two days after Easter, 1 remember it very well.  <lb>
Christian. True as heaven. 1 can see you still. I said to Fritz,  <lb>
without seeming to mean anything serious, &quot; Who is that pretty  <lb>
girl, Father Fritz?&quot; &quot; That s Madamoiselle Mathias, quartermas-  <lb>
ter, the burgomaster&apos;s daughter, the richest and prettiest girl in the  <lb>
country.&quot; Then 1 thought at once, &quot; She is not for you, Chris-  <lb>
tian, although you have gone through four campaigns and got two  <lb>
wounds.&quot; And ever since that time I have been saying to myself,  <lb>
&quot; flow fortunate some people are! People who never have risked  <lb>
their lives and yet have the best of luck. A rich man will come  <lb>
along, the son of a notary, or a brewer, or no matter what, and he  <lb>
Will say, &quot; She suits me exactly,&quot; and off she will go!  <lb>
Annette. Oh, 1 should never have consented.  <lb>
Christian. But suppose you had loved him?  <lb>
.   Annette. But 1 should not have loved him, as I love another.  <lb>
Christian (with feeling). Annette, you will nver know how  <lb>
happy it makes me feel to hear you say that. No, you will never  <lb>
know. (Annette blushes and casts down her eyes. A silence.  <lb>
Christian takes her hand.) You remember, Annette, that day at  <lb>
*he end of the harvest, when the last sheafs were being taken in and  <lb>
you were in the wagon with your nosegay and with three or four  <lb>
other giils from the village? You were singing old songs. 1 list-  <lb>
ened to you from a distance, and 1 said to myseit: &quot; She is there!&quot;  <lb>
Then I began at once to gallop along the road. Then you saw me,  <lb>
and all at once you stopped singing. The otheis said to you:  <lb>
&quot; Sing, Annette, sing!&quot; But you would not sing any more. Why  <lb>
would you not sing?  <lb>
Annette. 1 don&apos;t know.    I was ashamed.  <lb>
Christian. You did not yet feel any love for me?  <lb>
Annette. Oh, yes, I did!  <lb>
Christian. Did you already love me?  <lb>
Annette. Yes!  <lb>
Christian. Do you know that Iwas pained by that thing? 1  <lb>
thought that you would not sing before a gendarme because you  <lb>
were too proud.  <lb>
Annette. Oh, Christian!  <lb>
Christian. Yes, it grieved me very much. 1 grew very sad.*  <lb>
Father Fritz said to me: &quot; Something ails you, quartermaster, some-  <lb>
thing ails you.&quot; But 1 would not admit it, and 1 replied : &quot; Let me  <lb>
alone! mind your own business, that&apos;s the best thing you can do.&quot;  <lb>
1 was vexed with myself; if 1 had not known what my duty was, I  <lb>
should have written my reports out all wrong.  <lb>
Annette. But you loved me all the same?  <lb>
Christian. Yes, 1 could not help it. Every time that 1 passed by  <lb>
your house and you were looking   <lb>
Annette. And 1 was always looking. 1 heard you coming, you  <lb>
know.  <lb>
Christian. Every time, 1 thought: &quot;What a pretty girl! what  <lb>
a pretty girl! whoever marries her will be a lucky man.&quot;  <lb>
Annette (smiling). And you came every night.  <lb>
Christian. After I got through. I was always the first at the  <lb>
inn, undei pretense of taking my beer; and when you brought it to  <lb>
me yourself, I could not help getting red in the face. It is strange  <lb>
for an old soldier, a man who has fought. But it is true. You  <lb>
could see that, could you not?  <lb>
Annette. Yes and I was glad to see it. (They look at one an-  <lb>
other and laugh.)  <lb>
Christian (pressing her hands in his). Oh, Annette, Annette,  <lb>
how 1 love you 1  <lb>
Annette. I love you dearly, too, Christian.  <lb>
Christian. But did you love me from the first?  <lb>
Annette. Yes, from the first day that 1 saw you. Do you know  <lb>
that 1 was sitting one day at this very window with Loïs, and we  <lb>
were spinning and thinking of nothing at all. All at once Loïs said  <lb>
to me: &quot; There&apos;s the new quartermaster!&quot; I opened the window  <lb>
and when 1 saw you on horseback I thought at once: &quot; He would  <lb>
suit me exactly.&quot; (Hides her face in hei hands as though ashamed.)  <lb>
Christian. Just think! without Father Fritz 1 should never have  <lb>
dared to ask for your hand. You were so much, so very much  <lb>
above a mere quartermaster that 1 should never have had the au-  <lb>
dacity to do so. If I should tell you what it was that gave me cour-  <lb>
age, you would not believe it.  <lb>
Annette. Nevermind! tell me!  <lb>
. Christian. Well, one evening when 1 was grooming the horses,  <lb>
Fritz said to me, all at once: &quot; Quartermaster, you&apos;re in love with  <lb>
Mademoiselle Mathias.&quot; When I heard that, I could scarcely stand.  <lb>
&quot; You love Mademoiselle Mathias. Why don&apos;t you ask for her as-  <lb>
your wife?&quot; &quot; 1 1 do you take me for a tool? Would such a  <lb>
girl marry a quartermaster? You cannot mean what you say,  <lb>
Fritz?&quot; &quot; Why not, Mademoiselle Mathiiis likes you, and every  <lb>
time the burgomaster sees you, he calls out: &apos; Good-morning, Mon-  <lb>
sieur Christian, how are you? Come to see me oftener; 1 have re-  <lb>
ceived some Wolxheimer and we&apos;ll drink a bumper of it together.  <lb>
I like smart young men.&apos; &quot; And it was true, Monsieur Mathias did  <lb>
say so to me.  <lb>
Annette. t)h, 1 know very well that he liked you. He is such a  <lb>
good father!  <lb>
Christian. Yes, it was very polite for him to say that; but to be-  <lb>
lieve that he would give me his daughter as easily as he shook hands  <lb>
with me, that seemed lo be so very different a matter, you see. Be-  <lb>
sides, what Fritz said and nothing at all was about the same to me,  <lb>
and 1 said to him : &quot; The proof that I&apos;m not such a fool as you take  <lb>
me for, Father Fritz, is that I&apos;m going to ask to be changed to an-  <lb>
other post.&quot; &quot; Don&apos;t do that! don&apos;t do that! I&apos;m sure that all will  <lb>
be well, but you&apos;ve no courage; for a proud man who has given,  <lb>
proof ot merit it&apos;s simply astonishing. But as you won&apos;t venture, I  <lb>
will.&quot; &quot; You?&quot; &quot; Yes, 1.&quot; And 1 do not know how it was that  <lb>
he started off without any reply from me. Good Heavens! when  <lb>
he had gone, I wanted to call him back. Everything seemed to spin  <lb>
round, and 1 was ashamed of myself. I went upstairs and hid be-  <lb>
hind the blinds and the time seemed very, very long but Fritz,  <lb>
still lingered. 1 imagined that he was being told that you were too  <lb>
young, and that there was plenty of time to wait and so forth and  <lb>
so forth, and that at last he was put out of the door.  <lb>
Annette. Poor Christian!  <lb>
Christian. At long last, he came back. 1 heard him calling out  <lb>
in the garden: &quot;Quartermaster, where the mischief are you?&quot;  <lb>
&quot; I&apos;m here. Did you get the mitten?&quot; J&quot; The mitten? no danger!  <lb>
what nonsense! everybody wants you, the father and the mother &quot;  <lb>
&quot;And Mademoiselle Annette, too?&quot; &quot;Mademoiselle Annette?  <lb>
well, 1 should say she did!&quot; Then, when I heard that I was so  <lb>
happy! you know that Father Fritz is by no means beautiful, but  <lb>
1 took him this way (puts his arm round Annette&apos;s neck) and kissed  <lb>
him (kisses Annette, who laughs), that way! 1 was never so happy  <lb>
in my life.  <lb>
Annette. Just like me when they said to me: &quot; Monsieur Chris-  <lb>
tian has asked to marry you, will you have him?&quot; 1 said right  <lb>
away : &quot; 1 will not marry any one else. 1 had rather die than marry  <lb>
anyone else! 1 wept without knowing why, and my father kept  <lb>
saying to me: &quot; Come! come! don&apos;t cry, you shall have him, as you  <lb>
wish to have him.&quot; That did not keep me from crying all the  <lb>
same. (They laugh. The door opens. Mathias appears on the  <lb>
threshold; he is in holiday attire; plush breeches, high boots, a red  <lb>
vest, a coat with metal buttons and a broad-brimmed Alsatian hat.  <lb>
THE  SAME,   MATHIAS.  <lb>
Mathias (in a serious tone). Well, my children, everything is-  <lb>
ready! (To Christian.) You know what the contract says, Chris-  <lb>
tian, do you want tD read it over?  <lb>
Christian. No, Monsieur Mathias, there&apos;s no need of that.  <lb>
Mathias. Then you have only to sign. (Going to the door.)  <lb>
Come in, Walter and Heinrich come in all of you. The great  <lb>
affairs of life ought to be open to all, That is our old custom in  <lb>
Alsatia, and a good one it is. It makes acts much more sacred than  <lb>
documents can make them. (While Mathias is speaking, Walter,  <lb>
Heinrich, Mother Catherine, Loïs, Nickel and stranger enter. Some  <lb>
shake hands with Christian, others congratulate Annette. They  <lb>
gradually take their places.   The old notary comes in last, bowing<lb>
</p>
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THE POLISH JEW.  <lb>
11  <lb>
right and left, and with his portfolio under his arm. Loïs rolls the  <lb>
arm-chair up to the table. A general silence. The notary seats  <lb>
himself and all those present, men and women, gather about him.)  <lb>
XI.  <lb>
THE  SAME,   WALTER,   HEINRICH,   CATHERINE,   THE   NOTARY,   LOÏS,  <lb>
NICKEL,   PEASANTS.  <lb>
Notary.  Witnesses, you have heard the reading of the marriage-  <lb>
 contract of Monsieur Christian Bême, quartermaster in the gendar-  <lb>
mery and Mademoiselle Annette, daughter of Hans Mathias, and  <lb>
ibis lawful wife, Catherine, formerly Catherine Weber. Has any  <lb>
¦one anything to say? (A silence.) If you wish, 1 will read it over  <lb>
¦again.  <lb>
Several.  No, no, there&apos;s no need of that.  <lb>
Notary (rising). We will now go through with the signing.  <lb>
Mathias (in a loud voice and solemnly). Wait a moment, let me  <lb>
say a few words. (Turning lo Christian.) Christian, listen to me:  <lb>
I look upon you now as a son, and 1 intrust Annette&apos;s happiness to  <lb>
jou. ¦ You know that one&apos;s child is the dearest thing on earth or,  <lb>
if you do not know it now, you will one day know it our greatest  <lb>
joy, our hope and our whole life, and for her sake nothing is pain-  <lb>
ful, neither toil, weariness, nor privation; everything is sacrificed  <lb>
for one&apos;s child, and our greatest sufferings are nothing to the misery  <lb>
of seeing that child unhappy. You understand, then, Christian,  <lb>
how great is my confidence in you, how highly I esteem you, to  <lb>
 confide our only child to you without tear, and even with willing-  <lb>
ness.  <lb>
Many rich suitors have appeared. If I had thought only of  <lb>
fortune, I might have listened to them, but I place integrity and  <lb>
courage, which many set little store by, far before wealth. They  <lb>
.are the true wealth the wealth which our ancestors thought the  <lb>
most of; and 1 hold them «above all else. By dint of piling up  <lb>
money, by saving, one may have too much of it, but one has never  <lb>
too much honor. I have, therefore, repelled all who offered money  <lb>
.alone, and I welcome into my family the man who has only his  <lb>
good record to bring into it, his courage and his excellent heart.  <lb>
.(Turning toward those present and raising his voice still more.)  <lb>
Yes, I choose Christian Bême from among all others, because he  <lb>
is an honest man, and 1 know that he will make my daughter  <lb>
iappy.  <lb>
Christian (with feeling). 1 promise you that I will, Monsieur  <lb>
IMathias.    (Presses his hand.)  <lb>
Mathias. Now, let us sign.  <lb>
Notary (turning round in his chair). The words that you have all  <lb>
&quot;heard are wise words, full of good sense and good judgment, and  <lb>
show the wisdom of Monsieur Mathias. 1 have drawn up many  <lb>
marriage contracts in the course of my life, and il was always the  <lb>
meadows that married the houses, the orchards that married the  <lb>
..gardens, and the money-bags that married the other money bags.  <lb>
But the marriage of wealth with honor and good character is what  <lb>
I look upon with admiration. Believe me, 1 have had great experi-  <lb>
ence, and 1 predict that this will be a happy marriage, as it is a wise  <lb>
one, and such as worthy people deserve. Such marriages are be-  <lb>
coming more and more rare. (To the burgomaster.) Monsieur  <lb>
Mathias!  <lb>
Mathias. What is it, Monsieur Hornus?  <lb>
Notary. 1 must shake hands with you, you have uttered wise  <lb>
words.  <lb>
Mathias. I have said what 1 thought.  <lb>
Walter. Yes, yes; you are of that way of thinking, but, un-  <lb>
fortunately, there are few who are like you.  <lb>
Heinrich. 1 am not easily moved, but I must approve of what  <lb>
you have said. (Annette and Catherine embrace with tears. Several  <lb>
¦other women surround them, some of them are sobbing. Mathias  <lb>
 opens the desk; he takes out a large money-bag, which he sets upon  <lb>
the table, in front ot the notary.   Every one looks on with surprise.)  <lb>
Mathias (gravely).  Notary, here is the dowry; it has been ready  <lb>
for two years past. It is not a mere promise, it is not paper; it is  <lb>
gold thirty thousand francs in good French gold.  <lb>
All present (in a low tone). Thirty thousand francs!  <lb>
Christian. lt is too much, Monsieur Mathias.  <lb>
Mathias (laughing heartily). Hush, hush, Christian, there&apos;s no  <lb>
bargaining between father and son. When we are gone, Catherine  <lb>
and I, you&apos;ll find that there&apos;s more in store. What pleases me most  <lb>
is that this money is money that was honestly made money the  <lb>
source of which 1 know. I know that there&apos;s not a dishonestly  <lb>
gotten coin in it all 1 know  (Noise of a bell inside the money-  <lb>
bag.)  <lb>
Notary    (turning   round). Come,   Monsieur   Christian,   sign.  <lb>
(Christian goes up to sign. Mathias remains motionless with hi3  <lb>
eyes fixed upon the bag, as though stupefied.)  <lb>
Walter (passing the pen to Christian). We don&apos;t sign such con-  <lb>
tracts every day, quartermaster.  <lb>
Christian (laughing). Ah! no, Father Walter no! (Signs and  <lb>
hands the pen to Catherine.)  <lb>
Mathias (aside, looking right and left). The other sheard nothingl  <lb>
Notary. Burgomaster, it is your turn, and then all is done.  <lb>
Calherine. Here&apos;s the pen, Mathias. 1 cannot sign. I have  <lb>
made my mark, a cross.  <lb>
Mathias (aside). It must be the blood in my head that makes a  <lb>
ringing in my ears.  <lb>
Notary (pointing to the place on the contract). Here, burgo-  <lb>
master next to Madame Catherine. (The noise of the bell in-  <lb>
creases.)  <lb>
Mathias (aside and in a rough tone). Mathias, you must be  <lb>
bold! (Goes up, signs with a firm hand, then clutches the bag  <lb>
and empties the money suddenly upon the table. Some of it falls  <lb>
on the floor.    General astonishment.)  <lb>
Catherine. Good gracious; what are you doing? (Runs after  <lb>
the fallen coins.)  <lb>
Mathias (aside).  lt was the blood in my head.. (Aloud.) 1 wish  <lb>
that the notary should count the dowry out before all of you.  <lb>
(With a strange smile.) Some one might think that there was  <lb>
copper in the bottom of the bag.  <lb>
Christian (quickly). What can you be thinking of, Monsieur  <lb>
Mathias?  <lb>
Mathias (putting out his hand). Listen, Christian, secrets are for  <lb>
rascals. With honest people everything should be open. They  <lb>
must all be able to say: &quot; 1 was there, 1 saw the dowry upon the  <lb>
table in pure gold.    (To the notary.)   Count it. Monsieur Hornus.  <lb>
Walter (laughing). You have queer notions sometimes, Mathias.  <lb>
Notary (gravely). The burgomaster is right, it is more regular in  <lb>
this way. (Begins to count. Mathias leans over with his hands  <lb>
upon the edge of the table and looks on.  All draw near. A silence.)  <lb>
Mathias (aside, with his eyes fixed upon the pile of gold). lt was  <lb>
the blood in my head.  <lb>
PART THIRD.  <lb>
THE BURGOMASTER&apos;S DREAM.  <lb>
A room on the first floor, in the house of Mathias.    An alcove on  <lb>
the left, a door on the right, two windows at the back.    Night.  <lb>
I.  <lb>
(Mathias, Walter, Heinrich, Christian, Annette, Catherine; Loïs  <lb>
bringing in a lighted candle and a decanter. They enter abruptly  <lb>
and seem to be merry with wine.)  <lb>
Heinrich (laughing). Ha! hal ha! all ends well! we needed  <lb>
something to finish oft with !  <lb>
Walter. How much Wolxheimer we have drunk! We shall  <lb>
remember Annette&apos;s marriage-contract for a long time.  <lb>
Christian. Then it is settled, Monsieur Mathias, you will sleep  <lb>
here?  <lb>
Mathias. Yes, it is settled. (To Loïs.) Loïs, set down the  <lb>
candle and the decanter upon the night-table.  <lb>
Catherine. What a strange idea, Mathias!  <lb>
Mathias. 1 must have air; 1 don&apos;t want to have another rush of  <lb>
blood to the head.  <lb>
Annette (in a low tone to Christian) He must be let alone he has  <lb>
notions of his own.                                                    &apos; .  <lb>
Christian. Well, then, Monsieur Mathias, if you think that you  <lb>
will be more at ease here   <lb>
Mathias. Yes. I know what 1 require. Heat was the cause of  <lb>
my accident this will help me. (Seats himself and begins to, take  <lb>
off his coat.    Sound ot singing below.)  <lb>
Heinrich. Hark! hear how the rest are enjoying themselves!  <lb>
Come, Father Walter, let us go down again!  <lb>
Walter. You left just at the wrong time, Mathias; you are for-  <lb>
saking us.  <lb>
Mathias (abruptly). I have my reasons, deuce take it! From  <lb>
eleven in the morning to midnight is quite enough.  <lb>
Catherine. Yes, the doctor I old him to beware of white wine it  <lb>
might do him a great deal of harm; he has taken too much of it to-  <lb>
day.  <lb>
Mathias. No matter no matter. I&apos;ll drink some cold water be-  <lb>
fore I go to bed, that will quiet me. (Two or three of the carousers  <lb>
come in, jostling on another.)<lb>
</p>
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<p>
12  <lb>
THE POLISH JEW.  <lb>
The first. Ha! ha! ha; we&apos;re very merry we&apos;re very merry !  <lb>
Another. Good-night, burgomaster, good-night 1  <lb>
Another. Say, Heinrich, the watchman&apos;s down-stairs, let me tell  <lb>
you!  <lb>
Heinrich. What does he want?  <lb>
The carouser. He wants us to close up the house, it is time.  <lb>
Mathias. Give him a good bumper, and then good-night to all!  <lb>
Walter. There&apos;s no rule for a burgomaster&apos;s house.  <lb>
Mathias. The rule is the same tor one and all.  <lb>
Catherine. Well, Mathias, we&apos;ll go down.  <lb>
Mathias. Yes, yes, go!   Let me be quietl  <lb>
Walter (shaking hands with him). Good-night, Mathias. 1 hope  <lb>
you will have no bad dreams.  <lb>
Mathias (roughly). I never dream. Good-night, all of you, gol  <lb>
go!  <lb>
Catherine. When he takes a notion into his head  (Goes out.  <lb>
All go out laughing and calling out from the staircase :) Good-  <lb>
night, good-night, burgomaster!   (Annette and Christian remain.)  <lb>
MATHIAS.     ANNETTE.     CHRISTIAN.  <lb>
Annette (leaning over to kiss Mathias). Good-night, father, sleep  <lb>
well.  <lb>
Mathias (kissing her). Good-night, my child. (To Christian, who  <lb>
is near Annette). 1 shall be better here; all that white wine, and  <lb>
the shouting and singing make my head ache. 1 shall sleep better  <lb>
here.  <lb>
Christian. Yes, the room is cool.    Good-night sleep well.  <lb>
Mathias (pressing their hands). Do the same, my children. (An-  <lb>
nette and Christian go out.)  <lb>
HI.  <lb>
