<!doctype tei2 public "-//Library of Congress - Historical Collections (American Memory)//DTD ammem.dtd//EN" [<!entity % images system "003602.ent"> %images;]><tei2>
<teiheader type="text" creator="National Digital Library Program, Library of Congress" status="new" date.created="2003/00/00">
<filedesc>
<titlestmt>
<amid type="aggitemid">lchtml-003602</amid>
<title>Two churches.  ...: a machine readable transcription.</title>
<amcol>
<amcolname>Lewis Carroll Scrapbook, Library of Congress
</amcolname>
<amcolid type="aggid"></amcolid>
</amcol>
<respstmt>
<resp>Selected and converted.</resp>
<name>American Memory, Library of Congress.
</name>
</respstmt>
</titlestmt>
<publicationstmt><p>Washington, DC, 2003.</p>
<p>Preceding element provides place and date of transcription only.</p>
<p>For more information about this text and this American Memory collection, refer to accompanying matter.</p>
</publicationstmt>
<sourcedesc>
<lccn></lccn>
<sourcecol>Rare Book & Special Collections Division, Library of Congress.</sourcecol>
<copyright>Public Domain</copyright>
</sourcedesc>
</filedesc>
<encodingdesc>
<projectdesc><p>The National Digital Library Program at the Library of Congress makes digitized historical materials available for education and scholarship.</p>
</projectdesc>
<editorialdecl><p>This transcription is intended to have an accuracy rate of 99.95 percent or greater and is not intended to reproduce the appearance of the original work. The accompanying images provide a facsimile of this work and represent the appearance of the original.</p>
</editorialdecl>
<encodingdate>2004/05/18</encodingdate>
<revdate></revdate>
</encodingdesc>
</teiheader>
<text type="publication">
<body>

<div>

<pageinfo>
<controlpgno entity="p0001">0001</controlpgno>
<printpgno></printpgno>
</pageinfo>


<p>THE TWO CHURCHES.</p>

<p>THE NEW.</p>

<p>Tis Sunday at our watering-place by the broad blue German Ocean; <lb>
The streets are still, the sands are bare, the cliffs forlorn and bleak; <lb>
The fly-boys and fly-horses have a pause in their devotion, <lb>
For if to labour be to pray, they&apos;ve been praying all the week. <lb>
A Sabbath stillness reigneth over earth and sea and sky, <lb>
All Nature round has gone to Church, so wherefore should not I?</p>

<p>The crack Church at our watering-place is very fine and new; <lb>
Pure Gothic down to <hi rend="italics">reredos</hi>, and <hi rend="italics">sedilia</hi>, and <hi rend="italics">piscina</hi>; <lb>
With poppy-heads on open seats&mdash;we scorn the cushioned pew <lb>
And our curate he intoneth, so that nothing can be finer; <lb>
And we&apos;ve candles on the altar, and occasionally flowers <lb>
In short, a small <hi rend="smallcaps">St. Barnabas</hi> is this new Church of ours.</p>

<p>&ldquo;So primitive!&rdquo; our Curate says&mdash;&ldquo;so truly Apostolic!<lb>
No Protestant distinctions of private seats and free!<lb>
Each portion of the building has significance symbolic:&rdquo;<lb>
Though, save the poppy-heads, nought&apos;s significant to me.<lb>
Their soporific meaning is clearly to be seen,<lb>
Thanks to the comment furished by the sleeping heads between.</p>

<p>But finer than our fine new Church&mdash;tiles, altar-cloth, and all,&mdash;<lb>
The gules, and or, and azure on nave and chancel-pane,&mdash;<lb>
And early-English lettering emblazoned on the wall,&mdash;<lb>
Are the &ldquo;miserable sinners&rdquo; whom these open seats contain:<lb>
Oh! the cloud of summer-muslins&mdash;oh! the flowered and beaded show<lb>
Of tiny summer bonnets, in gorgeous row on row!</p>


