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	    <mods:title>LTD/Unlimited (Linda Sohl-Donnell) at Pilot Theatre</mods:title>
	  </mods:titleInfo>
	  <mods:name type="personal">
	    <mods:namePart>Sohl-Donnell (Ellison), Linda</mods:namePart>
	    <mods:role>
	      <mods:roleTerm type="text" authority="marcrelator">performer</mods:roleTerm>
	    </mods:role>
	  </mods:name>
	  <mods:genre authority="local">Concert</mods:genre>
	  <mods:originInfo>
	    <mods:dateIssued>1984-01-20</mods:dateIssued>
	    <mods:dateOther/>
	  </mods:originInfo>
	  <mods:note type="venue">Pilot Theater</mods:note>
	  <mods:abstract>Sohl as sole artistic director of the company.
    "Four/Four on the Swing Shift" dramatized the dichotomy by juxtaposing flaccid nightclub-weight jazz/modern dancing by one group to dynamic tapping by another; to a percussive score by Brent Lewis
    "Tap Rhapsody" avoided all the mechanical-unison clichés of group-tap and suavely complemented the elegant live accompaniment
    "Grey" modern dance work
    "Passengers in Curved Time" a film by Sohl-Donnell with percussive base

    (Lewis Segal, "LTD/Unlimited at the Pilot Theatre" Los Angeles Times Jan. 23, 1984, H3.)</mods:abstract>
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	      <mods:title>Performing Arts Encyclopedia</mods:title>
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	    <mods:titleInfo>
	      <mods:title>Tap Dance America</mods:title>
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	    <mods:titleInfo>
	      <mods:title>Linda Sohl-Donnell (biography)</mods:title>
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	    <mods:recordIdentifier source="IHAS">loc.music.tda.186</mods:recordIdentifier>
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