MATHIAS,   ALONE.  <lb>
Mathias (listens, then rises and locks the door). At last 1 am rid  <lb>
of them ! All is well. The quartermaster is secured. 1 can sleep  <lb>
in peace! (Seats himself again, and continues to.remove his coat.)  <lb>
If any new chance brings up trouble for the father-in-law of the  <lb>
quartermaster, all will soon be quieted down. (Yawns, and then  <lb>
listens to the singing below.) We must learn how to arrange our  <lb>
lives one has to have the good cards in one&apos;s hand. Good cards,  <lb>
that&apos;s the thing! The luck can be brought about. (Rises from the  <lb>
arm-chair, and goes toward the alcove. At that moment the door of  <lb>
the inn below opens, and the singing is heard in the street. Mathias  <lb>
lifts the curtain and looks out.) They do not want anything more,  <lb>
they have all they wish. Hal ha!, ha! what holes they&apos;ll make in  <lb>
the snow before they get home! Wine is a strange thing a glass  <lb>
of wine makes everything look bright. (The singing dies away.  <lb>
Mathias opens the windows, draws in the blinds, and comes down  <lb>
toward the alcove.) Yes, all is well! (Takes the decanter and  <lb>
drinks.) All is well! (Puts the decanter back on night-table, goes  <lb>
into alcove and draws curtains. Blows out light.) You may boast  <lb>
of having managed your affairs well, Mathias. (Yawns slowly and  <lb>
lies down.) No one will hear you if you dream and talk in your  <lb>
sleep, no one.   Dreams are folly!   (Silence.)  <lb>
IV.  <lb>
THE  DREAM.  <lb>
Mathias (asleep in the alcove). Then the court, the judge, the pro-  <lb>
curator, magistrates, gendarmes, and public. (The back of the stage  <lb>
changes slowly. The light which is dull at first grows brighter, and  <lb>
the scene becomes clearly visible; a tribunal is seen: a vast dark hall,  <lb>
with benches in a half-circle on the front, filled with spectators; two  <lb>
arched windows with iron frames ; three judges with robes and caps  <lb>
at the back and seated, a clerk on the right and the procurator on  <lb>
the left. A small side-door communicating with a wicket. A table  <lb>
below the judges&apos; seats; on table, a green cloak trimmed with fur,  <lb>
and a seal-skin cap. The judge rings his bell. Mathias, in rags,  <lb>
and haggard, comes in at the side-door surrounded by gendaimes.  <lb>
The sufferings of confinement in prison are visible in his face. He  <lb>
seats himself upon the bench; three gendarmes take their places be-  <lb>
hind him. All this mysterious scene takes place in a half-light; the  <lb>
words&apos; and sounds are murmurs. As the action becomes more definite,  <lb>
the words become more distinct, lt is the work of the sleeper&apos;s im-  <lb>
agination, his dream which is materialized. At a gesture of the  <lb>
judge, the clerk reads in a tone, as if reading a psalm, the accusation  <lb>
itself and the depositions of the witnesses. The words: Night of  <lb>
twenty-fourth December Barucn Koweski  Mathias the innkeeper  <lb>
 great cunning surrounding himself with marks of public esteem  <lb>
 escaped for fifteen years the hour for justice a trifling circum-  <lb>
stance the Hierthès brothers are heard from time to time. A  <lb>
tresh silence.    At the end of the reading, the scene grows lighter.)  <lb>
Judge. Accused, you have heard the depositions of the witnesses ;.  <lb>
what have you to say in reply?  <lb>
Mathias. Witnesses! men who saw nothing, who live at two or  <lb>
three leagues from the place where the crime was committed in the  <lb>
night, and in the winter.    Do you call those men witnesses?  <lb>
Judge. Reply quietly; your angry gesticulations will do you no  <lb>
good.    You are a cunning man.  <lb>
Mathias. No, judge, I am a simple-minded man.  <lb>
Judge. You must have chosen your time you turned suspicion  <lb>
away from yourself you got rid ot all material proof. You are a  <lb>
dangerous being.  <lb>
Mathias. Dangerous because no proof can be found against me.  <lb>
All honest men must be dangerous, then, as there is nothing against  <lb>
them?  <lb>
Judge. The voice of the public accuses you.  <lb>
Mathias. Listen, gentlemen, when a man is prosperous when  <lb>
he rises above others, and wins wealth and esteem, thousands envy  <lb>
him. You know that; it is a thing that is made apparent every day.  <lb>
Well, then, unfortunately for me, thousands of envious persons in  <lb>
the last fifteen years have seen my business prosper, and that is why  <lb>
they all accuse me; they would like to see my downfall aud my de-  <lb>
struction. But ought just men, men of good sense, to listen to such,  <lb>
jealous persons? Ought they not to force them to be silent? Ought  <lb>
they not to blame them tor what they are doing?  <lb>
Judge. You are very eloquent, accused: you must have been  <lb>
studying this speech tor a long time. But we have clear insight,  <lb>
and see what is going on within you. Why do you hear the sound  <lb>
of those bells?  <lb>
Mathias. I do not hear the sound ot any bells. (Noise of bells.,  <lb>
outside.)  <lb>
Judge. That is false! You hear lhat sound at this very moment.  <lb>
Explain why this is so.  <lb>
Mathias. lt is nothing it is the blood in my head that makes  <lb>
my ears ring.  <lb>
Judge. If you do not tell us the cause of this noise, we will sum-  <lb>
mon the magnetizer to explain ft to u°.  <lb>
Mathias. lt is true that I hear this noise.  <lb>
Judge. Clerk, write down that he hears the noise.  <lb>
Mathias (quickly). Yes but I hear it in my dreams.  <lb>
Judge. Write down that he hears it in his dreams.  <lb>
Mathias. Any good man may dream.  <lb>
A. looker-on (in a low tone to the person nearest to him). That is  <lb>
true, we dream in spite of ourselves.  <lb>
Another (to his neighbor). Everybody dreams.  <lb>
Mathias (turning to the public). Listen ; do not be afraid on my  <lb>
account. All this is but a dream. If it were not a dream, would  <lb>
the judges wear wigs, as in the time of the old nobility, more than.  <lb>
a hundred years ago? Did such madmen ever exist as would trouble,  <lb>
themselves about a sound of bells heard in a dream? They might  <lb>
as well sentence a dog for growling in his sleep. What kind ol  <lb>
judges would you call such men? Men like these would hang their  <lb>
fellow-creature for idle thoughts alone&apos;.    (Bursts into a loud laugh.)  <lb>
Judge (in a tone of severity); Accused, be silent! You are draw-  <lb>
ing near to the judgment-seat of heaven, and you dare to laugh you  <lb>
dare to brave the eye of God! (Turning toward the judges.) Gen-  <lb>
tlemen, this sound ot bells comes from a recollection. Recollections,  <lb>
make up a man&apos;s whole lite; we hear the voice ot those we have  <lb>
loved, even after they are dead and gone. The accused hears this-  <lb>
noise, because he has a remembrance in his mind which he is hiding  <lb>
from us.    The Pole&apos;s horse had bells upon his neck.  <lb>
Mathias. That is tajse!   I have no remembrance like that.  <lb>
Judge. Be silent.  <lb>
Mathias (angrily). A man cannot be sentenced on account of a  <lb>
mere supposition. There must be proof. 1 do not hear any sound-  <lb>
of bells.  <lb>
Judge. Clerk, take down that the accused is contradicting him-  <lb>
self.    He has taken back what he admitted before.  <lb>
Mathias (in a rage). No; 1 do not hear anything. (The noise of  <lb>
the bells is heard.) lt is the blood rushing to my head. (The noise  <lb>
increases.) I ask to have Christian, my son-in-law, brought here.  <lb>
(Raising his voice, and looking round on all sides). Why is not  <lb>
Christian here? (Silence. The magistrates look at one another.  <lb>
Whispering in the crowd.    The noise of the bells becomes faint.)  <lb>
Judge (in a grave tone). Accused, do you persist in your denials?.  <lb>
</p>
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<div id="a0013">
<head>Pages 13-21.</head>
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<p>
THE POLISH JEW.  <lb>
IS  <lb>
Mathias. Yes. 1 have too much blood in my head, that is all.  <lb>
There is nothing to bring against me. It is the worst kind of in-  <lb>
justice to keep an honest man in prison.    1 am suffering unjustly.  <lb>
Judge.   You persist in denying, then? Well, then, 1, Rudiger,  <lb>
Baron of Mersbach, Provost of His Imperial Majesty of Lower Al-  <lb>
satia, assisted by my council and judges, Louis of Falkenstein and  <lb>
Feininger, doctors-of-law, considering that this matter has been  <lb>
dragging along tor fifteen years, and that it is impossible to clear it  <lb>
up by ordinary means; considermg the sagacity, the cunning, and  <lb>
the audacity of the accused ; considering that the witnesses who  <lb>
might give us inf omiation in this laborious task, on which the honor  <lb>
of our court depends, are now dead; considering that the crime can-  <lb>
not go unpunished, that the innocent cannot suffer for the guilty;  <lb>
considering lhat this trial must serve as an example tor all time, to  <lb>
restrain the cupidity and greed of those who believe themselves to  <lb>
be safe because long years have past for all these reasons, 1 order  <lb>
you to summon the magnetizer.    Officers, bring in the magnetizer!  <lb>
Mathias (in a terrible tone)  1 object to this 1 object to it!  <lb>
Dreams prove nothing.  <lb>
Judge (in a resolute tone).  Bring in the magnetizer.  <lb>
Mathias (striking upon the table).  This is abominable! lt is con-  <lb>
trary to justice!  <lb>
  Judge. If you are innocent, why do you fear the magnetizer?  <lb>
Because he reads the soul. Be calm, it is best for you, or your out-  <lb>
cry will show you to be guilty.  <lb>
Mathias. 1 demand that Linder, the lawyer from Severn, be sent  <lb>
for; in such a matter, I do not care tor the cost. I am calm, as a  <lb>
man should be who has nothing to reproach himself with. 1 am not  <lb>
afraid of anything; but dreams are dreams. (Calling out.) Why  <lb>
is not Christian here? My honor is his honor. Bring him here!  <lb>
Heis an honest man. (Violently.) Christian, Ihave made you rich;  <lb>
defend me now! (A silence. The stage grows dark. Mathias, in  <lb>
the alcove, sighs and tosses about. All becomes daiic. After an  <lb>
instant, the court reappears from the darkness, and suddenly be-  <lb>
comes light.    Mathias has fallen sound asleep again.)  <lb>
V.  <lb>
THE  SAME.     THE MAGNETIZER.  <lb>
Judge (to the magnetizer). Be seated.  <lb>
Magnetizer. Judge, and gentlemen of the jury, it is the will of  <lb>
this tribunal that has forced me to come here; but for that, tear  <lb>
would have kept me away.  <lb>
MathiaS. The nonsense of these magnetizers is of no account;  <lb>
they deceive people in order to make money. Their tricks are mere  <lb>
scientific humbug. 1 saw one of them at my Cousin Bôth&apos;s house  <lb>
in Ribeauville.                                                                            »  <lb>
Judge (to the magnetizer). Can you put this man to sleep?  <lb>
Magnetizer (looking at Mathias). 1 can. Are there any remains  <lb>
of the victim?  <lb>
Judge (pointing to the objects upon the table). This cloak and  <lb>
cap are all.  <lb>
Magnetizer. Put the cloak upon the accused.  <lb>
Mathias (with a frightful cry), I will not sufter that!  <lb>
Judge. I order it to be done.  <lb>
Mathias (struggling). Never, never!  <lb>
Judge.  Then you are guilty 1  <lb>
Mathias. Where is Christian? Where is Christian? He will tell  <lb>
you that 1 am a good man.  <lb>
A Spectator (in a low tone). This is terrible!  <lb>
Mathias (to the gendarmes who are putting the cloak upon him).  <lb>
 Kill me at once !  <lb>
Judge. Your resistance betrays you, wretched man!  <lb>
Mathias. I am not afraid. (He has the cloak on, and shudders.  <lb>
In a low tone, and talking to himself.) 11 you go to sleep, Mathias,  <lb>
you are lost! (Remains standing with his eyes staring before him,  <lb>
as though petrified with horror.)  <lb>
A Woman of the People (rising). 1 wish to go away; let me out!  <lb>
Officer. Silence, there! (The woman re-seats herself. Profound  <lb>
silence.)  <lb>
Magnetizer (with his eyes fixed upon Mathias). He sleeps.  <lb>
Mathias (in a hollow tone). No no 1 will not   <lb>
Magnetizer. It is my will!  <lb>
Mathias (panting). Take it off! take it off!  <lb>
Magnetizer (to Judge). He sleeps.    What must 1 ask him?  <lb>
Judge. What he did on the night of Ihe twenty-fourth of De-  <lb>
cember fifteen years ago.  <lb>
Magnetizer. Are you back at the night of the twenty-fourth of  <lb>
December, 1808?  <lb>
Mathias. Yes.  <lb>
Magnetizer. What time is it?  <lb>
Mathias.  Half-past eleven.  <lb>
Magnetizer. Speak it is my will!  <lb>
Mathias. The guests are leaving the inn.    Catherine and little  <lb>
Annette have retired.    Kasper cemes back, and tells me that the fire  <lb>
in the lime-kiln is lighted.    I answer him: &quot; Very well, goto bed;-  <lb>
1 will go down there.&quot;    He goes upstairs.    I remain alone with the  <lb>
Pole, who is warming himself at the stove.    Outside everything is  <lb>
still.    Nothing is to be heard but the sound of the bells on the horse-  <lb>
under the shed.    There are two ieet of snow on the ground.    (A si-  <lb>
lence.)  <lb>
Magnetizer. What are you thinking about?  <lb>
Mathias. I am thinking that 1 must have money that it 1 have  <lb>
not three thousand francs by the thirty-first, the inn will be taken  <lb>
away from me.    1 am thinking that there is no one outside that it-  <lb>
is dark, and that the Pole will follow the main road, all alone in the  <lb>
snow.  <lb>
Magnetizer. Then you have made up your mind to attack him?  <lb>
Mathias (after an instant of silence). The man is strong hei»  <lb>
broad-shouldered.    1 think that he would make a stout resistance if  <lb>
attacked.    (Mathias makes a movement.)  <lb>
Magnetizer. What is the matter?  <lb>
Mathias (in a low tone). He is looking at me.   He has gray eyes.  <lb>
(In a tone as if communing with himself.)   I must do the deer&quot;  <lb>
Magnetizer. Have you made up your mind?  <lb>
Mathias. Yes I will do the deed. I will venture 1 will venture.  <lb>
Magnetizer. Speak !  <lb>
Mathias. But 1 must have light I will go out.    It is quite dark  <lb>
 my steps will not be seen in the snow.    (Lifts his hand and seems  <lb>
to be looking for something.)  <lb>
Magnetizer. What are you doing?  <lb>
Mathias. I am feeling in the sleigh to find out if there are any  <lb>
pistols there. (The jury look at one another and there is a stir in  <lb>
the crowd.) Nothing! 1 will do the deed yes, 1 will! (Listens.)  <lb>
There is no sound from the village. Anna Weber&apos;s child is crying.  <lb>
A goat is bleating in the stable. The Pole is walking up and down  <lb>
the room.  <lb>
Magnetizer. Are you going in?  <lb>
Mathias.   Yes.    He has laid six francs upon the table.    1 must  <lb>
give him his change.    He looks at me fixedly.    (A silence.)  <lb>
Magnetizer. Does he say anything to you?  <lb>
Mathias. He is asking me how far it is to Mutzig. Only four lit-  <lb>
tle leagues.    I wish him good-night.    He  replies:  Heaven bless,  <lb>
you!. (A silence.)   Oh! oh! (Matbias&apos;s face changes.)  <lb>
Magnetizer  What is the matter ?  <lb>
Mathias (in a low tone). The belt! (Suddenly, and in a harsh  <lb>
tone.) He is going he is gone! (Mathias now skulks along with his  <lb>
limbs bent and seems to be following in his victim&apos;s track. The  <lb>
Magnetizer raises his finger lo call the attention of the court. Ma-  <lb>
thias puts out his hand.) The ax! where is the ax? Ah, here,  <lb>
behind the door. How cold it is ! the snow is falling and not a star  <lb>
to be seen. Courage, Mathias, the belt will be yours, courage! (A.  <lb>
silence.)  <lb>
Magnetizer. He has gone. Will you follow him?  <lb>
Mathias. Yes.  <lb>
Magnetizer. Where are you now?  <lb>
Mathias. Beyond  the  village in the fields.     How cold it is!  <lb>
(Shivers.)  <lb>
Miignetizer. Did you take the.cross load?  <lb>
Mathias. Yes, yes. (Putting out his arhi.) Here&apos;s the greit  <lb>
bridge and down there at the bottom is the stream. How the dogs  <lb>
howl at Daniel&apos;s farm, how they howl ! How red old Finck&apos;s forge  <lb>
is, on the shore there! (In a low tone, as though speaking to him- ¦  <lb>
self.) To kill a man to kill a man! You will not do that, Ma-  <lb>
thias, you will not do that! God will not suffer it to he done.  <lb>
(Begins to skulk along again with his body bent.) You are mad!  <lb>
Listen, you will be rich, and your wife and child will have all they  <lb>
need. The Pole came so much the worse! so much the worse!  <lb>
he should not have come. You can pay everything, you will not be  <lb>
in debt any more. (Exclaiming in a harsh tone.) There is no God,,  <lb>
you must kill him! The bridge! the bridge already! (A silence;:  <lb>
stops and listens.) No one to be seen on the road no one. (With  <lb>
terror.) What stillness! (Passes his hand over his brow.) You  <lb>
are warm, Mathias, your heart is beating fast, that is because you  <lb>
have been running. One o&apos;clock is striking at Wechem the moon  <lb>
is rising. The Pole has, perhaps, gone by already. So much the  <lb>
betteri&apos;so much the better! (Listening.) The bells! yes! (Crouches  <lb>
down suddenly and remains motionless. A silence. All eyes are  <lb>
upon him. ln a low tone.) You will be rich you will be rich   <lb>
you will be rich ! (The noise of the bells is heard again. A young  <lb>
woman covers her  face with her apron, others turn away their<lb>
</p>
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<p>
.14  <lb>
THE POLISH JEW.  <lb>
heads. Suddenly Mathias rises up with a kind of howl and gives a  <lb>
terrible blow upon the table.) Ah! ah! I have you! Jew! I have  <lb>
you!   (Rushes forward and strikes wdth fury.)  <lb>
A woman. Oh! heavens!   (Faints away.)  <lb>
Judge (in a loud voice). Take that woman away! (The woman  <lb>
 is removed.)  <lb>
Mathias (raising himself up again). He is dead! (Bends over and  <lb>
looks; then strikes a final blow.) He does not stir it is all over!  <lb>
(Rises up and gives a sigh, then looks around.) The horse has gone  <lb>
 on with the sleigh. (Listening.) Some one is coming! (Turns  <lb>
round in terror and is about to fly.) No, it is the wind in the trees.  <lb>
^Stooping down.) Quick! quick! the bell! Ihave it! ha! (Makes  <lb>
a gesture as though fastening the belt about his waist.) It is full of  <lb>
gold, full of gold! Make haste, Mathias, make haste! (Bends down  <lb>
and seems to be putting the body upon his shoulders, then goes  <lb>
around the table belonging to the court-house, with his body bent  <lb>
and with a heavy step as though bearing a burden.)  <lb>
Magnetizer. Where are you going?  <lb>
Mathias (stopping). To the lime-kiln.  <lb>
Magnetizer. Are you there now?  <lb>
Mathias. Yes. (Seems to be placing his burden upon the ground.)  <lb>
How heavy he was! (Breathes hard, then bends down and seems to  <lb>
be taking up the body again. In a hoarse voice.) Go into the fire,  <lb>
Jew! go into the fire! (Seems to be pushing with a rod and with all  <lb>
his migbt. Suddenly he utters a cry of horror and sinks down,  <lb>
with his face between his hands. In a low tone.) What eyes! oh!  <lb>
what eyes! (A long silence. Raises his head.) You are crazy,  <lb>
Mathias. Look! there is nothing now but bis bones. The bones  <lb>
are burning too. Now for the belt. Put the gold in your pockets.  <lb>
That is it. N&apos;d one will ever know anything. There will be no  <lb>
proofs found.  <lb>
Magnetizer (to the judge What else must 1 ask him?  <lb>
Judge. It is enough. (To the clerk). Have you taken it all  <lb>