<pageinfo>
<controlpgno entity="p0002">0002</controlpgno>
<printpgno></printpgno>
</pageinfo>


<p><hi rend="smallcaps">October</hi> 3, 1857.]   PUNCH, OR THE LONDON CHARIVARI.   137</p>

<p>[Illustration]</p>

<p>Oh! cherry lips, and rosy cheeks, and glossy braided hair,<lb>
Crowned with dancing, dancing bugles, and flowers of myriad dyes!<lb>
The Curate he intoneth, but what thought have I for prayer,<lb>
&apos;Mid the rustle of the crinolines, the flashing of the eyes?<lb>
Are these miserable sinners, come for prayer, and praise, and psalm,<lb>
Or an animated series from <hi rend="italics">Le Courrier des Dames</hi>?</p>

<p>And the Rector takes his text, and is eloquent upon it&mdash;<lb>
How that &ldquo;all things here are vanity, and swiftly pass away;&rdquo;<lb>
And each lady scans the pattern of her neighbour&apos;s gown or bonnet,<lb>
And each gentleman&apos;s a critic of toilettes for the day.<lb>
And out I come, much edified, &apos;mid the organ&apos;s solemn swells,<lb>
With a lively sense how much I owe to these &ldquo;church-going belles.&rdquo;</p>


<p>THE OLD.</p>

<p>&apos;Tis Sunday at the village that lies three miles away;<lb>
A pleasant morning&apos;s walk from our watering-place &apos;twill be:<lb>
So I&apos;ll leave our bran-new Gothic Church, and service for the day,<lb>
Our hotels and lodging-houses, with their fine views of the sea;<lb>
And for watering-place gay toilettes, and watering-place church belles,<lb>
Content myself with field-flowers&mdash;coy beauties of the dells.</p>

<p>The Old Church at the village is very damp and small:<lb>
And the house-leek and the moss clothe its low-pitched roof with green;<lb>
And the inside has no primitive symbolism at all&mdash;<lb>
Nor <hi rend="italics">reredos</hi>, nor <hi rend="italics">sedilia</hi>, nor <hi rend="italics">piscina&apos;s</hi> to be seen;<lb>
And &apos;tis blocked up with a gallery, and desecrate with pews,<lb>
And it shrinks back, grey and shabby, behind its churchyard yews.</p>

<p>No painted window casteth a dim religious light:<lb>
No encaustic <hi rend="smallcaps">Minton</hi>-tiling hides the damp and broken floor:<lb>
The Creed and Ten Commandments are in modern letters quite:<lb>
On hard and narrow free-seats, sit the humble village poor:<lb>
But the &ldquo;miserable sinners&rdquo; those narrow seats within,<lb>
Show more misery than our watering-place M.S., if not more sin.</p>

<p>But through the open porch comes the sweet, sweet summer air,<lb>
And the rustle of the churchyard trees blends sweetly with the psalm,<lb>
And their ever-moving shadow chequers each pavement-square,<lb>
And all about the humble place there broods a holy calm;<lb>
And crinolines and flounces, beads and bugles are unknown:<lb>
So I sit and stilly worship, as if I were alone.</p>

<p>Till I hear a sigh beside me and a smothered sound of prayer&mdash;<lb>
And turning, with bowed head and clasped fingers, at my side,<lb>
Of a miserable sinner I am suddenly aware&mdash;<lb>
An old dame in poke bonnet, and scanty cloak new-dyed:<lb>
And I thought how such a spectacle, in that New Church of ours,<lb>
Would jar with bran new symbols, and bugles, beads, and flowers!</p>

<p>And I felt how these two Churches, and their worshippers agree;<lb>
Tiles, glass, and chanting curate, flowery altar, painted stone,<lb>
With rustling crinolines, beads and bugles flashing free,<lb>
And this poor old village church with that still and stooping crone:<lb>
And in spite of pews and gallery, low roof, and windows bare,<lb>
I was somehow nearer Heaven in that lowly house of prayer.</p>


</div>
</body>
</text>
</tei2>