<?xml version="1.0" encoding="UTF-8"?><mets:mets xmlns:mets="http://www.loc.gov/METS/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:lc="http://www.loc.gov/mets/profiles" xmlns:bib="http://www.loc.gov/mets/profiles/bibRecord" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mxe="http://www.loc.gov/mxe" OBJID="loc.music.tda.3322" PROFILE="lc:bibRecord">
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	    <mods:title>Mary</mods:title>
	  </mods:titleInfo>
	  <mods:name type="personal">
	    <mods:namePart>Cohan, George M.</mods:namePart>
	    <mods:role>
	      <mods:roleTerm type="text" authority="marcrelator">performer</mods:roleTerm>
	    </mods:role>
	  </mods:name>
	  <mods:genre authority="local">Theatrical Performance</mods:genre>
	  <mods:originInfo>
	    <mods:dateIssued>1920-10-18</mods:dateIssued>
	    <mods:dateOther/>
	  </mods:originInfo>
	  <mods:note type="venue">Knickerbocker Theater</mods:note>
	  <mods:abstract>Opened in Washington as The House that Jack Built, but with George M. Cohan at the helm no one was too startled by the change of title. One of the best loved and best remembered of the decade's shows. Anytime the book faltered, Cohan sent his dancers spinning and tapping across the stage.</mods:abstract>
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	  <mods:note type="source">Bordman, Gerald: American Musical Theatre: A Chronicle. New York: Oxford University Press (1992).</mods:note>
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	    <mods:titleInfo>
	      <mods:title>Tap Dance America</mods:title>
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	    <mods:titleInfo>
	      <mods:title>George M. Cohan (biography)</mods:title>
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	      <mods:url>loc.music.tdabio.68</mods:url>
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	    <mods:recordIdentifier source="IHAS">loc.music.tda.372</mods:recordIdentifier>
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