 down?  <lb>
Clerk. Yes, judge.  <lb>
Judge. Then let him be awakened and let him see it himself.  <lb>
Magnetizer. Wake up! it is my will! (Mathias awakes and seems  <lb>
to be dazed.)  <lb>
Mathias. Where am I? (Looks around.) Ah! yes. What is  <lb>
going on?  <lb>
Clerk. Here is your deposition.    Read it.  <lb>
Mathias (after reading a few lines). 1 am lost! 1 have told all!  <lb>
1 am lost !  <lb>
Judge (to the jury). You have heard, he has condemned himself.  <lb>
Mathias (tearing off the cloak). 1 protest! it is false! You are  <lb>
rascals, all of you!   Christian, my son-in-law.   Where is Christian?  <lb>
Judge. Silence this man, gendarmes! (Gendarmes surround  <lb>
Mathias.)  <lb>
Mathias (struggling). It is an insult to justice! I am deprived of  <lb>
my only witness. 1 protest before heaven! (ln a thrilling voice.)  <lb>
Christian, they are trying to kill your wife&apos;s father! help! help  <lb>
(Struggles like a madman.)  <lb>
f-i Judge (in a tone of sadness). Accused, you force me to tell you  <lb>
¦what I wished to keep back from you: On learning the accusation  <lb>
against you, Christian Bême killed himself. (Mathias stands as  <lb>
though stupefied with his eyes upon the judge. A profound silence.  <lb>
The jury confer with one another in a low tone. After a moment,  <lb>
the judge rises.)  <lb>
i Judge (slowly).  As,, on the night of the twenty-fourth of Decem-  <lb>
ber, 1808, between midnight and one o&apos;clock, Hans Mathias com-  <lb>
mitted the crime of assassinating Baruch Koweski, with the aggra-  <lb>
vating circumstance of premeditation, and by night, and also  <lb>
 committed the.crime of theft with arms in his hands, we sentence him  <lb>
to be hung by the neck till he is dead. (Turning to officers.) Officers,  <lb>
bring in the hangman.   (A great stir in the crowd.   Officer opens  <lb>
door onYight; a short rnan dressed in red, with a pale face and brfll-  <lb>
iant eyes appears upon the threshold. A profound silence. The  <lb>
judge extends his arm toward Mathias. Loud noise of bells. Ma-  <lb>
thias puts his hands to his head and staggers. Everything vanishes.  <lb>
The room in the burgomaster&apos;s house reappears, lt is broad day-  <lb>
light; the sun is shining through the blinds and makes long bars of  <lb>
light upon the floor. The curtains ot the alcove stir. The decanter  <lb>
falls from the night-table and is broken. At the same moment joy-  <lb>
ous music is heard in front of the inn, playing the old air of &quot; Lau-  <lb>
terbach;&quot; many voices are heard singing. It is the groomsmen  <lb>
giving the &quot; dawn-serenade &quot; to the affianced bride. The noise of  <lb>
pedestrians is heard in the street. A window is opened and the  <lb>
music ceases. Loud laughter and many voices calling out: &quot; There  <lb>
she is! there&apos;s Annette 1&quot; The music and singing begm again. A  <lb>
great stir below. Rapid steps are heard dn the stairs and a knock at  <lb>
Mathias&apos;s door.)  <lb>
Catherine (outside, calling). Mathias, get up! lt is broad day-  <lb>
light.    All our guests are below.    (Silence.    Louder knocking.)  <lb>
Christian (calling). Monsieur Mathias! Monsieur Mathias! (Si-  <lb>
lence.) .How he sleeps! (Other steps heard on stairs. Louder  <lb>
knocking still.)  <lb>
Walter (calling). Get up, Mathias! What ails you? The wed-  <lb>
ding has begun, hop!.hop! (Long silence.) It is strange! he does  <lb>
not answer!  <lb>
Catherine (anxiously). Mathias! Mathias! (Whispering, a dis-  <lb>
cussion, then Christian&apos;s voice says, loudly and curtly:) No, it is  <lb>
useless, let me do it! (Aud almost immediately the door which is  <lb>
violently shaken, gives way.    Christian appears iu full uniform.)  <lb>
Christian (on threshold). Monsieur Mathias! (Sees fragments of  <lb>
decanter on floor, runs to alcove, pulls back curtains, and utters a  <lb>
cry).  <lb>
Catherine (entering in alarm). What is the matter, Christian?  <lb>
what is the matter?  <lb>
Christian (turning round hastily). Do not look, Madame Cath-  <lb>
erine! (Puts his arms about her and draws her toward the door, and  <lb>
calls out in an agitated voice:)   Doctor Frantz! Doctor Frantz!  <lb>
Catherine (struggling). Let me go, Christian.    I must see!  <lb>
Christian. No! (Calling out on the staircase to those below.)  <lb>
Prevent Annette from coming up. Oh, heaven! oh, heaven!  <lb>
(Meantime Walter, Heinrich, and a great many of the guests, men  <lb>
and women, have entered the room; they gather around the alcove.  <lb>
Heinrich opens the window and throws open the blinds).  <lb>
Walter (looking at Mathias). His face is all black! (General  <lb>
amazement. Doctor Frantz comes in in breathless haste. They  <lb>
stand aside to let him pass).  <lb>
Doctor (hastily). He has had a fit of apoplexy. (Taking his in.  <lb>
struments from his pocket.) Hold his arm, Master Waller. If the  <lb>
blood will but come! (Musicians come in with their instruments in  <lb>
their hands^ a crowd of carousers follow, whispering to one another  <lb>
and treading en tiptoe; then a young woman, with a child in her  <lb>
arms, appears upon the threshold, and stops, astonished at seeing so  <lb>
many persons in the room.    The child is playing with a toy trumpet.)  <lb>
Walter. The blood will not flow.  <lb>
Doctor. No. (Turning round angrily.) Make that child stop its  <lb>
noise.  <lb>
The young woman. Keep still, Ludwig! Give that to me.  <lb>
(Tries to take the toy.    The child resists, and begins to cry.)  <lb>
Doctor (in a tone of sadness). &apos;Tis all over. The burgomaster is  <lb>
dead white wine has killed him.  <lb>
Walter. Oh, my poor Mathias! (Leans upon the bed with his  <lb>
face between his hands, and weeps. The heart-rending cries of  <lb>
Catherine and Annette are heard outside.)  <lb>
Heinrich (looking at the body of Mathias). What a misfortune!  <lb>
He was such a good man !  <lb>
A spectator (in a low tone to his neighbor). It is the death that is  <lb>
the most easy of all.   There is no pain.  <lb>
THE END.<lb>
</p>
<pageinfo>
<controlpgno entity="p0015">
15
</controlpgno>
<printpgno>
0015
</printpgno>
</pageinfo>
<p>
THE THREE SISTERS OF THE BRIARS.  <lb>
15  <lb>
The Three Sisters ofthe Briars:  <lb>
WHO THEY LOVED, AND WHO LOVED THEM.  <lb>
By OWEN LANDOK.  <lb>
&quot; Yes, sir! the family is broken up, and there is to be a sale next  <lb>
Thursday. Maybe you would like to come and buy some of the  <lb>
things. They say it will be an uncommon good sale, and you can  <lb>
get a catalogue of Mr. Reece, the auctioneer, in the High Street.&quot;  <lb>
The man was a stranger to me, but he had stopped on seeing me  <lb>
staring at a bill pasted on the wall outside the Briais, and civilly  <lb>
offered a little information in addition to that which 1 obtained  <lb>
through the medium of paper and printer&apos;s ink. He looked like a  <lb>
working-man, but somehow his look and manner conveyed to me  <lb>
an impression that he and labor of any sort were not on the best ot  <lb>
terms.  <lb>
I thanked him, and was passing on, but he followed me up to in-  <lb>
form me that he would be at the sale, and it I wanted a man to look  <lb>
after any lots 1 might purchase he was the man to do it. Mean-  <lb>
while would I give him a trifle just to help him over this day.  <lb>
&quot; Work&apos;s uncommon bad,&quot; he said, with a whine; &quot; there&apos;s hun-  <lb>
dreds about the country doing nothing but look for it.&quot;  <lb>
1 gave him a few pence to get rid of him, not being in the humor  <lb>
to bear his importunity with that equanimity which, I may truth-  <lb>
fully state, generally characterizes me under trying circumstances.  <lb>
No; I could not bear to have listened to the chatter of anybody, tor  <lb>
years ago 1 had known the Briars well, and one of its inmates had  <lb>
been very dear to me.  <lb>
No matter which 1 loved of the three sisters living with that prim  <lb>
maiden aunt. It does not trouble me now. The tide of events  <lb>
came between us, and 1 saw the waters broaden out, driving her to  <lb>
the east and me to the west, until the sun set upon my life and the  <lb>
darkness of love&apos;s despair rested upon me.  <lb>
But enough of my poor little trouble, a mere bantling in the  <lb>
misery of the world, that came and died ere it matured into a great  <lb>
agony it was not a mighty monster of misery to dog a man to his  <lb>
grave.    It is gone, it is of the past, let it rest.  <lb>
Three sisters, Grace, Gwendoline, and Mary, and the stiff Miss  <lb>
Janet Everingham. The girls were all beautiful, and the aunt bore  <lb>
in her face the remnants of a grace of outline that must have been  <lb>
striking ere time scored and marred it with its iron hand. How  <lb>
well 1 remembered them as I wandered sadly back to the inn that  <lb>
stood in the heart of the little town ot Chipstone.  <lb>
Ten years before 1 had been known there passing well; but ten  <lb>
years&apos; absence abroad had made some change in me, and many who  <lb>
knew me once were gone, others were dead, a few grown into  <lb>
senility, and the rest had doubtless forgotten that I ever existed.  <lb>
I lingered in the town, making daily pilgrimages to the Briars,  <lb>
only to read that dismal bill, and returning with a heart of lead,  <lb>
until the day of the auction, when 1 took my seat in the drawing-  <lb>
room with some two score others, and the auctioneer from an ex-  <lb>
temporized rostrum on the table plunged into his labors.  <lb>
There was nothing in the room that was familiar to me. All was  <lb>
changed. The disorder of a sale was there, and 1 sat dreaming of  <lb>
the place as it once had been, heedless of what was passing.  <lb>
It was an honest sale. The Jews were strangely conspicuous by  <lb>
their absence, and the furniture dealer evidently indifferent to or  <lb>
oblivious of the sale. The furniture was old, and more fit for the  <lb>
collector of the curious than for the modern householder, and for  <lb>
the most part sold for a song. I bid for nothing, bought nothing,  <lb>
until lot ninety-six was brought in. The moment 1 saw it 1 awoke  <lb>
from my trance.  <lb>
It was an old bureau, and used to stand in what was the nursery  <lb>
when Grace, Gwendoline and Mary were children. It was always  <lb>
a favorite room with the girls, and they used to receive their most  <lb>
intimate friends there. 1 had spent many happy afternoons, and  <lb>
often seen somebody what does it matter now which of the three  <lb>
it was? writing on the opened lid of the old bureau, let down smd  <lb>
kept in place by the curiously simple wooden slides familiar to our  <lb>
grandfathers.  <lb>
1 was not rich, 1 had little money to spare, and had not come to  <lb>
the sale to buy; but 1 felt an impulse to purchase that old bureau.  <lb>
It would be a burden lo me, of course what else could it be to a  <lb>
man constantly shifting from place to place; but, nevertheless, 1  <lb>
felt that it must be mine.  <lb>
The only other competitor for its possession was an old woman,  <lb>
who had bid something for most lots and bought nothing. She  <lb>
stopped at nine shillings; I bid ten, and the bureau was mine.  <lb>
Having got it, 1 bethought myself of tvhat was to be done with  <lb>
it. Hovering outside tbe room 1 discovered my communicative  <lb>
friend of the Saturday before, and he volunteered to get the bureau  <lb>
away to the inn in a &quot; twinkling.&quot; With the rapidity of a magician  <lb>
he obtained a truck from somewhere, and with the aid of two  <lb>
others, stamped like himself with the idler&apos;s and odd-man trade-  <lb>
mark, my purchase was safely conveyed to the inn.  <lb>
The landlord evidently thought 1 was insane to buy &quot; that old  <lb>
lumbering thing,&quot; but he expressed his willingness to give it house  <lb>
room until I finally settled what I would do with it. Accordingly it  <lb>
was placed in the apartment 1 occupied at night, and 1 was left alone  <lb>
with my purchase.  <lb>
The key was in the lock, and I turned back the bolt, then drew  <lb>
out the supports, opened it, and sat down. It was to all appearance  <lb>
in every respect just as it had been when I knew it ten years ago.  <lb>
The papers and neatly docketed letters were gone, of course; but  <lb>
the drawers were there, the full length ones at the top, and the  <lb>
shorter ones at the bottom to make room for the &quot; secret drawer,&quot;  <lb>
which would never have remained a secret five minutes from any  <lb>
one really looking for it.  <lb>
To this 1 turned, for in it 1 remembered SHE used to keep certain  <lb>
papers which, in her pleasant, laughing way, she called important.  <lb>
I had no hope of finding any of these documents when 1 touched  <lb>
the spring, but as the front fell down 1 saw there was a packet in-  <lb>
side.  <lb>
I took it out, and looked at it. Did it contain a secret or not?  <lb>
Assuredly not, 1 soon concluded, for it was folded in the form of  <lb>
ordinary manuscript, and was simply tied round with a piece of  <lb>
. Berlin wool. 1 released the fastening, and opening it saw that there  <lb>
was not one manuscript only, but three each bearing a separate  <lb>
title, written by a once dear, familiar hand. 1 first locked the door,  <lb>
then sat down to peruse the lines that would have been very precious  <lb>
to me ten years before.    Here is the first story.  <lb>
THE UNSEEN LOVER AT THE BRIARS.  <lb>
We had given up all hope of any lovers coming to the Briars, for  <lb>
Aunt Janet had, by skillful rudeness and timely coldness, reduced  <lb>
our circle of acquaintances to some half a dozen old maids, and  <lb>
about the same number of elderly married people without chil-  <lb>
dren, each and all of them total abstainers from the lighter graces  <lb>
of existence, deliberate haters of mirth, and devout believers in the  <lb>
necessity for strapping and bandaging the minds of the young, so  <lb>
as to keep them within the bounds of a stern and solemn existence.  <lb>
Am I saying too much when 1 aver that the very song of birds  <lb>
was an offense to these good people, and shall I be guilty of gross  <lb>
exaggeration when I state that Ihe light of the sun was an intrusion  <lb>
upon the darkness of their daily lives?   1 think not.   They had no<lb>
</p>
<pageinfo>
<controlpgno entity="p0016">
16
</controlpgno>
<printpgno>
0016
</printpgno>
</pageinfo>
<p>
16  <lb>
THE THREE SISTERS OP THE BRIARS.  <lb>
music or sunshine in their hearts, or if they had, they kept it tram-  <lb>
pled down and extinguished by a pious fanaticism that would have  <lb>
 been of service at the time of the Inquisition, but was totally out  <lb>
of place in these more enlightened times.  <lb>
George Burdleigh, of course, came to see us a great deal; but  <lb>
George was an orphan, and now at all frivolous, as Aunt Janet used  <lb>
to say. But then she did not see anything of our private receptions  <lb>
in the old nursery, and how very merry, in a subdued way, we used  <lb>
to be. Poor George! 1 wonder where he is. Perhaps I may tell  <lb>
you something ot him by-and-by. Now 1 am writing about our _  <lb>
first lover Percy Towers who fell in love with Grace.  <lb>
We girls, chaperoned by Aunt Janet, had been having tea with  <lb>
Mrs. Roderick, really the least animated woman I ever met, and we  <lb>
were quite depressed and bowed down with the weight of her  <lb>
solemn talk about &quot; The whole duty of Woman,&quot; when we left the  <lb>
house, and felt an overwhelming sense of relief, as we walked as  <lb>
airily as we dare through Chipstone Market Place.  <lb>
On market day there is much wild excitement at Chipstone, but  <lb>
 on other days a sensation of stagnation prevails. Accustomed, as  <lb>
we were, to the dear dull old place, we girls very seldom went into  <lb>
it without having a feeling upon us that every living thing, except  <lb>
the cats and dogs, and the pigeons belonging to the Blue Lion, had  <lb>
.gone to bed. As for seeing anything of the place when the rural  <lb>
gallants were laboriously dissipating on market days, Aunt Janet  <lb>
was too watchful and too wary of our welfare to permit such a  <lb>
thing.  <lb>
Still we had been there; once when auntie, in perfect health, was  <lb>
away for a day to consult a London physician, and again when she  <lb>
was really ill, and had to put up with the local practitioner. Per-  <lb>
haps we also went on two or three other occasions, but our peeps at  <lb>
¦Chipstone in its more lightsome hours were very rare.  <lb>
What did we know of the world? What could we know of it,  <lb>
and especially of that part of it called man? Poor George! 1 will  <lb>
iell yiou something about him by and by was almost as unsophisti-  <lb>
cated, as ourselves, or pretended to be, and that was the same thing.  <lb>
We knew nothing ot the world, or of man nothing nothing.  <lb>
George had been gone from Chipstone about a month when we  <lb>
left Mrs. Roderick&apos;s and sauntered into the market pliice, Aunt  <lb>
Janet, secure in the quietude of an ordinary day, walking on a few  <lb>
paces ahead, and leaving us to look to the right or the left, or any-  <lb>
where we pleased, undisturbed. We let her go until there Was the  <lb>
frightful distance ol quite ten yards between us, when suddenly we  <lb>
found an opaque object between her and us, und that object a MAN.  <lb>
He emerged from a passage next to the confectioner&apos;s, and he ran  <lb>
.against Grace, being apparently in a hurry. Grace did cot scream;  <lb>
she knew better for auntie, in a serene state of unconsciousness,  <lb>
was still going on ahead but smiled in reply to the apology ten-  <lb>
dered. 1 saw him glance at her sweet face, hesitate a little, then  <lb>
go on.  <lb>
&quot; He was handsome,&quot; said Grace, breathlessly.  <lb>
&quot; And a stranger,&quot; said Gwendoline. &quot; And how nice he looked  <lb>
when he smiled.&quot;  <lb>
&quot;I think he ought to have apologized more profusely,&quot; said  <lb>
Grace, doubtfully.    &quot; He seemed in such a hurry to get it over.&quot;  <lb>
I said nothing. Being the youngest, 1 was very wary of speaking,  <lb>
for 1 had found that words addressed to my elders had not the weight  <lb>
they ought to have had. Even Grace and Gwendoline were infected,  <lb>
in a slight degree, with the way our friends had of ignoring the  <lb>
opinions of those younger than themselves. But I did not care  <lb>
much for the looks of the stranger, handsome as he might be, and  <lb>
there was a boldness in his briet stare at Grace which 1 instinctively  <lb>
objected to.  <lb>
On reaching home we hastened to the nursery. How absurd it  <lb>
was for three grown women to cling to that place of refuge, but we  <lb>
were free from Aunt Janet there, to talk over this stranger. Grace  <lb>
and Gwendoline spoke of him with bated breath as they might have  <lb>
done had they been forlorn maidens and he a prince out of the story  <lb>
book; but 1 well 1 said nothing worth mentioning.  <lb>
The youth of Chipstone may have had something to do with the  <lb>
enthusiasm of my sisters. 1 fear they were not very shining lights  <lb>
in the kingdom ot man. Chipstone, in fact, was a very good place;  <lb>
everybody, or nearly everybody, took life very solemnly and serious-  <lb>
ly, and young people were &quot; kept under.&quot; in contrast to them the  <lb>
youthful farmers who came up on market days, and smoked cigars  <lb>
.at high noon, were the wildest of creatures.  <lb>
The dress, look, and bearing of this stranger was something differ-  <lb>
ent to the Chipstone beaux. He came upon Grace like a star from  <lb>
another firmament.    She said so, and she looked as if she meant it.  <lb>
Aunt Janet suspected nothing. She had not seen the stranger,  <lb>
and, secure in her precautions to. keep her stronghold free from in-  <lb>
vasion, never so much as suspected that the enemy was at the gate.  <lb>
Nor did 1 suspect anything would follow that chance meeting,  <lb>
and ere long Grace ceased to speak of the stranger. When Gwen-  <lb>
doline spoke ot him, as she continued to do for weeks, she would  <lb>
turn away and not answer her.  <lb>
But Grace was changed. She had grown thoughtful, and showed  <lb>
a strong inclination to spend much of her time alone. The nursery  <lb>
was often left a whole afternoon to Gwendoline and myself, while  <lb>
Grace would saunter about the shrubberies in the grounds, or sit  <lb>
alone in a Swiss summer-house down by the miniature lake. She  <lb>
always took a book with her, and we, seeing it was her humor, let  <lb>
her be at peace.  <lb>
George was gone, as 1 have told you, and it was then that we began  <lb>
to miss him dearly. He was always pleasant, and could talk when  <lb>
he chose, and 1 dare say he would have sung but for fear of Aunt  <lb>
Janet, who looked upon all singing, except Tate and Brady&apos;s hymns,  <lb>
sung through the nose, as vanity.  <lb>
So things went on for about five weeks, and summer began to  <lb>
wane. No other great excitement had come to ripple the even life  <lb>
ot the Briars. Everything seemed quieter than ever, until one night  <lb>
at the end of August.  <lb>
1 had gone to my room, but not to rest, for the night was very  <lb>
beautiful, and a broad, full moon rising over the hill. I sat by my  <lb>
window thinking, and did not hear the door open or Grace enter; nor  <lb>
was 1 aware ot her presence until 1 found her kneeling at my feet  <lb>
looking up into my face through tears that dimmed her eyes.  <lb>
&quot; Grace, dearest, what has happened?&quot; 1 exclaimed.  <lb>
&quot; Nothing,&quot; she said, &quot;lam well and happy; but oh! Mary,  <lb>
1 want you to tell me that you love me as much as ever that you  <lb>
will always hold me in your heart.&quot;  <lb>
&quot;Of course I shall,&quot; I answered; &quot;have We not always been  <lb>
happy together?&quot;  <lb>
&quot;Yes, yes; but 1 have been cold to you. 1 have been hiding  <lb>
away.&quot;  <lb>
&quot; Never mind that, dearest, lt is well foi all of us that we should  <lb>
now and then be,apart.&quot;  <lb>
&quot; Now and then apart,&quot; she repeated, slowly. &quot;Ah! only  <lb>
now and then.&quot;  <lb>
She buried her face in my lap, and I could see her quiver as if in  <lb>
pain, but she uttered no sound. The paroxysm was over in a few  <lb>
minutes, and she was looking at me again.  <lb>
&quot; Kiss me, Mary,&quot; she said.  <lb>
1 kissed her, and she kissed me, again and again, clinging to my  <lb>
neck. Then, with a quick movement, rose up and left me. I  <lb>
thought she was unwell, and determined to go to her room later on,  <lb>
and see if she was more composed. 1 did so, but found the door  <lb>
locked a most unusual thing; but without any great uneasiness,  <lb>
went to rest.  <lb>
1 was dreaming of fields and flowers, when a hand was laid upon  <lb>
my shoulder. 1 awoke, to find Aunt Janet and Gwendoline in the  <lb>
room with the daylight on their faces. Aunt Janet upstood, stern  <lb>
and rigid; Gwendoline, with a terrified face, cowered behind her.  <lb>
Accustomed as 1 had been to the hard, cold ways ot my aunt, 1  <lb>
had never seen her in a very angry mood. Now she was terrible in  <lb>
her fierce anger.  <lb>
&quot; Get up,&quot; she said, &quot; and tell what is your share in bringing dis-  <lb>
honor on this house.&quot;  <lb>
I rose up, trembling. The absence of Grace from the room was  <lb>
like the opening ot the &quot; Book of Fate&quot; to me. 1 guessed the  <lb>
worst, and guessed the truth.  <lb>
&quot; 1 have done nothing,&quot; 1 said.    &quot; 1 have done nothing.&quot;  <lb>
&quot; Grace is gone,&quot; said Aunt Janet, her dark brows bending over  <lb>
her eyes, &quot; with the man she loves, as she has had the madness to  <lb>
write to me.    Do you know who it is?&quot;  <lb>
&quot; No,&quot; 1 answered, &quot; but I can guess. It maybe the stranger we  <lb>
met one day at Chipstone.&quot;  <lb>
&quot; This is more than you have told me,&quot; said Aunt Janet, turning  <lb>
upon Gwendoline, &quot; 1 shall know all by-and-by.&quot;  <lb>
&quot; You can learn nothing more from me,&quot; 1 said.  <lb>
Aunt Janet paced up and down, her strong, vigorous tread mak-  <lb>
ing the old floor creak. With uncertain fingers 1 began my morn-  <lb>
ing toilet.  <lb>
&quot; And to think that it should come to this,&quot; she said, &quot; after the  <lb>
way 1 have watched ovei you.&quot;  <lb>
&quot; Perhaps, aunt, you have watched over us too much,&quot; Gwendo-  <lb>
line suggested.  <lb>
Aunt Janet turned upon her with a fury that made her quail.  <lb>
&quot; What do you children know? How have you learned to fathom  <lb>
the depth of the abyss into (which Grace has plunged? But she is  <lb>
gone now ; she is to be as one dead here. Never breathe her name  <lb>
in my rjresence again.&quot;  <lb>
She left us, and for awhile Gwendoline and 1 were still and silent.<lb>
</p>
<pageinfo>
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</controlpgno>
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0017
</printpgno>
</pageinfo>
<p>
THE THREE SISTERS OF THE BRIARS.  <lb>
17  <lb>
Then we both, without a word, burst out sobbing, and so found re-  <lb>
lief for our overcharged hearts.  <lb>
The gloom that must have always rested on the Briars we were  <lb>
familiar with, and had ceased to regard it; but the gloom that now  <lb>
settled down darkened our young lives. I was nineteen then,  <lb>
Gwendoline was twenty, and Grace just twenty-two old enough to  <lb>
be women, but even Grace was a child in experience of the world.  <lb>
And she had obeyed the impulses of a child, intensified by the  <lb>
feelings of a woman. A lover had come and wooed and won her   <lb>
I dare say easily enough. She had trusted him, as those who have  <lb>
but an imperfect knowledge of the world trust others. That much  <lb>
we knew, but no more except that he, whoever he might be, had  <lb>
been seen hovering about our house and in the lane in the rear from  <lb>
which an ordinarily active man could easily gain access to the gar-  <lb>
den. The Swiss chalet and Ihe little lake were there, and now we  <lb>
understood why Grace had been so fond of the place.  <lb>
We had never gone out much, but now we ceased to go out at  <lb>
all, except at very rare intervals, when some small business in the    <lb>
town called us there.    Our hearts might be broken or breaking, but |  <lb>
with misery or without, in sickness, sorrow, and trouble, there is I  <lb>
one thing a woman always does, she goes a-shopping when she can.  j  <lb>
No need of Aunt Janet to tell us that we had lost all our acquaint   j  <lb>
ances, and as far as Gwendoline and myself were concerned, it was    <lb>
a loss we bore with commendable fortitude.    But it is not pleasant  <lb>
to be ignored, and all Chipstone had cut us.    Piety and stern moral-  <lb>
ity set their faces against the inmates of a house branded with shame,  j  <lb>
We were ignored outside, but we knew, we felt that we were not !  <lb>
entirely forgotten.    The post brought us many printed admonitions, I  <lb>
and we were regaled by stories of those who had fallen into &quot; the  <lb>
pit,&quot; written surely by children, tor children, and most assuredly of  <lb>
no possible good to old or young.  <lb>
Aunt Janet received many, and in what way they affected her 1  <lb>
do not know. She sat stiff and stern at the table, opening the en-  <lb>
velopes, glancing at their contents and laying them aside without  <lb>
moving a muscle of her face. Grace, she never spoke of, and for  <lb>
aught we observed she might never have been an inmate of Ihe  <lb>
Briars.  <lb>
So passed a year a dull, colorless year of stifled misery, a time of  <lb>
silent anguish, twelve long months of hope deferred without a  <lb>
word from Grace. Gwendoline and 1 longed, thirsted, prayed for  <lb>
it, but the far off echo of her sweet voice never reached us.  <lb>
&quot; 1 cannot bear it,&quot; said Gwendoline one day, as we saunteied in  <lb>
our garden. Aunt Janet sat at a distance, spectacles on nose,  <lb>
knitting.  <lb>
&quot; Grace must have written,&quot; 1 replied. Jt was a remark 1 had  <lb>
often made, and Gwendoline always assented to it, as she did now.  <lb>
&quot; But with a letter-bag that is always closed at night and opened  <lb>
in the morning by AuDt Janet, what can we know more than she  <lb>
chose to tell us?&quot; Gwendoline said. &quot; 1 believe she has heard from  <lb>
Grace.    1 will ask her it she has!&quot;  <lb>
&quot; No, Gwendie,&quot; I said, &quot; you would get no answer, and if you  <lb>
did it would not be one to satisfy you.&quot;  <lb>
&quot; But I will do it,&quot; she answered, and bracing herself up for the  <lb>
struggle, walked boldly up to Aunt Janet. I followed behind, half-  <lb>
hearted, yet resolved to bear my share of the battle.  <lb>
&quot; Aunt Janet, I wish to ask you a question.&quot; Her head, cov-  <lb>
ered with iron-gray hair, was raised, and the cold steel-like eyes  <lb>
looked us through.  <lb>
&quot; 1 have expected lo hear of it betoie,&quot; she said. &quot;No names.  <lb>
1 have forbidden it. You wish to know if I have heard from some-  <lb>
body.&quot;  <lb>
&quot; Y&apos;es, aunt.&quot;  <lb>
Poor Gwendoline&apos;s voice had no more sound in it than the wheeze  <lb>
ot a mouse.    1 simply had no voice at all.  <lb>
&quot; 1 have heard several times. Perhaps you would wish to know  <lb>
if 1 have replied.&quot;  <lb>
&quot; If you please, auntie.&quot;  <lb>
&quot; 1 have NOT.&quot;  <lb>
lt would not be easy to express in print even by the largest capi-  <lb>
tals the peculiar emphasis put upon the latter word. There was a  <lb>
finality in it which told us that no more was to be said and we turned  <lb>
away.  <lb>
&quot; Poor Grace!&quot; I said.  <lb>
But Gwendoline&apos;s eyes were flashing, and 1 saw rebellion in the  <lb>
horizon. Butshesdd nothing to me then, but ere long the new  <lb>
order of things began. Brindel, our butler, received the letter-bag  <lb>
in the morning, and clung to it with the devotion of an old servant  <lb>
until he gave it up to his mistress. He was a native of Chipstone,  <lb>
swathed, nursed, and cradled in the solemnity of its good people,  <lb>
impregnated with their gloomy views, but sedately cheered by the  <lb>
\  <lb>
conviction that if ninety per cent, of living creatures were doomed  <lb>
to everlasting misery, he at least was among the rescued.  <lb>
To him, on the morning following, as he crossed the hall with the  <lb>
letter-bag in his hand, came Gwendoline.  <lb>
&quot; You keep the key of that bag?&quot; she said.  <lb>
&quot; Yes, miss,&quot; he replied, &quot;it is locked by Miss Everingham at  <lb>
night, and 1 take charge ot it till the morning.&quot;  <lb>
&quot; Give it to me,&quot; said Gwendoline.  <lb>
Brindel was not given to staring, but he opened his eyes wide on  <lb>
hearing such an unparalleled demand as this.  <lb>
&quot; Pardon me, miss, but 1 dare not do it. It would be as much  <lb>
as my place is worth.&quot;  <lb>
Gwendoline was prepared for this emergency, and with a quick  <lb>
movement, quickly and gracefully done, so as to put the action far  <lb>
outside the pale ot a vulgar snatching, she secured the bag.  <lb>
&quot; Tell Miss Everingham lhat I have it,&quot; she said, and walked  <lb>
upstairs.  <lb>
Breathless with amazement, I upon the first-floor landing saw  <lb>
and heard all. Gwendoline, pale, but with a determined look upon  <lb>
her face, came up and beckoned me into her room.  <lb>
&quot; I am going to open it,&quot; was all she said; and taking up a shaip  <lb>
pen-knife, prepared for the act, deliberately cut o^en the leather  <lb>
bag.    There were three letters inside.  <lb>
&quot; Two for Aunt Janet,&quot; she said coolly, &quot;and one forme. I  <lb>
have performed this little feat, most opportunely, lt is a letter from  <lb>
Grace.    We will read it by and by.    Breakfast is ready. &quot;  <lb>
She thrust it into her bosom, and, with the two letters for Aunt  <lb>
Janet in her hand, walked calmly down-stairs. As for poor me, 1  <lb>
was in a maze of fear, doubt, and horror; in short, I was not fully  <lb>
prepared to endorse what Gwendoline had done, or braced up to  <lb>
bear my share of the consequences.  <lb>
Aunt Janet was awaiting us, and the mournful Brindel putting  <lb>
coffee upon the table. He had evidently lodged a complaint against  <lb>
Gwendoline, and been honored with some stinging reproach tor his  <lb>
lack of attention. Perhaps he may have been suspected of being in  <lb>
collusion with us.  <lb>
&quot; Good-morning,&quot; said Aunt Janet, and took her seat at the table.  <lb>
&quot; Two letters &apos;for you, aunt,&quot;  said Gwendoline, &quot; 1 opened the  <lb>
bag this morning.&quot;  <lb>
&quot; So Brindel tells me,&quot; Aunt Janet rejoined.    &quot; Will you have  <lb>
tea or coffee?&quot;  <lb>
&quot; Coffee, please.&quot;  <lb>
Breakfast passed over as quiet as usual, but afterward the mon-  <lb>
soon came. When Brindel had cleared away, Aunt Janet, always  <lb>
armed and ready, came out and fell upon us with sword and mace,  <lb>
opening the battle by attacking me.                      *  <lb>
&quot; Mary, it is you who urge your sister on. Where is the letter  <lb>
you took from the bag this morning?&quot;  <lb>
&quot; lt was addressed to me, and 1 have it,&quot; Gwendoline said.  <lb>
| &quot; Mary is not to blame. But how do you know there was a letter  <lb>
J  for either of us?&quot;  <lb>
Aunt Janet turned pale, but she answered with composure, &quot; I  <lb>
!  am a&quot; wil ness to your removing it; 1 was passing your door at the  <lb>
!  time.    Pray remember that you left it ajar. 1 am no eavesdropper. &quot;  <lb>
Notwithstanding this assurance, we were both convinced that she  <lb>
had been listening.  <lb>
I don&apos;t know if it was tbe doubting expression ot our faces that  <lb>
suddenly roused the long-pent-up violence of her nature, but .in a  <lb>
moment she had, as it were, leapt into a flame, and was raging like  <lb>
a forest on fire.  <lb>
Aunt Janet had always shown herself to be cold, quiet, and deter-  <lb>
mined. From the time she took charge of us Grace was just  <lb>
twelve at the time she had dogmatically pursued her way: What  <lb>
she said was law, and no dispute allowed. We had yielded to her  <lb>
ruling, and no previous explosion bad taken place We did not  <lb>
dream such a thing possible, and were ill prepared for the outburst  <lb>
that came with scorching force upon us.  <lb>
&quot; Was it for this that she had taken charge ot us?&quot; she asked;:  <lb>
&quot; and was her life, one of self-abnegation, and a long battle against  <lb>
the temptations in the world, to be embittered by the shame ot  <lb>
others?&quot;  <lb>
&quot; You are all rebellious,&quot; she cried, with her arms extended and  <lb>
fingers working convulsively, &quot; you have plotted to bring all my  <lb>
labor to nought, to make my toil unfruitful, and to leave me no har-  <lb>
vest to gather in, when it shall be asked of me in the Great Day  <lb>
wdiat 1 have done.&quot;  <lb>
Then she went into other matters, we keeping a dismayed silence,  <lb>
and a great tact hitherto unknown to us was laid bare. We were  <lb>
really independent of her. Our father had left, us four hundred a.  <lb>
year apiece on reaching the age of twenty, lt is strange, but true..  <lb>
AYe knew absolutely nothing of our inheritance.<lb>
</p>
<pageinfo>
<controlpgno entity="p0018">
18
</controlpgno>
<printpgno>
0018
</printpgno>
</pageinfo>
<p>
18  <lb>
THE THREE SISTERS OF THE BRIARS.  <lb>
&quot; 1 was not appointed to take care ot you,&quot; she said. &quot; 1 under-  <lb>
took that duty, a distasteful task, but the Spirit moved me to it be-  <lb>
cause it was right. 1 have striven to shield you from sin, and I  <lb>
have tailed. The fault is not mine, and now I wash my hands of  <lb>
you &quot;  <lb>
The intensity of the action with which she accompanied the final  <lb>
words of her long, passionate outpouring, left us no doubt as to her  <lb>
intention. She was going to leave the Briars and its inmates to their  <lb>
fate.  <lb>
lt was said, and it was done. She left us that very morning, and  <lb>
Chipstone also. Heaven only knows the full force of the tempest  <lb>
that rent her soul, but it must have been very terrible. I do not  <lb>
wish to judge her, but 1 think that self was at the bottom of it. all.  <lb>
ln and around Chipstone she had been renowned for her austere  <lb>
piety. All her religious duties were performed with a regularity  <lb>
which, in that n-.spect, left nothing to be desired; and she had lab-  <lb>
ored to make us run in the same groove. She believed that success  <lb>
had crowned her efforts until Grace left us. She had, in her quiet  <lb>
way, made an exhibition ofthe &quot;Three Sisters of the Briars,&quot; as  <lb>
we were called, and, in a dumb way, expressed herselt thus:  <lb>
&quot; See what I have done for them? They are the children of a  <lb>
man and woman of the world people who liked mirthful society  <lb>
and a gay life. They inherit the weakness of those who brought  <lb>
them into the world; but 1 have strengthened them, aimed them; I  <lb>
have put on them the armor which will defy the arrows of the  <lb>
wicked.&quot;  <lb>
And yet she had tailed failed most dismally. Chipstone, HER  <lb>
Chipstone, had seen and recognized tbe fact, and laid the sin of  <lb>
Grace&apos;s backsliding, by casting her off, at Aunt Janet&apos;s door. Itwas  <lb>
thai which had secretly maddened her, and Gwendoline&apos;s rebellion  <lb>
brought about the final explosion.  <lb>
While Aunt Janet was hurriedly packing her boxes, which she  <lb>
did without assistance, having declined the offer ot Brindel&apos;s help,  <lb>
Gwendoline and 1 kept in the room ic a semi-dazed state, talking, at  <lb>
times, in a feeble, uncertain way. We were fairly taken aback by  <lb>
the sudden turn of events.  <lb>
It is the positive truth that, until Aunt Janet was gone, neither of  <lb>
us thought of reading Grace&apos;s letter; but the sound of the cab roll-  <lb>
ing away awoke us from what 1 may be allowed to call a trance of  <lb>
surprise.  <lb>
&quot; She IS gone!&quot; said Gwendoline.  <lb>
&quot; Yes,&quot; I said. Then we breathed hard, and looked at each other.  <lb>
&quot; Freedom is ours,&quot; said Gwendoline; and then, like two birds  <lb>
released from a dismal cage, we began to sing. A minute later and  <lb>
we were on the verge of crying. Then Gwendoline brought out  <lb>
Grace&apos;s letter.  <lb>
&quot; Let us see what our darling says,&quot; she said.  <lb>
Thc contents were another great surprise.  <lb>
lt began with a gentle reproach for our silence. She asked if we  <lb>
were never going to answer her letters. &quot; Aunt Janet writes lo me,  <lb>
but in a strain that is very oppressive. She says 1 am not to come to  <lb>
the Briars again, and 1 think it a very harsh sentence. Percy pre-  <lb>
tends to laugh al tbe letters, but 1 am sure they make him angry.  <lb>
We are very poor, of course, but he is kind to me, and lam happy.&quot;  <lb>
&quot; She thinks we have read her previous letters,&quot; said Gwendoline.  <lb>
&quot;1 think it abominable of Aunt Janet to keep them back, and I  <lb>
don&apos;t want to be hypocritical and say that 1 am sorry she is gone for  <lb>
1 am not.&quot;  <lb>
Nor could I say that 1 regretted her burred departure. Reflection  <lb>
was pointing out that we were as slaves set free, and a world of de-  <lb>
lightful surprises lay before us.  <lb>
&quot; Where is Grace living?&quot; 1 asked.  <lb>
&quot;At Laurel Road, Camberwell,&quot; replied Gwendoline &quot; and Cam-  <lb>
berwell is near London.    Oh! Mary, shall we, shall we?&quot;  <lb>
&quot;Do what?&quot; I asked.  <lb>
&quot; Go up to London and surprise her.&quot;  <lb>
&quot; What should we two babes do there?&quot;  <lb>
&quot; Oh! we could take care of ourselves,&quot; said Gwendoline lightly;  <lb>
&quot; but of course we must gel some money first.&quot;  <lb>
&quot; Mr. Wolfe will give us that,&quot; 1 said.  <lb>
He was our family lawyer, but hitherto we had rarely spoken to  <lb>
him. Aunt Janet had transacted all the business which bad to be  <lb>
done. Now Gwendoline was going to be manager, and guardian,  <lb>
and all the rest of it, until I had reached another birthday.  <lb>
Perhaps no living man has ever been more surprised than Mr.  <lb>
Wolfe was when Gwendoline and 1, with trembling courage,  <lb>
marched into his office, and our explanation of the state ot affairs  <lb>
put him, ill may use such an expression, &quot;on Ids back.&quot; It is  <lb>
rather slangy, I know, but 1 cannot think of anything else which  <lb>
will at all adequately describe his mentsil condition.  <lb>
But he could not deny tacts.    He was trustee, and Grace and  <lb>
Gwendoline cou: d draw four hundred pounds a year from certain  <lb>
funds vested in his name, which, of course, he would now transfer  <lb>
to them, as 1 believe he ought to have done before. But let that rest.  <lb>
He advanced us som mouey, and without enlightening him as to  <lb>
our intentions, we went home, packed our boxes, and set out for  <lb>
London.  <lb>
THE LOVER   WHO   CAME BOLDLY  TO   THE  <lb>
DOOR.  <lb>
All Chipstone was aghast.  <lb>
Y&apos;es; 1 think that is a fitting expression to use when describing  <lb>
the agitated state of that very little but decidedly officious market  <lb>
town.  <lb>
Gwendoline and 1 had been to London and had returned. We  <lb>
found Brindel the worse for drink, and it appeared that he had  <lb>
drunk up all the port wine in the cellar. We discharged him, or  <lb>
rather Gwendoline did.  <lb>
1 never saw moral strength so suddenly developed in a living  <lb>
being. To see her in London, one would have thought her an old  <lb>
traveler, although everything must have been new and bewildering  <lb>
to her as it was to me. Even the cabman who took us to Camber-  <lb>
well could see that she was not to be shamefully put upon, and did  <lb>
not charge more than double his fare.  <lb>
On Gwendoline 1 now relied, and she relied fully upon herself.  <lb>
Though inexperienced, she had plenty of common sense, and was  <lb>
not easily imposed upon. She bore herself at all limes with the  <lb>
calmness indicative of tbe utter absence of self-consciousness which  <lb>
characterizes a thorough-bred woman.  <lb>
We have seen Grace, and found things a little different to what  <lb>
we expected. Laurel Road, Camberwell, was without laurels, and  <lb>
a most depressing place. Grace and her husband were living on the  <lb>
first floor, in rooms so tastelessly furnished that it gives me the heart-  <lb>
ache now to thiuk of them. Everything was so cheap and miserably  <lb>
gaudy. As tor the flimsy chairs, 1 was atraid to sit down upon them.  <lb>
We found her alone, and she was nearly mad with delight when we  <lb>
were shown in. Our coming was so unexpected. I am sure she  <lb>
kissed me fifty times before she had spoken as many words.  <lb>
&quot; Percy is out,&quot; she said; &quot; he is looking tor something suitable  <lb>
for a gentleman to do.&quot;  <lb>
&quot;And who is Percy?&quot; 1 inquired. &quot;Don&apos;t forget, dear, that   <lb>
thanks to Aunt Janet we know absolutely notning about him.&quot;  <lb>
&quot; Percy is tbe third son ot Sir Edgar Towers,&quot; Grace exclaimed.  <lb>
&quot; His father is poor tor a baronet, and all the money goes to tbe  <lb>
eldest son, wliich is very hard upon poor Percy.&quot;  <lb>
&quot; Very hard,&quot; we echoed.  <lb>
&quot; And again, his choice ot a profession was unfortunate,&quot; Grace  <lb>
continued. &quot; He is called to the bar, but the bar doesn&apos;t do anything  <lb>
for him. He was down our way on circuit, as he calls it, when we  <lb>
first saw each other. Ah ! darlings, it was to be, you know, and it  <lb>
is.&quot;  <lb>
we laughed at the fatalistic idea, but Grace was serious. She  <lb>
continued her explanations, and told us that they were a little behind  <lb>
with the rent, and the landlady rather rude, but wc were not to mind  <lb>
her.  <lb>
&quot; Shewill be perfectly civil again when Tercy pays her bill,&quot; Grace  <lb>
said.  <lb>
We were glad to have good news for Grace; and when we toll  <lb>
her lhat she was mistress of four hundred a year, siie fairly cried for  <lb>
joy.    She was drying her eyes when Percy came in.  <lb>
1 had seen him but once before, but 1 had not forgotten his face. It  <lb>
was handsome, but there was a heavy cloud upon it, which was onlv  <lb>
a little lightened as he favored us with a smile of courtesy on being  <lb>
introduced.  <lb>
&quot; You come from Miss Everingham, 1 presume,&quot; he .said. &quot; My  <lb>
last letter to her &quot;  <lb>
&quot; We know nothing ot,&quot; interposed Gwendoline. &quot;Grace, ex-  <lb>
plain things; and may I ring, and ask for a cup of tea?&quot;  <lb>
&quot; You may ring,&quot; said Percy, gloomily &quot; but I&apos;ll bet ten to one  <lb>
the old woman takes no notice of it.&quot;  <lb>
1 did ring, but there was no response; but as soon as Percy heard  <lb>
the good tidings we had brought his whole air changed. His face  <lb>
brightened, his eyes flashed joy, and his whole demeanor became  <lb>
hilarious.  <lb>
&quot; Hang it!&quot; he said; &quot; we need not put up with the old woman&apos;s  <lb>
impudence, and we won&apos;t.&quot;  <lb>
He tugged at the bell violently, and kept it going until a flushed  <lb>
and terrified woman appeared. Her cap was awry, and she held in  <lb>
her hand half a dozen forks brought upstairs unconsciously.  <lb>
&quot; Now, Mrs. Gunter,&quot; said Percy, &quot; did you not hear the bell?&quot;<lb>
</p>
<pageinfo>
<controlpgno entity="p0019">
19
</controlpgno>
<printpgno>
0019
</printpgno>
</pageinfo>
<p>
THE THREE SISTERS OF THE BEIA_RS.  <lb>
19  <lb>
&quot;I was in the back hattic, sir,&quot; replied Mrs. Gunter, &quot;and  <lb>
wasn&apos;t sure it might be next door.&quot;  <lb>
He told her to get some tea at once, and bid her make up the bill  <lb>
to the-hour and he would pay it. &quot;If you will lend me twenty  <lb>
pounds,&quot; he said to Gwendoline. &quot; 1 shall be obliged. We will re-  <lb>
turn it to you when Grace draws some money.&quot;  <lb>
This Gwendoline did, and the tea and bill being brought, he paid  <lb>
the now abject Mrs. Gunter and dismissed her.  <lb>
&quot; Take care ot Grace,&quot; he said, &quot; while 1 go and look up a place  <lb>
more suitable for us.    We will leave here to night.&quot;  <lb>
He went off in the highest spirits, and Grace descanted on his  <lb>
kindness he was so ready to do anything for her comfort, and  <lb>
always energetic.    It was such a pity that he had nothing to do.  <lb>
We endorsed her sentiments as far as we could, and 1 must say  <lb>
that I did a little violence to my feelings by doing so. 1 did not like  <lb>
Percy any more than 1 did at first, and yet 1 could not have named  <lb>
the source of my antipathy. He was handsome and courteous, and  <lb>
quite nice with his &quot; sisters,&quot; Gwendoline and myself, but there  <lb>
was something about him that repelled me, and I was sorry he was  <lb>
Grace&apos;s husband.  <lb>
Percy returned two hours later with the intelligence that he had  <lb>
taken apartments &quot; up west &quot; in Mount Street, and thither we all ad-  <lb>
journed with  the least possible delay.    Il was quite exciting, the &apos;  <lb>
packing up in a hurry, and the drive through London after the shops !  <lb>
were lit up.    1 felt as it I were iu Fairy-land.  <lb>
The apartments in Mount Street were a little better furnished than i  <lb>
those in Camberwell, but otherwise 1 failed to see any improvement,  j  <lb>
Percy, however, comforted us with the assurance that Grace was  <lb>
now in another atmosphere,  in a better land, and among superior  <lb>
people.    Grace seemed to be very happy, and she told us afterward  <lb>
that she had now no care. Percy was now independent, and free from I&quot;  <lb>
anxiety, and she, like a mirror, reflected his happiness.  <lb>
Our stay in town was bright enough. Percy, supplied with  <lb>
money, took us about. Like, all country people, we wanted lo see  <lb>
the sights, and insisted on going to the Tower, up the Monument  <lb>
and St. Paul&apos;s, and to Madame Tussaud&apos;s. 1 rather fancy that none  <lb>
of these places were to Percy&apos;s taste, but he bore his martyrdom with  <lb>
good humor.  <lb>
Personally, 1 must confess, that the Tower has a tendency to de- !  <lb>
press rather than elevate the spirits, and once up the Monument aud \  <lb>
St. Paul&apos;s is suffieienffor a lifetime.    Maturity and experience has  <lb>
since told me that we can have a position  in society without ascend-  <lb>
ing the multitude ot steps iu either, to stand with trembling knees  <lb>
and look down upon a map ot London al our feet.  <lb>
We returned to Chipstone, as Ihave said, and Chipstone was aghast  <lb>
at our dreadful goings on. We two girls lived without a guardian  <lb>
or chaperon, and Gwendoline bought apretlypony and handsome  <lb>
carriage to drive about in. We were really quite shocking in our  <lb>
innocent blundering.  <lb>
As for that wretch Brindel, he went about drinking and saying  <lb>
all sorts ot wicked things until he got another place. He did not  <lb>
come to us for a character, and soon after robbed his mistress, and  <lb>
was prosecuted for lbs crime, and also for obtaining a situation  <lb>
with a false character, which he wrote himself, lt was, on that ac-  <lb>
count, a very good one. He got two years&apos; imprisonment, and we  <lb>
have never heard of him since.  <lb>
Aunt Janet, did not write to us, but communicated in a printed  <lb>
form. Stories and lectures ot the very goody sort were showered  <lb>
upon us. For months there was scarcely a post that did not bring  <lb>
us one or more; but in time they began to dwindle down, and at  <lb>
last fell away altogether. Good advice, printed and posted, comes  <lb>
¦expensive in the long run.  <lb>
So we lived on at the Briars alone with the servants two women  <lb>
and old Boggles, the gardener. Boggles, tor a time, was our cham-  <lb>
pion, which we did not know until Peggy, the housemaid, let out  <lb>
the secret.  <lb>
We noticed that Boggles for weeks always had a black-eye, or per-  <lb>
haps two. lt was quite interesting to note the rise, progress, and  <lb>
decay of each in turn, from the swelling stage down to the final  <lb>
chameleon-like hues. But still we did not think it respectable, and  <lb>
intended speaking to him when Peggy interposed.  <lb>
&quot;Don&apos;t do that. Miss Gwendoline and Miss Mary,&apos;&apos; she said.  <lb>
&apos;* Mister Boggles&quot; Peggy called every man Mister &quot; gets them  <lb>
eyes for you.&quot;  <lb>
&quot;For us!&quot; we exclaimed; and Gwendoline remarked, &quot;It begets  <lb>
them for us he keeps them entirely to himself.&quot;  <lb>
&quot;You don&apos;t quite understand, Miss Gwendoline.&quot; said Peggy.  <lb>
&quot; Mister Boggles goes out and fights them as talks after Mr. Brin-  <lb>
del, and sometimes he gets the best ot it iind sometimes the worst.&quot;  <lb>
We understood her then, and Boggles from lhat time was precious  <lb>
to us.    We said nothing to him about his being our champion, but  <lb>
we quietly heaped favors upon him, and maae his path ot life  <lb>
smooth with a supply of good velveteen coats and the best tobacco.  <lb>
Percy did not seem to be in a hurry to come down, but Grace  <lb>
wrote often, saying she would soon come. At last she did come,  <lb>
and alone, poor thing!  <lb>
&quot; Percy thinks he shall be able to work himself in some Govern-  <lb>
ment post,&quot; she said, &quot; and is looking up some ot his old friends.  <lb>
Mr. Wolfe had given us a hint about Percy. He had, as the law  <lb>
then entitled him to do, got possession ot her money, and had with-  <lb>
drawn it entirely from our lawyer&apos;s keeping. Little as we knew ot  <lb>
the world, we did not quite like that.  <lb>
But we were happy. Grace was with us. We three Were to-  <lb>
gether again. Our Aunt Janet, &quot; the woman with the iron hand,&quot;  <lb>
as Gwendoline callec her, was away. Ah, what delightful times  <lb>
we had, in spite of the virtuous indignation and the cold stares with  <lb>
which Chipstone favored us.  <lb>
The spring came, and Grace was still with us. Percy did not  <lb>
comedown, but he wrote often, and said he was &quot; working his way,&quot;  <lb>
but he did not send her any money. Early in the spring there was  <lb>
an addition to thc Briars.    Grace gave birth to a little boy.  <lb>
He came as a revelation to us, and we could talk and think of  <lb>
nothing else. All tbe house was sacrificed to that precious child.  <lb>
He was like Percy, and so we wrote and told him; and he sent back  <lb>
a loving letter to Grace, promising to come down in a few days.  <lb>
How she watched for him, how she yearned for him; but the tew  <lb>
days elapsed, aud lie did not appear. Oue day, however, we were  <lb>
honored with a visit.  <lb>
Gwendoline and 1 were doing our share toward killing Grace&apos;s  <lb>
bov with kindness, when Peggy brought up a card, and said that the  <lb>
gentleman was below in the drawing-room.  <lb>
&quot; The gentleman!&quot; cried Grace, from the couch on which she  <lb>
was reclining too weak yet to help us with coddling the little one;  <lb>
&quot; it must be Percy. &quot;  <lb>
&quot; Mr. Cornwall Steyne,&quot; read Gwendoline, holding the card over.  <lb>
the baby&apos;s head.  <lb>
&quot; A friend of Percy&apos;s,&quot; said Grace. &quot; I have seen him once. He  <lb>
js very genial, and Percy says he is tnekinde.st fellow in thé world.&quot;  <lb>
1 was not disposed to take Percy&apos;s recommendation, and therefore  <lb>
not at all inclined to trouble myself about Mr. Steyne, so I begged  <lb>
ot Gwendoline to go down to him. She went, and stayed what 1  <lb>
thought a most unreasonable time with him, and when she came  <lb>
back she was quite glowing with pleasure.  <lb>
&quot;&apos; You seem to have been in most congenial society,&quot; 1 said sar-  <lb>
castically.  <lb>
&quot; Really he is very nice,&quot; replied Gwendoline.    &quot; Fancy his com-  <lb>
ing down here especially to inquire after Grace,    lie says that he  <lb>
heard Percy speak of his   little son   and heir, and he promised to  <lb>
come and see how he was getting on.&quot;  <lb>
&quot; In the place of Percy?&quot;  <lb>
&quot; Percy, it seems, is kept in town by important business.&quot;  <lb>
&quot; Does .Mr. Steyne want to see the baby?&quot; 1 asked.  <lb>
&quot; Yes, and he is coming to-morrow to luncheon,&quot; replied Gwen-  <lb>
doline.    &quot; I invited him.&quot;  <lb>
Grace and 1 both threw up our hands in horror. What would be  <lb>
said now? but Gwendoline in her determined way said she did not  <lb>
care.  <lb>
&quot; It will do no harm,&quot; she said, &quot;lam independent of all idle  <lb>
talkers. 1 like Mr. Steyne, and 1 am sure that he likes me, so 1 in-  <lb>
vited him to luncheon, and it must be a swell affair. Do you think  <lb>
tbat Boggles could wait? He is at present free from contused optics.&quot;  <lb>
I can be determined also at a pinch, and I stood firm against any  <lb>
attempt at show in our quiet household for a stranger. 1 also  <lb>
doubted Boggles as a butler. He would be wanting to rake the dirty  <lb>
plates like weeds off the table, or something of that sort, and Gwen-  <lb>
doline yielded so far; but the luncheon she arranged for was fully  <lb>
worthy of the occasion.  <lb>
Mr. Steyne came very punctually on tbe morrow, and 1 received  <lb>
him with a matronly stiffness I thought proper to assume on the oc-  <lb>
casion. His arrival had somehow put me into this position of cha-  <lb>
peron to Gwendoline, and 1 was prepared to do my duty with requi-  <lb>
site firmness.  <lb>
But alas! who could be firm with honest, genial, generous, hand-  <lb>
some Cornwall Steyne. Truly one »f the best men I have ever  <lb>
known. I only know of one man who could be compared to him,  <lb>
and he is far, far away. Cornwall secured my sisterly affections at  <lb>
once, and witli true chaperonic instinct I saw that he was bent upon  <lb>
wooing and winning Gwendoline.  <lb>
But I had not the authority of a chaperon or a guardian to say  <lb>
yea or nay. ln any case 1 should have had two willful people to  <lb>
deal with, and as matters were 1 was powerless.  <lb>
With a wisdom and discretion decidedly beyond my years, I re-<lb>
</p>
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<p>
20  <lb>
THE THREE SISTERS OF THE BRIARS.  <lb>
1 replied.  <lb>
&apos; we are absolutely  <lb>
We see no man or  <lb>
might except Bog-  <lb>
solved to favor the suit of Cornwall Steyne, and was exceedingly  <lb>
gracious to him. lt was 1 who pressed him to stay and partake ot  <lb>
four o&apos;clock tea.  <lb>
&quot; You must have mercy upon us,&quot; 1 said, &quot;it is not often lhat  <lb>
we get an opportunity to speak to a civilized stranger.&quot;  <lb>
&quot; But you have neighbors,&quot; he said.  <lb>
&quot; People who live near us, but nothing more,&apos;  <lb>
&quot; Do they not call?&quot;  <lb>
&quot;No.&quot;  <lb>
&quot; But you must have friends,&quot; he urged.  <lb>
&quot;None, 1  assure you,&quot; 1 replied calmly;   &apos;  <lb>
alone, Chipstone is virtually a wilderness to us.  <lb>
woman beyond our domestics at the Briars.    1  <lb>
gles, who is in love with Gwendoline and myself, and is our cham-  <lb>
pion.&quot;  <lb>
&quot;And may 1 ask, who is Boggles?&quot; inquired Cornwall Steyne,  <lb>
with a jealous glare in his eyes.  <lb>
&quot; Our gardener,&quot; 1 answered.  <lb>
He laughed lightly at this, and afterward talked pleasantlv. But  <lb>
he seemed to be reflective, and went away with the look of a man  <lb>
who has an insolvable problem to solve.  <lb>
He called the next day and merely left a card. This looked bad  <lb>
from a cbaperonic point ot view, and Gwendoline was cross for the  <lb>
rest of the afternoon. But he did not leave Chipsione, and the fol-  <lb>
lowing day we met him in the High Street, and put all the gossips  <lb>
on the qui vive by securing him as a cavalier servanti while we did  <lb>
our shopping.  <lb>
Somehow, Gwendoline or 1 found an excuse for going shopping  <lb>
nearly every morning for a wtek after this, and we always met  <lb>
Cornwall Steyne. We went together, as a rule, but once Gwendo-  <lb>
line went alone. She was absent a long while, and I gathered from  <lb>
her talk that she had wandered a little way into the country with  <lb>
Cornwall.  <lb>
&quot;I asked him to come home to luncheon,&quot; she said, &quot; but he  <lb>
pleaded an engagement.    It was not very kind of him to say no.&quot;  <lb>
A day or two after this, 1 went out in the morning alone. Gwen-  <lb>
doline stayed with Grace, who was not so well, thanks to a letter  <lb>
from Percy, telling ber that he could not come to the Briars for  <lb>
a while. Ere 1 had gone far 1 met Cornwall, who begged of me lo  <lb>
turn into one of the little by-ways with him.  <lb>
&quot; 1 want to speak to you,&quot; he said.    &quot; 1 have a favor to ask.&quot;  <lb>
&quot; Would not Gwendoline have been more pliable?&quot; 1 asked.  <lb>
&quot; No,&quot; he said. &quot; 1 prefer you. lt is you who are the ruling  <lb>
spirit of tlie Briars, and what you say will be law. The favor I  <lb>
have to ask of you is, lhat you will write to my mother, and ask her  <lb>
to stay with you.&quot;  <lb>
I stared at him a little, and he affected to laugh; but he was more  <lb>
troubled than 1 had ever seen him, and in a hesitating way he went  <lb>
on  <lb>
&quot; My mother is a widow. 1 dare say 1 have told you. If   have  <lb>
not, 1 ought lo have done so. She is very quiet and nice, and will  <lb>
take to you girls immensely.    Do ask her, please.&quot;  <lb>
&quot; Will you come io see us then?&quot; iasked.  <lb>
&quot;Yes, with pleasure,&quot; he replied; &quot;with more pleasure than 1  <lb>
can express in words. &quot;  <lb>
1 understood him, but, of course, we could not talk about it. The  <lb>
dear fellow, in his generous way, was giving us a chance ot con-  <lb>
founding all the scandal-mongers of Chipstone. He knew, and we  <lb>
knew, that our chief sin was ignorance of the world and indifference  <lb>
to the laws by wdiich society attempts to govern itself. Mrs. Steyne  <lb>
was a woman ot birth and prestige, and her being at the Briars  <lb>
would be like girding it round and about with impregnable lines of  <lb>
defense.  <lb>
1 asked him where 1 should write; and he gave me Mrs. Steyne&apos;s  <lb>
address in London.  <lb>
&quot; Of course 1 have already written to her,&quot; he said, &quot; and I have  <lb>
her answer that she will be only too glad to know you.&quot;  <lb>
&quot; Or any other friends her son may know,&quot; 1 said.  <lb>
&quot; Well, I suppose it is so,&quot; he answered, with a laugh; &quot; I am a  <lb>
king in ber eyes, and the king can do no wrong.&quot;  <lb>
lt was clear to me that he had helped us out ot a dilemma, so 1  <lb>
wrote to Mrs. Steyne without delay, and within a week she was at  <lb>
the Briars.  <lb>
Mrs. Steyne had been a great beauty in her time, and was very  <lb>
handsome still She had a presence that made itself felt, and a  <lb>
quiet warmth toward us that charmed us immensely. Without  <lb>
lecturing, as our Aunt Janet used to do, she quietly put lis right in  <lb>
fifty little matters, and led us to see Ihe simple errors of our ways.  <lb>
Ere long Cornwall, who was a frequent visitor, proposed to Gwen-  <lb>
doline, and his mother approved ot his choice. She so doted upon  <lb>
him,  that 1 believe, and 1 say it without any disparagement of  <lb>
Gwendoline, who was well worthy of him, that if be had honestly  <lb>
chosen to rnarry the daughter of a savage chief, her motherly satis-  <lb>
faction could have been no less. If &quot; Cornie,&quot; as she called him,  <lb>
chose, his choice must be correct.  <lb>
During the three weeks consumed in leading up to this point Grace  <lb>
still waited for Pere}&apos;, and lie was apparently as far off as ever iu  <lb>
coming to see us. I never liked him, and now something akin to  <lb>
hatred of him look possession ot ne.  <lb>
&quot; Why should he torture poor Grace with this suspense?&quot; 1 said  <lb>
to Gwendoline; &quot; why does he not come? Somebody ought to say  <lb>
something to him.&quot;  <lb>
&quot; Somebody has written something,&quot; replied Gwendoline. &quot; Can  <lb>
you keep a secret?&quot;  <lb>
&quot;Oh! yes!&quot;  <lb>
&quot; Cornie has written to him, and he has written a very abrupt, not  <lb>
to say rude, reply. Cornie says that he has been very wild, and is  <lb>
careless to a culpable degree.&quot;  <lb>
&quot; Poor Grace!&quot;  <lb>
&quot; Ah! poor Grace. 1 am afiaid she will have more thorns than  <lb>
roses with that man. All the time she has been here he has not sent  <lb>
her a penny, and it is her own money too. What a cruel law it is to  <lb>
make man master ot all we possess.&quot;  <lb>
How could we give vent to the suspicion lhat was in both our  <lb>
minds? Comparing notes afterward we found that the same idea  <lb>
had been haunting us both. Percy Towers was tired ot Grace, and  <lb>
was spending his time and ber money in a manner congenial to him.  <lb>
There was a warp in the woof of this man, and nobody on earth  <lb>
could set it right, lie was born with a bent in the wrong direction,  <lb>
and no effort had been made to make him grow straight. Whatever  <lb>
good he showed was transitory, while the evil was permanent.  <lb>
Meanwhile it had leaked out in Chipstone that Grace was married  <lb>
to the son ot a baronet, and all the petty society graciously forgave  <lb>
her for a sin she had never committed. Mrs. Steyne&apos;s coming re-  <lb>
moved the shadow from Gwendoline and myself, and the weather-  <lb>
vane ot public opinion veered suddenly round.  <lb>
It was astonishing wnat a number of friends we suddenly had,  <lb>
and by the advice of Mrs. Steyne, in whom we had learned to con-  <lb>
fide, we received them good-humoredly. Even Mrs. Roderick  <lb>
honored us with a call, and with mournfulness referred to Aunt  <lb>
Janet as her poor mistaken friend, Miss Everingham. When the  <lb>
approaching marriage ot Gwendoline and Cornwall was announced  <lb>
we had not an open and avowed enemy in the place.  <lb>
lt was on the eve ot their wedding that a letter in Percy&apos;s hand-  <lb>
writing came for Gwendoline. The post-mark was Paris, and some  <lb>
good spirit whispered to me to hold it back for thc present. He had  <lb>
previously been asked to come to the wedding, and had pleaded the  <lb>
old plea &quot; he had business of importance on hand, and must re-  <lb>
main in town for the present.&quot;  <lb>
And yet here he was plainly in Paris, although a few days before  <lb>
he could not leave London, lt was clear to me that something was  <lb>
wrong, and with a vague tear upon me, 1 went through the cere-  <lb>
mony and the gayeties of the day.  <lb>
As I had mistrusted Percy Towers by instiuct, so I believed in  <lb>
Cornwall Steyne, and in neither case did I err. Gwendoline drew a  <lb>
prize in the marriage lottery, and the radiance 1 saw on her face as  <lb>
he took her from her home, thank God, never utterly died away.  <lb>
It has sobered down, as all the joys ot our young lives must with  <lb>
years, but the source ot it remains unclouded.  <lb>
All Chipstone shared in the wedding. If not invited to the wed-  <lb>
ding they thronged into Ihe church. Boggles, although ldo not as-  <lb>
sume that HE was part of Chipstone, was there with a great while  <lb>
favor made by his sympathizing wife, and somewhat scandalized us  <lb>
by putting deep-toned &quot; Amen&apos;s &quot; into the service where they were  <lb>
neither expected nor wanted.  <lb>
But Boggles, though simple, had been true, and we could forgive  <lb>
him much, even his running after the carriage containing the bride  <lb>
and bridegroom, huzzaing like a madman. Cornwall gave him a  <lb>
very handsome &quot; tip &quot; as he went away.  <lb>
The happy pair, to use the acknowledged phrase, went away to  <lb>
Paris to spend a month or so, and then returned to Fenrnoor, Corn-  <lb>
wall&apos;s home in Lincolnshire. Ere the honeymoon was out Sirs.  <lb>
Steyne had left us, and Grace and 1, with the baby, had the Briars  <lb>
to ourselves.  <lb>
But what of Percy&apos;s letter? It was so base a thing, that as I  <lb>
thiuk of it now my blood tingles. He had left ber, for good feeling  <lb>
that their union had been inharmonious. They had been &quot; married,  <lb>
not mated,&quot; he coolly wrote, and he hoped that she would soon for-  <lb>
get him. Her money, he deeply regretted, had been &quot; lost &quot; that  <lb>
is, lie had spent it, and who he went away lo Paris with 1 alone  <lb>
guessed. Grace never measured nor guessed the depth of his base-  <lb>
ness.<lb>
</p>
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<p>
THE THREE SISTER.5 OF THE BRIARS.  <lb>
21  <lb>
THE LOVER  WHO  WENT AWAY.  <lb>
The last story will be a very short one, as it mainly concerns my-  <lb>
self, and I do not care to dwell upon my past. After Gwendoline&apos;s  <lb>
marriage, Grace and I and the baby tell upon a solitude almost as  <lb>
great as the Briars bad known immediately after Aunt Janet went  <lb>
away. We only faintly encouraged society, and society, accepting  <lb>
the situation, fell away from us.  <lb>
Grace pined, but she did not complain. In her little boy she  <lb>
found a joy which I hoped would have been a panacea for her  <lb>
suffering. But although it was something, it was not all that could  <lb>
be desired. The ohild was at once a source of joy and pain. She  <lb>
loved to look upon him, but then he was so like his father.  <lb>
Young Percy Grace named him after his lather was a very  <lb>
pretty child. Peggy doted upon him, and Boggles would doff his  <lb>
hat to the child in the garden, and call him &quot; Sir Percy.&quot; &quot; He&apos;ll  <lb>
be the lad,&quot; I heard him say on one occasion, &quot; to make amends for  <lb>
his father.    Ah, he&apos;ll live to be a bright man of the world.&quot;  <lb>
But Boggles, with all his fidelity, was a pool prophet. Little  <lb>
Percy was not long for this world. We never knew what was the  <lb>
matter with him, and no doctor we sought could tell us; but, after  <lb>
appearing robust for a year, he suddenly began to fall away, and  <lb>
in six months he was dead.  <lb>
Grace&apos;s grief was not outspoken; it was too deep for words. The  <lb>
utter desolation of her heart she could find no way ot expressing, rt  <lb>
even she had desired it. But grief did not kill her at once; it sel-  <lb>
dom does when the age of womanhood is realized. It only dragged  <lb>
her slowly and surely down.  <lb>
As for myself, I had my secret sorrow. None knew how George  <lb>
had loved me, or why 1 had deliberately chilled him and sent him  <lb>
away. If 1 had permitted him lo tell me how he loved me, wnat  <lb>
could 1 have told him but the truth.  <lb>
But you will remember that this was in the days of Aunt Janet&apos;s  <lb>
rule the time of iron oppression when I knew that I should have  <lb>
been mocked as a forward child it his secret had been declared, and  <lb>
all of us scourged for&quot; my sin. 1 thought it better that George should  <lb>
be discouraged and sent away, but 1 never dreamed that he would  <lb>
be absent so long.  <lb>
We had no words; I received his advances coldly. I refused to be  <lb>
ever alone with him, even for a moment. He read, and yet misread  <lb>
me; he believed that I wished him gone, and yet did not love hinr.  <lb>
He was right and he was wrong, and he went away.  <lb>
How often during these lonely years 1 have spent with Grace,  <lb>
brightened only with the periodical visils ot Gwendoline and Corn-  <lb>
wall, have 1 sat and watched the avenue, hoping to see bis dear  <lb>
familiar form. Ahl what would I give for a glimpse of his face  <lb>
again.  <lb>
Is this an unmaidenly confession? 1 think not. 1 am twTenty-  <lb>
seven years of age, and I shall live and die an old maid. Why  <lb>
should 1 be ashamed of loving? Love is the gladness of the heart,  <lb>
the fulness of affection; and without it life is as dreary as the moor,  <lb>
and as monotonous as the beating of an Indian drum. It is all  <lb>
one note without music.  <lb>
I remember the night when George went away. He came in as he  <lb>
used to do, with the familiarity oi an old friend, and he sat down  <lb>
beside me.    1 was seated by this old bureau on which 1 write.  <lb>
&quot; I bave settled to travel a little,&quot; he said, &quot; and 1 amgoing away  <lb>
to-morrow.&quot;  <lb>
&quot; Y&apos;ou ccnild not do better,&quot; 1 answered. &quot; Traveling is necessary  <lb>
to a man; it completes his education.&quot;  <lb>
It was a cold, unfeeling way to receive such an announcement,  <lb>
and little more passed between us. he bid us all adieu, parting  <lb>
with Grace, Gwendoline, and myself, in the nursery, and with Aunt  <lb>
Janet in the hall. After he was gone Aunt Janet remarked to me:  <lb>
&quot; 1 diil not notice until to-day that George Burdleigh was no  <lb>
longer a boy; 1 highly approved of his going away.&quot;  <lb>
And from that liour I have never seen him. No word or sign has  <lb>
come from him, and he must be dead. Poor George! and yes   <lb>
it is so poor Mnry!  <lb>
Grace lingered &apos;on for eight hours, and has at last succumbed.  <lb>
Her husband left her, but would not allow himself to be forgotten.  <lb>
Cast off bv his father and friends, he has, in the abject poverty to  <lb>
which he has reduced himself, had the meanness to appeal to her  <lb>
and to me for help. He has beaten the life out ot her bv inches, and  <lb>
she is gone, ooor thing.    Why is there not a law to punish the slow  <lb>
murderer as well as the swift death-dealing assassin?   The latter is  <lb>
the more merciful man ot the two.  <lb>
1 have had her buried in the grave where the little one lies, on the  <lb>
sunny side of our fine old church; and now here alone I pen the  <lb>
slory of our simple lives, lt is settled that I shall now go down to  <lb>
Fenwold to live with Gwendoline; and the Briars and its contents are  <lb>
to be disposed of.  <lb>
If 1 bad hope, 1 would wait a little longer; but hope is dead  <lb>
within me, and 1 leave here, taking with me my secret, to be known  <lb>
only when I am gone; and these words 1 pen will be found in the  <lb>
secret drawer of my old bureau.  <lb>
********  <lb>
Here ended the manuscript, and as 1 slowly rolled it up, 1 pondered  <lb>
on its concluding lines with an aching heart. 1 saw how the ob-  <lb>
stinacy of my nature, which I called strong resolve, has kept me  <lb>
from happiness all these years; and 1 reviled myself most bitterly.  <lb>
Was it too late to make amends?    Alary must still be living, and  <lb>
I could easily trace and seek her out. A few inquiries would suffice.  <lb>
1 had just formed this resolve,  when 1 was aroused from my  <lb>
reverie by a knock at the door.  <lb>
&quot; Who is there?&quot; 1 inquired.  <lb>
&quot; Me, sir; the chambermaid,&quot; was the reply. I was in no humor  <lb>
to commune with chambermaids, but 1 unlocked the door and let  <lb>
her in.  <lb>
&quot; lt you please, sir,  here is the auctioneer&apos;s young man,  who  <lb>
wishes to speak to you,&quot; she said.  <lb>
&quot; I&apos;ll come down to him,&quot; 1 replied.  <lb>
He was in the coffee-room awaiting me with a book and pencil in  <lb>
his hand.  <lb>
&quot; You bought lot ninety-six, 1 believe,&quot; he said.  <lb>
I bowed in assent.  <lb>
&quot; A paper has been accidentally left in one of the drawers. Miss  <lb>
Everingham is very anxious to regain possession of it. lt is in a  <lb>
secret drawer, and 1 am instructed how to open it.&quot;  <lb>
lie had got thus tar when I stopped him with a gentle motion ot  <lb>
my hand.  <lb>
&quot; 1 have found the papers,&quot; 1 said, &quot; and shall be glad to restore  <lb>
tbeni to Miss Everingham herselt. lt is a whim of mine lo do so.  <lb>
Where can 1 find her?&quot;  <lb>
&quot; She is staying tor a day or two, until her affairs are settled, at  <lb>
the cottage of her old gardener,&quot; replied the clerk; &quot;it is a little  <lb>
way down Nursery Lane.&quot;  <lb>
&quot; 1 know it,&quot; 1 said, &quot; and will go at once.&quot;  <lb>
Twilight was in the lane when 1 entered it. The hedgerows had  <lb>
been allowed to grow high, and had been trimmed so as to nearly meet  <lb>
overhead. The place was almost as still as tbe aisle of an empty  <lb>
church.  <lb>
With quick, noiseless steps, yet fast beating heart 1 wended my  <lb>
way. Tlie robin piped in the thorn bush, the blackbird whistled and  <lb>
twitted from the summit of a tall elm, and these sounds only broke-  <lb>
the stillness.  <lb>
I had journeyed to within sight of the cottage gate, when I saw  <lb>
it swinging on its hinges, and a woman dressed in black came forth.  <lb>
1 had no need lo speculate who it was, tor the figure in my eyes  <lb>
was unchanged.  <lb>
We approached each other, she without any sign ot recognition.  <lb>
I raised my bat, and she stepped back with a Hushed face.  <lb>
&quot;Pardon me,&quot; I said in a low tone, &quot;but you sent for some  <lb>
papers you left in an old bureau which 1 purchased at the Briars. 1  <lb>
thought it better to come myself, because &quot;  <lb>
I sprung forward and threw my arm around her. or she would  <lb>
have fallen.  <lb>
&quot; George!&quot; came faintly from her lips, and 1 clasped her tightly,  <lb>
whispering words o! hope and joy in her ears.  <lb>
&quot; And you do not think me so much changed?&quot; she said by and  <lb>
by, as we*sauntered slowly toward the cottage.  <lb>
&quot; 1 see no change in you,&quot; I replied, &quot; unless it is that you arc  <lb>
more beautiful than vou were when 1 left you long ago.&quot;  <lb>
&quot; And yet 1 am growing old.&quot;  <lb>
&quot; You can never seem old to me, Alar}-.&quot;  <lb>
lt was a look that answered me, and together we lingered until  <lb>
the gloom of night had fallen, and even then there was no darkness  <lb>
lor us. The rays of the sun of love have returned to us, and hence-  <lb>
forth we shall know no more night on earth. A. love that has In en  <lb>
tried by a parting of ten years&apos; duration will noi pale or wither  <lb>
under the minor cares of life.  <lb>
THE  END.  <lb>
A I ||n » » Send $1, $-3. $3. or $&quot;&gt; for a retail  <lb>
I ¦ II HI I I V box by express of tlie best Candies  <lb>
I | il 111 I I in America, put up elegantly ond  <lb>
w il 11 U I strictlypare, suitable for presents.  <lb>
Refers to all Chicago. Trial orders solicited. Ad-  <lb>
dress C. F. GlSTHEIt, Confectioner, 78 Madison St.,  <lb>
Chicago.  <lb>
Seaside Library No. 1818.  <lb>
&quot;CALLED   BA CEY. &quot;  <lb>
By Hugh Conway.                                Price 10 Cents  <lb>
P. O. Box ST51.  <lb>
GEORGE MCNRO, Publisher.  <lb>
17 to -ÏI Vandewater St., N. Y.  <lb>
Seaside Library No. 1705.  <lb>
&quot; THE SILVERADO SQUATTERS.&quot;  <lb>
By Robert Loris Stevenson.              Price 10 Cents.  <lb>
GEORGE MUNRO, Publisher.  <lb>
P. O. Box 3751.       17 to 27 Vandewater Street, N. Y.<lb>
</p>
</div>
<div id="a0022">
<head>Back matter.</head>
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<p>
THE  SEASIDE  LIBRARY. List op Authors.  <lb>
The Seaside Library  <lb>
ORDINARY   EDITION.  <lb>
GEORGE MUNRO, Publisher,  <lb>
17 to 27 Vandewater St.,  <lb>
P. O. Box 3751.                                           NEW YORK.  <lb>
The following works are for sale by all news-  <lb>
dealers, or will be sent to any address, postage  <lb>
free, on receipt of 12 cents for single numbers,  <lb>
and 25 cents for double numbers, by the pub-  <lb>
lisher. Parties ordering by mail will please order  <lb>
by numbers.  <lb>
LIST OF AUTHORS.  <lb>
EDMOND ABOUT&apos;S WORKS.  <lb>
796 Romance of a Brave Man............  20  <lb>
801 The Man with the Broken Ear.......   10  <lb>
807 Captain Bitterlin...................  20  <lb>
1203 Germaine..........................  20  <lb>
1380 Tolla: A Tale of Modern Rome......  10  <lb>
1457 The  Fellah.........................   10  <lb>
WM. HARRISON AINSWORTH&apos;S WORKS.  <lb>
44 The Tower of London...............  20  <lb>
313 Old St. Paul&apos;s ......................  20  <lb>
348 Mvsterie» of the Court of the Stuarts..  10  <lb>
360 Windsor Castle......................   10  <lb>
1200 Beau Nash; or, Bath in the Eighteenth  <lb>
Century..........................  20  <lb>
Î228 Stanley Brereton....................  20  <lb>
1383 The Constable de Bourbon...........  20  <lb>
MRS. ALEXANDER&apos;S WORKS.  <lb>
30 Her Dearest Foe .   ..................  20  <lb>
36 The Wooing O&apos;t.....................  20  <lb>
46 The Heritage of Langdale............  20  <lb>
370 Ralph Wilton&apos;s Weird...............   10  <lb>
400 Whicli Shall it Be?..................  20  <lb>
532 Maid, Wife, or Wid«w..............   10  <lb>
1231 The  Frères.....:...................20  <lb>
1259 Valerie&apos;s Fate......................  10  <lb>
1391 Look Before You Leap..............  20  <lb>
1502 The Australian Aunt................  10  <lb>
1595 The Admiral&apos;s Ward.................  20  <lb>
1721 The Executor..............&apos;.........  20  <lb>
THOMAS ALEXANDER&apos;S WORKS.  <lb>
567 Fish and Fishing.................... 10  <lb>
571 Game Birds......................... 20  <lb>
ALISON&apos;S  WORKS.  <lb>
1673 Princess Charmian.................. 10  <lb>
J785 &quot;So Near, and Yet So Far&quot;......... 10  <lb>
F. ANSTEY&apos;S WORKS.  <lb>
1415 Vice VersS; or, A Lesson to Fathers.. 20  <lb>
1449 The Black Poodle................... 10  <lb>
BERTHOLD AUERBACH&apos;S WORKS.  <lb>
422 On tiie Heights..................___  30  <lb>
454 Little Barefoot......................  20  <lb>
841 Brigitta.............................  10  <lb>
1239 Spinoza............................  20  <lb>
1347 The Professor&apos;s Lady................  10  <lb>
MISS JANE AUSTEN&apos;S WORKS.  <lb>
819 Pride and Prejudice.................  20  <lb>
836 Sense and Sensibility...............  20  <lb>
956 Emma..................                20  <lb>
987 Mansfield Park......................  20  <lb>
10,50 Northamrer Abbey..................  10  <lb>
1313 Lady Susan (with Illustration), and The  <lb>
Watsons..........................  10  <lb>
HONORE DE BALZAC&apos;S WORKS.  <lb>
410.Eugenia Grandet ................... 10  <lb>
1564 The Purse, and Albert Savarus......10  <lb>
R. M. BALLANTYNE&apos;S WORKS.  <lb>
1140 Snowflakes and Sunbeams from the Far  <lb>
North;  or, tbe Young Fur Traders.  20  <lb>
1729  Tlie Red Eric; or, The Whaler&apos;s Last  <lb>
Cruise............................ 10  <lb>
1730  Tho  Fire  Brigade;   or. Fighting  the  <lb>
Flames....................               10  <lb>
1731  Erling the Bold..................... 10  <lb>
MAGDALEN BARRETT&apos;S WORKS.  <lb>
365 Lester Ashland&apos;s Wife...............  10  <lb>
547 The Banker&apos;s Daughter.............. SO  <lb>
&amp;5 Mother aud Son.............,......10 i  <lb>
AKTSTE BEALE&apos;S WORKS.  <lb>
1358 The Miller&apos;s Daughter...........  <lb>
1474 Simplicity and Fascination.......  <lb>
...... 20  <lb>
.....20  <lb>
1672 Idonea   ............................ 20  <lb>
1787 The Fisher Village..................  10  <lb>
CUTHBERT BEDE&apos;S WORKS.  <lb>
514 Adventures of Mr. Verdant Green (150  <lb>
illustrations).......................  20  <lb>
1061 Little Mr. Bouncer and his Friend Ver-  <lb>
dant Green........................ 10  <lb>
ADOLPHE BELOT&apos;S WORKS.  <lb>
845  <lb>
876  <lb>
882  <lb>
934  <lb>
1021  <lb>
1036  <lb>
1057  <lb>
1078  <lb>
llll  <lb>
1191  <lb>
1353  <lb>
1353  <lb>
The Stranglers...................... 20  <lb>
La Graude Florine................... 20  <lb>
The Parricide...................... 20  <lb>
Dacolard (Sequel to &quot; The Parricide&quot;) 20  <lb>
The Parisian Sultana................ 20  <lb>
The Thirst for the Unknown (Sequel  <lb>
to &quot;The Parisian Sultana&quot;)........20  <lb>
The King of the Gamblers........... 20  <lb>
The Black Venus (Sequel  to  &quot; The  <lb>
Thirst for the Unknown &quot;).......... 20  <lb>
Article 47.......................... 20  <lb>
The Woman of Fire................. 20  <lb>
Marguerite Lacoste ; or,Fleur-de-Crime.  <lb>
Part 1............................20  <lb>
Marguerite Lacoste ; or,Fleur-de-Crime.  <lb>
Part II........................... 20  <lb>
E. BERGER&apos;S WORKS.  <lb>
1178 Charles Auchester................... 20  <lb>
1188 Counterparts; or, The Cross of Love.  <lb>
First half......................... 20  <lb>
1188 Counterparts; or, The Cross of Love.  <lb>
Second half....................... 20  <lb>
WALTER  BESANT AND JAMES RICE&apos;S  <lb>
WORKS.  <lb>
236 Shepherds All and Maidens Fair.....  10  <lb>
300 By Celia&apos;s Arbor................... 20  <lb>
380 Tlie Golden Butterfly................ 20  <lb>
441 &apos;Twas in Trafalgar&apos;s Bay............ 10  <lb>
446 When the Ship Comes Home......... 10  <lb>
700 The Seamy Side...................      20  <lb>
702 Sweet Nelly, My Heart&apos;s Delight...... 10  <lb>
726 Ready-Money Mortiboy.............. 20  <lb>
909 &quot; Over the Sea with the Sailor &quot;.  ...     10  <lb>
1104 The Chaplain of the Fleet............  20  <lb>
1167 The Captains&apos; Room................. 10  <lb>
1297 Tbe Revolt of Man (by Walter Besant) 10  <lb>
1340 They Were Married !................ 10  <lb>
1433 All Sorts and Conditions of Men: An  <lb>
Impossible Story................. 20  <lb>
1448 The Case of Mr. Eucraft............. 10  <lb>
1482 &apos; &apos; Let Nothing You Dismay &quot; (by Walter  <lb>
Besant)............................ 10  <lb>
1487 The   Humbling   of    the    Memblings  <lb>
(by Walter Besant)................. 10  <lb>
1492 The Monks of Thelema.............. 20  <lb>
1623 The Ten Years&apos; Tenant.............. 10  <lb>
1732 All in a Garden Fair: The Simple  <lb>
Story of Three Boys and a Girl (by  <lb>
Walter Besant).................... 20  <lb>
1748  A Glorious Fortune (by Walter Besant) 10  <lb>
1749  Uncle Jack (by Walter Besant).......  10  <lb>
1754 Love Finds the Way, and Other Stories 10  <lb>
M. BETHAM-EDWARDS&apos; WORKS.  <lb>
893 Forestalled......................... 10  <lb>
1200 Exchange No Robbery.............. 10  <lb>
1414 The Svlvestres; or, The Outcasts..... 20  <lb>
1470 Kitty............................... 20  <lb>
1706  &quot;Disarmed!&quot;....................... 10  <lb>
1714 Pearla; or, The World After an Island 20  <lb>
BJORNSTJERNE BJORNSON&apos;S WORKS.  <lb>
1859 Railroad and Churchyard...........    10  <lb>
1480 Tlie Wedding-March................. 10  <lb>
1546 Captam Mansana.................... 10  <lb>
1630 Svnnôvé   Solbakken.     A   Norwegian  <lb>
Tale..........................Tf. 10  <lb>
WILLIAM BLACK&apos;S WORKS.  <lb>
13 A Princess of Thule................ 20  <lb>
28 A Daughter of Heth.................  10  <lb>
47  In Silk Attire.......................  10  <lb>
48  Tlie Strange Adventures of a Phaeton 10  <lb>
51 Kilmenv...........................  10  <lb>
53 The Monarch of Mincing Lane....... 10  <lb>
79 Madcap Violet (small type).........  10  <lb>
604 Madcap Violet (large type)........... 2C  <lb>
242 The Three Feathers................. 10  <lb>
390 Tlie  Marriage of Moira  Fergus, and  <lb>
The Maid of Killeena............. 10  <lb>
417 Macleod of Dare.................... 20  <lb>
451 Lady Silverdale&apos;s Sweetheart.......... 10  <lb>
568 Green Pastures and Piccadiily........ 10  <lb>
816 White Wines: A Yachting Romance.. 10  <lb>
826 Oliver Goldsmith...................    1Û  <lb>
950 Sunrise: A Story of These Times.....2&lt;J  <lb>
1025 The Pupil of Aurelius............... 10  <lb>
1032 That Beautiful Wretch.............. 10  <lb>
1161 The Four MacNicals.................10  <lb>
1364 Mr.  Pisistratus Brown,   M.P., in the  <lb>
Highlands....................... 10  <lb>
1429 An Adventure in Thule.    A Story for  <lb>
Young People.................... 10  <lb>
1556 ShandonT3ells....................... 20  <lb>
1683 Yolande............................ 2f  <lb>
E. OWENS BLACKBURNE&apos;S WORKS.  <lb>
954 The Glen of Silver Birches........... 10  <lb>
1080 The Love that Loves Al way.........    20  <lb>
1571 The Heart of Erin.    An Irish Story of  <lb>
To-Day.........................20  <lb>
1618 A Bunch of Shamrocks.............. 10  <lb>
R. D: BLACKMORE&apos;S WORKS.  <lb>
126 Erema; or, My Father&apos;s Sin.......... 20  <lb>
535 Lorna Doone........................ 20  <lb>
660 Cripps, the Carrier.................. 20  <lb>
754 Mary Anerley...................... 20  <lb>
769 Clara Vaughan...................... 20  <lb>
932 Cradock Nowell.    First half.........20  <lb>
932 Cradock Nowell.    Second half....... 20  <lb>
984 TUe Maid of Sker................... 20  <lb>
1131 Christowell........................ 20  <lb>
1236 Alice Lorraine:  A Tale of the South  <lb>
Downs........................... 20  <lb>
GEORGE BORROWS WORKS.  <lb>
1368 Lavengro : The Scholar The Gypsy-»-  <lb>
The Priest........................ 20  <lb>
1379 The Romany Rye (A Sequel to &quot; La-  <lb>
vengro&quot;).......................... 20  <lb>
MISS M E. BR ADDON&apos;S WORKS.  <lb>
26 Aurora Floyd....................... 20  <lb>
69 To the Bitter End................... 20  <lb>
89 The Lovels of Arden................ 20  <lb>
95 Dead Men&apos;s Shoes................... 20  <lb>
109 Eleanor&apos;s Victory.................... 20  <lb>
114 Darrell Markham.................... 10  <lb>
140 Tlie Lady Lisle___.................. 10  <lb>
171 Hostages to Fortune.................  20  <lb>
190 Henry Dunbar...................... 20  <lb>
215 Birds of Prey....................... 20  <lb>
235 An Open Verdict...................  20  <lb>
251 Lady Audley&apos;s Secret...............20  <lb>
254 The Octoroon.......................  10  <lb>
260 Charlotte&apos;s Inheritance............... 20  <lb>
287 Leighton Grange.................... 10  <lb>
295 Lost for Love......................  20  <lb>
322  Dead-Sea Fruit...................... 20  <lb>
459 The Doctor&apos;s Wife..................  20  <lb>
469 Rupert Godwin..................... 2u  <lb>
481  Vixen............................... 20  <lb>
482  The Cloven Foot..................   20  <lb>
500 Joshua Hags»ird&apos;s Daughter.....   .   .    20  <lb>
519  Weavers and Weft............___10  <lb>
525 Sir Jasper&apos;s Tenant...    ............ 20  <lb>
539 A Strange World.................... 20  <lb>
55C Fenton&apos;s Quest.....................20  <lb>
562 John Marchmont&apos;s Legacy..........20  <lb>
572 The Lady&apos;s Mile................... 20  <lb>
579 Strangers and Pilgrims............    20  <lb>
581 Only a Woman (Edited by Miss M. E.  <lb>
Braddon).......................... 20  <lb>
619 Taken at the Flood................&apos;.. 20  <lb>
641 Only a Clod...................____ 20  <lb>
640 Publicans and Sinners..............  20  <lb>
656 George Caultield&apos;s Journey..........    10  <lb>
665  The Shadow in the Corner___........  10  <lb>
666  Bound to John Company; or, Robert  <lb>
Ainsleigh..............&quot;___ ....... 20  <lb>
701 Barbara; or, Splendid Miserv........20  <lb>
705 Put to the Test (Edited by Miss M. E.  <lb>
Braddon)......................... 20  <lb>
734 Diavola;   or.  Nobody&apos;s  Daughter.  <lb>
Part 1...........................      20  <lb>
734 Diavola;   or,  Nobody&apos;s  Daughter.  <lb>
Part II...........................  20  <lb>
811 Dudlev Carleon..................... 10  <lb>
828 Tlie Fatal Marriage.................. 10  <lb>
837 Just as I Am; or, A Living Lie...... 20  <lb>
943 Asphodel...........................  20  <lb>
1154 The Misletoe Bough................ 20  <lb>
1265 Mount Royal........................  20  <lb>
1469 Flower and Weed................... 10  <lb>
1553 The Golden Calf.....................  20  <lb>
1638 A Hastv Marriage (Edited by Miss M.  <lb>
E. Braddon)........................ 20  <lb>
1715 Phantqm Fortune...................  20  <lb>
1736 Under the Red Flag................. 10  <lb>
CHARLOTTE. EMILY, AND ANNE  <lb>
BRONTE&apos;S WORKS.  <lb>
3 Jane Eyre (in small type)............  lQ  <lb>
396 Jane Eyre (in bold, handsome type)... 20  <lb>
162 Shirley............................. ÎK<lb>
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<p>
THE  SEASIDE LIBRARY. List of Authors.  <lb>
811 The Professor....................... 10  <lb>
329 Wuthering Heights.....  ............ 10  <lb>
438 Villette............................    20  <lb>
967 The Tenant of Wildfell Had......... 20  <lb>
iOSS Agnes Grey......................... 20  <lb>
RHODA BROUGHTON&apos;S WORKa  <lb>
186 &apos; &apos; Good-Bye, Sweetheart &quot;...........    10  <lb>
269 Red as a Rose is She................ 20  <lb>
285 Cometh Up as a Flower.............. 10  <lb>
402 &quot; Not Wisely, But Too Well &quot;....... 20  <lb>
458 Nancy..............................  20  <lb>
526 Joan............................... 20  <lb>
762 Second Thoughts.................... 20  <lb>
1727 Belinda............................20  <lb>
ROBERT BUCHANAN&apos;S WORKS.  <lb>
1135 The Shadow of the Sword........... 20  <lb>
1289 The Martyrdom of Madeline......... 20  <lb>
1506 Love Me Forever.    A Christmas Carol  <lb>
in Prose.......................... 10  <lb>
1752 God and the Man................... 20  <lb>
1759 Annan Water....................... 20  <lb>
.809 The New Abelard................... 10  <lb>
CAPT. FRED BURNABY&apos;S WORKS.  <lb>
448 On Horseback through Asia Minor.... 20  <lb>
767 A Ride to Khiva...................10  <lb>
BEATRICE M. BUTT&apos;S WORKS.  <lb>
574 Delicia.............................20  <lb>
605 Hester.............................. 10  <lb>
856 Miss Molly.......................... 20  <lb>
913 Passion Flowers....................    10  <lb>
1554 Géraldine Hawthorne................ 20  <lb>
B. H. BUXTON&apos;S WORKS.  <lb>
831 Jennie of &quot; The Prince&apos;s&quot;.......  <lb>
873 From the Wings................  <lb>
1103 Sceptre aud Ring...............,  <lb>
.......  20  <lb>
.......20  <lb>
,.......20  <lb>
ADA CAMBRIDGE&apos;S WORKS.  <lb>
486 My  Guardian....................... 20  <lb>
1294 A Mere Chance.....................20  <lb>
MRS. H. LOVETT CAMERON&apos;S WORKS.  <lb>
182 Juliet&apos;s Guardian.................... 10  <lb>
356 Deceivers Ever...................... 10  <lb>
ROSA NOUCHETTE CAREY&apos;S WORKS.  <lb>
885 Wooe.d and Married ...............  20  <lb>
708 Nellie&apos;s Memories...................  20  <lb>
949 Qtieenie&apos;s Whim....................  20  <lb>
1815 Not Like Other Girls...............  20  <lb>
CHRISTINE CARLTON&apos;S WORKS.  <lb>
1820 Muriel; or, Because of His Love for  <lb>
Her.............................. 20  <lb>
1323 A D.iughter of Italy................. 10  <lb>
1830 Howell Farnsworth&apos;s Son............ 20  <lb>
THOMAS CARLYLE&apos;S WORKS.  <lb>
952 Carlyle&apos;s Essays on Characteristics,  <lb>
Richter, Burns, Luther&apos;s Psalm,  <lb>
Schiller, and Memoirs of Mirabeau,  <lb>
with a Biographical Sketch of Thos.  <lb>
Carlyle by C. N. Williamson....... 20  <lb>
957 Reminiscences   by   Thomas   Carlyle.  <lb>
Edited by James Anthony Froude.. 20  <lb>
973 Essays on Goethe................... 20  <lb>
CERVANTES&apos; WORKS.  <lb>
691   Don Quixote.  <lb>
691  Don Quixote.  <lb>
691  Don Quixote.  <lb>
691  Don Quixote.  <lb>
691  Don Quixote.  <lb>
Illustrated.  <lb>
Illustrated.  <lb>
Illustrated.  <lb>
Illustrated.  <lb>
Illustrated.  <lb>
Part I...  <lb>
Partll..  <lb>
Part III.  <lb>
Part IV.  <lb>
Part V..  <lb>
VICTOR CHERBULIEZ&apos;S WORKS.  <lb>
419 Mademoiselle Saint-Maur&apos;s Lover.....  10  <lb>
432 Jean Teterol&apos;3 Idea..................  10  <lb>
435 Samuel Brohl and Company..........  10  <lb>
HENRY COCKTON&apos;S WORKS.  <lb>
?39 Valentine Vox.    Part II...........  <lb>
Î59 Valentine Vox.    Part I............  <lb>
20  <lb>
20  <lb>
WILKIE COLLINS&apos; WORKS.  <lb>
ID The Woman in White  <lb>
14 The Dead Secret......  <lb>
22 Man and Wife........  <lb>
82 The QueeD of Hearts..  <lb>
38 Antonina............  <lb>
42 Hide-and-Seek........  <lb>
..........20  <lb>
..........20  <lb>
..........20  <lb>
..........20  <lb>
..........20  <lb>
.......... 20  <lb>
76 The New Magdalen................. 10  <lb>
94 The Law and&apos;The Lady............. 20  <lb>
t80 Armadale...........................  20  <lb>
191 Mv Lady&apos;s Money................... 10  <lb>
325 The Two Destinies................... 10  <lb>
350 No Name.......................... 20  <lb>
W .aiter Dark.......................10  <lb>
409 The Haunted Hotel.................. 10  <lb>
433 A Shocking Story................... 10  <lb>
487 A Rogue&apos;s Life...................... 10  <lb>
551 The Yellow Mask................... 10  <lb>
583 Fallen Leaves....................... 20  <lb>
654 Poor Miss Finch.................... 20  <lb>
675 The Moonstone...................... 20  <lb>
696 Jezebel&apos;s Daughter.................. 20  <lb>
713 The Captain&apos;s I ast Love............. 10  <lb>
721 Basil............................... 20  <lb>
745 The Magic Spectacles................  10  <lb>
905 Duel in Heme Wood................ 10  <lb>
928 Who Kilted Zebedee?................ 10  <lb>
971 The Frozen Deep...................  10  <lb>
990 The Black Robe..................... 20  <lb>
1164 Y&apos;our Money or Your Life..........10  <lb>
1544 Heart and  Science.    A  Story  of the  <lb>
Present Time....................... 20  <lb>
1770 Love&apos;s Random Shot................ 10  <lb>
LUCY RANDALL COMFORT&apos;S WORKS.  <lb>
Claire&apos;s Love-Life................... 10  <lb>
Love at Saratoga...................20  <lb>
Eve, The Factory Girl...............  20  <lb>
Black Bell.........................20  <lb>
Corisande  <lb>
Three Sewing Girls...............  <lb>
His First Love....................  <lb>
Nina; or, The Mystery of Love..!..  <lb>
Vendetta; or. The Southern Heiress.  <lb>
Wild and Wilful ..................  <lb>
Elf rida; or, A Young Girl&apos;s Love-Story 20  <lb>
Love and Jealousy (rlluslrated)....... 20  <lb>
Married for Money (illustrated).......20  <lb>
495  <lb>
552  <lb>
Ç72  <lb>
716  <lb>
854  <lb>
907  <lb>
1019  <lb>
1133  <lb>
1192  <lb>
1254  <lb>
1533  <lb>
1709  <lb>
1810  <lb>
REV. W. J. CONYBEARE AND REV. J  8.  <lb>
HOWSON&apos;S WORKS.  <lb>
730 The Life and Epistles of the Apostle  <lb>
Paul.    First half.................. _j0  <lb>
730 The Life and Epistles of the Apostle  <lb>
Paul.    Second half................ 20  <lb>
J. FENIMORE COOPER&apos;S WORKS.  <lb>
222 Last of the Mohicans................20  <lb>
224 The Deerslayer...................... 20  <lb>
226 The Pathfinder...................... 20  <lb>
229 The Pioneers........................ 20  <lb>
231 The Prairie......................... 20  <lb>
233 The Pilot........................... 20  <lb>
585 The Water-Witch...................20  <lb>
590 Tiie Two Admirals.................. 20  <lb>
615 The Red Rover...................... 20  <lb>
761 Wing-and-Wing.......,.............20  <lb>
940 The Spv............................ 20  <lb>
1066 The Wyandotte..................... 20  <lb>
1257 Afloat and Ashore................. 20  <lb>
1262 Miles Walliugford (Sequel to &quot;Afloat  <lb>
and Ashore &quot;)...................... 20  <lb>
1569 The Headsman; or, The  Abbaye des  <lb>
Vignerons.......................... 20  <lb>
1605 TheMonikins....................... 20  <lb>
1661 The  Heidenmauer;   or, The Benedic-  <lb>
tines.    A Legend of the Rhine.....20  <lb>
1691 The Crater;   or,  Vulcan&apos;s Peak.    A  <lb>
Tale of the Pacific.................. 20  <lb>
GEORGIANA M. CRAIK&apos;S WORKS.  <lb>
252 Hard to Bear........................  10  <lb>
506 Sylvia&apos;s Choice.............  ........  20  <lb>
543 Anne Warwick......................   10  <lb>
798 Leslie Tvrrell.....................      10  <lb>
916 Faith Unwin&apos;s Ordeal...............  20  <lb>
1157 The Cousin from India............  10  <lb>
1446 Esther Hill&apos;s Secret..................  20  <lb>
JOYCE DARRELL&apos;S WORKS.  <lb>
1357 The Sapphire Cross.................. 10  <lb>
1765 Winifred Power..................... 20  <lb>
A. DAUDET&apos;S WORKS.  <lb>
557 Sidonie............................. 20  <lb>
501 The Nabob......................... 20  <lb>
578 Jack............................... 10  <lb>
719 Kings in Exile...................... 20  <lb>
1162 Noma Roumestan................... 10  <lb>
1583 L&apos;Évangéliste.     A Parisian  Romance 10  <lb>
RT   HON. BENJAMIN DISRAELI. EARL  <lb>
OF BEACONSFIELD&apos;S, WORKS.  <lb>
255 Lothair............................. 20  <lb>
392 Vivian Grey........................ 20  <lb>
405 Henrietta Temple................... 20  <lb>
884 Endvmion..................».......  20  <lb>
918 Tancred; or. Tlie New Crusade......20  <lb>
933 The Yonng Duke................... 20  <lb>
969 Coningsby : or. The New Generation.. 20  <lb>
983 Contarini Fleming. An Autobiography 20  <lb>
994 Miriam Alroy....................... 20  <lb>
999 Venetia............................20  <lb>
1002 Ixlon............................... 10  <lb>
1009 SFbS.......,........%tr............  20  <lb>
CHARLES DICKENS&apos; WORK»  <lb>
20 The 01d Curiosity Shop..............9.  <lb>
100 A Tale of Two Cities................2C  <lb>
102 Hard Times.........................  10  <lb>
118 Great Expectations..................  20  <lb>
187 David Copperfield................... 20  <lb>
200 Nicholas Nickleby...................20  <lb>
243 Barnaby Rudge.....................  20  <lb>
218 Dombey and Son.................... 20  <lb>
239 No Thoroughfare (Charles Dickens and  <lb>
Wilkie Collins)....................  10  <lb>
247 Mar tin Chuzzlewit...................  2C  <lb>
873 The Cricket on the Hearth...........  10  <lb>
284 Oliver Twist........................ 20  <lb>
289 A Christmas Carol...................  10  <lb>
297 The Haunted Man................... 10  <lb>
304 Little Dorrit........................ 20  <lb>
303 The Chimes......................      10  <lb>
317 The Battle of Life...................  10  <lb>
325 Our Mutual Friend.................. 20  <lb>
337 Bleak House........................ 20  <lb>
352 Pickwick Papers.................... 20  <lb>
859  Somebody&apos;s Luggage................10  <lb>
867 Mrs. Lirriper&apos;s Lodgings............. 10  <lb>
372 Lazy Tour of Two Idle Apprentices.. 10  <lb>
375 Mugby Junction....................    10  <lb>
403 Tom Tiddler&apos;s Ground...............  10  <lb>
493 The Uncommercial Traveler......... 20  <lb>
521 Master Humphrey&apos;s Clock...........  10  <lb>
625 Sketches by Boz.................... 20  <lb>
639 Sketches of Young Couples.........    10  <lb>
827 The Mud fog I&apos;apcrs, &amp;c.............. 10  <lb>
860  The Mystery of Edwin Drood........ 20  <lb>
900 Pictures From Italv................  10  <lb>
1411 A Child&apos;s History of England........ 20  <lb>
1464 The Picnic Papers................... 20  <lb>
1558 Three Detective Anecdotes, and Other  <lb>
Sketches........................... 10  <lb>
WORKS BY THE AUTHOR OF  &quot;DORA  <lb>
THORNE.&quot;  <lb>
449 More Bitter than Death.............. 30  <lb>
618 Madolin&apos;s Lover..................... 20  <lb>
656 A Golden Dawn.....................  10  <lb>
678 A Dead Heart.......................  10  <lb>
718 Lord Lynne&apos;s Choice; or, True Love  <lb>
Never Runs Smooth................ 10  <lb>
746 Whicli Loved Him Best............20  <lb>
846 Dora Thome___....................  20  <lb>
921 At War with Herself...............10  <lb>
931 The Sin of a Lifetime................ 20  <lb>
1013 Lady Gwendoline&apos;s Dream...........  10  <lb>
1018 Wife in Name Only.................2(1  <lb>
1044 Like No Other Love................ 10  <lb>
1060 A Woman&apos;s War..................      10  <lb>
1072 Hilary&apos;s Folly.......................  10  <lb>
1074 A Queen Amongst Women........   . 10  <lb>
1077 AGilded Sin........................  10  <lb>
1081 A Bridge of Love...................  10  <lb>
1085 The Fatal Lilies.....................  10  <lb>
1099 Wedded and Parted.................  10  <lb>
1107 A Bride From the Sea..............    10  <lb>
1110 A Rose  in Thorns..................    10  <lb>
1115 The Shadow of a Sin................  10  <lb>
1122  Redeemed by Love..................   10  <lb>
1126 The Story of a Wedding-Ring........  IC  <lb>
Uâ7 Love&apos;s Warfare...................... 20  <lb>
115a Repented at Leisure................20  <lb>
1179 From Gloom to Sunlight.............20  <lb>
1209 Hilda.............................. 20  <lb>
1218 A Golden Heart..................... 20  <lb>
1266 Ingledew House.................... 1G  <lb>
1288 A Broken Wedding-Ring............. 20  <lb>
1305 Love For a Day; or, Under the Lilacs. 10  <lb>
1357 The Wife&apos;s Secret................... 10  <lb>
1393 Two  Kisses......................... 10  <lb>
1460 Between Two Sins.................. 10  <lb>
1640 The Cost of Her Love.............. 20  <lb>
1664 Romance of a Black Veil............  20  <lb>
1704 Her Mother&apos;s Sin....................  20  <lb>
1761 Thorns and Orange-Blossoms.......    2C  <lb>
RICHARD DOWLING&apos;S WORKS.  <lb>
896 High-Water Mark...................  10  <lb>
929 Under St. Paul&apos;s....................  20  <lb>
1152 My Darling&apos;s Ransom................  10  <lb>
1477 Last Christmas Eve..................   10  <lb>
1563 Sweet Inisfail.    A Romance.........  20  <lb>
ANNA H. DRURY&apos;S WORKS.  <lb>
683 Called to the Rescue...,............. 2?  <lb>
823 The Story of a Shower..............,  lt  <lb>
F. DU BOISGOBEY&apos;S WORKS.  <lb>
709 Old Age of Monsieur Lecoq.    Parti.. 2C  <lb>
709 Old Ago of Monsieur Lecoq.    Part n    2C  <lb>
1062 The Severed Hand (La Main Coupée).   2&lt;  <lb>
1123  The Crime of the Opera House.    First  <lb>
naif.............................. 21  <lb>
1123 The Crime of the Opera House.    Sec-  <lb>
ond half....  ...........  ......... &gt;<lb>
</p>
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<p>
MUNRO&apos;S PUBLICATIONS.  <lb>
THE SEASIDE  LIBRARY. LATEST ISSUES,  <lb>
20  <lb>
20  <lb>
20  <lb>
20  <lb>
10  <lb>
20  <lb>
10  <lb>
20  <lb>
NO.                                                                                                      PRICE.  <lb>
1739 The Ghost of Charlotte Cray, and  <lb>
Otheu Stories.    Florence .Marryat 10  <lb>
1790   Regimental Legends.   J. S. Winter 20  <lb>
1791   A rdrey Ferris..................... 10  <lb>
1Î92 Mark Seaworth.    A Talk of the  <lb>
Indian Ocean.    W. H. G. Kingston 20  <lb>
1793 Chevalier Casse-Cou.    F. DuBois-  <lb>
gobey.    First half................. 20  <lb>
1793 Chevalier Casse-Cou.    F. DuBois-  <lb>
gobey.    Second half............... 20  <lb>
1X1 A Son of the Soil.    Mrs. Oliphant.. 20  <lb>
1795  The Silverado Squatters.    Robert  <lb>
Louis Stevenson...................  10  <lb>
1796   A Heal Queen.     R. E. Francillon.. 20  <lb>
1797   A Beautiful Butterfly.    Mattie E.  <lb>
Randall........................... 10  <lb>
1798   Hestek: A Story of Contemporary  <lb>
Life.    Mrs. Oliphant..............  <lb>
1799  The Steel Necklace.    F. Du Bois-  <lb>
gobey ...........................  <lb>
1800  Bertha&apos;s Secret.    F. Du Boisgobey.  <lb>
First half.........................  <lb>
1800  Bertha&apos;s Secret.    F. Du Boisgobey.  <lb>
Secoud half.......................  <lb>
1801   Susan Drummond.   Mrs. J. H. Riddell  <lb>
1802   Framley Parsonage.   A. Trollope ..  <lb>
1803  The Midshipman.  W. H. G. Kingston  <lb>
1804  The Laird of Norlaw.     Mrs.  Oli-  <lb>
phnnt ............................  <lb>
1805  La .Mere Bauche.    Anthony Trollope 10  <lb>
1806   Victory Deane. Cecil Griffith...... 20  <lb>
1807  Steven Lawrence.    Airs. Annie Ed-  <lb>
wards............................ 20  <lb>
1808  Through the Stage Door.   Harriett  <lb>
Jay............................... 20  <lb>
1809   The New Aiselard.   Rob&apos;t Buchanan 10  <lb>
1810  Married for Money (illustrated). Lucy  <lb>
Randall Comfort..................  20  <lb>
1811   Ali:. Nobody. Mrs. John Kent Spender 20  <lb>
1812   Called Back.    Hugh Conway......  10  <lb>
1818 The   Treasure-Ship.     A Tale of  <lb>
New York.   P. Hamilton Myers... 20  <lb>
1814  JaCk&apos;s Courtship.   A Sailor&apos;s Yarn  <lb>
of Love and Shipwreck.  W. Clark  <lb>
Russell........................... 20  <lb>
1815  Not Like Other Girls.    Rosa Nou-  <lb>
chette Carey....................... 20  <lb>
1816  An Old Man&apos;s Love.    Anthony Trol-  <lb>
lope...........................      10  <lb>
1817  Readiana:   Comments on Current  <lb>
Events.    Charles Keade.......... 10  <lb>
1818   &quot; Thb Way of the World.&quot;   David  <lb>
Christie Murray..................  20  <lb>
1819  Vivian   Grosvenor;   On, Kenneth  <lb>
Farrand&apos;s    Reward.      Christine  <lb>
Carlton........................... 20  <lb>
1820  Life on the Mountain and Prairie. &gt;tC  <lb>
Edward S. Ellis.................. 10  <lb>
1821   The Man She Caked  For.    F.   VV.  <lb>
Robinson........................ 20  <lb>
1822  Pretty Miss Neville.   I!. M. Croker 20  <lb>
1823   Proper Pride.    !.. M. Croker...... 20  <lb>
1824   Peeress and   Player.    F,   Harryat 20  <lb>
1825  The Masterofthe Forges. Georges  <lb>
Olmet............................. 20  <lb>
1826  The Patriot Spy of  Brandywine.  <lb>
John F. Cowan...................  20  <lb>
1827  The Fair Maid of Perth.    Sir Wal-  <lb>
ter Scott.......................... 20  <lb>
1828  Barbara&apos;s Lovers. Clara Percy..... 20  <lb>
1829  Only Mattie Garland.    Lucy Ran-  <lb>
dall Comfort................&quot;...... 20  <lb>
1830  Lottie and Victorine; or,Working  <lb>
their Own  Way.     Lucy Randall  <lb>
Comfort..........................: 20  <lb>
1831   St. Ronan&apos;s Well.    Sir Walter Scott 20  <lb>
1832   Mabel and May.................... 10  <lb>
1833  The Mother&apos;s Secret; or, Whose  <lb>
Child Was She?    Magdalen Barrett 20  <lb>
1834  Jewel, the Heiress.   A Girl&apos;s Love  <lb>
Story.    Lucy Randall Comfort.... 20  <lb>
. Thb Depth of Love; or, A .Mother&apos;s  <lb>
Sacrifice........»...............    10  <lb>
1836 The Remarkable History of Sir  <lb>
Thomas Upmore, Bart.. AI. P.,  <lb>
Formerly known as &quot; Tommy Up-  <lb>
more.&quot;    R. D. Blackmore.......... 20  <lb>
NO.                                                                                                     PRICE.  <lb>
1837  The Bride   of  Monte - Cristo.    A  <lb>
Sequel to &quot;The Count of Monte-  <lb>
Cristo,&quot; by Alexander Dumas...... 20  <lb>
1838  Alice,  Grand  Duchess   of   Hesse  <lb>
Princess of Great Britain and  <lb>
Ireland. Biographical Sketch  <lb>
and Letters...................... 20  <lb>
1839  Market  IIarisorough   and   iNsrDE  <lb>
tiieBah.    J. G. Whyte-Melville___20  <lb>
1840  John IIoi.dswortii, Chief Mate. AV.  <lb>
Clark Russell ..................... 20  <lb>
1841  MÉRINDOL.    F. Du Boisgobey........ 20  <lb>
1842  The Iron AIask (Les Deux Merles de  <lb>
Monsieur de Saint-Mare). First half.  <lb>
F. Du Boisgobey..................  20  <lb>
1842  The Iron  AIask (Les Deux Merles de  <lb>
Alonsieur de Saint-Mars). Second  <lb>
half.   F. Du Boisgobey............ 20  <lb>
1843  In the West Countrie.    May Crom-  <lb>
melin............................. 20  <lb>
1844  Fair But False, and The Heiress  <lb>
of Arne.   By the Author of &quot; Dora  <lb>
Thorne&quot;..........................  10  <lb>
184,5 The Giant&apos;s Robe.    F. Anstey...... 20  <lb>
1846   The Three  Brides.    Charlotte AI.  <lb>
.Yonge............................  20  <lb>
1847  A Fair Country AIaid.    D. Fairfax  <lb>
Byrrne............................  20  <lb>
1848   The Black Dwarf, aud A Legend  <lb>
OF Montrose. By Sir Walter  <lb>
Scott, Bart........................  20  <lb>
1849  Godfrey Helstone.    By  Georgiana  <lb>
AI. Craik.......................... 20  <lb>
1850  Silvermead.   By Jean MidcUemas... 20  <lb>
1851   Princess Napraxine.   By &quot;Ouida.&quot; 20  <lb>
1852  M.Y Ducats and My Daughter...... 20  <lb>
1853  Love and Money; pr, A Perilous  <lb>
Secret.    Charles Reade........... 20  <lb>
1854  Piccadilly.    A Fragment of Contem-  <lb>
porary Biography. By Laurence Oli-  <lb>
phant ............................  10  <lb>
1855  The Betrothed. AlessandroManzoni  <lb>
First half......................... 20  <lb>
18.55 The Betrothed. Alessandro Manzoni  <lb>
Secoud half........................ 20  <lb>
1856   &quot;I Say No.&quot;   Wilkie Collins........ 20  <lb>
1857  Dissolving Views. Airs. Andrew Lang 20  <lb>
1858  Dorothy Forbter.    Walter Besant.&apos;. 20  <lb>
1859  Berna Boyle.    Airs. J. 11. Riddell.. 20  <lb>
1860   Lucia,  Hugh, and Another.    Airs.  <lb>
J. II. Needed.....................  20  <lb>
1861   Love   at  Long   Branch;   or,  Ink/.  <lb>
AIeriyai.e&apos;sFortunes. Lucy Ran-  <lb>
dall Comfort....................20  <lb>
1862  Venus&apos;s Doves. Ida Ashworth Taylor 20  <lb>
1863  The  Surgeon&apos;s   Daughters.     -Mrs.  <lb>
Henry Wood. A AIan of His  <lb>
Word.    W. E Norris.............  10  <lb>
1864  Lancelot     Ward,    AI.P.      George  <lb>
Temple........................... 20  <lb>
1865  PKVERn, of the  Peak.    Sir  Walter  <lb>
Scott, Bart........................ 30  <lb>
1866  The  Baby&apos;s  Grandmother.    L.  B.  <lb>
AValford.......................... 20  <lb>
1867  Lancaster&apos;s   Choice.     Airs.    Alex.  <lb>
McVeigh Miller.................... 20  <lb>
1868  A Fatal Dower.    liv Uie Author of  <lb>
&quot;His Wedded Wile&quot;............. 20  <lb>
1869  A Great AlrsTAKE.   Bv the Author of  <lb>
&quot; His Wedded Wife&quot;..............  20  <lb>
1870   A Fair .Maid.    F. W. Robinson..... 20  <lb>
1871  0»mnia  VANITAS:  A Tale  of Society.  <lb>
Airs. Forrester.....................  10  <lb>
1872   Under the Lilies and Roses.    Flor-  <lb>
ence Marryat (Mrs. Francis Lean)...  20  <lb>
1873  Zéro:   A Story of AIonte Carlo.  <lb>
Mrs. Campbell Praed.............. 20  <lb>
1874  Piédouche,   A  French Detective.  <lb>
(Le Coup d&apos; il.)   F. Du Boisgobey.  <lb>
1875  &quot;For Perciyal.&quot;    Margaret&quot;Veley..  <lb>
1S76 &quot;Corinna.&quot;   A Study.   &quot;Rita&quot;___  <lb>
1877  An Isiimaei.ite.    Aliss AI. E. Braddon  <lb>
1878  Klytia. &quot; A Story of Heidelberg Cas-  <lb>
tle.     George Taylor...............  <lb>
1879  For Life and   Love.    Alison.......  10  <lb>
1S80 Little Goldie.    A Story of Wom-  <lb>
an&apos;s Love.    Airs. Sumner Hayden.. 20  <lb>
&apos;.X  <lb>
20  <lb>
20  <lb>
0  <lb>
20  <lb>
20  <lb>
20  <lb>
20  <lb>
20  <lb>
NO.                                                                                                      PRIC-C.  <lb>
1881   Miss Tommy, and In a House-Boat.  <lb>
Aliss Mulock.................... io  <lb>
1882  Stella.    Fanny Lewald.    (From the  <lb>
German by Beatrice Marshall)......  <lb>
1883  Sunshine   and   Roses.     By the au-  <lb>
thor of &quot;DoraThorne &quot;............  <lb>
1884  Donal Grant.    George Macdonald..  <lb>
1885  The Sculptor&apos;s Daughter (Margot  <lb>
la Balafrée).   F. Du Boisgobey.   Frist  <lb>
half..................   ...........  <lb>
1885  The Sculptor&apos;s Daughter (Margot  <lb>
la Balafrée).   F. Du Boisgobey.  Sec-  <lb>
ond half..........................  20  <lb>
1886  Zénobie   Capitaine.     F.  Du   Bois-  <lb>
gobey.    First half................ 20  <lb>
1886  Zénobie   Capitaine.     F.   Du  Bois-  <lb>
gobey.    Second half............... 20  <lb>
1887  A &quot;Drawn Game.    Basil............. 20  <lb>
1888  Haco   the  Dreamer.    A Tale of  <lb>
Scotch University Life.   William  <lb>
Sime.............................. 20  <lb>
1889  The Blatchford Bequest, and Oth-  <lb>
er Stories.    Hugh Conway, author  <lb>
of &quot;Called Back&apos;&quot;................. 10  <lb>
1890  The Asiazon.    Carl Vosmaer......10  <lb>
1891  Doctor Jacob. Miss Betham-Edwards 20  <lb>
1892  Between  the   Heather   and   the  <lb>
Northern Sea.   AI. Linskill....... 20  <lb>
1893  Judith   Shakespeare:    Her   Love  <lb>
Affairs and Other Adventures.  <lb>
AVilliam Black..................... 20  <lb>
1894  The Water-Babies:  A Fairy Tali:  <lb>
for a Land-Baby.     Rev.  Charhs  <lb>
Kingsley, Canon of Chester.......  10  <lb>
1895  The Armourer&apos;s Prentices.    Char-  <lb>
lotte M. Yonge.................... 10  <lb>
1896  AIixed Motives....................  11 &gt;  <lb>
1897  The Daughter of the  Stars, and  <lb>
Other Tales.    Hugh Conway, au-  <lb>
thor of &apos; &apos; Called Back &quot;.......&apos;.....  10  <lb>
1898  Joy; or, The Light of CollvIIome  <lb>
Ford.    Alay Crommelin...........  20  <lb>
1899   A North Country AIaid.    Airs.  li.  <lb>
Lovett Cameron...........»........  20  <lb>
1900  Doris.    &quot;TheDuchess&quot;............ 10  <lb>
1901   AIlTCHELHURST      Pl.ACE.        Margaret  <lb>
Veley.............................  10  <lb>
1902 Love and Mirage; or, The Waiting  <lb>
on an Island.   Al. Betham-Edwards 10  <lb>
1903  »Iohn    Bull&apos;s   Neighbor    in   Her  <lb>
True Light.   By a &quot; Brutal Saxon &quot; 10  <lb>
1904  The Iron Hand.    F. AT arden...... 20  <lb>
1905  The Lover&apos;s   Creed.     Airs.   Cashel  <lb>
Hoey............................. 20  <lb>
1906  In   Cupid&apos;s Net.    Bertha  Al.   Clay,  <lb>
author of &quot; Dora Thorne &quot;.......*.  10  <lb>
&apos;i907 Dark Days.    Hugh* Conway........ 10  <lb>
1908  The Gambler&apos;s Wrr-&apos;E.............    20  <lb>
1909   Beyond Pardon.................... 20  <lb>
1910  A &quot;Week in Killarney.    By &quot;The  <lb>
Duchess&quot;......................... 10  <lb>
1911  Peril.    Jessie Fothergill............ 20  <lb>
1912  Two Years Before the AIast.    R.  <lb>
H. Dana. Jr....................... 20  <lb>
1913  Sworn to Silence; or. Aline Rod-  <lb>
ney&apos;s Secret.   Airs. Alex; McVeigh  <lb>
Aliller............................  20  <lb>
1914  By Mead and Stream. Charles Gibbon 20  <lb>
1915  The Mistletoe Bough.    Christmas.  <lb>
1884.    (Edited by Aliss Al. E. Brad-  <lb>
don)............................. 20  <lb>
1916  Face to Face:   A  Fact  in  Seven  <lb>
Fables.    R. E. Francillon........ 10  <lb>
1917  A Bit of Human Nature,    David  <lb>
Christie Murray................... 10  <lb>
1918  In Luck at Last.    Walter Besant___10  <lb>
1919  Tin: Prodigals: And Their Inherit-  <lb>
ance.    Mrs. Oliphant..............  10  <lb>
1920  A Woman&apos;s Love Story.    A Novel.. 10  <lb>
1921   The Portent.    George Macdonald.. 10  <lb>
1922  Phantastes:    A   Faerie   Romance  <lb>
for   AIen   and   Women.     George  <lb>
Alacdonald........................ 10  <lb>
1923  Raymond&apos;s Atonement.    (From  the  <lb>
German of E. Werner.)    By Chris-  <lb>
tina Tyrrell....................... 20  <lb>
1924  The Polish Jew.  Erckmann-Cluitrian 10  <lb>
For sale by .all newsdealers, or will be sent to any address, postage free, on receipt of IC cents for single numbers,  <lb>
and 25 cents for double numbers, by the publisher.    Parties ordering by mail will please order by numbers.  <lb>
(P. 0. Box 3751.)  <lb>
GEORGE MUMÏO, Publisher, 17 to 27 Vandewater St., New York.<lb>
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